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DTSTAMP:20231002T141828
DTSTART;TZID=America/Detroit:20231129T080000
DTEND;TZID=America/Detroit:20231129T170000
SUMMARY:Exhibition:WCEE Exhibition. Guardian Passage: The Power of Ukrainian Cultural Memory in the Face of War
DESCRIPTION:*Presented in association with UMS*.\n\nIn Guardian Passage\, artists Irina Bondarenko and Katya Lisova employ the tools and imagery of traditional Ukrainian art forms to face down the existential threat brought about by Russia’s war on Ukraine. Bondarenko’s installation forms a causeway for visitors to encounter Ukrainian poetry and the art form of motanka dolls in a newly imagined configuration. Motanka are guardian symbols assembled from the clothes of deceased ancestors. Bondarenko’s ceramics illustrate motanka in situations responding to the war\; each graphic is accompanied by a poem or a song. These ceramics act as lifeboats\, which ferry the Ukrainian resistance through the flood waters of destruction. Lisova’s series of tapestries explore the power of cultural memory to grow in times of war. Traditional embroidery explodes on the surface of photo collage\, where images of the past and present collide on a single surface. Like a lifeline\, red thread connects these projects\, weaving through clay and fabric\, bringing tradition to bear on new significances and the cultural will to survive. This exhibition is part of the LSA theme semester on “Arts and Resistance.”\n\nIrina Bondarenko is an emerging ceramic artist\, a native of Ukraine\, and a biostatistician at the University of Michigan. Irina has been with the University of Michigan Biostatistics Department for more than 20 years. and published over 50 peer-reviewed articles. Along with her career at the School of Public Health\, for the last 10 years Irina has been pursuing her interest in ceramics. Her work was featured in over a dozen national shows\, the 24th San Angelo National Ceramic Competition\, and the “Strictly Functional Pottery National Show” in 2021 and 2022\, and\, most recently\, the Regional Biennial Juried Sculpture Exhibition at Marshall Fredericks Sculpture Museum.\n\nArtist website: https://www.ibondceramics.com/\n\nKatya Lisova is an artist\, designer\, and art historian. Born in Kyiv\, she is a graduate of the Institute of Decorative and Applied Arts and Design named after Mykhailo Boichuk (2009) and the National Academy of Cultural and Artistic Leaders (2018). Since 2019 she has been teaching at the Kyiv State Academy of Decorative and Applied Arts and Design named after Mykhailo Boichuk. Her work is in the field of artistic textiles and digital graphics. She is also the art director of the “Ukrainian Unofficial” research project\, which compiles archives of Ukrainian unofficial art of the second half of the twentieth century.\n\nArtist website: https://www.flickr.com/photos/196914550@N02/albums\n   \nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:109333-21821477@events.umich.edu
URL:https://events.umich.edu/event/109333
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:European Studies,European,Ukraine,Exhibition
LOCATION:Weiser Hall - International Institute Gallery, 547 Weiser Hall
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20231016T095224
DTSTART;TZID=America/Detroit:20231129T090000
DTEND;TZID=America/Detroit:20231129T170000
SUMMARY:Exhibition:(DE) CONSTRUCTED EXHIBITION BY NOUR BALLOUT
DESCRIPTION:Gallery Hours: Mon-Friday\, 9 am- 5pm\, or by appointment: serrag@med.umich.edu\n\nNour Ballout (b. 1993\, Beirut) is a Detroit & Chicago based interdisciplinary artist and curator. They received a Bachelor of Fine Arts degree from Wayne State University and an MFA at the School of the Art Institute of Chicago (SAIC). Nour Ballout’s practice grapples with the ways looking can manifest as both resistance and violence while negotiating the tensions among visibility\, documentation and surveillance. Through photography\, archive and space making\, their work interrogates the ways the naturalization of structures of power manifest within bodies\, built environments\, and communities.\n\nNour currently serves on the Detroit Institute of Arts contemporary arts advisory group. They are the recipient of many awards\, fellowships and grants that include the 2023 Modern Ancient Brown Fellowship\, the ICI EXPO Curatorial Research Fellowship\, the 2022 Michigan Arts and Cultural Council Grant\, the 2021 Transforming Power Fund Grant\, the 2019 Knight Arts Challenge Award\, Kresge Arts in Detroit Gilda Award and many more. Nour has exhibited their work nationally and participated in several artist residencies including the Ghana Think Tank in Detroit\, Flux Factory in New York and plans to participate in the Kala Arts Institute Residency in 2023.
UID:114010-21832096@events.umich.edu
URL:https://events.umich.edu/event/114010
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Arab Heritage Month,Art,Arts of Islam,Detroit,Diversity,Diversity Equity and Inclusion,Exhibition,Graduate School,Graduate Students,Humanities,Immigration,LGBT,Middle East Studies,Muslim,North Campus,Trans Awareness Week-TAW,Trans Day of Visibility,Visual Arts
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20231026T111848
DTSTART;TZID=America/Detroit:20231129T090000
DTEND;TZID=America/Detroit:20231129T170000
SUMMARY:Exhibition:Digital Engrams
DESCRIPTION:The notion that our brains actually create memories first stored and then revisited has been contemplated since the time of Plato and Aristotle. These units of memory\, or engrams\, are poetic portals through which we time travel\, gaining hindsight and foresight\, more meaning and greater wisdom\, and hopes for a future less encumbered. Beyond reminiscences of technicolor sunsets\, perhaps memories are simply the brain's records of endless repetitions and familiar neural pathways.\n\nIn an era of iPhones\, Macbooks\, Instagram\, and Facebook\, everything that’s happened to us in recent memory is at our immediate disposal and made to look better than the original … every day of every year\, every meal of every trip\, every postcard destination. With constant 24/7 access to the newsreel of our own lives\, are we losing our innate ability to remember what matters in the process? \n\nIn Digital Engrams\, L.A. artist Gabriela Ruiz combines sound\, video\, light and sculpture to create unexpected environments that challenge our sensibilities. The installation considers how images function on and off the screen\, and how memories real and curated are the crux of personal and cultural identity. Who do we think we are in this life or the eternal life on the internet hereafter? \n\nRuiz’s spatial inquiries grapple with the potential erasure of the rituals of memorialization and the richness of material culture so important in her own Latinx heritage and to her sense of self.\n\n–Amanda Krugliak\, IH Arts Curator\n\nAbout the artist:\nGabriela Ruiz is a self-taught artist whose practice blends diverse forms of expression and media\, including sculpture\, video\, painting\, and apparel design. Her sculptures incorporate found objects and industrial materials\, such as thrift store furniture and insulation foam. Strongly influenced by growing up in L.A.’s San Fernando Valley to immigrant parents from Mexico\, Ruiz’s practice is a reflection of the DIY work ethic she was raised under\, the vibrancy of Mexican cultural and artistic traditions\, and her exposure to subculture and fantasy at a young age as a means to escape the realities of daily life.\n\nOne of L.A.’s rising young talents\, she presented her solo show Stream at the Palm Springs Art Museum in 2022\, part of the museum's Outburst project.\n\n*Gabriela Ruiz is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. This exhibition is part of LSA's fall 2023 Art & Resistance theme semester.*
UID:110231-21824641@events.umich.edu
URL:https://events.umich.edu/event/110231
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Visual Arts,Art,Exhibition,Theme Semester
LOCATION:202 S. Thayer - Institute for the Humanities Gallery, #1010
CONTACT:
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