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DTSTAMP:20240410T185243
DTSTART;TZID=America/Detroit:20240404T080000
DTEND;TZID=America/Detroit:20240404T170000
SUMMARY:Exhibition:CES Exhibition. Camera as Passport: The Ship of Photographers
DESCRIPTION:Starting in 1933 when Hitler and the Nazis came to power\, a cadre of European Jews—German\, Polish\, Hungarian\, Austrian\, French—discovered that a camera could be their passport\, first out of Germany and then out of Europe. Some of these women and men had been planning one type of career—lawyer\, journalist\, painter\, musician—but then realized that they needed to find another way to earn a living. Taking photographs presented a sufficiently malleable opportunity that not only allowed them to leave Germany and then Europe but also to have a means to sustain themselves in foreign countries where they did not necessarily speak the language.\n   \n   They did\, however\, mobilize the visual language of photography. For a number of these figures\, forced migration became an asset during the golden age of photojournalism wherein their portable services were employed to supply picture stories on the move and around the world. Many of these Jews became influential photographers\, shaping how their contemporaries saw the world. Looking back on their work\, we can see how they have influenced our understanding of the modern world even as we can recognize their photographs as a significant component of modern Jewish visual culture.\n   \n   Of the dozens of photographers who fled Europe\, eight escaped on a single ship. The S. S. Winnipeg sailed from Marseille\, France on May 7\, 1941. Germany had already conquered both eastern and western Europe and was poised to invade the Soviet Union. The United States was not yet in the war. Among the 750 refugees aboard were photographers from Hungary\, Belgium\, France\, and Germany: Ilse Bing\, Josef Breitenbach\, Boris Lipnitsky\, Charles Leirens\, Yolla Niclas\, Fred Stein\, Monie Tannen\, and Ylla (Camilla Henriette Koffler). During lifeboat drills\, they discovered each other. Some of them narrowly escaped Vichy France under the auspices of the American journalist Varian Fry and the New York-based Emergency Rescue Committee that helped so many Jewish and anti-Fascist artists get out of Europe in the nick of time.\n   \n   This exhibit introduces the University of Michigan to this intrepid group as exemplary case studies of the wide range of European photographers who used their cameras as passports to other worlds. It focuses first on their European experiences pre-emigration before turning to their escape from Europe on the S. S. Winnipeg (with three of them taking photos on board the ship). The exhibit concludes with examples of some of their initial photographic reactions to the new world\, seeing it through European eyes.\n   \nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:115990-21836014@events.umich.edu
URL:https://events.umich.edu/event/115990
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:history,photography,Photo Exhibit
LOCATION:Weiser Hall - Room 547
CONTACT:
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DTSTAMP:20240304T155116
DTSTART;TZID=America/Detroit:20240404T080000
DTEND;TZID=America/Detroit:20240404T230000
SUMMARY:Exhibition:DigiPaint 2023 Zine Exhibition: Dreams and Nightmares
DESCRIPTION:This exhibit\, created by the student organization DigiPaint\, showcases 22 illustrations created by participating club members. Each year\, DigiPaint produces a zine featuring art created in response to a thematic prompt. The pieces on display have been printed from the 2023 zine\, \"Dreams and Nightmares.\"\n\nDigiPaint is the University of Michigan’s first student organization dedicated to digital painting. Founded in 2021\, it has sought to create a community for digital artists from all backgrounds\, regardless of major\, level of skill\, and experience.\n\nSponsored by U-M Arts Initiative and hosted in partnership with U-M Library.
UID:119649-21845564@events.umich.edu
URL:https://events.umich.edu/event/119649
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Free,Library
LOCATION:Shapiro Library - Shapiro Gallery, 3rd Floor
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20240221T152752
DTSTART;TZID=America/Detroit:20240404T080000
DTEND;TZID=America/Detroit:20240404T230000
SUMMARY:Exhibition:Propositions to Progress: A Working Atlas of the Global South
DESCRIPTION:Historically\, maps have served as a panoptic technology\, assisting imperial powers in governance\, discipline\, and control. In this exhibit\, internationally renowned Filipino artist Cian Dayrit acts as a counter-cartographer\, reclaiming mapmaking as an emancipatory activity.\n\nDayrit’s artworks\, embroidered on textiles or painted over collages of colonial-era maps\, plot the extraction of natural resources\, land grabbing\, and dispossession and displacement in his native Philippines. At the same time\, their resistant lines summon new imaginaries out of the overlaps between places and memories.\n\nDayrit’s practice is critically and practically informed by the narratives of Filipino communities. Items exhibited alongside his artwork are the result of map-drawing workshops the artist has convened with rural\, urban\, and indigenous communities across the Philippines. Propositions to Progress invites you to engage in the collaborative endeavor to activate alternative territories from the ground up.\n\nCian Dayrit is an interdisciplinary artist exploring colonialism and ethnography\, archaeology\, history\, and mythology. Dayrit subverts the language of the state\, museum\, and military to visualize the contradictions on which these institutions are built. He studied at the University of the Philippines.
UID:119224-21844685@events.umich.edu
URL:https://events.umich.edu/event/119224
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,Library,Maps
LOCATION:Hatcher Graduate Library - Clark Library (2nd floor)
CONTACT:
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