BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//UM//UM*Events//EN
CALSCALE:GREGORIAN
BEGIN:VTIMEZONE
TZID:America/Detroit
TZURL:http://tzurl.org/zoneinfo/America/Detroit
X-LIC-LOCATION:America/Detroit
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20070311T020000
RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=2SU
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20071104T020000
RRULE:FREQ=YEARLY;BYMONTH=11;BYDAY=1SU
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTAMP:20231201T121515
DTSTART;TZID=America/Detroit:20231201T100000
DTEND;TZID=America/Detroit:20231201T113000
SUMMARY:Lecture / Discussion:Artists Speak: Theaster Gates and Adebunmi Gbadebo with social justice curator and museum changemaker\, Monica O. Montgomery
DESCRIPTION:Click here to register: https://docs.google.com/forms/d/e/1FAIpQLSeQbDMYYn1ie7BmIbmMR2iJ9RUzsT8M5BN4PBb3A1etiug8wg/viewform.\n \nWitness a dynamic discussion among movers and shakers in the social justice art world. Artist\, Activist and Professor Theaster Gates and Artist Adebunmi Gbadebo contemplate their work in the Hear Me Now exhibition and in the world through a lens of restorative justice. Hear the unfiltered thoughts of these artists in conversation with social justice curator and museum changemaker\, Monica O. Montgomery. \n \nThis program is part \"Free To Speak! A Convening on Art\, Slavery and Reconciliation\"\, a 2-day celebration of Black creativity\, agency\, and memory. Inspired by UMMA’s presentation of Hear Me Now: The Black Potters of Old Edgefield\, South Carolina\, 'Free to Speak' hopes to contribute to urgent national conversations about racial justice while exploring what it means to exhibit materials made by enslaved people in Southeast Michigan\, especially in light of the region’s relationships to the Underground Railroad\, the Great Migration\, the explosion of Black music and culture\, and ongoing racial protest and liberation movements. Part storytelling\, part scholarly deep dive\, the discussions and diverse perspectives that emerge will offer new possibilities to inspire change in the arts and culture field. ​ To see the full convening schedule and to RSVP\, please click here.   Artist and social innovator Theaster Gates lives and works in Chicago. Trained in urban planning and ceramics\, his artistic practice translates the intricacies of Blackness through space theory and land development\, sculpture\, and performance. Through the expansiveness of his approach as a thinker\, maker\, and builder\, he extends the role of the artist as an agent of change. His performance practice and visual work find roots in Black knowledge\, objects\, history\, and archives. His work focuses on the possibility of the ​“life within things” and redeems spaces that have been left behind. He is the founder of the Rebuild Foundation\, an artist-led\, community-based platform for art\, cultural development\, and neighborhood transformation whose mission is to demonstrate the impact of innovative\, ambitious and entrepreneurial cultural initiatives enriched by three core values: Black people matter\, Black spaces matter\, and Black objects matter.\n \nAdebunmi Gbadebo\, a multimedia artist\, explores the intersections of land\, matter\, and memory on sites of slavery using materials like indigo dye\, plantation soil\, and Black hair. She holds a BFA from the School of Visual Arts\, NY\, and a Creative Place Keeping certification from the New Jersey Institute of Technology. She is a 2022 Pew Fellow\, 2023 Maxwell and Hanrahan Fellow\, and A.I.R at the Clay Studio in Philadelphia. Gbadebo has been written about in notable publications like The New York Times and Forbes. She has spoken at institutions like the Museum of the African Diaspora and the Metropolitan Museum of Arts. Gbadebo's art resides in permanent collections at institutions such as the Smithsonian National Museum of African Art and the Boston Museum of Fine Arts. She is currently designing a monument at Clemson University to honor enslaved laborers who transformed Fort Hill Plantation into the university.\n \nMonica O. Montgomery is a museum thought leader and independent curator at the nexus of culture\, community engagement\, and equity. She consults with a myriad of organizations\, corporations\, associations\, non profits\, universities and museums on contemporary art\, community engagement and championing inclusion and belonging to spark ecologies of promise. Known for curating social justice exhibits and founding diversity initiative Museum Hue\, over the last 2 decades she has served as an executive director\, fundraiser\, marketer\, educator\, and program director. Her career credits include a TedX talk & SXSW plenary and over 40+ curated contemporary art and public history exhibits with renowned organizations like the South African Embassy\, Brooklyn Museum\, Portland Art Museum\, Community Art Center\, T Thomas Fortune Cultural Center\, The New School. Teachers College\, The National Trust for Historic Preservation\, Weeksville Heritage Center and The Highline among others. She served as Curator of Social Justice and Special Programs for the FUTURES exhibition\, at Smithsonian Arts & Industries\, organizing an interactive exhibit of art\, technology and history to celebrate the Smithsonian Institutions 175th Anniversary.\n\nThe Arts & Resistance Theme Semester\, organized by UMMA and the U-M Arts Initiative\, is generously supported by the U-M Office of the Provost\, the U-M College of Literature\, Science\, and the Arts\, Lizzie and Jonathan Tisch\, and Erica Gervais Pappendick and Ted Pappendick.\n\nFree to Speak is generously supported by the U-M Inclusive History Project\, the U-M Arts Initiative Arts & Resistance Theme Semester Fund\, the Americana Foundation\, Michigan Humanities\, the U-M Office of Diversity\, Equity\, and Inclusion\, and the U-M Department of History.\n\n \n\n\nHear Me Now is organized by The Metropolitan Museum of Art and the Museum of Fine Arts\, Boston\, with support from the Terra Foundation for American Art and the Henry Luce Foundation.\n\nLead support for UMMA's presentation of the exhibition is provided by Michigan Engineering\, the U-M Office of the Provost\, the U-M Office of the President\, the Americana Foundation\, the U-M College of Literature\, Science\, and the Arts\, the U-M Inclusive History Project\, and Michigan Humanities. Additional generous support is provided by Larry and Brenda Thompson and Melissa Kaish and Jonathan Dorfman. \n\n 
UID:113240-21830597@events.umich.edu
URL:https://events.umich.edu/event/113240
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Music,Social Justice,Social,Museum,Inclusion,Talk,Visual Arts,UMMA,Africa,Storytelling,Culture,Diversity,Discussion,Art,History,Free,Exhibition
LOCATION:Museum of Art - University of Michigan Museum of Art 
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20231127T145048
DTSTART;TZID=America/Detroit:20231201T100000
DTEND;TZID=America/Detroit:20231201T110000
SUMMARY:Workshop / Seminar:Department Seminar Seminar Series: Dean Knox\, Assistant Professor\, Department of Operations\, Information & Decisions\, Statistics & Data Science\, Wharton School of the University of Pennsylvania.
DESCRIPTION:Abstract: Analyses of police misconduct rely heavily on self-reported law-enforcement data that suffers from unobserved confounding\, mismeasurement\, and selection issues. I first show how these challenges have led to distortions in prior policing research\, including a high-profile retraction. Next\, I demonstrate how nonparametric sharp bounds can help researchers address these challenges without relying on implausible\, often implicit assumptions. I introduce an algorithm for obtaining such bounds for any structured discrete system and essentially any estimand\, assumptions\, and arbitrarily incomplete dataset(s)—flexibly accommodating the wide variety of oversight tasks and data environments across America's 18\,000 law enforcement agencies. The algorithm outputs a fail-to-reject region capturing both fundamental lack of identification as well as sampling uncertainty. Finally\, I propose an approach for targeting future data collection under budget constraints to optimally narrow the expected fail-to-reject region.\nhttp://www.dcknox.com/
UID:114910-21833776@events.umich.edu
URL:https://events.umich.edu/event/114910
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:seminar
LOCATION:West Hall - 340
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20231120T094853
DTSTART;TZID=America/Detroit:20231201T100000
DTEND;TZID=America/Detroit:20231201T120000
SUMMARY:Presentation:Dissertation Defense-Iman Samani
DESCRIPTION:This dissertation explores innovative strategies for solving linear variable-coefficient wave propagation problems in one and\nmultiple dimensions. The research uncovers a substantial contrast between two primary methodologies used to achieve high\nformal accuracy: one approach enlarges the computational stencil\, while the other enriches it with additional information\,\nsuch as derivatives or moments. The findings reveal that enrichment techniques are notably more effective in enhancing the\naccuracy of numerical solutions. As a result\, a Hermitian version of the Active Flux method is developed\, which significantly\nadvances the state-of-the-art in solving wave propagation problems
UID:115396-21834618@events.umich.edu
URL:https://events.umich.edu/event/115396
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:aerospace engineering
LOCATION:Francois-Xavier Bagnoud Building - 1044
CONTACT:
END:VEVENT
END:VCALENDAR