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DTSTART:20070311T020000
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BEGIN:VEVENT
DTSTAMP:20171009T105559
DTSTART;TZID=America/Detroit:20170925T080000
DTEND;TZID=America/Detroit:20170925T230000
SUMMARY:Exhibition:Majestic | Dream: A Selection of Color Woodcuts
DESCRIPTION:The Confucius Institute at U-M proudly presents “Majestic | Dream\,” a solo exhibition by Endi Poskovic\, Professor of Art at the Penny W. Stamps School of Arts and Design\, University of Michigan. Professor Poskovic’s creative practice considers a range of technologies as a way to explore certain characteristics of printed image: translation\, multiplicity\, seriality. Through his works\, Professor Poskovic seeks to construct representations that suggest broader themes of displacement\, exile\, memory and reconciliation. A frequent visitor to China\, Endi Poskovic\, Professor of Art at the University of Michigan Penny W. Stamps School of Art & Design\, is a great admirer of Chinese and Asian visual and material arts. Poskovic’s work in woodblock relief printmedia reflects his deep fascination and a lasting involvement with Chinese intellectual and creative communities. To celebrate this long and fruitful engagement as a bridge between artistic China and the University of Michigan\, CIUM presents this exhibition.\n\nOver the course of years\, Poskovic has produced several major series of multi-plate color woodcut prints utilizing both established and non-traditional approaches frequently combining analog carving methods with laser engraving from bit-map data files. For this Confucius Institute sponsored exhibition\, Poskovic presents an intimate selection of color woodcuts from two series of works\, “Majestic” and “Dream”\, focusing on landscape imagery informed by real and imaginary topographies\, including several works which are based on his sketches drawn in China. Merging visual image with text\, Poskovic’s “Majestic Series” shifts the reading of the woodcut by providing an unexpected new context and forcing the viewer to continually reinterpret. In “Dream Series”\, Poskovic explores primitive strategies of early cinema to investigate personal and social histories\, shifting cultural identities\, environmental transformation\, migration and alienation.\n\nEndi Poskovic was educated in Yugoslavia\, Norway\, and the United States. His graphic works have been exhibited worldwide and have brought him many notable awards and honors\, including grants and fellowships from the Guggenheim Memorial Foundation\, the United States Fulbright Commission\, the Rockefeller Foundation\, the Pollock-Krasner Foundation\, the Norwegian Government\, the Camargo Foundation\, the Flemish Ministry of Culture\, the New York State Council on the Arts\, and the Art Matters Foundation\, among others. Museum collections which hold works by the artist include the Philadelphia Museum of Art\, the Harvard University Fogg Art Museum\, Detroit Institute of Arts\, Jincheon Art Museum\, South Korea and others.
UID:45548-10228838@events.umich.edu
URL:https://events.umich.edu/event/45548
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Exhibition
LOCATION:Michigan Union - Willis Ward Art Lounge
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170726T152806
DTSTART;TZID=America/Detroit:20170925T080000
DTEND;TZID=America/Detroit:20170925T210000
SUMMARY:Exhibition:Michigan Past & Present
DESCRIPTION:Profiles of U-M’s first six students\, and the two faculty who taught them\, and how they compare to the university of 2017. The exhibit features research conducted by Undergraduate Research Opportunity Program students and displays designed by students from the Stamps School of Art & Design.
UID:39291-9432241@events.umich.edu
URL:https://events.umich.edu/event/39291
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Bicentennial,Free,History,Undergraduate
LOCATION:Pierpont Commons
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170816T133529
DTSTART;TZID=America/Detroit:20170925T080000
DTEND;TZID=America/Detroit:20170925T170000
SUMMARY:Exhibition:Possession\, pop-up exhibition by Jaye Schlesinger
DESCRIPTION:Possession evolved in response to Ann Arbor artist Jaye Schlesinger’s interest in mindfulness and minimalism and the role they play in personal well being.  After disposing (selling\, recycling\, giving away) of everything that no longer served to enrich her life\, Schlesinger decided to merge this exercise with her art practice and depicted all of her remaining possessions in small oil paintings\, 380 in total. The paintings depict objects of functionality and ones of beauty\, eliciting contemplation and conversation about the ‘stuff’ we choose to live with.
UID:42128-9560462@events.umich.edu
URL:https://events.umich.edu/event/42128
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Exhibition,Sustainability,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Common Room
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20170815T151309
DTSTART;TZID=America/Detroit:20170925T080000
DTEND;TZID=America/Detroit:20170925T230000
SUMMARY:Exhibition:Reverberations of Rebellion: 1967 in Detroit and Ann Arbor
DESCRIPTION:The 1967 Detroit rebellion was a pivotal event in the history of the Motor City. While Ann Arbor may seem far removed from Detroit\, the themes of 1967—housing segregation\, media bias\, student activism\, and police violence—resonated here as well. \n\nThis exhibit\, on display in the Hatcher Graduate Library North lobby through September 15\, 2017\, highlights the extensive archival resources of the  Bentley Historical Library and the U-M Library’s Labadie Collection. These materials place the rebellion in the context of 1960s activism against racism and inequality in Detroit and Ann Arbor\, and illustrate the significance and range of press coverage.
UID:42291-9900400@events.umich.edu
URL:https://events.umich.edu/event/42291
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition,Free,History,Library
LOCATION:Hatcher Graduate Library - North Lobby (off the Diag)
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20170105T143903
DTSTART;TZID=America/Detroit:20170925T080000
DTEND;TZID=America/Detroit:20170925T200000
SUMMARY:Exhibition:The Grandmother Tree Walk
DESCRIPTION:Matthaei Botanical Gardens & Nichols Arboretum celebrates the University of Michigan bicentennial with a tour of 12 historic trees in the Arboretum. The bicentennial story is told from the perspective of the trees\, and key moments of U-M's people and history that occurred during the trees' long lives are revealed. Visitors may pick up a map at the Arb visitor center to take this easy\, self-guided tour.
UID:37328-6502309@events.umich.edu
URL:https://events.umich.edu/event/37328
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Bicentennial,Environment,Free,Outdoors,umich200
LOCATION:Nichols Arboretum
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20170907T125315
DTSTART;TZID=America/Detroit:20170925T080000
DTEND;TZID=America/Detroit:20170925T170000
SUMMARY:Exhibition:Waiting for the Extraordinary installation by Mark Dion
DESCRIPTION:About the installation: As part of the Institute for the Humanities 2017-18  Year of Archives and Futures\, and in celebration of the U-M Bicentennial\, the Institute for the Humanities presents a new iteration of Mark Dion’s Waiting for the Extraordinary\, which was commissioned and first exhibited here in 2011. Inspired by the academic classifications invented by 19th-century Michigan Chief Justice Augustus B. Woodward\, this new\, architecturally scaled installation serves as an archive of the original\, and presents a single room with thirteen plastic sculptures\, each representing one of Woodward’s professorships. As viewers peer into the space and encounter these illuminated objects—reproduced using 3D imaging technology from original objects Dion found in departments and collections across the University of Michigan—they confront questions about the distinction between the rational and subjective in our construction of knowledge\, as well as role of the museum and institutions that continue to determine it.\n\nAbout the artist: Mark Dion’s work examines the ways in which dominant ideologies and public institutions shape our understanding of history\, knowledge\, and the natural world. “The job of the artist\,” he says\, “is to go against the grain of dominant culture\, to challenge perception and convention.” Appropriating archaeological\, field ecology\, and other scientific methods of collecting\, ordering\, and exhibiting objects\, Dion creates works that question the distinctions between ‘objective’ (‘rational’) scientific methods and ‘subjective’ (‘irrational’) influences. Mark Dion questions the objectivity and authoritative role of the scientific voice in contemporary society\, tracking how pseudo-science\, social agendas\, and ideology creep into public discourse and knowledge production.\n\nImage: Mark DION\nWaiting for the\nExtraordinary\n2013\nmixed media\n96 x 61 x 122\ninches\; 243.8 x\n154.9 x 309.9 cm\nCourtesy the artist\nand Tanya Bonakdar\nGallery\, New York
UID:42127-9560416@events.umich.edu
URL:https://events.umich.edu/event/42127
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Bicentennial,Exhibition,History,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170815T140715
DTSTART;TZID=America/Detroit:20170925T083000
DTEND;TZID=America/Detroit:20170925T180000
SUMMARY:Exhibition:Reforming the Word: Martin Luther in Context
DESCRIPTION:Highlighting manuscripts and early printed books from the Special Collections Library\, the exhibit commemorates the 500th anniversary of a pivotal transformation in world history. In 1517\, Martin Luther\, a professor of theology and a monk\, published his scathing critique of indulgences\, a church practice that allowed Christians to buy off time from suffering for one’s sins in the afterlife.\n\nIssued in the provincial town of Wittenberg\, Luther's call for academic debate and reform unleashed a series of events that led to the break-up of Latin Christianity. The Reformations that followed forever altered the lives of those in early modern Europe and beyond.\n\nThe late medieval German lands teemed with innovation. Novel forms of piety emerged\, the demand for practical learning grew\, more universities competed for students\, and wealth from both trade and mining transformed social relations. The dissemination of texts and ideas on an industrial scale via the printing press reshaped communication\, knowledge\, and belief. In this context\, reform—the renewal of a lost standard of the past in the present—became a battle-cry for religious\, economic\, and political change.\n\nAudubon Room hours: Monday-Friday 8:30am-6:00pm\, Saturday 10:00am-6:00pm\, Sunday 1:00-6:00pm
UID:42280-9593333@events.umich.edu
URL:https://events.umich.edu/event/42280
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,Library,Literature
LOCATION:Hatcher Graduate Library - Audubon Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170510T144424
DTSTART;TZID=America/Detroit:20170925T090000
DTEND;TZID=America/Detroit:20170925T170000
SUMMARY:Exhibition:Cosmogonic Tattoos
DESCRIPTION:In celebration of the University’s Bicentennial in 2017\, artist and professor Jim Cogswell has been invited by the Kelsey Museum of Archaeology and the University of Michigan Museum of Art to create a set of public window installations in response to the objects in their collections.  Titled Cosmogonic Tattoos\, his project will use adhesive vinyl images applied in saturated colors to windows in the two buildings\, highlighting the role of these museums in the life of our campus community. Through close examination of objects separated from us by deep chronological and cultural divides\, imaginatively transformed within our campus context\, this project celebrates the power of architecture\, ornament\, and material objects to shape knowledge\, historical memory\, and cultural identity. \n\nLook for displays in the UMMA from April 22-Dec. 3\, the exterior of the Kelsey Museum from June 2-Dec. 17\, and in the interior special exhibition space of the Kelsey Museum from June 2-Sept. 10.\n\nFor information on-the-go about this event and all other Bicentennial happenings\, download our free mobile app: http://guidebook.com/g/umich200.
UID:40187-8516577@events.umich.edu
URL:https://events.umich.edu/event/40187
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Architecture,Art,Bicentennial,Culture,Exhibition,History,Interdisciplinary,Museum,umich200,UMMA
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170907T095015
DTSTART;TZID=America/Detroit:20170925T101500
DTEND;TZID=America/Detroit:20170925T104500
SUMMARY:Meeting:Mindfulness@Umich (All UofM Students)
DESCRIPTION:Invite a sense of calm and ease into your busy day by creating space to breathe. These Mindfulness@Umich sessions are open to all students\, are free\, and are great for experienced and beginning meditators. They are drop-in. Come as often as time allows in your schedule. Students\, please complete the Google Registration Form.
UID:43151-9728922@events.umich.edu
URL:https://events.umich.edu/event/43151
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Health & Wellness,Meditation,Mindfulness,Stress Reduction
LOCATION:Off Campus Location - G243
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170410T215244
DTSTART;TZID=America/Detroit:20170925T110000
DTEND;TZID=America/Detroit:20170925T170000
SUMMARY:Exhibition:Cosmogonic Tattoos
DESCRIPTION:In celebration of the University of Michigan’s Bicentennial in 2017\, artist and distinguished U​–M art professor Jim Cogswell has been invited to create a series of public window installations in response to the holdings of the University of Michigan Museum of Art and the Kelsey Museum of Archaeology. For this visionary project\, the artist will adhere a procession of vivid images to the glass walls of the museums in a rhythmically evocative narrative\, based on reassembled fragments from a diverse range of artworks in both museums’ permanent collections. The juxtaposed images will address our shared histories and experiences while connecting the viewer to the origins and meaning of objects and their power to shape knowledge\, memory\, and identity. By leveraging the buildings’ unique architecture\, the artist expands our understanding of a museum as a cultural repository and highlights the significant role of these institutions in the life of the campus community.\nCosmogonic Tattoos is on view at UMMA April 22 through December 3\, 2017 and at the Kelsey Museum of Archaeology from June 2 through December 17\, 2017.\nLead support for Cosmogonic Tattoos is provided by the University of Michigan Office of the Provost.
UID:40469-8571772@events.umich.edu
URL:https://events.umich.edu/event/40469
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Culture,Exhibition,Museum,UMMA,Visual Arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170911T161226
DTSTART;TZID=America/Detroit:20170925T110000
DTEND;TZID=America/Detroit:20170925T140000
SUMMARY:Fair / Festival:Food Trucks at the Grove
DESCRIPTION:Come and enjoy Ray's Red Hots and Cool Jack's at the Grove on North Campus!
UID:44163-9889019@events.umich.edu
URL:https://events.umich.edu/event/44163
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Food
LOCATION:The Grove
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170724T201257
DTSTART;TZID=America/Detroit:20170925T110000
DTEND;TZID=America/Detroit:20170925T170000
SUMMARY:Exhibition:Gloss: Modeling Beauty
DESCRIPTION:Focusing on the prominent role of women as the subject of photography\, GLOSS: Modeling Beauty explores the shifting ideals of female beauty that pervade European and American visual culture from the 1920s to today. The exhibition features images of sleek and poised female models and celebrities destined for the glossy pages of fashion magazines and catalogs by leading photographers such as Edward Steichen\, Philippe Halsman\, Helmut Newton\, Andy Warhol\, and Guy Bourdin. Outside of commercial advertising practice\, documentary photographers Elliott Erwitt\, Joel Meyerowitz\, and Ralph Gibson portray candid images of fashionable women on city streets and mannequins in shop windows\, resulting in intriguing juxtapositions of haute couture and everyday life. And\nartists James Van Der Zee\, Eduardo Paolozzi\, and Nikki S. Lee employ the visual strategies of traditional fashion photography\, while offering alternative narratives to mainstream notions of female beauty.\n\nLead support for Gloss: Modeling Beauty is provided by Bank of America and Merrill Lynch. Additional generous support is provided by the University of Michigan Institute for Research on Women and Gender.
UID:41652-9417866@events.umich.edu
URL:https://events.umich.edu/event/41652
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Culture,Exhibition,Visual Arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170825T155422
DTSTART;TZID=America/Detroit:20170925T110000
DTEND;TZID=America/Detroit:20170925T160000
SUMMARY:Exhibition:Legacy: Art across Generations
DESCRIPTION:Legacy: Art across Generations presents selected paintings by Chrislan Fuller Manuel who experiments with vivid colors resulting in vibrant\, multifaceted creations that move the spirit. The exhibit also includes a selection of sculptures by Manuel's inspiration\, her great-grandmother\, the renowned artist Meta Vaux Warrick Fuller. The exhibit united the two in a powerful dialogue between women who share familiar ties and a passion for creating their vision through artistic expression.
UID:43036-9697044@events.umich.edu
URL:https://events.umich.edu/event/43036
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:African American,Art,Culture,Exhibition,History,Visual Arts,Women's Studies
LOCATION:Haven Hall - G648 GalleryDAAS
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20171116T104242
DTSTART;TZID=America/Detroit:20170925T110000
DTEND;TZID=America/Detroit:20170925T170000
SUMMARY:Exhibition:Moving Image: Portraiture
DESCRIPTION:Moving Image: Portraiture presents a contemporary spin on traditional notions of portraiture. In the video Towards An Architect\, Hannu Karjalainen portrays a fictional architect who is experiencing the response of people living in the structures he designed. Daniel Rozin’s Mirror No. 10 is driven by software\, written by the artist\, that generates a real-time reflection of the environment the screen is displayed in—specifically a live sketch of the viewer approaching the frame. Mesocosm (Northumberland\, UK) is an algorithmic work by Marina Zurkow that depicts the passage of time on the moors of Northeast England.\n\nMoving Image: Portraiture is the third of three exhibitions drawn from the collection of the Borusan Contemporary\, Istanbul\, which since 2011 has been focused on media arts. The works in this series address both formal concerns and conceptual topics\; many represent traditional categories such as portraiture and landscape that find new resonance when explored through the strategies of dynamic technology.\n\nLead support for Moving Image: Portraiture is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and Penny W. Stamps School of Art and Design.
UID:41372-9194751@events.umich.edu
URL:https://events.umich.edu/event/41372
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Multicultural,Storytelling,Theater,UMMA,Visual Arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170921T134041
DTSTART;TZID=America/Detroit:20170925T110000
DTEND;TZID=America/Detroit:20170925T140000
SUMMARY:Social / Informal Gathering:Potato Bonanza at East Quad
DESCRIPTION:Come to East Quad on September 25th and enjoy a made to order baked potato bar! Toppings will include chili\, broccoli\, bacon bits\, pulled pork\, pulled chicken\, sour cream\, and much more!  They will also be serving local shredded potato pancakes!
UID:44735-9969035@events.umich.edu
URL:https://events.umich.edu/event/44735
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Festival,Food
LOCATION:East Quadrangle
CONTACT:
END:VEVENT
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