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DTSTART:20070311T020000
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BEGIN:VEVENT
DTSTAMP:20160325T124225
DTSTART;TZID=America/Detroit:20160424T080000
DTEND;TZID=America/Detroit:20160424T200000
SUMMARY:Exhibition:Gifts of Art presents Aging in America: Oil Portraits
DESCRIPTION:This show is a series of oil portraits by New Jersey based artist Janet Boltax of individuals who are 90 years of age and over. They are accompanied by excerpts of interviews with each person about their life and how they are coping with the aging process. Boltax is primarily a portrait painter who also does printmaking and mixed media. She teaches portrait painting\, color theory and composition at the Montclair Museum\, Montclair\, New Jersey\, and also works as a copy writer.
UID:29988-3284591@events.umich.edu
URL:https://events.umich.edu/event/29988
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Health & Wellness,Art
LOCATION:University Hospitals - Gifts of Art Gallery — Taubman Health Center North Lobby, Floor 1
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20160325T125341
DTSTART;TZID=America/Detroit:20160424T080000
DTEND;TZID=America/Detroit:20160424T200000
SUMMARY:Exhibition:Gifts of Art presents Among the Lost & Found: Collage on Panel
DESCRIPTION:In his work\, David Criner transforms twentieth century collage material in pursuit of an image that celebrates the present moment. The antiquated \"pop\" sensibility imbued by his sourced matter is countered by gestural\, spontaneous mark making\, creating compositions that manage to reference the past while also feeling timeless. Criner works out of Chicago\, and teaches at Northeastern Illinois University.
UID:29992-3284991@events.umich.edu
URL:https://events.umich.edu/event/29992
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Health & Wellness
LOCATION:University Hospitals - Gifts of Art Gallery — University Hospital Main Corridor, Floor 2.
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20160325T124859
DTSTART;TZID=America/Detroit:20160424T080000
DTEND;TZID=America/Detroit:20160424T200000
SUMMARY:Exhibition:Gifts of Art presents K-12 Group Show
DESCRIPTION:Ann Arbor Public Schools has a comprehensive\, nationally recognized K-12 arts education program that encourages experience in a variety of media and subject matter. They also explore artistic historical and cultural connections. Finished pieces from students in all grades will be on display in both 2D and 3D. A variety of media and styles are represented including drawing\, painting\, printmaking\, ceramics\, sculpture\, photography and jewelry.
UID:29990-3284831@events.umich.edu
URL:https://events.umich.edu/event/29990
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Health & Wellness,Art
LOCATION:University Hospitals - Gifts of Art Gallery — Taubman Health Center South Lobby, Floor 1
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20160325T124541
DTSTART;TZID=America/Detroit:20160424T080000
DTEND;TZID=America/Detroit:20160424T200000
SUMMARY:Exhibition:Gifts of Art presents Recent Work: Ceramics
DESCRIPTION:Jeri Hollister draws inspiration from her experience growing up in rural Michigan and her time as a student at the University Michigan studying art history and ceramics. She employs traditional ceramics tools and building techniques to create her horse sculptures allowing the process to be evident in the finished work.
UID:29989-3284751@events.umich.edu
URL:https://events.umich.edu/event/29989
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Health & Wellness,Art
LOCATION:University Hospitals - Gifts of Art Gallery — Taubman Health Center North Lobby, Floor 1
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20160325T125604
DTSTART;TZID=America/Detroit:20160424T080000
DTEND;TZID=America/Detroit:20160424T200000
SUMMARY:Exhibition:Gifts of Art presents Surface & Structure: Jewelry & Metals
DESCRIPTION:Kristine Bolhuis is an independent jewelry maker working out of her studio in Ann Arbor\, Michigan. Her recent work has focused on lightweight metal constructions that move\, flex and collapse. She creates her work at the bench where it is conceived of and constructed from start to finish. She feels her process is one of exploration and discovery\, and it is full of surprises.
UID:29993-3285071@events.umich.edu
URL:https://events.umich.edu/event/29993
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Health & Wellness,Art
LOCATION:University Hospitals - Gifts of Art Gallery — University Hospital Main Corridor, Floor 2.
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20160325T125124
DTSTART;TZID=America/Detroit:20160424T080000
DTEND;TZID=America/Detroit:20160424T200000
SUMMARY:Exhibition:Gifts of Art presents Swimming Upstream: Quilts
DESCRIPTION:Self-taught textile artist\, author and curator Bonnie J. Smith lives and works in San Jose\, California. She attended Indiana University-Purdue University\, Indianapolis Campus (IUPUI)\; and Indiana Central College\; and has taken Master Dyeing Classes at Dartmouth College. Smith received the 2015 NICHE Award for design\, and her textile work was selected for exhibition in the United Nations\, Geneva\, Switzerland (2016). Swimming Upstream tells her personal journey with an injury that placed her temporarily in a wheel chair\, to finally finding the courage to start creating art and living life again.
UID:29991-3284911@events.umich.edu
URL:https://events.umich.edu/event/29991
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Health & Wellness
LOCATION:University Hospitals - Gifts of Art Gallery — University Hospital Main Lobby, Floor 1.
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20151211T113926
DTSTART;TZID=America/Detroit:20160424T080000
DTEND;TZID=America/Detroit:20160424T170000
SUMMARY:Exhibition:Gifts of Art presents Works by Belle Kogan: First Female Industrial Designer
DESCRIPTION:This exhibition presents industrially-produced art pottery pieces designed by Belle Kogan (1902–2000)\, for Red Wing Potteries in Red Wing\, Minnesota. Kogan is considered the first prominent female industrial designer in the United States\, a founder of the profession\, and one of the 20th century's most significant designers. Her design aesthetic was heavily influenced by the geometric and streamlined shapes of Art Deco. Belle Kogan Associates\, her New York–based studio\, was the first American female-led design firm. Her contracts with Red Wing Potteries produced over 400 different art pottery shapes from the late 1930s to the early 1960s\, as well as several dinnerware and kitchenware lines. Belle Kogan and her firm designed products not only in ceramics but also clocks and small appliances\, glassware\, and pieces in silver\, plastics\, wrought iron and wood.
UID:27190-2333999@events.umich.edu
URL:https://events.umich.edu/event/27190
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Health & Wellness,Art
LOCATION:University Hospitals - Gifts of Art Gallery — Cancer Center Elevator Alcove, Level 2
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20160310T165634
DTSTART;TZID=America/Detroit:20160424T080000
DTEND;TZID=America/Detroit:20160424T235900
SUMMARY:Exhibition:Intersections/Connections
DESCRIPTION:This International Studies exhibit focuses on materials from across the world\, including many nations and cultures. Rather than displaying each area separately\, the exhibit concentrates on the connections and intersections among disparate regions.
UID:29615-3148139@events.umich.edu
URL:https://events.umich.edu/event/29615
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition,Library
LOCATION:Hatcher Graduate Library - Clark Library, 2nd Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20151118T141053
DTSTART;TZID=America/Detroit:20160424T083000
DTEND;TZID=America/Detroit:20160424T190000
SUMMARY:Exhibition:Shakespeare on Page and Stage: A Celebration
DESCRIPTION:This exhibit is a historical journey through different versions of Shakespeare’s plays as they were edited for publication or interpreted  for the stage. Starting with the Second Folio (1632)\, our display includes a selection of landmark editions by authors and scholars like John Dryden\, Nicholas Rowe\, Alexander Pope\, Samuel Johnson\, and Edmond Malone. It explores the staging and costuming of productions such as Charles Kean’s archaeologically-informed\, elaborately-costumed 1856 production of The Winter’s Tale\, and Maurice Browne-Ellen Van Volkenburg 1930 production of Othello casting Paul Robeson as the first black actor to play Othello in a century.\n\nMost of the titles included in this display come from the McMillan Shakespeare Library. Materials are also displayed from the Maurice Browne and Ellen Van Volkenburg Papers\, 1792-1968 and the Zelma Weisfeld Archive\, 1954-2006. All these books and artifacts are held in the Special Collections Library.\n\nAudubon Room Hours: Monday-Friday 8:30 am to 7 pm\, Saturday 10 am to 6 pm\, Sunday 1 pm to 7 pm
UID:26647-2127371@events.umich.edu
URL:https://events.umich.edu/event/26647
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition,Books,Free,Library
LOCATION:Hatcher Graduate Library - Audubon Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20160319T130732
DTSTART;TZID=America/Detroit:20160424T090000
DTEND;TZID=America/Detroit:20160424T190000
SUMMARY:Exhibition:Fellow Fellows
DESCRIPTION:The University of Michigan's Taubman College of Architecture and Urban Planning presents...\"Fellow Fellows\"\, the Architecture Fellows Presentation and Exhibition Opening. \n\nThe exhibition of projects of the 2015-2016 Architecture Fellows opens on Wednesday\, March 23 and runs through the end of the Winter term (May 2). The Fellows will present their projects to the college at 6:00 p.m. in the Auditorium. The projects present their ongoing research during their yearlong fellowship. A reception will follow the presentations\, with exhibition on view in the college gallery.\n\n\nCyrus Peñarroyo - William Muschenheim Fellow\n\nBLDG_DRWG\nBLDG_DRWG recoups handwrought drawing effects and rearranges drawing conventions at the building scale in order to reorient the ways in which architecture is produced and consumed. Oscillating between analog methods (ink\, paint\, tape) and digital processes (scanning\, photoshop filtering\, milling)\, this project intensifies attributes of drawing otherwise lost in translation. A series of 1:1 investigations harnesses the potency of these effects and uses them to emphasize\, deemphasize\, or reconstitute existing architectural conditions. The results of these studies are reassembled in the gallery as a room––one fragment of an unfinished building––that speaks to the instability of its own representation.\n\nTeam members: Andrew Barkhouse\, Peter Watkins\nWith assistance from: Chris Campbell\, Samantha Eng\, Matt Culver\, Asa Peller\, Tafhim Rahman\n\n\nAshley Bigham - Walter B. Sanders Fellow\n\nSafety Not Guaranteed\nArchitecture is inseparable from defense. From its most primitive and revered “origins\,” architecture was rehearsed in environments of conflict. As an alternative to the term defense architecture\, a category which typically refers to forms and types (fortresses\, citadels\, bastions\, urban walls)\, this project proposes the idea of an architecture of defense. An architecture of defense sees all of architecture as a reaction to some measure of paranoia and studies the built environment to recognize measures and methods used to subdue these fears. Safety Not Guaranteed explores the architecture of paranoia through a series of design manipulations and exaggerations. Its setting is the network of suburbia and everyday domestic scenes—spaces most commonly associated with privacy\, safety\, and security and where fortification occurs on the scale of the front door\, the home\, the cul-de-sac\, and the neighborhood.\n\nTeam Members: Connor Brindza\, James Howe\, Neall Oliver\, Sasha Pfeiffer\, Mark Boynton\, Kamsy Anyachebelu\n\n\nDavid Eskenazi - Willard A. Oberdick Fellow\n\nFor the Trees\nAt first I noticed how naked the papers were\, since they didn’t seem to be acting like something else. I guess they were supposed to be models\, it was an architecture exhibit after all\, but they were missing all those things that point elsewhere: no doors\, no windows\, nothing that particularly looks like anything but itself. They were formed\, sure\, but that’s not really enough to point outwards. Or is it? Before you answer\, there was one more thing: some of the papers were near an enlarged duplicate. Actually\, maybe they were shrunken copies. It was a lot like that moment at the top of Runyon Canyon when you turn around and realize there’s an entire other\, slightly smaller Los Angeles behind you. Were you just looking at the original\, or the copy? I think the most interesting part is right afterwards when your focus shifts around you to the ground\, the dirt\, the trees.. all that stuff that frames what you’re looking at\, like the base of a model or scale figures or model trees. Come to think of it\, the papers did look like trees. But the resemblance is fleeting\, and now I’m certain the papers were in fact models pointing around at each other. Or were they in the background\, acting like a frame for something else\, something that wasn’t there?\n\n\nAbout University of Michigan Taubman College of Architecture and Urban Planning:\n\nThe Taubman College of Architecture and Urban Planning at the University of Michigan is a leader in interdisciplinary education and research with a focus on creating a more beautiful\, inclusive and better built environment. The college and its alumni are committed to pushing the boundaries of architectural practice\, advancing global engagement\, and significantly enhancing diversity in the profession. The college offers the following degrees: Bachelor of Science in Architecture\, Master of Architecture (currently ranked #6 nationally\; ranked #1 in 2010 by Design Intelligence Report)\, Master of Science in Architecture\, Master of Urban Planning\, Master of Urban Design\, and PhD programs.
UID:29842-3230282@events.umich.edu
URL:https://events.umich.edu/event/29842
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Graduate School,Lecture,Graduate,Education,Architecture
LOCATION:Art and Architecture Building - Auditorium (Rm 2104)
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20160229T085728
DTSTART;TZID=America/Detroit:20160424T100000
DTEND;TZID=America/Detroit:20160424T163000
SUMMARY:Exhibition:Exhibit: A Cloth of Earth and Sky
DESCRIPTION:Every culture has found ways to restore body\, mind\, and spirit in nature. In this exhibit\, African-American quilters from the Great Lakes region interpret how plants\, gardens\, and nature are embedded in cultural awareness and expressions of health. The exhibit includes contemporary works that express cultural legacy based in the art of quilting related to individual and shared healing. Students from Flint's Eagle's Nest Academy also contributed works for display in the exhibit. Sponsored by the Great Lakes African American Quilters Network & Matthaei-Nichols
UID:27086-3056208@events.umich.edu
URL:https://events.umich.edu/event/27086
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:African American,Culture,Environment,Multicultural,Visual Arts
LOCATION:Matthaei Botanical Gardens
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20160323T081336
DTSTART;TZID=America/Detroit:20160424T100000
DTEND;TZID=America/Detroit:20160424T163000
SUMMARY:Exhibition:Exhibit: Hidden Worlds: The Universe of Pollen Revealed in Large-scale Ceramic Sculptures
DESCRIPTION:Inspired by the beautiful forms that pollen takes\, the amazing power of these tiny grains of life\, and the challenges that honeybees and pollinators face\, U-M Stamps School of Art & Design professor Susan Crowell fashioned large-scale ceramic sculptures of pollen. The sculptures will be displayed in the conservatory at Matthaei Botanical Gardens. As part of the exhibit Crowell has also created three sculptures of  pollen collected from the 80-year-old agave that bloomed at Matthaei in 2014. The agave pollen sculptures are based on scanning electron microscope images of the pollen taken by the U-M Hospitals imaging lab.
UID:27101-3065092@events.umich.edu
URL:https://events.umich.edu/event/27101
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Visual Arts,Environment
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20160404T105502
DTSTART;TZID=America/Detroit:20160424T110000
DTEND;TZID=America/Detroit:20160424T170000
SUMMARY:Exhibition:Albert Kahn: Under Construction
DESCRIPTION:In the past two decades there has been a tremendous swell of interest in Detroit architect Albert Kahn (1869–1942)\, arguably the most important architect of American industrialization. Albert Kahn: Under Construction focuses on the remarkable archive of photographs assembled by Albert Kahn Associates while building the powerhouses of American industry\, from the Highland Park Ford Plant to the Willow Run Bomber Plant. Shot by an array of professional photographers based mainly in Detroit\, these often striking documentary images were a novel strategy for conveying information about the daily progress of construction to busy managers at the main office. The exhibition foregrounds the photographic series as a way of illustrating change over time—showing buildings as they grew on site—and Kahn’s innovative solutions to the architectural challenges of his day.\n\n**Special hours Sundays: 12–5pm\, CLOSED Mondays
UID:29456-3120409@events.umich.edu
URL:https://events.umich.edu/event/29456
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Architecture,Art,Exhibition,Museum,UMMA
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20160308T121704
DTSTART;TZID=America/Detroit:20160424T110000
DTEND;TZID=America/Detroit:20160424T170000
SUMMARY:Exhibition:Siebren Versteeg: LIKE II (2016)
DESCRIPTION:In Siebren Versteeg’s LIKE II (2016)\, a computer painting program creates a composition using a continuously changing algorithm\, and then runs a periodic Google search to find a matching image online. Every sixty seconds\, the painting made by the computer is uploaded to Google’s “search by image” feature\, and images that most closely match the composition are then downloaded and displayed.\n\nThe notion of abstraction plays a central role in this work. Throughout modernity\, artists have sought inventive ways to free painting from its tradition as a representational medium. LIKE II inverts this ambition\, finding the reality hidden within pure abstraction. Because the work evolves based on whatever content is available online at any given moment\, the artist relinquishes a certain degree of creative control. Versteeg says\, “As the nature of the images presented by the work is random\, the artist assumes both all and no responsibility for their presence and content.”\n\n**Special hours Sundays: 12–5pm\, CLOSED Mondays
UID:29503-3129493@events.umich.edu
URL:https://events.umich.edu/event/29503
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Exhibition,Information and Technology,Museum,UMMA,Visual Arts
LOCATION:Museum of Art - Media Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20160512T143154
DTSTART;TZID=America/Detroit:20160424T120000
DTEND;TZID=America/Detroit:20160424T170000
SUMMARY:Exhibition:Extreme Time
DESCRIPTION:Think you know all about time?  What about things that happen in femtoseconds or eons?  Time in the natural world is so extreme\, you can’t even perceive most of its scale unaided. You’ll be amazed by the types of time you can explore in our new exhibit\, and learn more about everyday time and how we measure it\, too!  The exhibit is open!
UID:27873-2579366@events.umich.edu
URL:https://events.umich.edu/event/27873
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Museum,Free,Family
LOCATION:Ruthven Museums Building
CONTACT:
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