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DTSTAMP:20240319T165202
DTSTART;TZID=America/Detroit:20240328T173000
DTEND;TZID=America/Detroit:20240328T183000
SUMMARY:Lecture / Discussion:Creation and Censorship: The New Wave of Contemporary Iraqi Writers
DESCRIPTION:Join us for a talk by U-M instructor\, novelist\, and literary critic Dr. Wijdan Alsayegh discussing the challenges Iraqi writers face in authentically expressing themselves under censorship\, both material and self-imposed\, and the difficulty of promoting their work to the global literary community through translation. Tom Zimmerman of Washtenaw Community College will also join the discussion and moderate. The event will feature readings of Iraqi poetry and a display of collection material by Iraqi women writers.\n\nOrganized in partnership with the Iraqi American Union at the University of Michigan.
UID:119914-21843813@events.umich.edu
URL:https://events.umich.edu/event/119914
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Books,Free,Library,Poetry
LOCATION:Hatcher Graduate Library - Gallery, 1st Floor
CONTACT:
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DTSTAMP:20240219T181507
DTSTART;TZID=America/Detroit:20240328T173000
DTEND;TZID=America/Detroit:20240328T190000
SUMMARY:Lecture / Discussion:Penny Stamps Speaker Series - Lynn Hershman Leeson
DESCRIPTION:As part of the 62nd Ann Arbor Film Festival\, this special program will showcase a curated selection of Lynn Hershman Leeson’s short films\, followed by a conversation. Filmmaker Lynn Hershman Leeson will join remotely\, and curator Julia Yezbick will interview her from the Michigan Theater's stage.\nLynn Hershman Leeson’s work cannot be contained by any one medium. Her practice is voracious\; consuming both traditional artistic media (installation\, painting\, and video) as well as interactive LaserDiscs and synthetic DNA. Responding to the social and scientific technologies of the day\, Hershman Leeson's work anticipates the quandaries into which we will be collectively thrown. Her performance piece as Roberta Breitmore (1973) underscored the gendered contours of personhood as defined by the state\, laying bare the ways in which we reproduce ourselves as ephemeral simulacra according to these superstructures. She was working with chatbots (Agent Ruby\, 1998-2002) downloadable to a Palm Pilot decades before chatGPT had broken into public consciousness\, questioning the role that artificial intelligences will play in our lives. This program of her short film and video works highlights her long-held fascination with reality\, selfhood\, and technological reproduction\, prompting us to question whether it is at all possible to disambiguate ourselves from our tech-saturated worlds. Her short films shown here distill the impetus of her decades-long work: a quest for freedom from the many constraints imposed on us by society and the potentialities as well as the pitfalls presented by the ongoing technological augmentation of our lives. \nJulia Yezbick is a filmmaker\, artist\, programmer\, and anthropologist. She received her PhD in Media Anthropology and Critical Media Practice from Harvard University. Her audio and video works have been exhibited at the Berlin International Film Festival\, the Art Gallery of Ontario\, the New York Library for Performing Arts\, Station Arts Space (Beirut)\, the Ann Arbor Film Festival\, the Broad Underground Film series (Lansing)\, the AgX Film Collective\, and the Museum of Contemporary Art\, Detroit. Yezbick's works of experimental nonfiction are grounded in feminist responses to social issues such as housing and urban transformations as well as commentaries on gendered labor\, identity\, and movement and the body. She is a 2018 Kresge Artist Fellow for film\, the founding Editor of Sensate: a journal for experiments in critical media practice\, and co-directs Mothlight Microcinema in Detroit. Yezbick is currently an Assistant Professor of Media Arts and Studies at Wayne State University in Detroit.\nFILM PROGRAM\nCommercial for Myself\, 1978\, 2 mins\, video 4:3In this short “portrait” of the artist\, Leeson directly addresses the camera and begins to ask the audience the questions that she is still asking today: what is it really\, that makes us human?\nSeduction of a Cyborg\, 1994\, 7:17\, video\, 4:3Before social media\, Leeson questions the logical end to our media-saturated lives. A cyborg is seduced by images and sounds of the world. Her addiction to the simulacra degrades her body as she helplessly witnesses the tragedies of history ultimately submitting to an existence solely within the cage of mediated reality.\nLogic Paralyzes the Heart\, 2021\, 13:54\, digital video\, 16:9The first Cyborg\, forged in war\, now 60 years old\, reflects on her life and her complicities with human tragedies. She wonders about the possibility of breaking free from her own programming and the human+cyborg liberation that might be possible with different directives.\nLynn Turning into Roberta\, 1978\, 5:30\, 16mm\, 4:3In this documentation of the artist transforming into Roberta Breitmore\, a persona of her performance art in the 1970s\, we hear the camera operator commenting offscreen on the framing and giving voice to the technological encapsulation of Brietmore’s becoming. Roberta Brietmore became the platform that fed into much of Leeson’s work on identity and the many extensions of our personhood beyond the reach of our bodies. \nTest Patterns\, 1979\, 10:26\, digital videoAn intervention of “aesthetic emergency\,” this parody of a television talk show interviews “test patterns” about their life and images as a televisual device. The test patterns answer with psychopathic numbness\, unveiling the narcissism within and warning that our media is only\, and can only ever be\, a mirror of all of humanity’s triumphs and flaws. \nCyborgian Rhapsody - Immortality\, 2023\, 11:47\, digital video\, 16:9Part four of the Cyborg installation series\, this piece was written and narrated by Sarah\, a ChatGPT-3 chatbot. Sarah predicts human’s ability to survive if only they can get past their biggest obstacles: hatred and discrimination\, but she cries at the thought that she was not programmed to love.
UID:116245-21836495@events.umich.edu
URL:https://events.umich.edu/event/116245
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
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DTSTAMP:20240313T160729
DTSTART;TZID=America/Detroit:20240328T180000
DTEND;TZID=America/Detroit:20240328T190000
SUMMARY:Livestream / Virtual:Admitted Transfer Student Drop-In Mentorship
DESCRIPTION:Are you a transfer student who has been admitted to UM's College of Literature\, Science\, and the Arts (LSA) for Spring\, Summer\, or Fall 2024? Have questions for a current transfer student about your next steps?\n\nDrop into a virtual meeting with a current LSA Transfer Student Ambassador (and potentially other newly admitted transfer students as well). Get your questions answered & have a chance to connect with a current LSA transfer student!
UID:120141-21844130@events.umich.edu
URL:https://events.umich.edu/event/120141
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:transfer,Transfer Student Center,Transfer Students
LOCATION:Off Campus Location
CONTACT:
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DTSTAMP:20240320T141948
DTSTART;TZID=America/Detroit:20240328T180000
DTEND;TZID=America/Detroit:20240328T200000
SUMMARY:Lecture / Discussion:Dinner and Learn with John Ling
DESCRIPTION:IOE students will have the exciting opportunity to engage with U-M IOE alumnus\, John J. Ling who is currently the CEO of MacKenzie-Childs\, LLC. John will share invaluable insights into his career journey and how he utilized his U-M IOE education post-grad to gain success as a top executive.\n\nDuring the session\, John will use his own career as a blueprint to demonstrate how he leveraged his education\, skills\, and innovative mindset to tackle real-world challenges in industry. From solving tangible problems to navigating organizational management and leadership\, John's journey speaks to the versatility and effectiveness of an IOE degree at every stage of one's career.\n\nThis lecture will be an opportunity for you to gain firsthand knowledge and practical advice as you embark on your own career paths as U-M IOE grads. John's approach will make the connection between classwork/theory and practice\, providing you with actionable insights to prepare for the challenges and opportunities ahead!\n\nThe session will be limited to the first 25 students who sign up. A waiting list will be used thereafter for any cancellations.\n\nJerusalem Garden and beverages will be provided as well as takeout containers for those observing Ramadan.
UID:120319-21844559@events.umich.edu
URL:https://events.umich.edu/event/120319
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Food,Industrial And Operations Engineering
LOCATION:Industrial and Operations Engineering Building - 2717
CONTACT:
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