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DTSTART:20070311T020000
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BEGIN:VEVENT
DTSTAMP:20260922T222123
DTSTART;TZID=America/Detroit:20261005T180000
DTEND;TZID=America/Detroit:20261005T190000
SUMMARY:Conference / Symposium:Stockwell (2026-2027) (Housing)
DESCRIPTION:
UID:150491-21913538@events.umich.edu
URL:https://events.umich.edu/event/150491
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Sessions
LOCATION:Stockwell Hall
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260922T180318
DTSTART;TZID=America/Detroit:20261005T183000
DTEND;TZID=America/Detroit:20261005T193000
SUMMARY:Other:Team Formation
DESCRIPTION:Team Formation for Committees!
UID:151662-21911909@events.umich.edu
URL:https://events.umich.edu/event/151662
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:
LOCATION:Rackham West Conference Room- Fourth Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260908T163827
DTSTART;TZID=America/Detroit:20261005T190000
DTEND;TZID=America/Detroit:20261005T210000
SUMMARY:Reception / Open House:MDP Open Labs 2027
DESCRIPTION:September 28th – October 9th | Various Locations\nStudents can visit ongoing MDP research teams to meet the faculty as well as learn about the research aims and team culture. Remote participation options are available for selected teams.
UID:151532-21911695@events.umich.edu
URL:https://events.umich.edu/event/151532
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Engineering,Graduate,Graduate Students,Mdp,Michigan Engineering,Research,Sessions,Transfer Students,Undergraduate,Undergraduate Students
LOCATION:FXB 1024
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T113646
DTSTART;TZID=America/Detroit:20261005T200000
SUMMARY:Performance:An intimate evening with Copeland
DESCRIPTION:New music alongside old favorites\, with moments that feel close\, dynamic\, and reimagined for an intimate acoustic show\n\nLongevity in music comes through pushing yourself and expanding the possibilities of your sound. This has never been more true for Copeland on their latest effort Blushing\, a collection of 11 tracks that advance and evolve everything the trio of musicians has done up until now. The band\, which originally formed in Lakeland\, Florida in 2001\, has unveiled six albums\, spanning from their 2003’s debut Beneath Medicine Tree to 2016’s Ixora. While they began as a rock band\, Copeland’s music has explored multiple genres and pulled in various stylistic influences like electronic and symphonic. In the past the musicians have aptly melded these styles\, creating a unique amalgam of sounds. This time they wanted to take each sound and style and push it to its logical extreme.\n\nThe album is a strong step forward for Copeland\, who plans to continue writing and releasing music together for the foreseeable future. The band\, who have toured with the likes of Brand New\, Goo Goo Dolls\, Bob Mould\, Switchfoot\, Motion City Soundtrack and Guster\, will also tour on the new material. In many ways\, Blushing encapsulates the band’s impressive career\, while also showcasing their evolution into mature songwriters and producers. It reveals how the strength of each individual component that makes up Copeland’s sound.
UID:148623-21904539@events.umich.edu
URL:https://events.umich.edu/event/148623
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Ark,Mutotix
LOCATION:ARK Reserved
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260921T181519
DTSTART;TZID=America/Detroit:20261006T070000
DTEND;TZID=America/Detroit:20261006T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" \n\nStamps Lecturer & Student Exhibitions Coordinator Sally Clegg notes\, \"Each student takes their own path\, encountering questions that can shape the direction of their creative practice—how do I manage my time? How much constraint vs. freedom do I thrive on? What subject matter do I care about most deeply? How do my ideas about my future goals intersect with the work I want to make now?\" At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review\, and a faculty panel offers individualized feedback. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. The pieces on view span a wide array of media and capture a specific moment in each maker’s path: experiments in previously unfamiliar methods\, emergent passions\, creative risks taken\, iterations and reiterations\, and the seeds of so much future work.\n\nAs Course Coordinator\, Stamps Assistant Professor Pedram Baldari both teaches and works directly with all the faculty overseeing each section to collaboratively support the entire class. He offers this reflection on the diverse collection of work on view in this year’s exhibition.\n\nThese works engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\nSYS is intentionally structured around a different learning model than project-based courses. Rather than responding to predetermined assignments\, students identify their own questions and spend an entire semester developing them through research\, experimentation\, critique\, and multiple iterations. The emphasis is not on arriving quickly at a resolved outcome\, but on cultivating the capacity to work independently\, remain responsive to new discoveries\, and allow the project itself to evolve through sustained engagement.\n\nAs a result\, the exhibition presents more than a collection of finished works. It documents different ways of investigating\, testing\, and refining ideas. Some students advance through material experimentation\, others through drawing\, installation\, performance\, digital media\, social engagement\, or speculative approaches. Each project reflects a distinct methodology that has developed through repeated cycles of making\, reflection\, critique\, and revision. In a sense\, the dialectical process generated by the nature of this course is the most significant thread connecting this year’s exhibition. It marks a point at which students begin moving beyond solving assignments toward constructing independent practices\, developing the habits of inquiry\, critical reflection\, and experimentation that will continue to shape their work well beyond SYS.\n\n\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907856@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260818T121511
DTSTART;TZID=America/Detroit:20261006T080000
DTEND;TZID=America/Detroit:20261006T170000
SUMMARY:Exhibition:Camille Ann Brewer\, MFA\, MLIS
DESCRIPTION:Camille Ann Brewer lives and works in the City of Detroit\, Michigan.  Through the process of textile construction\, Brewer’s artwork intersects cartographic and photographic images that speak to specific spaces and time. Weaving together of physical place\, memory with time is the core subject of this body of work.  \n\nThe artwork is built with time-period paper maps\, which illustrate spatial geography and political territory\; along with paper-collaged images of people\, places and things\, which tie directly to the history and human relationships in space.  In patterns that support the artwork’s theme\, the two disparate paper elements are then woven together to create a serendipitous making and aesthetic experience.
UID:150411-21909359@events.umich.edu
URL:https://events.umich.edu/event/150411
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Alumni,Art,ArtsEngine,ArtsRx,Culture,Detroit,Diversity,Diversity Equity and Inclusion,Exhibition,Humanities,North Campus,Reception,Visual Arts,Women's Studies
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T104038
DTSTART;TZID=America/Detroit:20261006T080000
DTEND;TZID=America/Detroit:20261006T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907733@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260826T132935
DTSTART;TZID=America/Detroit:20261006T080000
DTEND;TZID=America/Detroit:20261006T230000
SUMMARY:Exhibition:Comics Beyond Sight
DESCRIPTION:This exhibit covers a variety of creative approaches to comics visual accessibility\, and by extension visual accessibility broadly. Those approaches range from multimedia (audio and textual descriptions) through multidimensional and emerging technologies strategies (3D printing\, haptics\, and screen-based mobile touch interfaces). It demonstrates that comics can be made accessible. Learn about the international efforts of innovators in the realm of comics accessibility for those who are blind or have low vision\, assembled by the Accessible Comics Collective at San Francisco State University (SFSU) with the expertise of blind access professionals. \n\nEmily Beitiks was the accessibility lead for the content creation of the exhibit. She is the co-director for the San Francisco Disability Cultural Center (the first civically funded disability culture center on the planet!)\, and prior to that\, the director of the Longmore Institute on Disability. \n\nNick Sousanis (SFSU)\, the lead creative organizer of the exhibit\, is a Detroit native and was the first person to draw his dissertation in comics format\, subsequently published as the graphic novel Unflattening.\n\nView the exhibit anytime the Hatcher Library is open\, and join us for an opening presentation on Friday\, October 2nd\, 1:00pm - 4:00pm.
UID:150276-21908511@events.umich.edu
URL:https://events.umich.edu/event/150276
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Accessibility,Comics,Disability,Free,Library
LOCATION:Hatcher Graduate Library - Gallery, 1st Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260814T155307
DTSTART;TZID=America/Detroit:20261006T080000
DTEND;TZID=America/Detroit:20261006T230000
SUMMARY:Exhibition:Down in Ann Arbor Town: Pictorial Maps\, Campus Traditions\, and the Women Who Made Them
DESCRIPTION:Celebrate the centennial of the iconic 1926 “Down in Ann Arbor Town” map by exploring the colorful history\, campus traditions\, and detailed artistry that made it possible. Created by Jessie Horton Koessler (Class of 1901) to help fund the Michigan League building for women\, this celebrated map provides a fascinating view into 1920s campus life and the women who shaped it. Through three distinct exhibit sections\, journey from the campus history that led to the map’s creation to a broader look at early 20th-century pictorial mapmaking.\n\nWhile enjoying the exhibit\, pick up a scavenger hunt at the Clark Library desk that will inspire you to notice whimsical details in the maps discussed. Return your scavenger hunt at the desk for a small prize\, while supplies last.\n\nJoin the curators — Ava Pustulka (’28) and Anna Rohl\, map curator at Clark Library — for a presentation on September 24 (https://myumi.ch/X8y3r)\, where they will share the research that went into creating the exhibit.
UID:150290-21908814@events.umich.edu
URL:https://events.umich.edu/event/150290
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,Library,Maps
LOCATION:Hatcher Graduate Library - Clark Library, 2nd Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260818T114238
DTSTART;TZID=America/Detroit:20261006T080000
DTEND;TZID=America/Detroit:20261006T170000
SUMMARY:Exhibition:Lila Kadaj Exhibition
DESCRIPTION:Lila Kadaj received her MFA from Wayne State University. Her work has been shown at numerous institutions\, including the Detroit Institute of Arts\, the Cranbrook Art Museum\, and the Arab American National Museum.  She spent nearly 27 years teaching art at Detroit Public schools.\n\nArtist statement: “When looking at a beautiful flower.  It’s just itself.  Just there......no .....it does not proclaim its purpose for blooming is to make people happy. It just is. Like standing in front of an easel and painting........just is.......no matter......what proclamations may be concluded to sway the viewer. Same thing goes for fine art.  It’s not about I am a woman....it’s not about I am a first generation Arab American.....it’s not about being a child of trauma....it’s not about a member of my family being gunned down on the street....it’s about being born a painter.....standing in front of my easel and working to create a \"Piece of Fine Art\". Not standing on some soap box and expecting my words to somehow qualify my painting. It’s the painting\, drawing or sculpture that must speak on its own.......on how the artist......via the intellect and muse uses the elements to create something distinct and first rate.   It can be quiet or loud. I see so much very weak work uplifted not for its quality but because it’s in fashion.”
UID:150406-21909195@events.umich.edu
URL:https://events.umich.edu/event/150406
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Arab Heritage Month,Art,ArtsRx,Culture,Detroit,Diversity,Exhibition,Free,Middle East Studies,North Campus,Visual Arts,Women's Studies
LOCATION:North Campus Research Complex Building 18 - Connections Gallery Concourse Level
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261006T080000
DTEND;TZID=America/Detroit:20261006T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907497@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T113000
DTSTART;TZID=America/Detroit:20261006T090000
DTEND;TZID=America/Detroit:20261006T210000
SUMMARY:Conference / Symposium:7th Annual Creating Community Conference
DESCRIPTION:*Note: The Institute for the Humanities will cover the registration fee for any faculty\, staff or graduate students interested in attending a single day or all three days of the conference. Please contact the Institute staff at humin@umich.edu to coordinate the registration process.*\n\nHeld October 5-8\, 2026\, the Creating Community Conference brings together artists and professionals from progressive art studios* across the United States and beyond\, along with professionals active in disability arts\, rights\, and theory\, to discuss best practices\, advocacy\, and the evolving landscape of art and disability. This annual event\, a Creative Growth initiative launched in Oakland\, CA in 2019\, aims to foster dialogue and collaboration around the importance of inclusive creative spaces for artists with developmental disabilities and mental health differences.\n\nThis year's conference will be hosted in Detroit and Ann Arbor Michigan\, and is locally organized and led by the Progressive Art Studio Collective (PASC)\, with support from the University of Michigan Institute for the Humanities\, and Library Street Collective. National administration and strategic support is being provided by Creative Growth\, in collaboration with the Progressive Art Studio Alliance (PASA).\n\nCCC7 invites both internal (studio staff and artists) and external (general public) audiences to engage with the art and practice of progressive art studios. The conference covers a range of topics from hands-on studio practice\, exhibiting\, collecting and representing artists with disabilities\, self-taught art\, outsider art\, disability studies\, mental-health\, radical pedagogy and more\, expanding the conversation on platforming the creative production of marginalized communities\, opening up the art world to disabled artists\, and the transformative power of art.\n\nTuesday\, October 6\, 2026: First Full Conference Day\nLocation: The Shepherd\, 1265 Parkview St\, Detroit\, MI 48214\n\n9:00-9:10AM: Opening Remarks\, Go over symposium schedule\n9:10-10:30AM: Icebreaker\n10:30-11:15AM: New Studio Presentations: How We Got Here     \n11:15-11:30AM: Break\n11:30AM-12:15PM: ABLE\, Trusts and Managing Funding for Artists with Disabilities\n12:15-1:00PM: Lunch (provided)\n1:00-1:30PM: Blackness and Disability: Intersections and Insights.\n1:30-2:00PM: Studio Facilitation Presentation 1: Somewhere Between Knowing and Not Knowing. Facilitating Conditions for Creativity.\n2:00-2:30PM: Studio Facilitation Presentation 3: Building Community with Disability Drawing Club\n2:30-2:45PM: Break\n2:45-3:15PM: Studio Facilitation Presentation 4: Tools of the Trade: Adaptive Practices and Creative Community\n3:15-3:45PM: Finding Connection Through Art: Independent Learning\, Mixed Media\, and Neurodiverse Creativity\n3:45-4:15PM: History in the Making: Academic Partnerships with Progressive Art Studios\n4:20-4:50PM: TBD Drawing Workshop\n6:30-9:00PM: PAS Short Film night. films by artists from PAS  (Open to the General Public)\n\nView the full schedule and register at https://myumi.ch/qwVRX.
UID:149751-21907055@events.umich.edu
URL:https://events.umich.edu/event/149751
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Disability Studies,Humanities,Michigan Arts Festival,Visual Arts
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T161734
DTSTART;TZID=America/Detroit:20261006T090000
DTEND;TZID=America/Detroit:20261006T163000
SUMMARY:Exhibition:Art Exhibit: Hands on Fire
DESCRIPTION:Jim Cogswell: Hands on Fire\n\n**August 31 to October 9\, 2026**\n**Public Reception: Friday\, September 18\, 4:30 to 6:30 pm**\n\nJim Cogswell’s Hands on Fire is a solo exhibition of mixed media drawings at the Residential College Gallery at the University of Michigan in Ann Arbor. The exhibition features sixty works on paper completed between 2024 and 2026.\n\nThis body of work responds to Greek Cypriot filmmaker Michael Cacoyannis’ cinematic adaptations of three tragedies by Euripides dealing with the Trojan War and its aftermath: Electra (1962)\, The Trojan Women (1971)\, and Iphigenia (1977). The work is in close conversation with Vinyl Euripides (2022)\, Cogswell’s adhesive vinyl installation on three floors of the Michael Cacoyannis Foundation in Athens\, Greece\, which also responded to the cinematic trilogy. By following Cacoyannis’ adaptations\, Cogswell builds on a cross-cultural history of restaging these tragedies to examine the human suffering caused by war\, imperial overreach\, and abuse of power\; and the dehumanizing consequences of revenge as a course of justice.\n\nWithin each drawing multiple scenes from the three narratives are overlaid within single frames\, suggesting the unseen entanglements that bind these ancient stories into such a persistent vision of our human position.\n\nThe grid of paintings encircling the gallery proposes a linear narrative but delivers instead a sequence that loops and turns on itself\, a stuck frame that stutters until bursting in flames. The grid also evokes the net that is a central feature of the series--the web of fate and circumstance that governs each of our lives\, that determines who we are and what is possible for us at any given moment in history.\n\nThe drawings are also characterized by a repeated motif of hands as consuming flames. Hands have unlimited expressive and narrative potential. They testify to the centrality of making in the development of human cognition. They are reminders of the constructed world and the laborers responsible for bringing it into being. We use hands as a form of communication to shape and express our inner states. Hands teach us to feel and to reason\, to count and to indicate. They give us agency\, as creators but also as destroyers. They give form to our willingness to act in the world\, in greed or compassion.\n\n---\n\n**This exhibition is made possible with funding from the Stamps School of Art & Design and the University of Michigan Office of Research.**\n\nFrom the Artist\n\nI am grateful to the Modern Greek Program in the Department of Classical Studies\, College of Literature\, Science\, and the Arts at the University of Michigan\, for their ongoing support for my research and the dissemination of this project.
UID:152223-21913394@events.umich.edu
URL:https://events.umich.edu/event/152223
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:art,art and design,Art History,artists,artists and curators,arts,arts at michigan,Arts Initiative,Classical Studies,Exhibition,free,History,Visual Arts
LOCATION:East Quadrangle - RC Art Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T123553
DTSTART;TZID=America/Detroit:20261006T090000
DTEND;TZID=America/Detroit:20261006T163000
SUMMARY:Exhibition:Breakfast\, Luncheon\, and Dinner: Dining Out in the 1910s\, 1920s\, and 1930s
DESCRIPTION:Enjoy a buffet selection of early twentieth century menus from the Janice Bluestein Longone Culinary Archive. Visit the Special Collections Research Center on the 6th floor of the Hatcher Library\, Monday-Friday\, 9:00am-4:30pm.
UID:152203-21913253@events.umich.edu
URL:https://events.umich.edu/event/152203
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Culinary History,Free,Library
LOCATION:Hatcher Graduate Library - Special Collections, 6th floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260922T222128
DTSTART;TZID=America/Detroit:20261006T090000
DTEND;TZID=America/Detroit:20261006T100000
SUMMARY:Workshop / Seminar:BSI Information Sessions- Current U of M Students
DESCRIPTION:We encourage every student interested in or contemplating an undergraduate degree at the School of Information to attend an information session. You will receive an engaging and comprehensive overview of the program\, as well as guidance for the application process. Sessions are hosted on different days and times to accommodate as many students as possible\, and you only need to attend one session before you apply.These information sessions are for students who area currently University of Michigan students.
UID:150985-21910666@events.umich.edu
URL:https://events.umich.edu/event/150985
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Sessions
LOCATION:Virtual
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260902T152831
DTSTART;TZID=America/Detroit:20261006T090000
DTEND;TZID=America/Detroit:20261006T150000
SUMMARY:Careers / Jobs:Engineering Career Cafe featuring Donaldson
DESCRIPTION:Donaldson is hosting a Career Cafe event on October 6 to recruit for open positions and network with candidates for future opportunities. Meet with company representatives in a casual setting to explore different career paths\, learn about various employment opportunities\, and when appropriate\, present yourself as a candidate for open positions.\n\nStudents may drop in throughout the event to speak with company representatives\, pre-registration is not needed for this event.\n\nView more information in Career Forge or Career Fair Plus.\n\nThis is a College of Engineering event.
UID:149786-21907183@events.umich.edu
URL:https://events.umich.edu/event/149786
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Career,Graduate Students,Michigan Engineering,Undergraduate Students
LOCATION:Duderstadt Center - 2nd Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T165408
DTSTART;TZID=America/Detroit:20261006T090000
DTEND;TZID=America/Detroit:20261006T200000
SUMMARY:Exhibition:Faster and More Fun: American Home Cooking in the 1920s
DESCRIPTION:Visit the Hatcher Gallery Exhibit Room to see historical materials that illustrate women’s changing relationship with food\, cooking\, and technology during the heady decade of the 1920s\, sandwiched between WWI and the Great Depression. This exhibit features materials from the Janice Bluestein Longone Culinary Archive\, as well as select items from the Art\, Architecture\, and Engineering Special Collections and the Transportation History Collection.\n\nAs America rang in a new decade in the 1920s\, cookbook authors and appliance manufacturers stood ready to offer the newly emancipated and forward-thinking American woman a vision for her future\, a vision that would be scientifically  grounded\, speedy enough to make time for leisure as well as housework\, and guaranteed to bring fun to that most humdrum of chores: planning and preparing meals for a family three times a day\, 365 days a year.
UID:150658-21909786@events.umich.edu
URL:https://events.umich.edu/event/150658
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Culinary History,Free,Library
LOCATION:Hatcher Graduate Library - Hatcher Gallery Exhibit Room, 1st Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260728T142037
DTSTART;TZID=America/Detroit:20261006T090000
DTEND;TZID=America/Detroit:20261006T170000
SUMMARY:Exhibition:Grand Vision
DESCRIPTION:Visiting artist Olayami Dabls is a storyteller\, curator\, educator\, and mentor. He is the founder of the MBAD African Bead Museum in Detroit. Through material culture\, Dabls presents commentary on the past\, present\, and future from African and African-American perspectives\, with the understanding that generations of African ancestors used visual materials to convey information about their identity as well as send messages for healing and protection. Dabls is a luminary\; for decades he has re-imagined what a museum space can be\, accessible to everyone\, free from the underpinnings of colonialism and the Western\, often white\, frame. *Grand Vision* includes a conceptual installation in the Gallery\, presenting Dabls’s own work in visual conversation with African beads and artifacts from Dabls’s Bead Museum collections. \n\nAdditionally\, Dabls’s iconic outdoor sculpture *Iron Teaching Rocks Table Manners* will be installed on the U-M campus grounds near UMMA\, at the intersection of State Street and South University from September 17- October 11\, 2026. The project’s range intends to more fully articulate the many facets of Dabls’ creative practice\, and the overlay of art\, history\, identity\, community\, and healing.
UID:149620-21906785@events.umich.edu
URL:https://events.umich.edu/event/149620
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:African American,Art,Detroit,Exhibition,Humanities,Michigan Arts Festival,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260922T093359
DTSTART;TZID=America/Detroit:20261006T093000
DTEND;TZID=America/Detroit:20261006T110000
SUMMARY:Workshop / Seminar:CoderSpaces - Tuesdays
DESCRIPTION:Are you grappling with a piece of code\, trying to compute on a cluster\, or just getting started with a new method such as machine learning? Then we might have just the right space for you.\n\nAll members of the U-M community are invited to join our weekly virtual CoderSpaces to get research support and connect with others.\n\nTuesdays\, 9:30-11 a.m. ET\, via Zoom (Meeting ID: 513 103 7575)\nWednesdays\, 1:30-3 p.m. ET\, via Zoom (Meeting ID: 513 103 7575)
UID:152608-21914056@events.umich.edu
URL:https://events.umich.edu/event/152608
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Ai,Artificial Intelligence,Data,Data Analysis,Data Collection,Data Curation,Data Linkage,Data Management,Data Science,Great Lakes Cluster,High Performance Computing,Machine Learning,Social Science,Social Sciences,Statistics
LOCATION:Off Campus Location - https://umich.zoom.us/j/5131037575?omn=94024500517
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260811T141344
DTSTART;TZID=America/Detroit:20261006T103000
DTEND;TZID=America/Detroit:20261006T160000
SUMMARY:Conference / Symposium:NDEAM 2026 Keynote Address & Resource Fair
DESCRIPTION:Join the Disability Equity Office for the 4th Annual NDEAM (National Disability Employment Awareness Month) Resource Fair featuring keynote speaker Tiffany Yu\, CEO and founder of Diversability\, a three-time TEDx speaker\, and author of The Anti-Ableist Manifesto: Smashing Stereotypes\, Forging Change\, and Building a Disability-Inclusive World.\n\nConnect with 20 community\, university\, and regional organizations\, discover helpful resources\, and enjoy food\, raffles\, and fun giveaways.\n\nSchedule:\n10:30–11:30 a.m. — Spoon Theory Experience\nNoon–1:00 p.m. — Keynote Address by Tiffany Yu\n1:00–1:30 p.m. — Meet and Greet with Tiffany Yu \n1:00–4:00 p.m. — Resource Fair\n1:30–3:30 p.m. — Digital Accessibility Review Drop-in\n\nRegistration and more information are available on our website at https://disability.umich.edu/trainings/ndeam/\n\nStaff\, faculty\, students\, and community members are encouraged to attend.
UID:150128-21908132@events.umich.edu
URL:https://events.umich.edu/event/150128
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Accessibility,Accommodations,Communication,Culture,Digital Accessibility,Disability,Discussion,Diversity,In Person,Inclusion,Ndeam,Neurodiversity,Service Animal,Virtual
LOCATION:Michigan Union
CONTACT:
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END:VCALENDAR