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DTSTAMP:20260915T094520
DTSTART;TZID=America/Detroit:20260923T120000
DTEND;TZID=America/Detroit:20260923T130000
SUMMARY:Lecture / Discussion:DAAS Faculty Forum 2026-2027
DESCRIPTION:Faculty members of the Department of Afroamerican and African Studies discuss their projects\, research\, and publications to share their work and interests. The DAAS Faculty Forum will be held monthly on Wednesdays at noon.\n\nFall 2026 Schedule:\n\nSeptember 23: Jonathan A. Gómez\, Assistant Professor of Music\, Department of Musicology\n\n“Theorizing Black Musical Tribute Work”\n\n“In this talk\, I present the beginnings of what I am theorizing as ‘Black musical tribute work\,’ a musical process of paying tribute to a Black musician\, living or deceased\, through musical performance. I engage specifically with the play of similarity and difference in covering the works of the artist to whom tribute is paid\, especially the semiotic capacities of such musical activity. I look to the 2005 album So Amazing: An All-Star Tribute to Luther Vandross as a case study.”\n\nJonathan A. Gómez is a musicologist studying Black American musics of the 20th and 21st centuries\, particularly popular musics. His work is situated at the intersection of music studies and Black studies\, with interests in music analysis and semiotics via linguistic anthropology. He is also a jazz saxophonist\, and can be heard on pianist Roberto Magris’ album Live in Miami @ the WDNA Jazz Gallery (2017)\, as well as on several tracks of Geo Trio’s We Made an Album! (2019). Gómez holds a Ph.D. in music with a secondary field in African and African American studies from Harvard University\, an M.A. in musicology from Michigan State University\, and a B.M. in studio music and jazz from the University of Miami’s Frost School of Music. Prior to U-M\, Gómez taught in USC’s Thornton School of Music.\n\nOctober 21: Justine Davis\, Assistant Professor of Afroamerican and African Studies\; Assistant Professor of Political Science \n\nNovember 18: Martin Murray\, Adjunct Professor of Afroamerican and African Studies\; Professor of Urban and Regional Planning\, Alfred Taubman College of Architecture and Urban Planning
UID:151690-21911968@events.umich.edu
URL:https://events.umich.edu/event/151690
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:AEM Featured,african and african american studies,african and afroamerican studies,African Diaspora,African Language,African Studies
LOCATION:Haven Hall - 4701
CONTACT:
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DTSTAMP:20260910T144023
DTSTART;TZID=America/Detroit:20260923T120000
DTEND;TZID=America/Detroit:20260923T130000
SUMMARY:Lecture / Discussion:DAAS Faculty Forum with Jonathan A. Gomez \, Assistant Professor of Music\, Department of Musicology
DESCRIPTION:Abstract: \n\n\nIn this talk\, I present the beginnings of what I am theorizing as “Black musical tribute work\,” a musical process of paying tribute to a Black musician\, living or deceased\, through musical performance. To accomplish this task\, I engage specifically with the play of similarity and difference in covering the works of the artist to whom tribute is paid\, especially the semiotic capacities of such musical activity. Here\, I build on my previous work on \"musical qualia of Blackness” (Gómez 2024) and musical metapragmatics of Blackness (Gómez 2026) to consider how attention to what linguistic anthropologist Michael Silverstein calls ethnometapragmatic indexicality and “indexical order” (Silverstein 2003)\, facilitates the musical process Black musicians paying tribute to one another through musical sound and practice. Finally\, I argue that such tributes enable a kind of “metapragmatics of presence” (Nakassis 2017) for Black musicians and listeners.\n\n \n\nTo demonstrate this method\, I look to the 2005 album\, So Amazing: An All-star Tribute to Luther Vandross\, as a case study. Vandross’s position as an understudied yet widely-beloved figure in Black musical history makes him\, and the tribute work done for him\, an ideal place to begin thinking through this process.  While Vandross is my chosen example here\, my hope is that this method will prove useful to a far wider range of artists\, time periods\, and genres in Black American musical history.
UID:151923-21912424@events.umich.edu
URL:https://events.umich.edu/event/151923
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:african and african american studies,african and afroamerican studies,African Diaspora,Music
LOCATION:Haven Hall - 4701 Haven Hall (DAAS Conference Room)
CONTACT:
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