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DTSTAMP:20231127T095531
DTSTART;TZID=America/Detroit:20231203T140000
SUMMARY:Performance:Attempts on Her Life
DESCRIPTION:Come celebrate Rude Mechanicals' 27th annual season with Attempts on Her Life\, written by Martin Crimp and directed by Tiara Partsch. A fast-paced\, vibrant and thrilling nonlinear script\, Attempts on Her Life unfurls in 17 wildly different scenarios: an ensemble of actors find themselves attempting to define the life of a mysterious figure named Anne\, whose various identities and narratives always seem to elude them. The play embraces a meta-physical\, absurdist approach as we find ourselves navigating a provocative\, lyrical and dangerous prose: Crimp’s world is ominous\, and this play puts forth the complexities of our contemporary world– blurring the lines between reality and performance art\, the play asks that we reconsider the very ways we think of personal and collective narrative in a world that feels like it’s about to blow. \n\nPlease visit https://mutotix.umich.edu/4397/4400 for more detail.
UID:112693-21829430@events.umich.edu
URL:https://events.umich.edu/event/112693
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Mutotix
LOCATION:GA - Mendelssohn
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20230801T130528
DTSTART;TZID=America/Detroit:20231203T140000
DTEND;TZID=America/Detroit:20231203T153000
SUMMARY:Performance:Handel's Messiah
DESCRIPTION:Handel composed his oratorio Messiah over the course of a single month in 1741\, six months before its triumphant premiere at a new concert hall in Dublin. Nearly 300 years later\, Handel’s Messiah fills Hill Auditorium with its ravishing beauty brought to life by friends and colleagues from the community. Music director Scott Hanoian conducts the UMS Choral Union and the Ann Arbor Symphony Orchestra in this annual holiday tradition.\n\nAnn Arbor Symphony Orchestra\nScott Hanoian\, conductor\n\nRachele Gilmore\, soprano\nGina Perregrino\, alto\nPaul Appleby\, tenor\nNicholas Newton\, bass-baritone
UID:109629-21822429@events.umich.edu
URL:https://events.umich.edu/event/109629
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:History,American Culture,Holiday,In Person,music,orchestra,performance,Social,Storytelling,UMS,university musical society,hill auditorium,Ann Arbor,Art,artists,arts,Classical,classical music,Family,Energy,concert
LOCATION:Hill Auditorium
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20231109T121712
DTSTART;TZID=America/Detroit:20231203T140000
DTEND;TZID=America/Detroit:20231203T170000
SUMMARY:Performance:Imogen Says Nothing
DESCRIPTION:In the first folio of Shakepeare’s *Much Ado About Nothing*\, a character named Imogen appears briefly in the stage directions. She speaks no lines and is probably a typo. \n\nIn Aditi Kapil’s *Imogen Says Nothing*\, Imogen is a woman in Elizabethan England whose life is changed by the opportunity to appear in a performance of *Much Ado About Nothing* – an opportunity reserved solely for men. Imogen appears on stage as a woman playing a man playing a woman. To make matters more complicated\, Imogen is also a bear. \n\nA revisionist comedy in verse and prose\, this feminist hijacking of Shakespeare investigates the voices that have long been absent from the theatrical canon\, and the consequences of cutting them. \n\n*Imogen Says Nothing* premiered on January 20\, 2017\, at the Yale Repertory Theatre\, which also commissioned the play\, in New Haven\, Connecticut.\n\nWritten by Aditi Kapil\nDirected by Malcolm Tulip\n\nFUN FACTS:  Aditi Kapil took the title from a piece of dialogue in *Much Ado About Nothing*. Beatrice\, when describing Benedick\, says\, “The one is too like an image and says nothing.” \n\nAditi Kapil discusses the development of Imogen at Yale here: \nhttps://www.youtube.com/watch?v=QUZc0lWwiqI
UID:113741-21831531@events.umich.edu
URL:https://events.umich.edu/event/113741
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Comedy,Culture,Diversity,In Person,Social Impact,Theater
LOCATION:Power Center for the Performing Arts
CONTACT:
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