BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//UM//UM*Events//EN
CALSCALE:GREGORIAN
BEGIN:VTIMEZONE
TZID:America/Detroit
TZURL:http://tzurl.org/zoneinfo/America/Detroit
X-LIC-LOCATION:America/Detroit
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20070311T020000
RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=2SU
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20071104T020000
RRULE:FREQ=YEARLY;BYMONTH=11;BYDAY=1SU
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTAMP:20240318T124935
DTSTART;TZID=America/Detroit:20240330T100000
DTEND;TZID=America/Detroit:20240330T190000
SUMMARY:Exhibition:28th Annual Exhibition of Artists in Michigan Prisons
DESCRIPTION:The *28th Annual Exhibition of Artists in Michigan Prisons* (March 19 - April 2\, 2024) showcases the hard work and talents of artists incarcerated in Michigan prisons.\n\nThe work is by men and women from all 25 state prisons in both the upper and the lower peninsulas: 24 men’s prisons and 1 women’s prison.\n\nThis year there are hundreds of works in two and three dimensions\, including portraits\, tattoo imagery\, landscapes\, fantasy\, and wildlife as well as images about incarceration and visions that are entirely new.\n\nThe artwork you see at the exhibit is a testament to the resilience of artists and the life-giving power of art under the most difficult of circumstances–incarceration\, isolation\, and unimaginable loss. It is an important reminder of the connections that sustain us all\, in the free world and behind the walls.\n\nWe invite you to enjoy the work and\, if you like\, make a purchase. All proceeds\, minus necessary taxes and fees\, go directly to the artists.\n\nThe exhibition opens March 19th:\n5:00 PM Gallery/sales open\n5:30 PM Reception & light refreshments\n6:30 PM Celebration program begins\n*Free accessible shuttle service available on opening night*\n*4:30 - 8:30 PM\, running every half-hour* \n*Loops to the exhibit from the Plymouth Rd. Park & Ride (3700 Plymouth Rd.\, right off of US-23)*\n\nMarch 20th to April 1st\, gallery hours for the exhibit are:\nSunday–Monday: 12:00 PM–6:00 PM\nTuesday–Saturday: 10:00 AM–7:00 PM\n\nApril 2nd gallery is open until 5:00 PM. Art Pick-Up begins at 5:00 PM\n\nPresented with support from U-M Residential College and the Michigan Arts and Culture Council\n\n*The University of Michigan College of Literature\, Science and the Arts (LSA) greatly values inclusion and access for all. Live captioning will be available at all events surrounding the exhibition. We are pleased to provide additional reasonable accommodations to enable your full participation in this event. Please contact Sarah Unrath at pcapexhibits@umich or 734.615.5643 if you would like to request disability accommodations or have any questions or concerns. We ask that you provide advance notice to ensure sufficient time to meet requested accommodations.*
UID:115481-21834890@events.umich.edu
URL:https://events.umich.edu/event/115481
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Activism,Ann Arbor,Art,celebration,Community,Community Engagement,Community-based Learning,Crime And Justice,Criminal Justice,Diversity,Diversity Equity and Inclusion,Exhibition,Free,human rights,Incarceration,Law,mass incarceration,prison issues,residential college,Social Impact,social justice,Social Movement,Social Work,Storytelling,visual arts
LOCATION:Duderstadt Center - Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20240115T181710
DTSTART;TZID=America/Detroit:20240330T100000
DTEND;TZID=America/Detroit:20240330T120000
SUMMARY:Class / Instruction:David Hyun-Su Kim\, The Viennese Romantic Piano
DESCRIPTION:RESIDENCY SCHEDULE\n10am-12pm Master Class \n12:30-2:30pm Grafendorfer Piano Tryout\n7:00-8:30pm Evening Recital\n\nGUEST ARTIST BIO\n\nRegarded “as among the finest pianists of his generation” (*WholeNote*)\, DAVID HYUN-SU KIM has been acclaimed as a musician who “rivals Golden Age pianists. [His playing is] brilliant artistry indeed\, … nuanced and naturally phrased\, clear and poetic… A performer of artistry\, integrity\, and interest” (*Early Music America*).\n\nBorn in upstate New York to Korean immigrants\, David’s early interests were in math\, philosophy\, and chemistry\, and he matriculated at Cornell University as a Presidential Research and National Merit Scholar in chemistry. He never seriously considered music until a life-changing encounter with Beethoven’s piano sonatas convinced him to trade the lab stool for the piano bench. He launched himself into music\, working at Cornell with Malcolm Bilson and James Webster\, before heading to Europe where he made his orchestral debut in Vienna and continued his musical studies in Germany as a Fulbright scholar.\n\nHe returned to the United States\, earning degrees in music from Harvard\, Yale\, and the New England Conservatory. These studies overlapped with an increase in his performance activity\, and he is now primarily a concert artist. He has performed as a concerto soloist\, recitalist\, and chamber musician in South Korea\, Austria\, Belgium\, the Czech Republic\, Italy\, Germany\, and the United Kingdom\, as well as completing multiple east and west coast tours in North America. A frequent guest artist\, he has conducted residencies at Stanford\, Bucknell\, Indiana-Bloomington\, Duke\, and Pennsylvania State Universities\, the Universities of Utah\, Washington\, and Wyoming\, and Colby and Bowdoin Colleges\, as well as serving as guest speaker and performer at the University of Michigan Piano Festival and the University of California-Berkeley’s Piano Institute\, and appearances at the Banff\, Orvieto\, and Norfolk Music festivals.\n\nDavid is also active as a recording artist. His debut solo CD of Mozart and Beethoven sonatas was recorded on a historically-appropriate Viennese 5-octave piano\, and was acclaimed for its “great sensitivity to the music’s rhetoric\, [yielding] movements that come across as journeys of discovery” (*Fanfare*). His follow-up project\, a much-anticipated all-Schumann album a Viennese 6 1/2-octave piano closely modeled on Schumann’s personal instrument\, was heralded as \"poetry of the highest order... Schumann for the ages!\" (*Skagit Early Keyboard Museum*) and praised as “endlessly fascinating… thanks to Kim’s thoughtful phrasing and 19th-century disregard for strict observance of time… [T]his familiar music yields unexpected depth and a sheer beauty that is unrivaled by performances on modern instruments. Kim’s interpretation is an essential part of our understanding of this composer\, the musical world in which he lived\, and the joy of experiencing compositions and playing of the highest order” (*ConcertoNet*).\n\nIn addition to his performance activities\, David is active as a musical thinker and scholar. He has won two international IES research grants\, and written articles and chapters on early recordings\, musical notation\, piano organology\, and improvisation. One of his earliest projects argued for a new understanding of hairpin notation\, and points to the radically different interpretive practice suggested by the performances of Brahms’ closest students and colleagues. His current musical research centers on interdisciplinary approaches to interpretive process.\n\nA sought-after pedagogue and adjudicator\, David has taught at Yale and Harvard Universities. His students have gone on to win prizes in international competitions and been accepted for graduate study at Eastman\, Oberlin\, the University of Michigan\, the Cincinnati Conservatory of Music\, Indiana University\, and similar institutions.\n\n\nAll events are free and open to the public\, made possible by the Sally Fleming Master Class Fund. This artist residency is hosted by the Department of Piano and the Stearns Collection of Musical Instruments.
UID:116573-21837587@events.umich.edu
URL:https://events.umich.edu/event/116573
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Discussion,Free,Music,North Campus,Talk,Workshop
LOCATION:Earl V. Moore Building - Britton Recital Hall
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20240221T155241
DTSTART;TZID=America/Detroit:20240330T100000
DTEND;TZID=America/Detroit:20240330T160000
SUMMARY:Exhibition:Products from Pollution: Carbon Capture and Conversion
DESCRIPTION:Phasing out fossil fuels is a primary means to fight climate change\, but it alone is not enough. Even if all emissions ceased tomorrow\, atmospheric CO2 levels are already dangerously high and the climate would keep warming before it eventually stabilizes. We have to reduce or “capture” legacy CO2 to avert disaster. As the International Panel on Climate Change stated\, the *only* way we can meet our climate goal is to use carbon capture in our climate change fighting tool kit. \n\nMany of the products that we use every day are made with carbon. Treating legacy CO2 as a resource with economic value rather than a pollutant allows us to generate revenue while also fighting climate change. \n\nHowever\, not all uses or types of captured CO2 are equal in terms of environmental or economic benefits. This exhibit includes a video game that helps explain the pros and cons associated with different methods and applications of carbon capture. \n\nAdditionally\, it also provides examples of two types of carbon removal\, an interactive block activity\, and sample products made from captured CO2.
UID:119221-21842421@events.umich.edu
URL:https://events.umich.edu/event/119221
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:carbon reduction,climate,Climate Change,Engineering,Environment,Sustainability
LOCATION:Matthaei Botanical Gardens
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20240130T121550
DTSTART;TZID=America/Detroit:20240330T110000
DTEND;TZID=America/Detroit:20240330T200000
SUMMARY:Exhibition:A Gathering
DESCRIPTION:Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA’s collection — many on display here for the first time. \n \nAs a free\, public museum\, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition\, all brought into the Museum between 2019 and the present\, shows how institutions like UMMA are becoming more permeable to societal challenges\, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations\, race\, gender\, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals\, as a museum\, and as a society\, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings\, to discuss their takes\, to learn\, to disagree. Gather to relax\, make a friend\, drink a coffee\, finish the daily Wordle. Gather to feel full\, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by Félix Zamora Gómez Irving Stenn\, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch\, the Richard and Rosann Noel Endowment\, and the University of Michigan Office of the Provost.\n 
UID:107870-21817768@events.umich.edu
URL:https://events.umich.edu/event/107870
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Exhibition,Free,Humanities,Museum,Staff,UMMA
LOCATION:Museum of Art - Lizzie and Jonathan Tisch Apse
CONTACT:
END:VEVENT
END:VCALENDAR