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DTSTAMP:20241031T100336
DTSTART;TZID=America/Detroit:20241101T110000
DTEND;TZID=America/Detroit:20241101T123000
SUMMARY:Workshop / Seminar:Gender Euphoria: Longtable Discussion #1
DESCRIPTION:The Long Table is a dinner party structured by etiquette\, where conversation is the only course. Join a group of queer artists\, art makers\, scholars\, and community members for two separate windows of conversation\; attend one or both sessions.\n\nLong table #1\, Placemaking/Community Building will explore Queer artists’ long history of creating\, making\, and sustaining spaces and alternative institutions. Friday\, November 1 from 11:00 am - 12:30 pm.\n\nLong table #2\, How to Make Art In a State of Emergency: will focus on the ways that artists engage with archives to imagine queer futures. Friday\, November 1 from 2:00 - 3:30 pm.\n\nClick here for more information on the artists joining the conversation. This event is free and open to the public. Limited space available\, registration recommended. \n\nLongtable Etiquette:\nThe Long Table is similar to a dinner party conversation \nAnyone seated at the table can participate in the conversation\nTalk is the only courseBut a host may assist youIt is a democracy\nTo participate simply take an empty seat at the table\nIf the table is full you can request a seat\nIf you leave the table you can come back again and again\nFeel free to write your comments\, thoughts & questions on the tablecloth\nThere can be silence\nThere might be awkwardness\nThere could always be laughter\nThere is an end but no conclusion\n\nPresented in partnership with the Penny W Stamps School of Art and Design\, the School of Music\, Theater and Dance\, the Center for World Performance Studies\, the Institute for the Humanities\, the Stamps Gallery\, the Penny Stamps Distinguished Speaker Series\, and the State Theater. Generously supported by CEW+.
UID:127520-21859261@events.umich.edu
URL:https://events.umich.edu/event/127520
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Lgbtq
LOCATION:Off Campus Location
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20241115T181508
DTSTART;TZID=America/Detroit:20241101T110000
DTEND;TZID=America/Detroit:20241101T170000
SUMMARY:Exhibition:Kelly Church & Cherish Parrish: In Our Words\, An Intergenerational Dialogue
DESCRIPTION:Exhibition Dates: September 13 – December 7\, 2024Opening Reception: September 19\, 2024\n\nKelly Church &amp\; Cherish Parrish: In Our Words\, An Intergenerational Dialogue is a major exhibition that centers the subjectivities of two contemporary Indigenous artists whose practices have sustained and bolstered the relevance of the age-old Anishinaabe practice of black ash basket-making in the 21st century. The exhibition highlights the significance of community-based conversations between mother and daughter\, and their ongoing conversations with elders (ancestors)\, young folx\, and future generations as vital aspects of their methodology. These conversations often take place during basket gatherings - where community members come together and share stories and teachings that can encompass Anishinaabe creation stories\, as well as those of survivance and resilience\, to inform the materiality and liveness of their work. The curatorial and interpretive framework of this exhibition contends that the deeply situated and temporal works by Church (Stamps\, BFA 1998) and Parrish (LSA\, BA 2020) are repositories for Anishinaabe ways of knowing\, thinking\, and making that contribute to the complexity of American art and its histories. The expansive and bold practices of Church and Parrish affirm the sovereignty of Anishinaabe lifeways and the importance of including Indigenous narratives that have systematically been left out. Thus\, the thematic survey of their work will explore the under-examined themes that inform their work such as Native women’s labor as carriers of culture and knowledge-keepers\, the legacy of boarding schools and ancestors who walked on\, the treaties in Michigan and the long-overlooked legacy of Anishinaabe intellectual life and their relevance today. Just like the practice of weaving and interlacing distinct strips of black ash to create one whole\, Church and Parrish will address the diverse and interconnected themes with approximately 30-35 works\, including 15-17 new works. Together\, the exhibition offers an incisive critique of the colonial\, racist paradigm of systemic erasure and assimilation that continues to this day\, with the ongoing crises of missing and murdered Indigenous women\, culture wars\, and climate change that threaten Indigenous ways of living\, sustenance\, and making. \nCurated by Srimoyee Mitra with Curatorial Assistant Zoi Crampton.\nStamps Gallery is grateful to Michigan Humanities and U-M Arts Initiative for generously supporting the exhibition and programs. 
UID:124179-21852608@events.umich.edu
URL:https://events.umich.edu/event/124179
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20241021T122221
DTSTART;TZID=America/Detroit:20241101T110000
DTEND;TZID=America/Detroit:20241101T130000
SUMMARY:Presentation:Matthew R. Culberson - Dissertation Defense
DESCRIPTION:Please join Matthew R. Culberson for their dissertation defense titled \"Cascade Palladium-Catalyzed Stereoselective Synthesis of Polycyclic Nitrogen Heterocycles via Reactions of Allylanilines\".\n\n*Date:* Friday\, November 1\, 2024\n*Time:* 11:00 a.m.\n*Where:* West Conference Room (4th Floor)\, Rackham Building\n\nZoom Link: https://umich.zoom.us/j/97019208897\nPasscode: 6135785
UID:128129-21860211@events.umich.edu
URL:https://events.umich.edu/event/128129
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Chemistry
LOCATION:Rackham Graduate School (Horace H.) - West Conference Room (4th Floor)
CONTACT:
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