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DTSTAMP:20230919T091804
DTSTART;TZID=America/Detroit:20231210T080000
DTEND;TZID=America/Detroit:20231210T235500
SUMMARY:Exhibition:Shadow and Light : Solidarity and Connection with Iraqi Academics
DESCRIPTION:This exhibit incorporates a selection of work from the Shadow and Light project\, an initiative memorializing Iraqi academics assassinated between 2003-2013\, a timeframe which roughly parallels the US-led invasion and occupation of Iraq. \n\nParticipants from around the world — including Iraqis in diaspora — contributed photographs and personal statements responding to the loss of a particular Iraqi academic listed by the Spanish Campaign against the Occupation and for the Sovereignty of Iraq (La Campaña Estatal contra la Ocupación y por la Soberanía de Iraq / IraqSolidaridad 2005-2013). \n\nThe project emerges from a broader effort undertaken by Iraqis and allies to document the assault on Iraqi scholars\, intellectuals\, and cultural institutions which flared in the wake of the destruction and division wrought by the US-led invasion and occupation. Death threats and assassinations\, politically motivated sectarian violence\, rampant corruption\, and de-Ba’athification policies only further destabilized an educational system already heaving under the devastation of wars\, authoritarian regimes\, and harsh economic sanctions.\n\nThis exhibit invites solidarity with the academics targeted\, but also deeper connection with their experiences and the richness of Iraqi academic life through their written legacies and the testimonies of surviving academics\, many of whom were driven into exile.\n\nThis exhibit in the north lobby is available during Hatcher Library hours (https://myumi.ch/p75dd).\n\nA companion online exhibit\, Tracing Iraqi Artists: From Shadow to Light (https://myumi.ch/n7xre)\, explores modern Iraqi struggle and resistance through contemporary visual art and connection to Iraqi artists and educators. The curators of the online exhibit\, 2023 Michigan Library Scholars Zainab Hakim and Serena Safawi\, hope to center surviving Iraqi artists as they explore their national and artistic identities and respond to the cycles of violence caused by the Iran-Iraq war\, sanctions\, and occupation.
UID:111416-21827088@events.umich.edu
URL:https://events.umich.edu/event/111416
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition,Free,Library,Middle East Studies
LOCATION:Hatcher Graduate Library - North Lobby (off the Diag)
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20231006T141110
DTSTART;TZID=America/Detroit:20231210T080000
DTEND;TZID=America/Detroit:20231210T230000
SUMMARY:Exhibition:The Sentimental Archive: Remembering Nubia through Salvage Anthropology
DESCRIPTION:This exhibit showcases select photographs from The American University in Cairo’s Rare Books and Special Collections Library taken by the renowned Egyptian photographer Abd al-Fattah Eid as well as by the Cairo-born Swiss artist Margo Veillon.\n\nIn 1964\, the construction of the Aswan High Dam displaced Nubians from their ancestral villages along the banks of the Nile in Egypt. In the years immediately preceding the dam’s construction\, the American University in Cairo directed a large-scale project of salvage anthropology with funding from the Ford Foundation. \n\nThis endeavor yielded hundreds of photographs of al-nuba al-qadima or “Old Nubia” the term affectionately used by community members. Over the past sixty years\, Nubians have used these images to cultivate a collective memory of a lost homeland. From Aswan to Alexandria and beyond\, community members are salvaging their own stories from this anthropological archive\, reshaping it as a sentimental terrain of solidarity across time\, space\, and circumstance. \n\nThis selection of photographs includes persons\, places\, and practices as well as glimpses of the presence of the photographer and researchers. Both online and offline\, Egyptian Nubians continue to share and re-mediate these photos as they recall their historical displacement and revitalize their heritage for future generations.\n\nThe exhibit is curated by Yasmin Moll\, assistant professor of anthropology\, and coordinated by Nesrien Hamid\, doctoral student in anthropology\, with funding from the University of Michigan's Humanities Collaboratory.\n\nFor a deeper dive\, visit the companion exhibit\, Narrating Nubia\, at the Duderstadt Center on North Campus. It delves into the archaeological\, anthropological\, and community narratives of both ancient and modern-day Nubia spanning Egypt and Sudan.
UID:113643-21831368@events.umich.edu
URL:https://events.umich.edu/event/113643
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:History,Library,Free,Anthropology
LOCATION:Hatcher Graduate Library - Gallery, 1st Floor
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20230804T133936
DTSTART;TZID=America/Detroit:20231210T090000
DTEND;TZID=America/Detroit:20231210T200000
SUMMARY:Exhibition:Illustrating the Renaissance Book: From Illumination to Woodcut
DESCRIPTION:Enjoy a selection of manuscripts and early printed books from the 15th to the 17th centuries that were illustrated with illuminations and woodcuts. Throughout the European Renaissance (1300-1700)\, many book illustrations were exclusively ornamental\, while others focused on enhancing the meaning of the text. However\, as the pages on display attest\, all these illustrations share a common ground: they reveal the aesthetic and intellectual fashions first proposed by Italian artists of the 1400s\, who were strongly committed to the recovery of the past of classical antiquity.\n\nThe word “Illumination\,” from the Latin illuminare\, “to enlighten or to illuminate\,” refers to the embellishment of a manuscript or early printed book with luminous colors\, notably gold and silver. This illumination was prominent in the frontispiece\, or first page of text\, which included the decoration of its borders and initial letter\, and even miniatures\, that is\, scenes with an independent narrative. With the introduction of movable-type printing in 1454\, these illuminations would be gradually replaced by woodcuts\, which were printed from a woodblock that had been cut by knife along the grain of the wood.\n\nAvailable during Hatcher Gallery Exhibit Room hours (https://myumi.ch/2m7d4).\n\nJoin us on September 13 for a talk by Pablo Alvarez\, curator of the exhibit.
UID:109814-21823027@events.umich.edu
URL:https://events.umich.edu/event/109814
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Books,Library,Free,Exhibition
LOCATION:Hatcher Graduate Library - Hatcher Gallery Exhibit Room, 1st Floor
CONTACT:
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