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BEGIN:VEVENT
DTSTAMP:20240130T121551
DTSTART;TZID=America/Detroit:20250424T100000
DTEND;TZID=America/Detroit:20250424T200000
SUMMARY:Exhibition:Unsettling Histories: Legacies of Slavery and Colonialism
DESCRIPTION:Organized as a response to the Museum’s recent acquisition of Titus Kaphar’s Flay (James Madison)\, this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art\, 1650-1850.\n \nIn recent times\, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections\, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries\, choices about what relevant facts we share about the works\, and choices about what - out of an infinite number of options - we don’t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet\, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden\, we are forced to examine whose stories and histories are prioritized and why.  \n \nIn this online exhibition\, you can explore our efforts to deeply question the Museum’s collection and our own past complicity in favoring colonial voices. In the Museum gallery\, which will open in early 2021\, you’ll be able to experience the changes we’re making to the physical space to highlight a more honest version of European and American history. \n \nBy challenging our own practice\, and continuing to add to what we know and what we write about the works we display\, UMMA tells a more complex and more complete story of this nation - one that unsettles\, and fails to settle for\, simple narratives. \n \n“Invisible things are not necessarily ‘not there’.... Certain absences are so stressed\, so ornate\, so planned\, they call attention to themselves\; arrest us with intentionality and purpose\, like neighborhoods that are defined by the population held away from them.” \n \n— Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism is provided by the University of Michigan Office of the Provost\, the U-M Arts Initiative\, and the Susan and Richard Gutow Endowed Fund.\n 
UID:84303-21621578@events.umich.edu
URL:https://events.umich.edu/event/84303
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,UMMA,Museum,History,Exhibition,European
LOCATION:Museum of Art - European and American Decorative Art
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20250429T181504
DTSTART;TZID=America/Detroit:20250424T110000
DTEND;TZID=America/Detroit:20250424T170000
SUMMARY:Exhibition:Perspective{s}: The 2025 IP Exhibition
DESCRIPTION:All Stamps seniors who are enrolled in the year-long Integrative Project course participate in the IP Exhibition held each spring\, which is the culmination of their thesis work. The senior studio spaces in the Stamps Art &amp\; Architecture Building are transformed into exhibition space\, with 4D work featured in a group screening and reel\, and selected projects displayed in the A&amp\;A Street Gallery. \n\nExhibition Dates: April 21 – May 3\, 2025Art &amp\; Architecture Building\, 2000 Bonisteel BlvdOpen Monday through Saturday\, 11 a.m. to 5 p.m.\nOpening Reception: Friday\, April 25\, 1-8 p.m.Film/Video Screenings will take place in the Art &amp\; Architecture Auditorium on Friday\, April 25\, 2025 at 4 p.m. and 6 p.m. (followed by a talkback with the filmmakers)\, and on Saturday\, May 3 at 2 p.m.
UID:131205-21867955@events.umich.edu
URL:https://events.umich.edu/event/131205
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20240620T181506
DTSTART;TZID=America/Detroit:20250424T110200
DTEND;TZID=America/Detroit:20250424T170000
SUMMARY:Exhibition:Michelle Hinojosa: Logcabins
DESCRIPTION:Stamps Gallery commissioned Michelle Hinojosa (MFA\, 2023) to reimagine the pillars on Division Street that flank the Gallery. Hinojosa has created log cabin quilts to adorn the columns in front of Stamps Gallery. The log cabin quilts traditionally represent the warm hearth at the center of a home. This installation reflects on the interplay between home\, placemaking\, labor\, and intergenerational memories of migration. Rather than quilting cotton designed to softly embrace the body\, these quilts are sewn from outdoor grade\, UV-resistant polyester. The quilt is an ode to Hinojosa’s grandmother who illegally crossed the US/Mexico border holding her babies and her quilts. As she and her family drove across the United States to work in the fields of the Salinas Valley\, the quilts offered a safe space for her and her family. Hinojosa celebrates their resilience to her grandmother and elders while also drawing attention to precarity and violence experienced by refugees and migrants crossing the US-Mexico border in our present today.\nArtist’s bio:\nMichelle Inez Hinojosa is an artist\, educator\, and researcher whose work is informed by Indigenous and Latine/x/a/o studies. Born and raised in Texas\, she earned her Bachelor of Fine Arts degree in both drawing and painting and art education with a minor in art history at the University of North Texas. She holds a Master of Fine Arts from the University of Michigan. She works with quilting\, bead weaving\, embroidery\, jewelry\, transparent film installations\, painting\, ceramics\, and sculpture to honor and explore the history of migration in her family and humanize the current discourse around migration still occurring at the southern border. Alongside her artwork she maintains a writing practice to re-story\, re-make\, and re-claim the often subordinated narratives of Latinx\, Chicanx\, Mexican\, and Texican peoples. \n\nRecently\, Hinojosa was named an inaugural Creative Careers Artist in Residence at the University of Michigan\, she has also attended residencies at Mildred's Lane (Pennsylvania)\, Anderson Ranch Art Center (Aspen\, CO) and The Cedars Union (Dallas\, TX). 
UID:122384-21848879@events.umich.edu
URL:https://events.umich.edu/event/122384
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20250311T103923
DTSTART;TZID=America/Detroit:20250424T113000
DTEND;TZID=America/Detroit:20250424T130000
SUMMARY:Workshop / Seminar:An 'Austrian' Model of Global Value Chains
DESCRIPTION:I develop a stylized model of multi-stage production in which the time length of each stage is endogenously determined. Letting the production process mature for a longer period of time increases labor productivity\, but it comes at the cost of higher working capital needs for firms. Under autarky\, countries with lower interest rates feature longer production processes\, higher labor productivity\, and higher wages. In a free trade equilibrium\, countries with lower interest rates specialize in relatively ‘time intensive’ stages in global value chains (GVCs). Yet\, if free trade brings about interest rate equalization\, wages are also equalized and the pattern of trade is instead shaped by capital intensity and capital abundance\, regardless of the time intensity of the various stages. Reductions in trade costs lead to patterns of specialization associated with higher amounts of vertical specialization in world trade. A worldwide decline in interest rates similarly fosters an increase in the share of GVC trade in world trade. The framework also sheds light on the role of trade credit and trade finance in shaping international specialization.
UID:129877-21864719@events.umich.edu
URL:https://events.umich.edu/event/129877
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Economics,International,seminar
LOCATION:Lorch Hall - 201
CONTACT:
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