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BEGIN:VEVENT
DTSTAMP:20250117T144257
DTSTART;TZID=America/Detroit:20250219T090000
DTEND;TZID=America/Detroit:20250219T163000
SUMMARY:Exhibition:Red Summer: Racial Violence in the American Landscape\, 1917-1923
DESCRIPTION:The Red Summer portfolio represents the stories of various locations in the American landscape where racial violence (often characterized as “Race Wars” at the time) erupted between 1917 and 1923. These years of conflict reveal several aspects of racial anxiety that inform our contemporary experience\, including\, though not limited to\; racism\, fear of violent black revolt\, lynching\, poverty\, mass incarceration\, and competition for employment. The term “Red Summer” was first used by James Weldon Johnson to describe the violent attacks against black communities during 1919.  \n\nThough the events of the early twentieth century seem to be remote and fading apparitions of an American past\; my work is concerned with the power and influence of our shared historical narrative upon the present. The upheaval of Red Summer occurred approximately fifty years after the American Civil War\, fifty years before the height of the Civil Rights Era\, and three centuries after the first enslaved Africans arrived in English colonies that would become the United States. \n\nThe project combines photographs of the contemporary landscape made at or near the site of racial conflict with fragmented selections of contemporaneous newspaper reporting (1917-1923). In many cases\, the newsprint images include the surrounding stories or advertisements. The combination of the landscape photograph and the reproduction of newspaper fragments (which invade the contemporary with a narrative from the past)\, is a rupture and a conversation on the timeline between past and present.
UID:131383-21868363@events.umich.edu
URL:https://events.umich.edu/event/131383
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Visual Arts,free,Exhibition,arts at michigan,arts,artists,Art,Ann Arbor
LOCATION:East Quadrangle - RC Art Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20250211T122734
DTSTART;TZID=America/Detroit:20250219T090000
DTEND;TZID=America/Detroit:20250219T160000
SUMMARY:Exhibition:Redefining the Crown
DESCRIPTION:In Winter 2025\, the Lane Hall exhibit space will feature a portraiture series titled Redefining the Crown showcasing the powerful stories of six Black breast cancer survivors.\n\nBased on a photo essay by U-M Faculty Versha Pleasant (MD/MPH) and Ava Purkiss (PhD) in Medicine at Michigan\, this exhibition examines the cultural and personal significance of hair within Black communities\, particularly through the lens of breast cancer treatment and recovery. The term \"crown\" is deeply symbolic in Black culture\, signifying beauty\, strength\, and identity. The featured photo essay by photographer Tafari Stevenson-Howard captures the intimate journeys of Ann Chatman\, Tanisha Kennedy\, Felecia McDaniel\, Shantell Elaine McCoy\, Tamara Lynn Myles\, and Veleria Banks.\n\nThrough their narratives and portraits\, the exhibit examines how these women have navigated the profound impact of hair loss caused by chemotherapy\, inviting the audience to witness their stories with radical empathy. It explores the cultural pride and personal identity intricately tied to their hair\, and how these elements are redefined amidst their battles with breast cancer.\n\nThe exhibit will be on view from January 21\, 2025 to August 8\, 2025. This exhibition is presented with support from IRWG\, the Department of Women's and Gender Studies\, and Michigan Medicine. \n\nLocated on the first floor of Lane Hall (204 S. State Street)\, the Exhibit Space is free and open to the public\, M-F\, 9am-4pm.
UID:129602-21864047@events.umich.edu
URL:https://events.umich.edu/event/129602
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,women,african american,Women's And Gender Studies,institute for research on women and gender
LOCATION:Lane Hall
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20241203T104657
DTSTART;TZID=America/Detroit:20250219T090000
DTEND;TZID=America/Detroit:20250219T200000
SUMMARY:Exhibition:The Bibliophile and the Library: Private-Press Books from the Collection of Bill Heidrich
DESCRIPTION:View beautifully illustrated books that stand as remarkable testaments to the work of twentieth-century small private presses\, which\, in contrast to the trend of mass commercialization\, produced limited editions that celebrated the uniqueness of manual craftsmanship. Features such as exquisite typeface design\, letterpress printing\, handmade paper\, traditional illustration techniques like woodcut and engraving\, and the inclusion of original art by renowned artists highlight the presses' dedication to artistry and detail.\n\nThe display opens with an edition of \"The Works of Geoffrey Chaucer\,\" published in 1896 by William Morris at his Kelmscott Press\, a pivotal press that greatly influenced the development of the private press movement as a means of preserving and revitalizing the fine printing and art traditions of the past. Additionally\, the exhibit includes some examples of artist’s proofs\, offering a glimpse into the intricate creative process behind these exceptional works.\n\nThese books are on loan from the collection of Bill Heidrich\, a long-time supporter of the University of Michigan Library.
UID:129585-21863739@events.umich.edu
URL:https://events.umich.edu/event/129585
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Books,Library,Free,Exhibition
LOCATION:Hatcher Graduate Library - Hatcher Gallery Exhibit Room, 1st floor
CONTACT:
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