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BEGIN:VEVENT
DTSTAMP:20171116T104242
DTSTART;TZID=America/Detroit:20171003T110000
DTEND;TZID=America/Detroit:20171003T170000
SUMMARY:Exhibition:Moving Image: Portraiture
DESCRIPTION:Moving Image: Portraiture presents a contemporary spin on traditional notions of portraiture. In the video Towards An Architect\, Hannu Karjalainen portrays a fictional architect who is experiencing the response of people living in the structures he designed. Daniel Rozin’s Mirror No. 10 is driven by software\, written by the artist\, that generates a real-time reflection of the environment the screen is displayed in—specifically a live sketch of the viewer approaching the frame. Mesocosm (Northumberland\, UK) is an algorithmic work by Marina Zurkow that depicts the passage of time on the moors of Northeast England.\n\nMoving Image: Portraiture is the third of three exhibitions drawn from the collection of the Borusan Contemporary\, Istanbul\, which since 2011 has been focused on media arts. The works in this series address both formal concerns and conceptual topics\; many represent traditional categories such as portraiture and landscape that find new resonance when explored through the strategies of dynamic technology.\n\nLead support for Moving Image: Portraiture is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and Penny W. Stamps School of Art and Design.
UID:41372-9194759@events.umich.edu
URL:https://events.umich.edu/event/41372
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Multicultural,Storytelling,Theater,UMMA,Visual Arts
LOCATION:Museum of Art
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20170921T152005
DTSTART;TZID=America/Detroit:20171003T110000
DTEND;TZID=America/Detroit:20171003T140000
SUMMARY:Careers / Jobs:Optiver Company Day
DESCRIPTION:The ECRC is hosting a Company Day for Optiver on Tuesday\, October 3\, from 11:00 AM to 2:00 PM in the Duderstadt Connector.\n\nCompany Profile\nOptiver US LLC is a worldwide market maker and derivatives trading firm headquartered in Amsterdam with strategically located offices in Chicago and Sydney. Optiver is registered with the SEC as a broker-dealer and participates in trading in on various U.S. securities and commodities exchanges. Founded in 1986\, Optiver has been profitable every year of its existence.\n\nOpportunities with Optiver\nOptiver is currently recruiting for Software Development Internships and full-time positions as well as Trader Internships and full-time positions.
UID:42525-9609338@events.umich.edu
URL:https://events.umich.edu/event/42525
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Graduate Students,Undergraduate Students
LOCATION:Duderstadt Center - Duderstadt Connector
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170817T135021
DTSTART;TZID=America/Detroit:20171003T110000
DTEND;TZID=America/Detroit:20171003T130000
SUMMARY:Careers / Jobs:Peace Corps Company Day
DESCRIPTION:The ECRC is hosting a Company Day for Peace Corps. on Tuesday\, October 3\, from 11:00 AM to 1:00 PM in the Duderstadt Connector.\n\nThe Peace Corps is a service opportunity for motivated changemakers to immerse themselves in a community abroad\, working side by side with local leaders to tackle the most pressing challenges of our generation. \n\nPeace Corps Volunteers spend 27 months in a host country community living and working alongside community members in one of six sectors: Agriculture\, Health\, Environment\, Community Economic Development\, Education\, and Youth in Development. Engineering specific opportunities focus mainly on civil and environmental engineering projects such as water systems development and renewable energy\, as well as math and science education. For more information please visit the official Peace Corps website at https://www.peacecorps.gov/.
UID:42526-9609339@events.umich.edu
URL:https://events.umich.edu/event/42526
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Undergraduate Students,Graduate Students
LOCATION:Duderstadt Center - Duderstadt Connector
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170808T090726
DTSTART;TZID=America/Detroit:20171003T110000
DTEND;TZID=America/Detroit:20171003T120000
SUMMARY:Workshop / Seminar:Personal Statement Workshop
DESCRIPTION:Students in the midst of working on law school personal statements and application essays\, or those simply wishing to better understand the mechanics off the law school personal statement are encouraged to attend.
UID:42073-9536054@events.umich.edu
URL:https://events.umich.edu/event/42073
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Pre-Law
LOCATION:Angell Hall - G255J (Newnan Advising Conference Room J)
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170724T195814
DTSTART;TZID=America/Detroit:20171003T110000
DTEND;TZID=America/Detroit:20171003T170000
SUMMARY:Exhibition:Power Contained: The Art of Authority in Central and West Africa
DESCRIPTION:Before colonization\, complex hierarchical societies flourished in Central and West Africa. At their summits were a select few—kings and chiefs whose authority was derived from their direct connection to powerful ancestors and predecessors. These rulers were wrapped in expensive textiles or costly furs\, and covered in beads and precious metals\, materials that not only signaled their extraordinary status\, but were also intended to safely contain the great power they wielded. The famous minkisi (meaning “power figure”) sculptures of Central Africa were similarly activated through the addition of charged materials. Textiles\, animal skin\, metal\, and beads allowed the lifeless wooden carvings to be activated by local spiritual leaders in order to communicate with the realm of the ancestors and spirits. This exhibition explores the parallels between the adornment of the king’s physical body and minkisi. Drawing on works from UMMA’s collection and several loans\, the exhibition demonstrates how authority was expressed and power contained across a range of historical cultures in Nigeria\, Ghana\, the Democratic Republic of the Congo and Cameroon.\n\nLead support for Power Contained: The Art of Authority in Central and West Africa is provided by the University of Michigan Office of the Provost and the African Studies Center.
UID:41651-9417745@events.umich.edu
URL:https://events.umich.edu/event/41651
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition,Concert,Art,Africa,Storytelling
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170626T235144
DTSTART;TZID=America/Detroit:20171003T110000
DTEND;TZID=America/Detroit:20171003T170000
SUMMARY:Exhibition:Victors for Art: Michigan's Alumni Collectors—Part II: Abstraction
DESCRIPTION:Commemorating the University of Michigan’s 2017 Bicentennial\, Victors for Art: Michigan’s Alumni Collectors celebrates the deep impact of Michigan alumni in the global art world. \n\nThis two-part exhibition presents works collected by a diverse group of alumni that represent the breadth of the University and over seventy years of graduating classes. Part II: Abstraction\, on view in the A. Alfred Taubman Gallery July 1 through October 29\, showcases modern and contemporary art by Pablo Picasso\, Alberto Giacometti\,\nLouise Nevelson\, Christo\, Lorna Simpson\, José Parlá\, and Do Ho Su\, among others. It also features a fifth-century Korean roof end tile and an Amish quilt\, as well as a work by an Inuit master—thus inviting visitors to explore the pleasures of abstraction across a wide range of media\, eras\, and genres. UMMA extends Part II: Abstraction into the Irving Stenn\, Jr. Family Gallery from August 19 through November 26\, 2017\, with the site-specific installation of Random International’s LED-light and motion-sensing dynamic sculpture\, Swarm Study / II. Victors for Art offers an unprecedented opportunity to view art that may have never been publicly displayed otherwise—and most certainly\, not all together. For visitors\, and especially for future Michigan alumni\, Victors for Art illuminates the shared passion for art fostered by the Michigan experience.\n\nThis exhibition was organized by Joseph Rosa\, Guest Curator\, in collaboration with Laura De Becker\, Helmut & Candis Stern Associate Curator of African Art\, Jennifer Friess\, Assistant Curator of Photography\, Lehti Mairike Keelman\, Assistant Curator of Western Art\, and Natsu Oyobe\, Curator of Asian Art.\n\nLead support for Victors for Art: Michigan's Alumni Collectors is provided by the University of Michigan Office of the Provost\, Michigan Medicine\, the University of Michigan Office of the President\, the Michigan Council for Arts and Cultural Affairs and the National Endowment for the Arts\, and the University of Michigan Bicentennial Office.
UID:41371-9194666@events.umich.edu
URL:https://events.umich.edu/event/41371
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Exhibition,Visual Arts,UMMA,Museum,Multicultural
LOCATION:Museum of Art
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20170803T111516
DTSTART;TZID=America/Detroit:20171003T113000
DTEND;TZID=America/Detroit:20171003T123000
SUMMARY:Lecture / Discussion:LRCCS Tuesday Lecture Series | Firms’ Strategic Use of Political Connections
DESCRIPTION:Please note the new time and location for our 2017-18 lecture series.\n\nWe analyze Chinese listed firms to examine how a firm’s political connections in a location influence the firm’s probability of choosing the focal location to establish new subsidiaries. We find that firms are less likely to choose a politically connected location that also faces higher unemployment rates. We also find that political connections matter less for the choice of locations with more developed markets. Therefore\, firms’ use of political connections is strategic and highly context dependent. \n    \nDr. Nan Jia is an assistant professor of strategic management at the Marshall School of Business\, University of Southern California. She holds a PhD in Strategic Management from the Rotman School of Management\, University of Toronto (Canada)\, and B.A. in Economics from Guanghua School of Management\, Peking University (China). Her research interests include corporate political strategy\, business-governance relationships\, and corporate governance in international business. Her research has been published in the Administrative Science Quarterly\, Management Science\, Strategic Management Journal\, Organizational Science\, and Journal of Politics. Her work is mainly empirical\, but also incorporates economic modeling. She serves on the editorial boards of the Strategic Management Journal and the Journal of International Business Studies.
UID:41670-9424054@events.umich.edu
URL:https://events.umich.edu/event/41670
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Chinese Studies,Business
LOCATION:Weiser Hall - Room 110
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20170830T155400
DTSTART;TZID=America/Detroit:20171003T120000
DTEND;TZID=America/Detroit:20171003T133000
SUMMARY:Presentation:Biopsychology Colloquium
DESCRIPTION:Ketamine and the Conscious Mind
UID:43357-9751087@events.umich.edu
URL:https://events.umich.edu/event/43357
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Psychology
LOCATION:East Hall - 4464
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170913T105852
DTSTART;TZID=America/Detroit:20171003T120000
DTEND;TZID=America/Detroit:20171003T130000
SUMMARY:Lecture / Discussion:Department of Biological Chemistry Annual William EM Lands Lectureship
DESCRIPTION:Dr. Robert V. Farese Jr. will be presenting the William EM Lands Lectureship on Tuesday October 3rd\, 2017.  The title of this lecture is \"Mechanisms and Physiology of Fat Synthesis and Storage in Lipid Droplets.  The Lands Lectureship will be presented at 12:00 noon in North Lecture Hall\, MS II.
UID:44327-9908891@events.umich.edu
URL:https://events.umich.edu/event/44327
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Biological Chemistry
LOCATION:Medical Science Unit II - North Lecture Hall
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20171005T121516
DTSTART;TZID=America/Detroit:20171003T120000
DTEND;TZID=America/Detroit:20171003T180000
SUMMARY:Exhibition:Looking Back: 20th Century Dress from the Historic Costume Collection
DESCRIPTION:Curated by Professor Jessica Hahn.\n\nAn exhibit of costumes from the 20th-century showcasing significant clothing from each decade. From daywear to evening wear\, from every strata of society—homemade to couturier fashions.
UID:41484-9304193@events.umich.edu
URL:https://events.umich.edu/event/41484
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Theater,North campus,Free
LOCATION:Duderstadt Center - Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20170928T164449
DTSTART;TZID=America/Detroit:20171003T120000
DTEND;TZID=America/Detroit:20171003T170000
SUMMARY:Class / Instruction:Teach Out Series- Fake News\, Facts\, and Alternative Facts
DESCRIPTION:How can you distinguish credible information from “fake news”? Reliable information is at the heart of what makes an effective democracy\, yet many people find it harder to differentiate good journalism from propaganda. Increasingly\, inaccurate information is shared on Facebook and echoed by a growing number of explicitly partisan news outlets. This becomes more problematic because people have a tendency to accept agreeable messages over challenging claims\, even if the former are less objectively credible. In this teach-out\, we examine the processes that generate both accurate and inaccurate news stories\, and that lead people to believe those stories. We then provide a series of tools that ordinary citizens can use to tell fact from fiction.\n\nA Teach-Out is:\n\n-an event – it takes place over a fixed\, short period of time\n\n-an opportunity – it is open for free participation to everyone around the world\n\n-a community – it will be joined by a large number of diverse individuals\n\n-a conversation – an opportunity to give and take ideas and information from people\n\nThe University of Michigan Teach-Out Series provides just-in-time community learning events for participants around the world to come together in conversation with the U-M campus community\, including faculty experts. The U-M Teach-Out Series is part of our deep commitment to engage the public in exploring and understanding the problems\, events\, and phenomena most important to society.\n\nTeach-Outs are short learning experiences\, each focused on a specific current issue. Attendees will come together over a few days not only to learn about a subject or event but also to gain skills. Teach-Outs are open to the world and are designed to bring together individuals with wide-ranging perspectives in respectful and deep conversation. These events are an opportunity for diverse learners and a multitude of experts to come together to ask questions of one another and explore new solutions to the pressing concerns of our global community. Come\, join the conversation!\n\nFind new opportunities at teach-out.org.
UID:45200-10107465@events.umich.edu
URL:https://events.umich.edu/event/45200
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:International,History,Lecture,Undergraduate,Politics,Education,Discussion,Public Policy
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170731T181516
DTSTART;TZID=America/Detroit:20171003T120000
DTEND;TZID=America/Detroit:20171003T190000
SUMMARY:Exhibition:The Unfinished Conversation: Encoding/Decoding
DESCRIPTION:On view from September 8-October 14\, 2017 in the Stamps Gallery (201 S. Division St.\, Ann Arbor)\, The Unfinished Conversation: Encoding/Decoding is a group exhibition including image and video work by Terry Adkins\, John Akomfrah\, Shelagh Keeley\, and Zineb Sedira. There will be an exhibition reception on Friday\, September 8 from 6-8 pm. The exhibition and reception are free and open to the public.\n\nCo-curated by Gaëtane Verna\, Director of The Power Plant\, and Mark Sealy\, The Unfinished Conversation is grounded in the work of cultural theorist Stuart Hall (1932-2014)\, who devoted his life to studying the interweaving threads of culture\, power\, politics\, and history. \n\nTaking Hall’s essay Encoding and Decoding in the Television Discourse as a point of departure\, viewers will be invited to think about how meaning is constructed\; how it is systematically distorted by audience reception\; and how it can be detached and drained of its original intent to produce specific or slanted narratives. Hall’s interdisciplinary approach drew on literary theory\, linguistics\, and cultural anthropology in order to analyse and articulate the relationship between history\, culture\, popular media\, cold war politics\, gender\, and ethnicity.\n\nBy presenting the work of artists who bring into play time\, memory\, and archives so as to construct new readings of the past\, the exhibition will lay emphasis on the idea that the “visual” is an assimilatory process continuously at work in the construction of cultural\, political\, personal\, and national identities.\n\nCo-curators Gaëtane Verna and Mark Sealy state that it is their curatorial intention to build a multiple moving/still/audio archive\, an image map\, a visual vehicle that will ferry the audience across the choppy waters of memory\, images\, and politics to an undeterminable\, obscure\, and un-chartable destination\, where people often meet with a fatal end. The exhibition aims to take viewers on a journey in time\, to bring them to encounter images\, which act as both objects of art and ideas in flux\, circulating in and out of the archive through the corridors of cultural re-construction.\n\nThis image map will be drawn by the work of Terry Adkins\, John Akomfrah\, Shelagh Keeley and Zineb Sedira\, four artists whose practice is devoted primarily to commenting on recent socio-political events and situations and relating them to the not so distant past in order to help us understand the world we live in.\n\nBy stimulating our personal and collective memory\, these works will show us how history agitates and causes anxiety in our personal lives and in the political realm as they will reveal the fact that national identity is not an essence or a state of being\, but a “becoming\,” a process whereby subjectivities are formed in the interstices between such binary oppositions as us/them\, black/white\, or native/foreigner\, and that it is in those in-between spaces that marginalized people are the agents and subjects of many possible futures\, imagined or real.\n\nThe thread that connects all these art works is the artist’s involvement with the significant social issues confronting humanity today and their profound desire to push formal boundaries in order to tackle them.\n\nThe Unfinished Conversation: Encoding/Decoding is organized and circulated by The Power Plant Contemporary Art Gallery\, Toronto in partnership with Autograph ABP\, London. The exhibition is co-curated by Gaëtane Verna\, Director\, The Power Plant and Mark Sealy\, Director\, Autograph ABP.\n\nPhoto by Toni Hafkenscheid.
UID:41797-9474963@events.umich.edu
URL:https://events.umich.edu/event/41797
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Exhibition,Film
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170907T121539
DTSTART;TZID=America/Detroit:20171003T120000
DTEND;TZID=America/Detroit:20171003T190000
SUMMARY:Exhibition:Vital Signs for a New America
DESCRIPTION:On view from September 8-October 14\, 2017 in the Stamps Gallery (201 S. Division St.\, Ann Arbor)\, Vital Signs for a New America is a group exhibition including work by Dylan Miner\, Sheryl Oring\, and the performance collective The Hinterlands. There will be an exhibition reception on Friday\, September 8 from 6-8 pm. The exhibition and reception are free and open to the public.\n\nCurated by Srimoyee Mitra\, Vital Signs for a New America uses a range of meaningful and compelling of community-engaged approaches to invite the public to join Miner\, Oring\, and The Hinterlands in speaking out and sharing stories\; listening and re-learning\; and remembering the past to imagine new possibilities for the future.\n\nActive public engagement is at the heart of Vital Signs for a New America. Each work on view in this group exhibition offers opportunities to interact directly with the artists and their art. As part of the exhibition programming\, the gallery will become a common space for storytelling and tea drinking with Dylan Miner\; a bustling executive assistant’s office with Sheryl Oring\; and a tactile\, expansive personal archive with the performance collective The Hinterlands. Vital Signs invites the public to speak out\, listen\, and imagine new models for inclusive futures.\n\nDylan Miner: Elders Say We Don’t Visit Anymore\nSaturdays\, September 9-October 14\, 1-3 pm\n\nDylan Miner\, Director of American Indian and Indigenous Studies at Michigan State University\, is an artist\, activist\, and scholar. Miner identifies as a Wiisaakodewinini (Métis)\, the Ojibwe designation for a Native male of mixed ancestry. While conducting an oral history project with retired Anishinaabe autoworkers\, elders shared the idea that “we don’t visit as much as we used to” due to the limitations of urbanizations\, wage labor\, and settler colonialism to name a few. In response\, Miner was inspired to explore the methodology of visiting with an art gallery or museum context. Elders Say We Don’t Visit Anymore is a creative action where the public is invited to share tea and conversation with the artist\, creating new friendships and maintaining social relationships within a specific time and place.\n\nSheryl Oring: I Wish to Say \nFriday\, September 8\, 5-6.30 pm and 7-8 pm (two engagements)\nFridays\, September 15-October 13\, 5-7 pm\n\nNationally renowned artist Sheryl Oring’s belief in the value of free expression guaranteed by the American constitution propelled her to initiate I Wish to Say (2004-ongoing)\, a public platform that invites people to voice their concerns about the state-of-affairs in the country to the President of America. For this project\, Oring sets up a portable public office — complete with a manual typewriter — and invites viewers to dictate postcards to the President of the United States\, prompting with a simple phrase: “Do you have a message for the president?” Over the last decade\, Oring has toured this project across the country and more than 3\,000 postcards have been mailed to the White House. Taking place for the first time in Michigan\, Oring will be working with students and volunteers at the Stamps Gallery and in the city of Ann Arbor to spark dialogues not just among artists and academics but also among the diverse public of Ann Arbor on their notes to the President.\n\nThe Hinterlands: The Radicalization Process Papers \nTuesday\, October 3\, 6-7.30pm: History is a Living Weapon (performance)\n\nThe Hinterlands delve into the past to remember and re-learn the cultural memories and collective histories of Detroit and Ann Arbor. A collection of boxes is discovered in the basement of a house on the border of Detroit and Hamtramck. In them\, a rich personal archive of publication clippings\, which appear to chronicle radical U.S. histories of the 60s and 70s. Using the archive as a performative platform\, the artists invite audiences to engage with the materials contained in the boxes that blur the boundaries between fact and fiction\, real and imagined. The ephemera and memorabilia in the The Radicalization Process Papers takes audiences on a journey that navigates layers of historical accounts\, art\, politics\, and cultural artifacts and asks audiences to examine the assumptions of freedom and democracy in popular American culture. Created and compiled by The Hinterlands in collaboration with historian and poet Casey Rocheteau and designer Ben Gaydos.
UID:41894-9489321@events.umich.edu
URL:https://events.umich.edu/event/41894
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Exhibition,Social
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170928T145533
DTSTART;TZID=America/Detroit:20171003T120000
DTEND;TZID=America/Detroit:20171003T150000
SUMMARY:Exhibition:Vote now in the  As I See It Photography Competition!
DESCRIPTION:18 finalists have been selected from all the amazing black and white photography submissions we received and it's time to cast your vote! See the finalist photos and place your vote at the Michigan Union Lobby\, Beanster's in the Michigan League\, the Piano Lounge in Pierpont Commons\, or you can vote online now by clicking here! http://artsatmichigan.umich.edu/programs/asiseeit/ Voting runs until noon on Friday\, October 6\, and first prize includes an iPod Touch and more! Vote now and help the best photo win!
UID:45183-10107445@events.umich.edu
URL:https://events.umich.edu/event/45183
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Visual Arts,Photography,Exhibition,Art
LOCATION:Michigan Union
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170928T144326
DTSTART;TZID=America/Detroit:20171003T121000
DTEND;TZID=America/Detroit:20171003T130000
SUMMARY:Workshop / Seminar:EEB Tuesday Lunch Seminar: Speciation and the assembly of global vertebrate diversity
DESCRIPTION:Bring your lunch and join us for this weekly seminar
UID:42877-9675054@events.umich.edu
URL:https://events.umich.edu/event/42877
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Biology,Ecology,Research,Science
LOCATION:Ruthven Museums Building - 2009
CONTACT:
END:VEVENT
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