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DTSTAMP:20250305T131508
DTSTART;TZID=America/Detroit:20250502T080000
DTEND;TZID=America/Detroit:20250502T170000
SUMMARY:Exhibition:CREES Exhibition. Threading the Needle: Vestiges of Colonialism and Femininity\, an installation by Gluklya
DESCRIPTION:Gluklya’s work is a powerful example of socially engaged art at the intersections of gender\, class\, and cultural identity. By focusing on experiences of female textile workers in Kyrgyzstan\, the artist explores the often-overlooked stories of women affected by Soviet and post-Soviet colonialism. \"Threading the Needle: Vestiges of Colonialism and Femininity\" retells their stories using a diverse range of media — film\, sculpture\, watercolors\, and felt tapestries. Unfolding the implications of economic and societal pressures on women\, Gluklya explores issues of poverty\, isolation\, and exploitation among the garment workers.\n   \n   Personal stories are woven into a broader social context — such as the legacy of the \"Likbez\" (liquidation of illiteracy) campaign among women in Central Asia during Soviet rule and entrenched patriarchal traditions\, like \"Ala Kachuu\" (bride-kidnapping). This dynamic — where colonization and modernization intertwine the individual lives they touch — raises questions about cultural identity and the ethical borders of decolonized research.\n\nThis exhibition was curated by CREES alumna Dianne Beal (BA REES '79). See more of her work here: https://www.diannebeal.com/curatorial.\n   \nIf there is anything we can do to make this event accessible to you\, please contact us at crees@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:132161-21870509@events.umich.edu
URL:https://events.umich.edu/event/132161
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:eastern europe,art
LOCATION:Weiser Hall - Gallery, Room 547
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20241218T142819
DTSTART;TZID=America/Detroit:20250502T090000
DTEND;TZID=America/Detroit:20250502T170000
SUMMARY:Exhibition:Angkorian Homecoming
DESCRIPTION:Informed by her experience as a refugee\, Phung Huynh’s projects explore the complexities of displacement\, assimilation\, and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States. She creates detailed graphite portraits on pink donut boxes to highlight the stories of Southeast Asians who have survived war trauma and genocide. Huynh’s serigraph prints about Donut Kids foreground intergenerational gaps as well as bridging the refugee parent and American child through the narratives of Cambodian American children who were raised by donut shop owners in California. Huynh’s most recent work of drawings of Cambodian Buddhist statue heads and photographic prints of decapitated statue bodies on fabric addresses the repatriation of looted Cambodian antiquities in the context of challenging the legacy of colonialism\, unethical museum practices\, and the refugee’s desire to return home. Complete details at https://lsa.umich.edu/humanities/gallery/current-exhibitions/phung-huynh.html.
UID:130113-21865487@events.umich.edu
URL:https://events.umich.edu/event/130113
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Visual Arts,history,Exhibition,Asia,Culture
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20250408T135629
DTSTART;TZID=America/Detroit:20250502T090000
DTEND;TZID=America/Detroit:20250502T200000
SUMMARY:Exhibition:Behind the Curve: Rainbows and the Science and Culture of Color
DESCRIPTION:We have many significant books from the history of our understanding of rainbows and color theory\, from the writings of scholar Ḥasan Ibn al-Haytham to Isaac Newton’s 1704 Opticks. Rainbows appear across the spectrum of our collections\, and this exhibit includes a handwritten illuminated manuscript\, practical color manuals of the industrial age\, contemporary artists’ and children’s books\, and more from our vast holdings. \n\nRainbows have captivated people for all of recorded history. It’s hard not to think of them as physical objects\, but they are really just distorted images of the sun\, positioned around the viewer’s head. They require someone to perceive them to exist\, and thus have much in common with colors and color theory in general. And\, like colors\, they are about relationships: of one color next to another\, and of colors and the people who see them. The rainbow has had many different cultural interpretations over the years\, and most recently has become synonymous with gay pride\, appearing all over each June.\n\nHatcher Gallery Exhibit Room Hours:\nSunday\, 2-8pm\nMonday-Thursday\, 9am-8pm\nFriday\, 9am-4pm\nSaturday\, 11am-5pm
UID:134798-21875131@events.umich.edu
URL:https://events.umich.edu/event/134798
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,Library
LOCATION:Hatcher Graduate Library - Hatcher Gallery Exhibit Room (1st floor)
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20250128T165948
DTSTART;TZID=America/Detroit:20250502T090000
DTEND;TZID=America/Detroit:20250502T110000
SUMMARY:Ceremony / Service:Graduation
DESCRIPTION:Come celebrate our graduating students
UID:132023-21869804@events.umich.edu
URL:https://events.umich.edu/event/132023
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Graduation
LOCATION:Off Campus Location - Ballroom
CONTACT:
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