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DTSTAMP:20230915T170734
DTSTART;TZID=America/Detroit:20240430T080000
DTEND;TZID=America/Detroit:20240430T170000
SUMMARY:Exhibition:CCPS Exhibition. Modernist Glass from the Polish Past
DESCRIPTION:The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szkło artystyczne (Polish art glass)\, the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \n\nThe collectors\, Endi Poskovic and his wife Julie Anne Visco\, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Kraków. Scouring flea markets\, antique shops\, and websites\, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\n\nOrganized by the Copernicus Center for Polish Studies\, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\n\nLearn more about the exhibition and the artists at https://myumi.ch/8eVrM\n\nThe exhibit opens on September 15\, 2023 in 1010 Weiser Hall\, 500 Church Street\, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.
UID:111352-21834836@events.umich.edu
URL:https://events.umich.edu/event/111352
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,European,International
LOCATION:Weiser Hall
CONTACT:
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DTSTAMP:20240410T185243
DTSTART;TZID=America/Detroit:20240430T080000
DTEND;TZID=America/Detroit:20240430T170000
SUMMARY:Exhibition:CES Exhibition. Camera as Passport: The Ship of Photographers
DESCRIPTION:Starting in 1933 when Hitler and the Nazis came to power\, a cadre of European Jews—German\, Polish\, Hungarian\, Austrian\, French—discovered that a camera could be their passport\, first out of Germany and then out of Europe. Some of these women and men had been planning one type of career—lawyer\, journalist\, painter\, musician—but then realized that they needed to find another way to earn a living. Taking photographs presented a sufficiently malleable opportunity that not only allowed them to leave Germany and then Europe but also to have a means to sustain themselves in foreign countries where they did not necessarily speak the language.\n   \n   They did\, however\, mobilize the visual language of photography. For a number of these figures\, forced migration became an asset during the golden age of photojournalism wherein their portable services were employed to supply picture stories on the move and around the world. Many of these Jews became influential photographers\, shaping how their contemporaries saw the world. Looking back on their work\, we can see how they have influenced our understanding of the modern world even as we can recognize their photographs as a significant component of modern Jewish visual culture.\n   \n   Of the dozens of photographers who fled Europe\, eight escaped on a single ship. The S. S. Winnipeg sailed from Marseille\, France on May 7\, 1941. Germany had already conquered both eastern and western Europe and was poised to invade the Soviet Union. The United States was not yet in the war. Among the 750 refugees aboard were photographers from Hungary\, Belgium\, France\, and Germany: Ilse Bing\, Josef Breitenbach\, Boris Lipnitsky\, Charles Leirens\, Yolla Niclas\, Fred Stein\, Monie Tannen\, and Ylla (Camilla Henriette Koffler). During lifeboat drills\, they discovered each other. Some of them narrowly escaped Vichy France under the auspices of the American journalist Varian Fry and the New York-based Emergency Rescue Committee that helped so many Jewish and anti-Fascist artists get out of Europe in the nick of time.\n   \n   This exhibit introduces the University of Michigan to this intrepid group as exemplary case studies of the wide range of European photographers who used their cameras as passports to other worlds. It focuses first on their European experiences pre-emigration before turning to their escape from Europe on the S. S. Winnipeg (with three of them taking photos on board the ship). The exhibit concludes with examples of some of their initial photographic reactions to the new world\, seeing it through European eyes.\n   \nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:115990-21836040@events.umich.edu
URL:https://events.umich.edu/event/115990
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:history,Photo Exhibit,photography
LOCATION:Weiser Hall - Room 547
CONTACT:
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DTSTAMP:20240221T152752
DTSTART;TZID=America/Detroit:20240430T080000
DTEND;TZID=America/Detroit:20240430T230000
SUMMARY:Exhibition:Propositions to Progress: A Working Atlas of the Global South
DESCRIPTION:Historically\, maps have served as a panoptic technology\, assisting imperial powers in governance\, discipline\, and control. In this exhibit\, internationally renowned Filipino artist Cian Dayrit acts as a counter-cartographer\, reclaiming mapmaking as an emancipatory activity.\n\nDayrit’s artworks\, embroidered on textiles or painted over collages of colonial-era maps\, plot the extraction of natural resources\, land grabbing\, and dispossession and displacement in his native Philippines. At the same time\, their resistant lines summon new imaginaries out of the overlaps between places and memories.\n\nDayrit’s practice is critically and practically informed by the narratives of Filipino communities. Items exhibited alongside his artwork are the result of map-drawing workshops the artist has convened with rural\, urban\, and indigenous communities across the Philippines. Propositions to Progress invites you to engage in the collaborative endeavor to activate alternative territories from the ground up.\n\nCian Dayrit is an interdisciplinary artist exploring colonialism and ethnography\, archaeology\, history\, and mythology. Dayrit subverts the language of the state\, museum\, and military to visualize the contradictions on which these institutions are built. He studied at the University of the Philippines.
UID:119224-21844711@events.umich.edu
URL:https://events.umich.edu/event/119224
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,Library,Maps
LOCATION:Hatcher Graduate Library - Clark Library (2nd floor)
CONTACT:
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