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DTSTAMP:20240130T121551
DTSTART;TZID=America/Detroit:20250223T110000
DTEND;TZID=America/Detroit:20250223T200000
SUMMARY:Exhibition:Unsettling Histories: Legacies of Slavery and Colonialism
DESCRIPTION:Organized as a response to the Museum’s recent acquisition of Titus Kaphar’s Flay (James Madison)\, this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art\, 1650-1850.\n \nIn recent times\, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections\, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries\, choices about what relevant facts we share about the works\, and choices about what - out of an infinite number of options - we don’t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet\, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden\, we are forced to examine whose stories and histories are prioritized and why.  \n \nIn this online exhibition\, you can explore our efforts to deeply question the Museum’s collection and our own past complicity in favoring colonial voices. In the Museum gallery\, which will open in early 2021\, you’ll be able to experience the changes we’re making to the physical space to highlight a more honest version of European and American history. \n \nBy challenging our own practice\, and continuing to add to what we know and what we write about the works we display\, UMMA tells a more complex and more complete story of this nation - one that unsettles\, and fails to settle for\, simple narratives. \n \n“Invisible things are not necessarily ‘not there’.... Certain absences are so stressed\, so ornate\, so planned\, they call attention to themselves\; arrest us with intentionality and purpose\, like neighborhoods that are defined by the population held away from them.” \n \n— Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism is provided by the University of Michigan Office of the Provost\, the U-M Arts Initiative\, and the Susan and Richard Gutow Endowed Fund.\n 
UID:84303-21621527@events.umich.edu
URL:https://events.umich.edu/event/84303
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,UMMA,Museum,History,Exhibition,European
LOCATION:Museum of Art - European and American Decorative Art
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20250414T011502
DTSTART;TZID=America/Detroit:20250223T113000
DTEND;TZID=America/Detroit:20250223T120000
SUMMARY:Exhibition:Discovery Demo: How to Become a Fossil
DESCRIPTION:Explore how fossils form and what parts of animals can become fossilized. How old are the earliest fossils? How old does something have to be before it is considered a fossil? You’ll touch some real fossils\, learn the different types of fossil evidence\, and discover what is necessary to become a fossil. Finally\, we’ll discuss what kinds of things fossils can tell us\, and how fossil casts are made in the museum.\n\nSpecial demos on February 15 and 16.
UID:125523-21866399@events.umich.edu
URL:https://events.umich.edu/event/125523
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition,Museum,natural history museum
LOCATION:Museum of Natural History - Science Forum
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20250116T182047
DTSTART;TZID=America/Detroit:20250223T120000
DTEND;TZID=America/Detroit:20250223T180000
SUMMARY:Exhibition:Colorism Multimedia Exhibit
DESCRIPTION:Colorism comprises works of video\, still photography\, and sculpture questioning our psychosocial and biological ideas about skin color and treatment of people\, based on skin tones\, including within racial groups. This exhibit asks: What do we know about the root causes of prejudice toward skin color? What can we do to improve interpersonal and structural colorism? To answer these questions\, Prof. Rogério Pinto (Social Work) uses personal and historical materials and interview data to optimize audience interaction\, including critical dialogues around colorism while audiences are viewing the installation or immediately after viewing it.
UID:131126-21868087@events.umich.edu
URL:https://events.umich.edu/event/131126
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Diversity Equity and Inclusion,Exhibition,In Person,Storytelling,Visual Arts
LOCATION:Duderstadt Center
CONTACT:
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