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DTSTAMP:20260915T161734
DTSTART;TZID=America/Detroit:20260917T090000
DTEND;TZID=America/Detroit:20260917T163000
SUMMARY:Exhibition:Art Exhibit: Hands on Fire
DESCRIPTION:Jim Cogswell: Hands on Fire\n\n**August 31 to October 9\, 2026**\n**Public Reception: Friday\, September 18\, 4:30 to 6:30 pm**\n\nJim Cogswell’s Hands on Fire is a solo exhibition of mixed media drawings at the Residential College Gallery at the University of Michigan in Ann Arbor. The exhibition features sixty works on paper completed between 2024 and 2026.\n\nThis body of work responds to Greek Cypriot filmmaker Michael Cacoyannis’ cinematic adaptations of three tragedies by Euripides dealing with the Trojan War and its aftermath: Electra (1962)\, The Trojan Women (1971)\, and Iphigenia (1977). The work is in close conversation with Vinyl Euripides (2022)\, Cogswell’s adhesive vinyl installation on three floors of the Michael Cacoyannis Foundation in Athens\, Greece\, which also responded to the cinematic trilogy. By following Cacoyannis’ adaptations\, Cogswell builds on a cross-cultural history of restaging these tragedies to examine the human suffering caused by war\, imperial overreach\, and abuse of power\; and the dehumanizing consequences of revenge as a course of justice.\n\nWithin each drawing multiple scenes from the three narratives are overlaid within single frames\, suggesting the unseen entanglements that bind these ancient stories into such a persistent vision of our human position.\n\nThe grid of paintings encircling the gallery proposes a linear narrative but delivers instead a sequence that loops and turns on itself\, a stuck frame that stutters until bursting in flames. The grid also evokes the net that is a central feature of the series--the web of fate and circumstance that governs each of our lives\, that determines who we are and what is possible for us at any given moment in history.\n\nThe drawings are also characterized by a repeated motif of hands as consuming flames. Hands have unlimited expressive and narrative potential. They testify to the centrality of making in the development of human cognition. They are reminders of the constructed world and the laborers responsible for bringing it into being. We use hands as a form of communication to shape and express our inner states. Hands teach us to feel and to reason\, to count and to indicate. They give us agency\, as creators but also as destroyers. They give form to our willingness to act in the world\, in greed or compassion.\n\n---\n\n**This exhibition is made possible with funding from the Stamps School of Art & Design and the University of Michigan Office of Research.**\n\nFrom the Artist\n\nI am grateful to the Modern Greek Program in the Department of Classical Studies\, College of Literature\, Science\, and the Arts at the University of Michigan\, for their ongoing support for my research and the dissemination of this project.
UID:152223-21913375@events.umich.edu
URL:https://events.umich.edu/event/152223
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:art,artists and curators,artists,Art History,art and design,Visual Arts,History,free,Exhibition,Classical Studies,Arts Initiative,arts at michigan,arts
LOCATION:East Quadrangle - RC Art Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260827T142116
DTSTART;TZID=America/Detroit:20260917T090000
DTEND;TZID=America/Detroit:20260917T170000
SUMMARY:Exhibition:Ballad for Rodney
DESCRIPTION:The Institute for the Humanities’ presentation of Cosmo Whyte’s* Ballad for Rodney* (2024) is organized as part of Whyte’s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet\, Beyond the Eye*.\n\nThis “curtain painting” operates simultaneously as painting and sculpture\, inviting the viewer to physically engage with the surface\, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982\, St. Andrew\, Jamaica) is an interdisciplinary artist who employs drawing\, installation\, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives\, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022\, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte’s work has been exhibited nationally and internationally\, including at MOCA Georgia\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; The High Museum of Art\, Atlanta\, GA\; The Drawing Center\, New York\, NY\; Atlanta Contemporary\, Atlanta\, GA\; Centre Georges Pompidou\, Paris\, France\; and the National Gallery of Jamaica\, Kingston\, Jamaica\, among others. His work is in public museum collections including the High Museum\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; International African American Museum\, Charlotte\, NC\; MOCA Georgia\, Atlanta\, GA\; National Gallery of Jamaica\; Pérez Art Museum Miami\, among others. Whyte lives and works between Montego Bay\, Jamaica and Los Angeles\, CA.
UID:150287-21908780@events.umich.edu
URL:https://events.umich.edu/event/150287
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
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