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DTSTAMP:20231120T155543
DTSTART;TZID=America/Detroit:20231204T090000
DTEND;TZID=America/Detroit:20231204T100000
SUMMARY:Lecture / Discussion:Dissertation Defense: Kamolnat Tabattanon
DESCRIPTION:Join Kamolnat Tabattanon as for her dissertation defense titled \"Bridging the gap between mobility perception and performance for aging manual wheelchair users\"\n\nChair: Bernard Martin
UID:115405-21834630@events.umich.edu
URL:https://events.umich.edu/event/115405
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Dissertation,Industrial And Operations Engineering
LOCATION:Industrial and Operations Engineering Building - 2717
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20231016T101121
DTSTART;TZID=America/Detroit:20231204T090000
DTEND;TZID=America/Detroit:20231204T170000
SUMMARY:Exhibition:Holding Places Exhibition by Satchel Lee
DESCRIPTION:Gallery Hours: Mon-Fri\, 9 am-5 pm or by appointment: serrag@med.umich.edu\nBorn and raised in New York City\, Satchel Lee is a multi-media artist whose work can best be described as portraiture. Through collaborations with her immediate community\, and also using herself as a subject\, Lee draws inspiration from the quotidian\, creating offbeat images that aim to preserve this moment in time\, (re) examine memories (especially those clouded by confusion) all the while asking questions around identity and existence.\n\nLee holds a BFA from the Maurice Kanbar Institute of Film and Television at New York University’s Tisch School of the Arts. She is currently pursuing her MFA in Photography at School of the Art Institute of Chicago.\n\nIn Lee’s photographic exploration\, she investigates the profound connection between places and structures and the echoes of trauma that inhabit them. “Holding Places” is an exhibition that immerses viewers into a visual narrative\, inviting them to witness the power of space as holders and conduits for personal memory.\n\nBy reconstructing these places by hand in model scale and rendering them not as they were\, but how she experienced them\, she is able to navigate intimate details and hidden narratives that exist within them. The process of crafting these miniatures becomes a meditative contemplation\, giving Lee time to sit and reflect on these past events.\n\nThrough Lee’s lens\, they capture the visual manifestations of the ghosts of the past. The photographs offer glimpses into spaces where anguish\, conflict and distress have left their imprints\, sometimes visible\, sometimes buried beneath layers of time (and self preservation).
UID:114012-21832173@events.umich.edu
URL:https://events.umich.edu/event/114012
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:African American,Art,Diversity,Diversity Equity and Inclusion,Exhibition,Graduate Students,Humanities,LGBT,Visual Arts
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
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DTSTAMP:20230804T133936
DTSTART;TZID=America/Detroit:20231204T090000
DTEND;TZID=America/Detroit:20231204T200000
SUMMARY:Exhibition:Illustrating the Renaissance Book: From Illumination to Woodcut
DESCRIPTION:Enjoy a selection of manuscripts and early printed books from the 15th to the 17th centuries that were illustrated with illuminations and woodcuts. Throughout the European Renaissance (1300-1700)\, many book illustrations were exclusively ornamental\, while others focused on enhancing the meaning of the text. However\, as the pages on display attest\, all these illustrations share a common ground: they reveal the aesthetic and intellectual fashions first proposed by Italian artists of the 1400s\, who were strongly committed to the recovery of the past of classical antiquity.\n\nThe word “Illumination\,” from the Latin illuminare\, “to enlighten or to illuminate\,” refers to the embellishment of a manuscript or early printed book with luminous colors\, notably gold and silver. This illumination was prominent in the frontispiece\, or first page of text\, which included the decoration of its borders and initial letter\, and even miniatures\, that is\, scenes with an independent narrative. With the introduction of movable-type printing in 1454\, these illuminations would be gradually replaced by woodcuts\, which were printed from a woodblock that had been cut by knife along the grain of the wood.\n\nAvailable during Hatcher Gallery Exhibit Room hours (https://myumi.ch/2m7d4).\n\nJoin us on September 13 for a talk by Pablo Alvarez\, curator of the exhibit.
UID:109814-21823021@events.umich.edu
URL:https://events.umich.edu/event/109814
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Books,Exhibition,Free,Library
LOCATION:Hatcher Graduate Library - Hatcher Gallery Exhibit Room, 1st Floor
CONTACT:
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