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BEGIN:VEVENT
DTSTAMP:20260901T104222
DTSTART;TZID=America/Detroit:20261001T100000
DTEND;TZID=America/Detroit:20261001T140000
SUMMARY:Workshop / Seminar:The Patch-Up Pop-Up
DESCRIPTION:Learn the basics of sewing and mending at the Patch-Up Pop-Up Mending 101 workshop! Bring your own torn\, worn\, or unloved clothing items to our tent at EarthFest\, and learn from an artist how to revive them. Demonstrations every hour\, on the hour! Free sewing kit handouts!\n\nJoin us on the Diag\, on October 1st from 10-2!
UID:151244-21911331@events.umich.edu
URL:https://events.umich.edu/event/151244
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Clothing,Mending,Sustainability
LOCATION:Diag - Central Campus
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260919T160749
DTSTART;TZID=America/Detroit:20261001T100000
DTEND;TZID=America/Detroit:20261001T140000
SUMMARY:Other:U-M Farm Stand
DESCRIPTION:Join the U-M Sustainable Food Program (SL Sustainability) and the Campus Farm (Matthaei Botanical Gardens) every Thursday from 12-3pm to get produce grown by students for students\, and learn more about student-powered food systems while you're there.\n\nAs always\, students get a 30% discount and revenue from the Farm Stand will support the Student Food Empowerment Fund\, which offers grants to students and student organizations to pursue student-powered sustainable food projects on and off-campus.
UID:152469-21913783@events.umich.edu
URL:https://events.umich.edu/event/152469
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:agriculture,Climate Week,Community,Food,Food Justice,Health & Wellness,Sustainability,sustainable food systems,vegetables
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260811T195518
DTSTART;TZID=America/Detroit:20261001T110000
DTEND;TZID=America/Detroit:20261001T114500
SUMMARY:Workshop / Seminar:Diagnosis & Disability: Clarifying the Connection
DESCRIPTION:This workshop explores the important distinctions—and areas of overlap—between having a medical diagnosis and meeting the legal definition of disability. Participants will gain a clearer understanding of what constitutes a diagnosis\, how disability is defined under the Americans with Disabilities Act (ADA)\, and when a diagnosis may rise to the level of a disability in employment and educational settings.     \n\nUsing practical examples\, the session will raise awareness of key considerations regarding documentation\, accommodations\, and the interactive process. Participants will leave with a stronger understanding of how diagnosis and disability intersect in real-world contexts and how to approach accommodation-related conversations with greater clarity and confidence.\n\nAmerican Sign Language (ASL) interpreting services and Communication Access Realtime Translation (CART) captioning services will be provided. If you need additional accommodations to participate in this webinar\, please email the ADA Coordinator at ADAcoordinator@umich.edu.
UID:149396-21906347@events.umich.edu
URL:https://events.umich.edu/event/149396
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Accessibility,Accommodations,Disability,Discussion,Inclusion,Ndeam,Virtual,Workshop
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261001T110000
DTEND;TZID=America/Detroit:20261001T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881338@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260921T223445
DTSTART;TZID=America/Detroit:20261001T113000
DTEND;TZID=America/Detroit:20261001T125000
SUMMARY:Workshop / Seminar:The China Shock in India: Input Linkages and Output Competition in Manufacturing
DESCRIPTION:This paper studies how the impact of a trade shock depends on a country's production technology as well as its position in the global supply chain. I decompose the effect of China's WTO accession in 2001 on Indian manufacturing into two channels - direct competition and higher intermediate input availability. The input channel dominates\, in part driven by the fact that Indian manufacturers were predominantly buyers of Chinese intermediates rather than competitors in final-goods markets. Using district-level data and a shift-share IV methodology\, I find that a 1 standard deviation higher exposure to Chinese inputs per worker is associated with a 0.61 percentage point higher manufacturing employment share. Disaggregating imports by end-use\, I show that the direct competition channel lowers employment shares only for intermediate goods sectors while the input channel is associated with higher employment shares for consumer\, intermediate and capital goods. To quantify aggregate welfare and employment effects\, I construct a quantitative trade model with input-output linkages in production. The model implies a moderate welfare improvement and corroborates the reduced form mechanism\, with welfare gains larger in states reliant on China-shocked sectors for inputs.
UID:151815-21912221@events.umich.edu
URL:https://events.umich.edu/event/151815
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Economics,International,seminar
LOCATION:North Quad - 4300
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260922T103914
DTSTART;TZID=America/Detroit:20261001T120000
DTEND;TZID=America/Detroit:20261001T170000
SUMMARY:Exhibition:“Fill the Ranks”: The Civil War and the University of Michigan
DESCRIPTION:“Fill the Ranks”: The Civil War and the University of Michigan explores how campus and community debated the issues that tore the country apart\, how students and alums joined the fight\, and how the University’s public mission began to conflict with its elite aspirations. Based on collections at the Bentley Historical Library.\n\nDeveloped by the Judy and Stanley Frankel Detroit Observatory and featuring the work of its student docents\, “Fill the Ranks” includes historic artifacts\, digital animations\, and interactive elements spanning two floors.\n\nOn display September 25\, 2026-July 2\, 2027 at the Judy and Stanley Frankel Detroit Observatory\, 1398 Ann Street\, Ann Arbor\, 48109.\n\nView the exhibit during the Observatory’s open hours: Thursdays 12-5 pm\, Fridays 12-11 pm\, Saturdays 12-5 pm.\n\n“Fill the Ranks”: The Civil War and the University of Michigan is supported in part by the Inclusive History Project. To learn more\, please visit inclusivehistory.umich.edu. Additional support provided by the University of Michigan’s U.S. at 250 initiative.
UID:152626-21914238@events.umich.edu
URL:https://events.umich.edu/event/152626
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:american culture,American History,American Politics,archives,bentley historical library,bentley library,civil rights,Civil War,Education,educational,Exhibition,free,history,Humanities,Museum,museums,Politics,Social Sciences,Storytelling,Student Life,U-m History,university history,university of michigan history
LOCATION:Detroit Observatory
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T131259
DTSTART;TZID=America/Detroit:20261001T120000
DTEND;TZID=America/Detroit:20261001T160000
SUMMARY:Exhibition:“Who Counts? A History of Voting in America”
DESCRIPTION:Changes over the course of the nineteenth century in how Americans voted\, from voice vote to public ballot box to private voting booth\, also saw changes in the material culture that surrounded voting. Ballots and ballot boxes\, campaign pins and ribbons\, blank lists and pre-printed party tickets\, lanterns and banners–the creative forces of the American print industry filled the country’s cities and small towns with the ephemera of electioneering.\n\nAs you look at the items in this exhibit\, think about what they tell us about how Americans in the past felt about voting\, and about how voting felt. How did Election Days feel when they were full of parades and music and public drinking? What was it like to vote when everyone around you knew who you voted for? And\, most of all\, who counted as a voter\, and who did the counting?\n\nOn view September 11-December 22\, weekdays from 12-4 pm.
UID:152024-21912649@events.umich.edu
URL:https://events.umich.edu/event/152024
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:american culture,american history,Americana,Event,Exhibit,Exhibition,history,In Person,libraries,Library,Tour,William L Clements
LOCATION:William Clements Library
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260917T114706
DTSTART;TZID=America/Detroit:20261001T120000
DTEND;TZID=America/Detroit:20261001T133000
SUMMARY:Lecture / Discussion:CJS Noon Lecture Series | Living Ainu Art: Community\, Nature\, and Intergenerational Knowledge through Song and Dance
DESCRIPTION:Please note: This lecture will be held in person in room 1010\, Weiser Hall\, and virtually on Zoom. If you would like to attend via Zoom\, registration is required. Once you've registered\, joining information will be sent to your email. Register for the Zoom webinar at: https://myumi.ch/pg7N9.\n\nThis lecture-performance introduces Ainu culture through the living traditions of art\, song\, and dance. Participants will learn how Ainu art-making is rooted in community\, intergenerational knowledge\, and relationships with the natural world\, offering a perspective that differs from conventional notions of individual artistic practice. The session concludes with an interactive performance\, inviting the audience to experience Ainu culture through shared movement\, music\, and dialogue.\n\nKanako Uzawa is an Ainu multidisciplinary artist\, scholar\, and curator whose work bridges artistic practice\, academic research\, and community engagement. Originally from Japan and based in Norway\, she holds a Ph.D. in community planning and cultural understanding from UiT – The Arctic University of Norway\, where her research explored urban Indigenous identity and contemporary Ainu perspectives. Uzawa works across contemporary dance\, film\, animation\, installation\, and socially engaged art\, and her work has been exhibited and performed internationally. She is currently an invited faculty member at Hokkaido University\, an affiliated researcher at the University of Oslo\, and a guest curator at the University of Michigan Museum of Art and the Józef Piłsudski Museum. Across her research\, exhibitions\, performances\, and collaborations\, Uzawa works to create spaces where Indigenous knowledge\, contemporary art\, and lived experience meet\, fostering dialogue across cultures and generations.\n\nPhoto credit: Susan Dine\n\nThis lecture is co-sponsored by the Department of Dance. To learn more about this department\, please visit https://smtd.umich.edu/department/dance/.\n\nThis lecture is supported in part by the William P. Malm Fund.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.\n\n*Part of the International Institute Theme Year: Sovereignty*\nhttps://myumi.ch/ii-theme
UID:149999-21907796@events.umich.edu
URL:https://events.umich.edu/event/149999
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:arts,Asian Languages And Cultures,center for japanese studies,japan,Japanese Studies,Music,Performance,Theme Year
LOCATION:Weiser Hall - 10th Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260922T121523
DTSTART;TZID=America/Detroit:20261001T120000
DTEND;TZID=America/Detroit:20261001T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906608@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T164156
DTSTART;TZID=America/Detroit:20261001T120000
DTEND;TZID=America/Detroit:20261001T180000
SUMMARY:Exhibition:Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5·18 Democratization Movement - A Photographic Archive of the May 1980 People’s Uprising in Korea
DESCRIPTION:Link to the official event poster: \nhttps://myumi.ch/kVdVV\n\nFor parking information\, please visit this link: https://www.dc.umich.edu/about-the-dc/maps-floor-plans-hours/#parking\n\nExhibition Opening Event: \n- When: Friday\, September 18\, 5 pm to 6 pm\n- Where: Duderstadt Center Gallery\n- Open to the public\n- Description: Please join us for the opening of this photo exhibition. The event will feature remarks by the organizers\, the exhibition curators\, one of the featured photojournalists\, and a former Peace Corps volunteer who has stood in solidarity with the people of Gwangju since 1980. Light refreshments are provided. \n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18–27\, 1980 democratization uprising in Gwangju\, South Korea\, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance\, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts\, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism\, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment\, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5–16\, 1980): \nFollowing the collapse of Park Chung-hee’s military dictatorship in October\, 1979\, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces\, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18–19\, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government’s decision. State violence escalated as paratroopers\, who were deployed to Gwangju\, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims\, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20–21\, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju’s main thoroughfare\, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction\, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22–26\, 1980): \nWhile isolated and cut off from communications\, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity—sharing food and donating blood—rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27\, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended\, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins\, portraits\, and silent vigils represent a collective ethical gaze. During this period\, mourning was more than a display of grief\; it was a communal act used to redefine the city’s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe\, French correspondents Patrick Chauvel and François Lochon\, and German cinematographer Jürgen Hinzpeter. Their images transcend simple reporting\, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence\, the exhibition reinterprets them through a lens of photographic history—examining their context\, distribution\, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980\, four American Peace Corps volunteers—Tim Warnberg\, David Lee Dolinger\, Judi Chamberlin\, and Paul Courtright—refused to leave\, choosing instead to assist the wounded\, aid foreign journalists\, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights\, inspiring decades of memoirs\, academic writings\, and testimonies. Through photographs\, video footage\, and personal records\, this section traces their journey from eyewitnesses to active defenders of human dignity\, inviting us to reflect on what it truly means to take a stand in the face of another’s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n“For Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy”\nhttps://myumi.ch/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps://myumi.ch/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement\, including graphic depictions of violence\, state military suppression\, injuries\, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives\, Center for Democracy & Civic Empowerment\, Department of Political Science\, Center for Emerging Democracies\, Donia Human Rights Center\, Asia Library\, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:150763-21910136@events.umich.edu
URL:https://events.umich.edu/event/150763
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Activism,Art,Asia,Asian Languages And Cultures,Exhibition,History,Korea,Korean Studies
LOCATION:Duderstadt Center
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260917T154409
DTSTART;TZID=America/Detroit:20261001T120000
DTEND;TZID=America/Detroit:20261001T130000
SUMMARY:Workshop / Seminar:Drop-In Art Workshop: Paper Strip Pumpkins
DESCRIPTION:Hosted by the Gifts of Art program at Michigan Medicine. \n\nJoin us for a Yayoi Kusama inspired paper strips pumpkin art workshop to create your own festive pumpkin. The project will be a tribute and celebration of the art of Kusama as well as the start to fall. Live music and all supplies provided. Free and open to the public.
UID:152400-21913681@events.umich.edu
URL:https://events.umich.edu/event/152400
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art Workshop,Live Music,Michigan Arts Festival
LOCATION:University Hospitals - The Hub
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260922T181647
DTSTART;TZID=America/Detroit:20261001T120000
DTEND;TZID=America/Detroit:20261001T133000
SUMMARY:Other:Engineering Student-Faculty Mixer
DESCRIPTION:The Engineering Student-Faculty Mixer\, hosted by the Tau Beta Pi (TBP) Engineering Honor Society\, is a unique opportunity for casual cross-disciplinary mingling between students and faculty\; departments across the entire engineering school will be present. Lunch will be provided\, and there will be small activities and prizes.\n\nWhy attend?\n• Find faculty advisors for project teams\n• Explore potential minors\n• Get involved in interdisciplinary research\n• Inquire about graduate studies in a major different than your own\n• First years: if undecided\, talk with students and faculty across disciplines\n\nContact Catherine Liang at tbp.president@umich.edu with any questions.
UID:152691-21914386@events.umich.edu
URL:https://events.umich.edu/event/152691
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Engineering,First Year
LOCATION:Electrical Engineering and Computer Science Building - Atrium
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260811T094953
DTSTART;TZID=America/Detroit:20261001T120000
DTEND;TZID=America/Detroit:20261001T140000
SUMMARY:Workshop / Seminar:Graduate Financial Education: 1:1 Consultation Hours
DESCRIPTION:Have questions about managing your finances as a graduate student? Schedule a one-on-one appointment with Heather Moore\, Ph.D.\, assistant director of financial education and engagement\, for personalized guidance tailored to your financial goals and questions.\n\nDuring your appointment\, you can discuss topics such as: Budgeting and saving strategies\, Student loans and repayment options\, Income taxes for graduate students\, Credit and credit cards\, Building healthy financial habits\, Other graduate student financial questions.\n\nHow to Register:\nRegister for your preferred appointment date through Sessions.\n\nAfter registering\, you will receive a confirmation email with a link to Heather's Google Booking Calendar.\n\nOpen the Google Booking Calendar and select your preferred appointment time from the available times listed for the date for which you registered.\n\nAppointments are typically 15 minutes\, though longer appointment times may be available depending on Heather's availability.\n\nTo make the most of your appointment time\, please come prepared with one or two questions you would like to discuss. You are also welcome to bring a budget or other financial information you would like to review. Appointments are brief\, so arriving prepared will help you maximize your time and get the guidance you are looking for.\n\nIf you have any questions regarding registration and booking your appointment\, please contact rackhampdeworkshops@umich.edu.
UID:150110-21908021@events.umich.edu
URL:https://events.umich.edu/event/150110
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Rgs Events,Rgs-events,Sessions
LOCATION:West Council Room, 2nd Floor (West Side)
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260827T181648
DTSTART;TZID=America/Detroit:20261001T120000
DTEND;TZID=America/Detroit:20261001T133000
SUMMARY:Performance:Living Ainu Art: Community\, Nature\, and Intergenerational Knowledge through Song and Dance
DESCRIPTION:Part of the U-M Center for Japanese Studies Noon Lecture Series. Co-sponsored by the Department of Dance\, the International Institute\, and Asian Languages and Cultures.\n\nPlease note: This lecture will be held in person in room 1010\, Weiser Hall\, and virtually on Zoom. Register for the Zoom webinar at: https://myumi.ch/pg7N9.\n\nThis lecture-performance introduces Ainu culture through the living traditions of art\, song\, and dance. Participants will learn how Ainu art-making is rooted in community\, intergenerational knowledge\, and relationships with the natural world\, offering a perspective that differs from conventional notions of individual artistic practice. The session concludes with an interactive performance\, inviting the audience to experience Ainu culture through shared movement\, music\, and dialogue.\n\nKANAKO UZAWA is an Ainu multidisciplinary artist\, scholar\, and curator whose work bridges artistic practice\, academic research\, and community engagement. Originally from Japan and based in Norway\, she holds a Ph.D. in community planning and cultural understanding from UiT – The Arctic University of Norway\, where her research explored urban Indigenous identity and contemporary Ainu perspectives. Uzawa works across contemporary dance\, film\, animation\, installation\, and socially engaged art\, and her work has been exhibited and performed internationally. She is currently an invited faculty member at Hokkaido University\, an affiliated researcher at the University of Oslo\, and a guest curator at the University of Michigan Museum of Art and the Józef Piłsudski Museum. Across her research\, exhibitions\, performances\, and collaborations\, Uzawa works to create spaces where Indigenous knowledge\, contemporary art\, and lived experience meet\, fostering dialogue across cultures and generations.\n\n*Photo credit: Susan Dine*\n\nIf there is anything we can do to make this event accessible to you\, please contact the Center for Japanese Studies. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:151058-21910816@events.umich.edu
URL:https://events.umich.edu/event/151058
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Culture,Dance,Free,Interdisciplinary,Lecture,Music,Talk
LOCATION:Off Campus Location
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260908T150741
DTSTART;TZID=America/Detroit:20261001T120000
DTEND;TZID=America/Detroit:20261001T150000
SUMMARY:Workshop / Seminar:MDP 2027 Project Fair
DESCRIPTION:This event offers the opportunity to speak with corporate sponsors and faculty PI’s about their projectsStudents are encouraged to:Bring copies of their resume and be prepared to ask questionsRead the project descriptions on our website before attendingDress ranges from “classroom attire” to business casualIt is fine to show up partway through – this is intended to be a drop-in event.The fair is a great way to learn more before applying. The application requires students to rank the projects in order of preference\, and meeting the sponsors and faculty may influence your ratings. However\, you do not have to attend the Project Fair to apply for an MDP project.
UID:149950-21907423@events.umich.edu
URL:https://events.umich.edu/event/149950
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Engineering,Graduate,Graduate Students,Michigan Engineering,Sessions,Transfer Students,Undergrad,Undergraduate,Undergraduate Students
LOCATION:Duderstadt Center
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260922T212142
DTSTART;TZID=America/Detroit:20261001T120000
DTEND;TZID=America/Detroit:20261001T133000
SUMMARY:Workshop / Seminar:OGPS Culture Under the Microscope Series
DESCRIPTION:This series is designed for PhD students and emerging scientists to gather skill and knowledge in intercultural communication\, fostering inclusive lab environments & community pathway building.
UID:151715-21912022@events.umich.edu
URL:https://events.umich.edu/event/151715
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Sessions
LOCATION:https://umich.zoom.us/j/94639624537
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260902T121655
DTSTART;TZID=America/Detroit:20261001T121500
DTEND;TZID=America/Detroit:20261001T124500
SUMMARY:Performance:Division Street Pipes
DESCRIPTION:Join us as doctoral student Chanmi Kim performs a 30-minute organ recital.\n\nDivision Street Pipes concerts features talented students and faculty of the U-M Organ Department on Thursdays at 12:15pm on the Richards-Fowkes organ at St. Andrew's Episcopal Church. These 30-minute performances are free and open to the public\, and audience members are invited to enjoy their lunch while listening. The series is co-sponsored by the University of Michigan Organ Department and St. Andrew’s Episcopal Church in an effort to bring organ music to local audiences while connecting U-M organ students with the wider community. Concerts offer attendees the opportunity to hear the versatility of the pipe organ beyond a worship setting.\n\n*There is no recital on November 26.*
UID:151385-21911475@events.umich.edu
URL:https://events.umich.edu/event/151385
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Concert,Free,Music
LOCATION:Off Campus Location
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260819T153435
DTSTART;TZID=America/Detroit:20261001T130000
DTEND;TZID=America/Detroit:20261001T150000
SUMMARY:Social / Informal Gathering:Creative Reuse at the Lab Swap Shop
DESCRIPTION:In association with the Michigan Arts Festival hosted by the Arts Initiative\, the Lab Swap Shop will be holding creative reuse workshops during regular Thursday hours from October 1 to October 29. These events use surplus lab supplies for art activities\, demonstrating the different ways that items can be reused. Workshop activities are as follows:\n--- 10/1: Block Printing Lab Coats **During Climate Week 2026**\n--- 10/8: Flask Potion Making\n--- 10/15: Flask Vase Painting\n--- 10/22: Serological Pipette Pointillism Painting\n--- 10/29: Spooky Swap Shop - Any and all crafts!\n\nJoin us for these events and get free supplies for your lab while you are there! You can also check out the Door-to-Door Lab Reuse Catalog for additional free lab supplies looking to find a home. Reach out to sustainable-labs@umich.edu with any questions!
UID:150567-21909621@events.umich.edu
URL:https://events.umich.edu/event/150567
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Arts Initiative,Circular Economy,Climate Week 2026,Creative Reuse,Sustainability
LOCATION:1100 North University Building - 5004
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260909T111614
DTSTART;TZID=America/Detroit:20261001T130000
DTEND;TZID=America/Detroit:20261001T142000
SUMMARY:Workshop / Seminar:Econometrics Seminar: Thursday\, October 1
DESCRIPTION:--
UID:151819-21912225@events.umich.edu
URL:https://events.umich.edu/event/151819
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Econometrics,Economics,seminar
LOCATION:North Quad - 4300
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260918T140908
DTSTART;TZID=America/Detroit:20261001T130000
DTEND;TZID=America/Detroit:20261001T140000
SUMMARY:Presentation:Graduate Opportunities in Computational and Data Science information session
DESCRIPTION:The educational programs represented will be:\n\nPhD in Scientific Computing (MICDE)\nGraduate Certificate in Computational Discovery & Engineering (MICDE)\nGraduate Certificate in Computational Neuroscience (MICDE)\nGraduate Certificate in Data Science (MIDAS)\n\nThese add-on programs are open to U-M graduate students with an interest in scientific computing or data science. We will also discuss funding\, research\, and community opportunities. \n\nRefreshments will be provided. \n\nIf you have any questions about these programs or about the information session\, please reach out to MICDE (micde-contact@umich.edu) or MIDAS (midas-contact@umich.edu). \n\nNOTE: You are welcome to attend either session. We will hold two sessions in different locations\, but the content will be the same.
UID:152333-21913558@events.umich.edu
URL:https://events.umich.edu/event/152333
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Computation,Computational Medicine,Computational Modeling,Computational Science,Computational Social Science,Data Science,Engineering,Graduate,Graduate School,Graduate Students,Interdisciplinary,Micde,Michigan Engineering,Midas,Rackham,Research,Science,Scientific Computing,Sessions
LOCATION:4th floor, Great Lakes Room
CONTACT:
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END:VCALENDAR