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DTSTART:20070311T020000
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BEGIN:VEVENT
DTSTAMP:20160325T125604
DTSTART;TZID=America/Detroit:20160404T080000
DTEND;TZID=America/Detroit:20160404T200000
SUMMARY:Exhibition:Gifts of Art presents Surface & Structure: Jewelry & Metals
DESCRIPTION:Kristine Bolhuis is an independent jewelry maker working out of her studio in Ann Arbor\, Michigan. Her recent work has focused on lightweight metal constructions that move\, flex and collapse. She creates her work at the bench where it is conceived of and constructed from start to finish. She feels her process is one of exploration and discovery\, and it is full of surprises.
UID:29993-3285051@events.umich.edu
URL:https://events.umich.edu/event/29993
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Health & Wellness
LOCATION:University Hospitals - Gifts of Art Gallery — University Hospital Main Corridor, Floor 2.
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20160325T125124
DTSTART;TZID=America/Detroit:20160404T080000
DTEND;TZID=America/Detroit:20160404T200000
SUMMARY:Exhibition:Gifts of Art presents Swimming Upstream: Quilts
DESCRIPTION:Self-taught textile artist\, author and curator Bonnie J. Smith lives and works in San Jose\, California. She attended Indiana University-Purdue University\, Indianapolis Campus (IUPUI)\; and Indiana Central College\; and has taken Master Dyeing Classes at Dartmouth College. Smith received the 2015 NICHE Award for design\, and her textile work was selected for exhibition in the United Nations\, Geneva\, Switzerland (2016). Swimming Upstream tells her personal journey with an injury that placed her temporarily in a wheel chair\, to finally finding the courage to start creating art and living life again.
UID:29991-3284891@events.umich.edu
URL:https://events.umich.edu/event/29991
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Health & Wellness
LOCATION:University Hospitals - Gifts of Art Gallery — University Hospital Main Lobby, Floor 1.
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20151211T113926
DTSTART;TZID=America/Detroit:20160404T080000
DTEND;TZID=America/Detroit:20160404T170000
SUMMARY:Exhibition:Gifts of Art presents Works by Belle Kogan: First Female Industrial Designer
DESCRIPTION:This exhibition presents industrially-produced art pottery pieces designed by Belle Kogan (1902–2000)\, for Red Wing Potteries in Red Wing\, Minnesota. Kogan is considered the first prominent female industrial designer in the United States\, a founder of the profession\, and one of the 20th century's most significant designers. Her design aesthetic was heavily influenced by the geometric and streamlined shapes of Art Deco. Belle Kogan Associates\, her New York–based studio\, was the first American female-led design firm. Her contracts with Red Wing Potteries produced over 400 different art pottery shapes from the late 1930s to the early 1960s\, as well as several dinnerware and kitchenware lines. Belle Kogan and her firm designed products not only in ceramics but also clocks and small appliances\, glassware\, and pieces in silver\, plastics\, wrought iron and wood.
UID:27190-2333979@events.umich.edu
URL:https://events.umich.edu/event/27190
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Health & Wellness
LOCATION:University Hospitals - Gifts of Art Gallery — Cancer Center Elevator Alcove, Level 2
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20160310T165634
DTSTART;TZID=America/Detroit:20160404T080000
DTEND;TZID=America/Detroit:20160404T235900
SUMMARY:Exhibition:Intersections/Connections
DESCRIPTION:This International Studies exhibit focuses on materials from across the world\, including many nations and cultures. Rather than displaying each area separately\, the exhibit concentrates on the connections and intersections among disparate regions.
UID:29615-3148119@events.umich.edu
URL:https://events.umich.edu/event/29615
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition,Library
LOCATION:Hatcher Graduate Library - Clark Library, 2nd Floor
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20160211T131722
DTSTART;TZID=America/Detroit:20160404T080000
DTEND;TZID=America/Detroit:20160404T220000
SUMMARY:Exhibition:Jon Onye Lockard: Celebrating His Life and Legacy\, 1932-2015
DESCRIPTION:This exhibit\, on display in the Fine Arts Library\, honors the life and work of the late U-M Professor Jon Onye Lockard\, who was instrumental in the development of African-American arts and culture in Michigan. His distinctive style of artistic expression captured the spirit of civil rights and black pride.\n\nAs an artist and educator\, Lockard was a mentor to many on the University of Michigan campus and beyond. Among other accolades\, he was a founder of the U-M Department of Afroamerican and African Studies. His paintings can be viewed across the U-M campus\, including many of the murals in residence hall multicultural lounges.\n\nHours: Sun 1-10pm\, Mon-Thurs 8am-10pm\, Fri 8am-5pm\, Sat 1-6pm\n\nJoin us for a reception on Tuesday\, February 23\, 3-6pm in the Fine Arts Library\, with honored guest Mrs. Leslie Kamil\, the artist's widow. Light refreshments will be served.
UID:28912-2895369@events.umich.edu
URL:https://events.umich.edu/event/28912
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Exhibition,Library,Multicultural,Visual Arts
LOCATION:Tappan Hall - Fine Arts Library
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20160310T165254
DTSTART;TZID=America/Detroit:20160404T080000
DTEND;TZID=America/Detroit:20160404T235900
SUMMARY:Exhibition:Winteractive: The Art of Video Games
DESCRIPTION:What does it mean for a game to be art? Many independent game developers stretch the definition of what a game can be and create games that blur the boundaries between art and traditional entertainment.\n\nThe games in this exhibition—all created by individual or small groups of developers—will lead you into realms of sound and beauty\, or provoke reflection on the human condition\, or entertain you with innovative takes on established game genres—or perhaps all of the above at once!\n\nThis is a hands-on exhibition. We invite you play and explore the games\, and offer your thoughts at http://bit.ly/winteractive\n\nSponsored by the Ann Arbor District Library and the University of Michigan Library Computer & Video Game Archive.
UID:29614-3148089@events.umich.edu
URL:https://events.umich.edu/event/29614
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition,Games,Library
LOCATION:Hatcher Graduate Library - Gallery (Room 100)
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20151118T141053
DTSTART;TZID=America/Detroit:20160404T083000
DTEND;TZID=America/Detroit:20160404T190000
SUMMARY:Exhibition:Shakespeare on Page and Stage: A Celebration
DESCRIPTION:This exhibit is a historical journey through different versions of Shakespeare’s plays as they were edited for publication or interpreted  for the stage. Starting with the Second Folio (1632)\, our display includes a selection of landmark editions by authors and scholars like John Dryden\, Nicholas Rowe\, Alexander Pope\, Samuel Johnson\, and Edmond Malone. It explores the staging and costuming of productions such as Charles Kean’s archaeologically-informed\, elaborately-costumed 1856 production of The Winter’s Tale\, and Maurice Browne-Ellen Van Volkenburg 1930 production of Othello casting Paul Robeson as the first black actor to play Othello in a century.\n\nMost of the titles included in this display come from the McMillan Shakespeare Library. Materials are also displayed from the Maurice Browne and Ellen Van Volkenburg Papers\, 1792-1968 and the Zelma Weisfeld Archive\, 1954-2006. All these books and artifacts are held in the Special Collections Library.\n\nAudubon Room Hours: Monday-Friday 8:30 am to 7 pm\, Saturday 10 am to 6 pm\, Sunday 1 pm to 7 pm
UID:26647-2127351@events.umich.edu
URL:https://events.umich.edu/event/26647
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Books,Exhibition,Free,Library
LOCATION:Hatcher Graduate Library - Audubon Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20160309T163823
DTSTART;TZID=America/Detroit:20160404T090000
DTEND;TZID=America/Detroit:20160404T170000
SUMMARY:Exhibition:A Wall in Process
DESCRIPTION:This wall-in-process represents a snapshot into the year long collaborative project Humanize the Numbers at the University of Michigan. Led by Virginia artist and prison reform activist Mark Strandquist\, this campus-wide endeavor aims to link together community partners—prison reformers and advocates\, faculty\, staff\, students\, artists\, the incarcerated\, and their families—in various artistic outputs to foster knowledge and to reveal the human face of the Michigan prison system. \n\nWhat will emerge on this wall over the course of its eight week duration is the product of partnerships between the Institute for the Humanities and artists and prison reform activists. We have collected material from the Prison Creative Arts Program (PCAP)\, the Citizens’ Alliance on Prisons and Public Spending (CAPPS)\, Ana Fernandez’s undergraduate printmaking course in the Residential College\, Natalie Holbrook from the American Friends Service Committee (AFSC)\, the AFSC’s Good Neighbor Letter Writing Project as facilitated by Ron Simpson-Bey\, and a quilting workshop in a Michigan girls’ treatment unit facilitated by Theadra Fleming and Heather Martin. \n\nThis wall is not static\, fixed\, or ever meant to be complete. Its appearance will change week by week\, both in an additive and reductive sense. The room will also serve as a meeting place for lectures and workshops by Humanize the Numbers partners throughout the exhibit’s duration. Displaying both the seemingly mundane and the extraordinary\, the wall aims to engage viewers and garner interest in the pursuit of knowledge on Michigan’s prison system\, acting as a humanistic lens into the lives affected by our prison system on a personal\, institutional\, statewide\, and nationwide scope.
UID:28555-2757578@events.umich.edu
URL:https://events.umich.edu/event/28555
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition,Public Policy,Social Justice
LOCATION:202 S. Thayer - Osterman Common Room
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20160316T171311
DTSTART;TZID=America/Detroit:20160404T090000
DTEND;TZID=America/Detroit:20160404T170000
SUMMARY:Exhibition:Accent Elimination
DESCRIPTION:About Accent Elimination\n\nNina Katchadourian’s work Accent Elimination\, the last installation in the Institute’s Year of Conversions\, meanders and parses through our notions of identity. Katchadourian considers the ongoing quandary of where we really come from\, who we are\, trying to isolate our sense of ourselves in counterpoint with the way people define or judge us based upon their assumptions. It is\, of course\, the unique combination of things that offers our most comprehensive and authentic self-reflection\, not one thing or another\, and this amalgamation is to some degree indecipherable.\n\n\nAlthough they have lived in the United States for over 45 years\, Katchadourian’s foreign-born parents both have distinctive but hard-to-place accents that the artist has never been able to imitate correctly. Inspired by posters around New York advertising courses in “accent elimination\,” Katchadourian decided to hire a professional who could teach her to speak in each of her parents’ accents and teach them to speak with a so-called “standard American accent.” Katchadourian and her parents took intensive lessons with accent coach Sam Chwat at his office every other day for several weeks\, and also practiced in the artist’s studio between lessons. They worked with two scripts: one written by her mother and the other by her father\, both modeled on the typical conversation that each of them has when talking with a stranger who notices an accent and is curious about its origins.\n\nKatchadourian plays the part of the stranger. The dialogues are first performed in everyone’s natural accents\, then at the end of the piece\, after much practice and struggle\, they attempt to perform the\nsame scripts—in the best version they can muster—of their new accents.\n\nIn light of recent and all-too-familiar seismic political shifts consumed with “otherness\,” and building walls rather than bringing them down\, Accent Elimination feels especially prescient. It reminds us there\nare so many layers that comprise our cultural identities\, stacked up like markers\, artifacts of our points of origin as well as our extraordinary journeys. It is an ongoing and painstaking process as to what we save and what we lose along the way by choice\, necessity\, or circumstance. And in all of this\, perhaps we discover ourselves on common ground.\n\nAccent Elimination was included at the 2015 Venice Biennale in the Armenian pavilion\, which won the Golden Lion for Best National Participation. Nina Katchadourian is represented by Catharine Clark Gallery.\n\nNina Katchadourian’s University of Michigan visit is the result of a collaboration between the Institute for the Humanities and the Armenian Studies Program.
UID:28557-2757624@events.umich.edu
URL:https://events.umich.edu/event/28557
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition,Film,History,Language,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20160512T143154
DTSTART;TZID=America/Detroit:20160404T090000
DTEND;TZID=America/Detroit:20160404T170000
SUMMARY:Exhibition:Extreme Time
DESCRIPTION:Think you know all about time?  What about things that happen in femtoseconds or eons?  Time in the natural world is so extreme\, you can’t even perceive most of its scale unaided. You’ll be amazed by the types of time you can explore in our new exhibit\, and learn more about everyday time and how we measure it\, too!  The exhibit is open!
UID:27873-2579392@events.umich.edu
URL:https://events.umich.edu/event/27873
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Family,Free,Museum
LOCATION:Ruthven Museums Building
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20160319T130732
DTSTART;TZID=America/Detroit:20160404T090000
DTEND;TZID=America/Detroit:20160404T190000
SUMMARY:Exhibition:Fellow Fellows
DESCRIPTION:The University of Michigan's Taubman College of Architecture and Urban Planning presents...\"Fellow Fellows\"\, the Architecture Fellows Presentation and Exhibition Opening. \n\nThe exhibition of projects of the 2015-2016 Architecture Fellows opens on Wednesday\, March 23 and runs through the end of the Winter term (May 2). The Fellows will present their projects to the college at 6:00 p.m. in the Auditorium. The projects present their ongoing research during their yearlong fellowship. A reception will follow the presentations\, with exhibition on view in the college gallery.\n\n\nCyrus Peñarroyo - William Muschenheim Fellow\n\nBLDG_DRWG\nBLDG_DRWG recoups handwrought drawing effects and rearranges drawing conventions at the building scale in order to reorient the ways in which architecture is produced and consumed. Oscillating between analog methods (ink\, paint\, tape) and digital processes (scanning\, photoshop filtering\, milling)\, this project intensifies attributes of drawing otherwise lost in translation. A series of 1:1 investigations harnesses the potency of these effects and uses them to emphasize\, deemphasize\, or reconstitute existing architectural conditions. The results of these studies are reassembled in the gallery as a room––one fragment of an unfinished building––that speaks to the instability of its own representation.\n\nTeam members: Andrew Barkhouse\, Peter Watkins\nWith assistance from: Chris Campbell\, Samantha Eng\, Matt Culver\, Asa Peller\, Tafhim Rahman\n\n\nAshley Bigham - Walter B. Sanders Fellow\n\nSafety Not Guaranteed\nArchitecture is inseparable from defense. From its most primitive and revered “origins\,” architecture was rehearsed in environments of conflict. As an alternative to the term defense architecture\, a category which typically refers to forms and types (fortresses\, citadels\, bastions\, urban walls)\, this project proposes the idea of an architecture of defense. An architecture of defense sees all of architecture as a reaction to some measure of paranoia and studies the built environment to recognize measures and methods used to subdue these fears. Safety Not Guaranteed explores the architecture of paranoia through a series of design manipulations and exaggerations. Its setting is the network of suburbia and everyday domestic scenes—spaces most commonly associated with privacy\, safety\, and security and where fortification occurs on the scale of the front door\, the home\, the cul-de-sac\, and the neighborhood.\n\nTeam Members: Connor Brindza\, James Howe\, Neall Oliver\, Sasha Pfeiffer\, Mark Boynton\, Kamsy Anyachebelu\n\n\nDavid Eskenazi - Willard A. Oberdick Fellow\n\nFor the Trees\nAt first I noticed how naked the papers were\, since they didn’t seem to be acting like something else. I guess they were supposed to be models\, it was an architecture exhibit after all\, but they were missing all those things that point elsewhere: no doors\, no windows\, nothing that particularly looks like anything but itself. They were formed\, sure\, but that’s not really enough to point outwards. Or is it? Before you answer\, there was one more thing: some of the papers were near an enlarged duplicate. Actually\, maybe they were shrunken copies. It was a lot like that moment at the top of Runyon Canyon when you turn around and realize there’s an entire other\, slightly smaller Los Angeles behind you. Were you just looking at the original\, or the copy? I think the most interesting part is right afterwards when your focus shifts around you to the ground\, the dirt\, the trees.. all that stuff that frames what you’re looking at\, like the base of a model or scale figures or model trees. Come to think of it\, the papers did look like trees. But the resemblance is fleeting\, and now I’m certain the papers were in fact models pointing around at each other. Or were they in the background\, acting like a frame for something else\, something that wasn’t there?\n\n\nAbout University of Michigan Taubman College of Architecture and Urban Planning:\n\nThe Taubman College of Architecture and Urban Planning at the University of Michigan is a leader in interdisciplinary education and research with a focus on creating a more beautiful\, inclusive and better built environment. The college and its alumni are committed to pushing the boundaries of architectural practice\, advancing global engagement\, and significantly enhancing diversity in the profession. The college offers the following degrees: Bachelor of Science in Architecture\, Master of Architecture (currently ranked #6 nationally\; ranked #1 in 2010 by Design Intelligence Report)\, Master of Science in Architecture\, Master of Urban Planning\, Master of Urban Design\, and PhD programs.
UID:29842-3230262@events.umich.edu
URL:https://events.umich.edu/event/29842
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Architecture,Education,Graduate,Graduate School,Lecture
LOCATION:Art and Architecture Building - Auditorium (Rm 2104)
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20160311T101809
DTSTART;TZID=America/Detroit:20160404T090000
DTEND;TZID=America/Detroit:20160404T170000
SUMMARY:Other:Service Cords for Graduating Students
DESCRIPTION:Our goal is to recognize students at graduation that have -- through voluntary service\, activism and advocacy\, or other forms of civic engagement -- helped address or make positive change around a specific social issue in partnership with economically or socially marginalized communities beyond campus.\n\nLearn more and apply here: ginsberg.umich.edu/servicecords
UID:29629-3155159@events.umich.edu
URL:https://events.umich.edu/event/29629
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Commencement,Community Service,Social Impact,Social Justice,Volunteer
LOCATION:Ginsberg Center for Community Service and Learning
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20160311T162249
DTSTART;TZID=America/Detroit:20160404T090000
DTEND;TZID=America/Detroit:20160404T170000
SUMMARY:Exhibition:Special Exhibit:On the Trail of Wonder: Selections from the Collection of Rolf Sapoli
DESCRIPTION:What makes an object wonderful? Is it an objective quality that can be measured and studied? Or is it an instinctive reaction\, welling up within the observer\, prompting us to ask: where did this come from? What does it mean? Is it real?\nNoted natural philosopher Rolf Sapoli has generously lent prized pieces from his world-renowned collection to the U-M Museum of Natural History for a short-term imposition. Objects rarely seen in a museum will be on display\, including a native Michigan koala\, Henry Ford’s pet dodo\, and a miniature manatee.  The items will be integrated with the permanent collections and interspersed throughout the galleries\, creating a trail of wonderful objects.  How many will you find?  The exhibit opens March 26 and runs through April 10\, though Mr. Sapoli tells us the best viewing will be on Friday\, April 1\, at 4:01 pm.
UID:29579-3138785@events.umich.edu
URL:https://events.umich.edu/event/29579
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition,Free,Museum
LOCATION:Ruthven Museums Building
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20160229T085728
DTSTART;TZID=America/Detroit:20160404T100000
DTEND;TZID=America/Detroit:20160404T163000
SUMMARY:Exhibition:Exhibit: A Cloth of Earth and Sky
DESCRIPTION:Every culture has found ways to restore body\, mind\, and spirit in nature. In this exhibit\, African-American quilters from the Great Lakes region interpret how plants\, gardens\, and nature are embedded in cultural awareness and expressions of health. The exhibit includes contemporary works that express cultural legacy based in the art of quilting related to individual and shared healing. Students from Flint's Eagle's Nest Academy also contributed works for display in the exhibit. Sponsored by the Great Lakes African American Quilters Network & Matthaei-Nichols
UID:27086-3056188@events.umich.edu
URL:https://events.umich.edu/event/27086
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:African American,Culture,Environment,Multicultural,Visual Arts
LOCATION:Matthaei Botanical Gardens
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20160323T081336
DTSTART;TZID=America/Detroit:20160404T100000
DTEND;TZID=America/Detroit:20160404T163000
SUMMARY:Exhibition:Exhibit: Hidden Worlds: The Universe of Pollen Revealed in Large-scale Ceramic Sculptures
DESCRIPTION:Inspired by the beautiful forms that pollen takes\, the amazing power of these tiny grains of life\, and the challenges that honeybees and pollinators face\, U-M Stamps School of Art & Design professor Susan Crowell fashioned large-scale ceramic sculptures of pollen. The sculptures will be displayed in the conservatory at Matthaei Botanical Gardens. As part of the exhibit Crowell has also created three sculptures of  pollen collected from the 80-year-old agave that bloomed at Matthaei in 2014. The agave pollen sculptures are based on scanning electron microscope images of the pollen taken by the U-M Hospitals imaging lab.
UID:27101-3065110@events.umich.edu
URL:https://events.umich.edu/event/27101
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Environment,Visual Arts
LOCATION:Matthaei Botanical Gardens
CONTACT:
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