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BEGIN:VEVENT
DTSTAMP:20160309T163823
DTSTART;TZID=America/Detroit:20160421T090000
DTEND;TZID=America/Detroit:20160421T170000
SUMMARY:Exhibition:A Wall in Process
DESCRIPTION:This wall-in-process represents a snapshot into the year long collaborative project Humanize the Numbers at the University of Michigan. Led by Virginia artist and prison reform activist Mark Strandquist\, this campus-wide endeavor aims to link together community partners—prison reformers and advocates\, faculty\, staff\, students\, artists\, the incarcerated\, and their families—in various artistic outputs to foster knowledge and to reveal the human face of the Michigan prison system. \n\nWhat will emerge on this wall over the course of its eight week duration is the product of partnerships between the Institute for the Humanities and artists and prison reform activists. We have collected material from the Prison Creative Arts Program (PCAP)\, the Citizens’ Alliance on Prisons and Public Spending (CAPPS)\, Ana Fernandez’s undergraduate printmaking course in the Residential College\, Natalie Holbrook from the American Friends Service Committee (AFSC)\, the AFSC’s Good Neighbor Letter Writing Project as facilitated by Ron Simpson-Bey\, and a quilting workshop in a Michigan girls’ treatment unit facilitated by Theadra Fleming and Heather Martin. \n\nThis wall is not static\, fixed\, or ever meant to be complete. Its appearance will change week by week\, both in an additive and reductive sense. The room will also serve as a meeting place for lectures and workshops by Humanize the Numbers partners throughout the exhibit’s duration. Displaying both the seemingly mundane and the extraordinary\, the wall aims to engage viewers and garner interest in the pursuit of knowledge on Michigan’s prison system\, acting as a humanistic lens into the lives affected by our prison system on a personal\, institutional\, statewide\, and nationwide scope.
UID:28555-2757595@events.umich.edu
URL:https://events.umich.edu/event/28555
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition,Public Policy,Social Justice
LOCATION:202 S. Thayer - Osterman Common Room
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20160316T171311
DTSTART;TZID=America/Detroit:20160421T090000
DTEND;TZID=America/Detroit:20160421T170000
SUMMARY:Exhibition:Accent Elimination
DESCRIPTION:About Accent Elimination\n\nNina Katchadourian’s work Accent Elimination\, the last installation in the Institute’s Year of Conversions\, meanders and parses through our notions of identity. Katchadourian considers the ongoing quandary of where we really come from\, who we are\, trying to isolate our sense of ourselves in counterpoint with the way people define or judge us based upon their assumptions. It is\, of course\, the unique combination of things that offers our most comprehensive and authentic self-reflection\, not one thing or another\, and this amalgamation is to some degree indecipherable.\n\n\nAlthough they have lived in the United States for over 45 years\, Katchadourian’s foreign-born parents both have distinctive but hard-to-place accents that the artist has never been able to imitate correctly. Inspired by posters around New York advertising courses in “accent elimination\,” Katchadourian decided to hire a professional who could teach her to speak in each of her parents’ accents and teach them to speak with a so-called “standard American accent.” Katchadourian and her parents took intensive lessons with accent coach Sam Chwat at his office every other day for several weeks\, and also practiced in the artist’s studio between lessons. They worked with two scripts: one written by her mother and the other by her father\, both modeled on the typical conversation that each of them has when talking with a stranger who notices an accent and is curious about its origins.\n\nKatchadourian plays the part of the stranger. The dialogues are first performed in everyone’s natural accents\, then at the end of the piece\, after much practice and struggle\, they attempt to perform the\nsame scripts—in the best version they can muster—of their new accents.\n\nIn light of recent and all-too-familiar seismic political shifts consumed with “otherness\,” and building walls rather than bringing them down\, Accent Elimination feels especially prescient. It reminds us there\nare so many layers that comprise our cultural identities\, stacked up like markers\, artifacts of our points of origin as well as our extraordinary journeys. It is an ongoing and painstaking process as to what we save and what we lose along the way by choice\, necessity\, or circumstance. And in all of this\, perhaps we discover ourselves on common ground.\n\nAccent Elimination was included at the 2015 Venice Biennale in the Armenian pavilion\, which won the Golden Lion for Best National Participation. Nina Katchadourian is represented by Catharine Clark Gallery.\n\nNina Katchadourian’s University of Michigan visit is the result of a collaboration between the Institute for the Humanities and the Armenian Studies Program.
UID:28557-2757641@events.umich.edu
URL:https://events.umich.edu/event/28557
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition,Film,History,Language,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20160319T130732
DTSTART;TZID=America/Detroit:20160421T090000
DTEND;TZID=America/Detroit:20160421T190000
SUMMARY:Exhibition:Fellow Fellows
DESCRIPTION:The University of Michigan's Taubman College of Architecture and Urban Planning presents...\"Fellow Fellows\"\, the Architecture Fellows Presentation and Exhibition Opening. \n\nThe exhibition of projects of the 2015-2016 Architecture Fellows opens on Wednesday\, March 23 and runs through the end of the Winter term (May 2). The Fellows will present their projects to the college at 6:00 p.m. in the Auditorium. The projects present their ongoing research during their yearlong fellowship. A reception will follow the presentations\, with exhibition on view in the college gallery.\n\n\nCyrus Peñarroyo - William Muschenheim Fellow\n\nBLDG_DRWG\nBLDG_DRWG recoups handwrought drawing effects and rearranges drawing conventions at the building scale in order to reorient the ways in which architecture is produced and consumed. Oscillating between analog methods (ink\, paint\, tape) and digital processes (scanning\, photoshop filtering\, milling)\, this project intensifies attributes of drawing otherwise lost in translation. A series of 1:1 investigations harnesses the potency of these effects and uses them to emphasize\, deemphasize\, or reconstitute existing architectural conditions. The results of these studies are reassembled in the gallery as a room––one fragment of an unfinished building––that speaks to the instability of its own representation.\n\nTeam members: Andrew Barkhouse\, Peter Watkins\nWith assistance from: Chris Campbell\, Samantha Eng\, Matt Culver\, Asa Peller\, Tafhim Rahman\n\n\nAshley Bigham - Walter B. Sanders Fellow\n\nSafety Not Guaranteed\nArchitecture is inseparable from defense. From its most primitive and revered “origins\,” architecture was rehearsed in environments of conflict. As an alternative to the term defense architecture\, a category which typically refers to forms and types (fortresses\, citadels\, bastions\, urban walls)\, this project proposes the idea of an architecture of defense. An architecture of defense sees all of architecture as a reaction to some measure of paranoia and studies the built environment to recognize measures and methods used to subdue these fears. Safety Not Guaranteed explores the architecture of paranoia through a series of design manipulations and exaggerations. Its setting is the network of suburbia and everyday domestic scenes—spaces most commonly associated with privacy\, safety\, and security and where fortification occurs on the scale of the front door\, the home\, the cul-de-sac\, and the neighborhood.\n\nTeam Members: Connor Brindza\, James Howe\, Neall Oliver\, Sasha Pfeiffer\, Mark Boynton\, Kamsy Anyachebelu\n\n\nDavid Eskenazi - Willard A. Oberdick Fellow\n\nFor the Trees\nAt first I noticed how naked the papers were\, since they didn’t seem to be acting like something else. I guess they were supposed to be models\, it was an architecture exhibit after all\, but they were missing all those things that point elsewhere: no doors\, no windows\, nothing that particularly looks like anything but itself. They were formed\, sure\, but that’s not really enough to point outwards. Or is it? Before you answer\, there was one more thing: some of the papers were near an enlarged duplicate. Actually\, maybe they were shrunken copies. It was a lot like that moment at the top of Runyon Canyon when you turn around and realize there’s an entire other\, slightly smaller Los Angeles behind you. Were you just looking at the original\, or the copy? I think the most interesting part is right afterwards when your focus shifts around you to the ground\, the dirt\, the trees.. all that stuff that frames what you’re looking at\, like the base of a model or scale figures or model trees. Come to think of it\, the papers did look like trees. But the resemblance is fleeting\, and now I’m certain the papers were in fact models pointing around at each other. Or were they in the background\, acting like a frame for something else\, something that wasn’t there?\n\n\nAbout University of Michigan Taubman College of Architecture and Urban Planning:\n\nThe Taubman College of Architecture and Urban Planning at the University of Michigan is a leader in interdisciplinary education and research with a focus on creating a more beautiful\, inclusive and better built environment. The college and its alumni are committed to pushing the boundaries of architectural practice\, advancing global engagement\, and significantly enhancing diversity in the profession. The college offers the following degrees: Bachelor of Science in Architecture\, Master of Architecture (currently ranked #6 nationally\; ranked #1 in 2010 by Design Intelligence Report)\, Master of Science in Architecture\, Master of Urban Planning\, Master of Urban Design\, and PhD programs.
UID:29842-3230279@events.umich.edu
URL:https://events.umich.edu/event/29842
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Architecture,Education,Graduate,Graduate School,Lecture
LOCATION:Art and Architecture Building - Auditorium (Rm 2104)
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20170815T160036
DTSTART;TZID=America/Detroit:20160421T090000
DTEND;TZID=America/Detroit:20160421T170000
SUMMARY:Conference / Symposium:II North American Symposium of Galician Studies
DESCRIPTION:Organizers: Cristina Moreiras-Menor (University of Michigan-Ann Arbor)\, Gabriel Rei-Doval (University of Wisconsin-Milwakee) y Benita Sampedro Vizcaya (Hofstra University).\n\nFor more information\, please contact Cristina Moreiras-Menor (moreiras@umich.edu)
UID:27162-2324554@events.umich.edu
URL:https://events.umich.edu/event/27162
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Discussion,symposium
LOCATION:Rackham Graduate School (Horace H.)
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20160314T181550
DTSTART;TZID=America/Detroit:20160421T090000
DTEND;TZID=America/Detroit:20160421T190000
SUMMARY:Exhibition:Mind Your Head: The 2016 Stamps Senior Show
DESCRIPTION:Mind Your Head: The 2016 Stamps Senior Show features work in a range of media by 92 graduating BFA\, BA\, and Interarts students at the Penny W. Stamps School of Art & Design at the University of Michigan. The exhibition unfolds over 17 days in five exhibition sites throughout the city of Ann Arbor: Michigan Theater\, Duderstadt Video Studio\, Slusser Gallery\, Work Gallery\, and Argus Building. Each space will be host to key exhibition events including film/video screenings\, live performance\, and opening receptions. The exhibition is free and open to the public.\n\nExhibition Openings & Events\n\nThursday\, April 14\nScreenings: Michigan Theater\, 603 East Liberty Street\, 4 - 5:30 pm\nLive performance and Screenings: Duderstadt Video Studio\, 2281 Bonisteel Boulevard\, 7 pm\n\nFriday\, April 15\nOpening Reception: Slusser Gallery\, 2000 Bonisteel Boulevard\, 5 - 8 pm\nLive performance and Screenings: Duderstadt Video Studio\, 2281 Bonisteel Boulevard\, 7 pm\n\nSaturday\, April 16\nOpening Reception: Work Gallery\, 306 South State Street\, 5 - 8 pm\nOpening Reception: Argus Building\, 400 Fourth Street\, 6 - 9 pm\n\nVenues\n\nSlusser\nOpen during exhibitions Monday through Friday: 9 am - 5 pm\, Saturday: 12 - 5 pm. Closed Sundays and Holidays.\n2000 Bonisteel Blvd. Ann Arbor\, MI 48109-2069\n\nWork: Ann Arbor\nOpen during exhibitions Tuesday through Saturday\, 12 pm to 7 pm. Closed Sundays\, Mondays and Holidays. \n306 State Street\, Ann Arbor\, MI 48104\n\nArgus II Building\nOpen during exhibitions Tuesday through Saturday\, 12 pm to 7 pm. Closed Sundays\, Mondays and Holidays. \n400 4th Street\, Ann Arbor\, MI
UID:29703-3187063@events.umich.edu
URL:https://events.umich.edu/event/29703
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Exhibition,Film
LOCATION:Off Campus Location
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20160311T101809
DTSTART;TZID=America/Detroit:20160421T090000
DTEND;TZID=America/Detroit:20160421T170000
SUMMARY:Other:Service Cords for Graduating Students
DESCRIPTION:Our goal is to recognize students at graduation that have -- through voluntary service\, activism and advocacy\, or other forms of civic engagement -- helped address or make positive change around a specific social issue in partnership with economically or socially marginalized communities beyond campus.\n\nLearn more and apply here: ginsberg.umich.edu/servicecords
UID:29629-3155176@events.umich.edu
URL:https://events.umich.edu/event/29629
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Commencement,Community Service,Social Impact,Social Justice,Volunteer
LOCATION:Ginsberg Center for Community Service and Learning
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20160321T124704
DTSTART;TZID=America/Detroit:20160421T090000
DTEND;TZID=America/Detroit:20160421T120000
SUMMARY:Workshop / Seminar:The New Normal: How to Succeed in this Ever-Changing Environment
DESCRIPTION:We're expected to deal with new things everyday: technology\, reorganizations\, new leaders\, changing work needs\, and our ever-evolving personal life. The problem is\, our brains are wired to NOT want to change. This fun and self-reflective workshop will give you an opportunity to understand why change may be difficult for you personally and what you can do to make it easier. \n\nDue to popular demand\, this is an expansion of the workshop: Use Your Head! Change and Growth the Eas(ier) Way that was presented at both the Connecting the Dots conference and the Women of Color Career Conference in 2015.\n\nYou will learn to:\n\nIdentify the 3 most important parts of the brain that affect how people respond to change\nExamine your personal barriers to accepting change\nSelect tools to lessen your resistance to change\nExplain why the brain resists change\nRecognize where you are in the cycle of change acceptance\n\nYou will benefit by:\n\nDetermining ways to increase your ability to accept change\nSelecting activities that are easy to use in your daily life that will lessen your brain’s resistance\nApplying models to assist you in being more comfortable with change\n\nAudience:\n\nAnyone who is interested in becoming more comfortable with change or who must assist others during times of change
UID:29288-3058440@events.umich.edu
URL:https://events.umich.edu/event/29288
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Career,Leadership,Networking,Professional Development,Workshop
LOCATION:Michigan Union - Anderson Room
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20160421T134632
DTSTART;TZID=America/Detroit:20160421T100000
DTEND;TZID=America/Detroit:20160421T140000
SUMMARY:Fair / Festival:Butterfly Festival
DESCRIPTION:Explore the beautiful and fascinating world of butterflies and life cycles! Watch live Monarchs and take a close look at how they travel through each stage of their life cycle. Metamorphose into a butterfly with your own wings! Get your hands dirty by planting new perennials in our butterfly garden (weather permitting).\n\nFree and open to the public. \nummnh.org
UID:30343-3522067@events.umich.edu
URL:https://events.umich.edu/event/30343
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Family,Festival,Free,Museum
LOCATION:Off Campus Location
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20160229T085728
DTSTART;TZID=America/Detroit:20160421T100000
DTEND;TZID=America/Detroit:20160421T163000
SUMMARY:Exhibition:Exhibit: A Cloth of Earth and Sky
DESCRIPTION:Every culture has found ways to restore body\, mind\, and spirit in nature. In this exhibit\, African-American quilters from the Great Lakes region interpret how plants\, gardens\, and nature are embedded in cultural awareness and expressions of health. The exhibit includes contemporary works that express cultural legacy based in the art of quilting related to individual and shared healing. Students from Flint's Eagle's Nest Academy also contributed works for display in the exhibit. Sponsored by the Great Lakes African American Quilters Network & Matthaei-Nichols
UID:27086-3056205@events.umich.edu
URL:https://events.umich.edu/event/27086
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:African American,Culture,Environment,Multicultural,Visual Arts
LOCATION:Matthaei Botanical Gardens
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20160323T081336
DTSTART;TZID=America/Detroit:20160421T100000
DTEND;TZID=America/Detroit:20160421T163000
SUMMARY:Exhibition:Exhibit: Hidden Worlds: The Universe of Pollen Revealed in Large-scale Ceramic Sculptures
DESCRIPTION:Inspired by the beautiful forms that pollen takes\, the amazing power of these tiny grains of life\, and the challenges that honeybees and pollinators face\, U-M Stamps School of Art & Design professor Susan Crowell fashioned large-scale ceramic sculptures of pollen. The sculptures will be displayed in the conservatory at Matthaei Botanical Gardens. As part of the exhibit Crowell has also created three sculptures of  pollen collected from the 80-year-old agave that bloomed at Matthaei in 2014. The agave pollen sculptures are based on scanning electron microscope images of the pollen taken by the U-M Hospitals imaging lab.
UID:27101-3065089@events.umich.edu
URL:https://events.umich.edu/event/27101
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Environment,Visual Arts
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20151118T144634
DTSTART;TZID=America/Detroit:20160421T100000
DTEND;TZID=America/Detroit:20160421T170000
SUMMARY:Exhibition:From Christianity to Islam: Egypt between Late Antiquity and the Early Middle Ages
DESCRIPTION:Selected papyri from the University of Michigan's Papyrology Collection illustrate the government\, society\, and religious culture of Egypt during its transition from Byzantine Christian to Arab Islamic rule (4th to 8th centuries AD). Texts Greek\, Coptic Egyptian\, and Arabic\, many never before on public display\, further highlight the richness and diversity of the U-M Collection.\n\nOn display Monday through Friday\, 10am to 5pm.
UID:26651-2127472@events.umich.edu
URL:https://events.umich.edu/event/26651
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition,Free,History,Library
LOCATION:Hatcher Graduate Library - 7th Floor Exhibit Space
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20160421T105421
DTSTART;TZID=America/Detroit:20160421T100000
DTEND;TZID=America/Detroit:20160421T110000
SUMMARY:Exhibition:Picture This!
DESCRIPTION:An exhibit of photographs taken of and by young patients—many of whom were born with facial differences or cleft palates—in U-M Mott Hospital’s Craniofacial Anomalies Program. Paired with professional photographers\, the children learned new ways to look at and through the camera lens.
UID:30488-3519957@events.umich.edu
URL:https://events.umich.edu/event/30488
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition,Family,Free,Health & Wellness,Storytelling,Visual Arts
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20160302T145922
DTSTART;TZID=America/Detroit:20160421T100000
DTEND;TZID=America/Detroit:20160421T113000
SUMMARY:Lecture / Discussion:TELLING THE TRUTH ABOUT THE LIBERAL ARTS- AT UM AND ELSEWHERE
DESCRIPTION:What exactly is a “liberal arts” education in America and where did it come from? The current ferocious debate over the value and future of a liberal arts 
education in America is marked by a failure on all sides to answer these questions. By looking at the general history of the liberal arts in some of America’s leading 
universities and a case study of University of Michigan\, this lecture will attempt to clarify and explain its history. Seen in this historical context\, the liberal arts today may be both more and less than its advocates and critics contend.\n\nTerrence McDonald became the Director of the Bentley Historical Library at the UM after serving for ten years as Dean of the University’s college of liberal arts\, called the College of Literature\, Science\, and the Arts. 
He joined the UM faculty after receiving his doctorate in American history from Stanford University.\n\nThis is the third in a six-lecture series. The subject is The Power of the Liberal Arts. The next lecture will be April 28\, entitled THE VISUAL ARTS AS A HUMANIST LENS INTO THE EXPERIENCE OF BEING HUMAN
UID:29344-3076202@events.umich.edu
URL:https://events.umich.edu/event/29344
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Education,Lifelong Learning,Retirement
LOCATION:Off Campus Location
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20160404T105502
DTSTART;TZID=America/Detroit:20160421T110000
DTEND;TZID=America/Detroit:20160421T170000
SUMMARY:Exhibition:Albert Kahn: Under Construction
DESCRIPTION:In the past two decades there has been a tremendous swell of interest in Detroit architect Albert Kahn (1869–1942)\, arguably the most important architect of American industrialization. Albert Kahn: Under Construction focuses on the remarkable archive of photographs assembled by Albert Kahn Associates while building the powerhouses of American industry\, from the Highland Park Ford Plant to the Willow Run Bomber Plant. Shot by an array of professional photographers based mainly in Detroit\, these often striking documentary images were a novel strategy for conveying information about the daily progress of construction to busy managers at the main office. The exhibition foregrounds the photographic series as a way of illustrating change over time—showing buildings as they grew on site—and Kahn’s innovative solutions to the architectural challenges of his day.\n\n**Special hours Sundays: 12–5pm\, CLOSED Mondays
UID:29456-3120406@events.umich.edu
URL:https://events.umich.edu/event/29456
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Architecture,Art,Exhibition,Museum,UMMA
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20160308T121704
DTSTART;TZID=America/Detroit:20160421T110000
DTEND;TZID=America/Detroit:20160421T170000
SUMMARY:Exhibition:Siebren Versteeg: LIKE II (2016)
DESCRIPTION:In Siebren Versteeg’s LIKE II (2016)\, a computer painting program creates a composition using a continuously changing algorithm\, and then runs a periodic Google search to find a matching image online. Every sixty seconds\, the painting made by the computer is uploaded to Google’s “search by image” feature\, and images that most closely match the composition are then downloaded and displayed.\n\nThe notion of abstraction plays a central role in this work. Throughout modernity\, artists have sought inventive ways to free painting from its tradition as a representational medium. LIKE II inverts this ambition\, finding the reality hidden within pure abstraction. Because the work evolves based on whatever content is available online at any given moment\, the artist relinquishes a certain degree of creative control. Versteeg says\, “As the nature of the images presented by the work is random\, the artist assumes both all and no responsibility for their presence and content.”\n\n**Special hours Sundays: 12–5pm\, CLOSED Mondays
UID:29503-3129490@events.umich.edu
URL:https://events.umich.edu/event/29503
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Exhibition,Information and Technology,Museum,UMMA,Visual Arts
LOCATION:Museum of Art - Media Gallery
CONTACT:
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