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DTSTAMP:20231127T111350
DTSTART;TZID=America/Detroit:20231205T160000
DTEND;TZID=America/Detroit:20231205T173000
SUMMARY:Workshop / Seminar:DAAS Africa Workshop
DESCRIPTION:Join the Department of Afroamerican and African Studies\nand the African Studies Center for our next\n\nAFRICA WORKSHOP\n\"Petronoir African Cinema: Reading Recent African Films for Energy\"\n\nCarmela Garritano\nAssociate Professor of International Affairs\, Texas A&M University\n\nTUESDAY\, DEC. 5\n4:00 PM\n4701 Haven Hall (DAAS Conference Room)\n\nCan't make it? Join us on Zoom: https://umich.zoom.us/j/99340604276\n\n--------\nThis talk suggests the term “petronoir” to describe prestige and art films from Africa that re-tool the narrative and formal conventions of film noir to denounce the endlessly deferred promises of oil-based national development and infrastructural modernity. The films analyzed in this presentation detail patchwork\, failed\, or underdeveloped petroleum infrastructures across several African cities and closely examine the novel forms of labor and sociality that emerge in response to energy shortage. These films project infrastructural longing and\, at the same time\, testify to the creativity of Africans living with under-resourced energy distribution networks. \n\nIn these ways\, petronoir African cinema intervenes in the dominant discourse of climate crisis and energy transition. It reminds us that our efforts to address global warming and break free from fossil fuels must grapple with the modest and justified energy demands of those on the margins of petromodernity.\n\nABOUT THE SPEAKER\n\nDr. Garritano works at the intersection of politics and film and media\, and her research has been supported by Fulbright IIE\, the West African Research Association\, and the US Department of Education’s FLAS program. Trained in African area studies\, her writing combines theoretically-grounded inquiry with ethnographic and archival research methods. Her first book\, \"African Video Movies and Global Desires: A Ghanaian History\" (Ohio University Press\, 2013)\, is a historical account of movie production in Ghana\, beginning with the first films of the Gold Coast Colonial Film Unit\, through the struggles of the Ghana Film Industry Corporation\, and finally to the emergence and growth of a loosely-configured\, commercial movie industry between the late 1980s and 2010. The book was selected as a Choice Outstanding Academic Title and was awarded The First Book Award by the African Literature Association. \n\nAdditionally\, she is co-editor\, with Kenneth W. Harrow\, of \"A Companion to African Cinema\" (Wiley-Blackwell\, 2019)\, a volume that brings together some of the most exciting writing on African film and media today. It spotlights research that draws from well-established methods\, such as postcolonial theory\, as well as new work informed by affect theory\, film festival studies\, and sound studies. \n\nDr. Garritano has also published writing on African literature\, postcolonialism\, and Nollywood. Her work has appeared in top-tier journals such as The Journal of Cinema and Media Studies\, Modern Fiction Studies\, Black Camera\, The Cambridge Journal of Postcolonial Literary Inquiry\, African Studies Review\, and Research in African Literatures.\n\n--------\nFor questions about the event or to request accommodations\, please email ecnirp@umich.edu.
UID:115331-21834452@events.umich.edu
URL:https://events.umich.edu/event/115331
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:africa,African Studies
LOCATION:Haven Hall - 4701 - DAAS Conference Room
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20231201T090408
DTSTART;TZID=America/Detroit:20231205T160000
DTEND;TZID=America/Detroit:20231205T170000
SUMMARY:Workshop / Seminar:Department Seminar Seminar Series: Linbo Wang\, Assistant Professor\, Department of Statistical Sciences\, University of Toronto.
DESCRIPTION:Abstract: There has been a recent surge in attention towards trustworthy AI\, especially as it starts playing a pivotal role in high-stakes domains such as healthcare\, the justice system\, and finance. Causal inference emerges as a promising path toward building AI systems that are stable\, fair\, and explainable. However\, it often hinges on precise and strong assumptions. In this talk\, I introduce sparse causal learning as a common ground between trustworthy AI and robust causal inference. Here\, sparsity plays a dual role in enhancing explainability and ensuring the robust identification of causal effects. Specifically\, I reconsider the supervised learning problem of predicting an outcome using multiple predictors through the lens of causality. I demonstrate that it is possible to remove spurious correlations caused by unmeasured confounding by leveraging low-dimensional structures in the predictors. I study its identifiability using an expert voting approach and show that sparsity provides a promising path to transforming exact causal inference methods into multiply robust identification frameworks. Furthermore\, I introduce the synthetic instrument\, a novel tool for constructing instrumental variables and estimating causal effects. This new approach leads to algorithms that are theoretically justifiable\, computationally feasible\, and statistically sound.\n\nhttps://sites.google.com/site/linbowangpku/
UID:114911-21833777@events.umich.edu
URL:https://events.umich.edu/event/114911
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:seminar
LOCATION:West Hall - 340
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20231130T181507
DTSTART;TZID=America/Detroit:20231205T160000
DTEND;TZID=America/Detroit:20231205T190000
SUMMARY:Conference / Symposium:Dismantling the Now and Then: Stamps MFA Students Symposium
DESCRIPTION:Participants of the Art Theory graduate seminar taught by Professor Irina Aristarkhova invite you to an open session in the form of a symposium\, with an introduction by David Chung\, Professor and Director of MFA Program\, moderated by Dylan AT Miner\, Professor and Senior Associate Dean for Research\, Creative Practice\, and Graduate Education.\n\nPresentations by Scott A. Crandall\, Hannah Buchanan\, Andy Maticornea Kajie\, Darren Spirk\, Charlie Reynolds\, Cress Thibodeaux\, Samantha Griffith\, and Laura Mackie.\n\nThe presenters will discuss each other&#039\;s creative work\, situating it within contemporary arts\, culture and relevant fields. All are welcome!
UID:115684-21835378@events.umich.edu
URL:https://events.umich.edu/event/115684
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
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