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DTSTAMP:20250305T131508
DTSTART;TZID=America/Detroit:20250501T080000
DTEND;TZID=America/Detroit:20250501T170000
SUMMARY:Exhibition:CREES Exhibition. Threading the Needle: Vestiges of Colonialism and Femininity\, an installation by Gluklya
DESCRIPTION:Gluklya’s work is a powerful example of socially engaged art at the intersections of gender\, class\, and cultural identity. By focusing on experiences of female textile workers in Kyrgyzstan\, the artist explores the often-overlooked stories of women affected by Soviet and post-Soviet colonialism. \"Threading the Needle: Vestiges of Colonialism and Femininity\" retells their stories using a diverse range of media — film\, sculpture\, watercolors\, and felt tapestries. Unfolding the implications of economic and societal pressures on women\, Gluklya explores issues of poverty\, isolation\, and exploitation among the garment workers.\n   \n   Personal stories are woven into a broader social context — such as the legacy of the \"Likbez\" (liquidation of illiteracy) campaign among women in Central Asia during Soviet rule and entrenched patriarchal traditions\, like \"Ala Kachuu\" (bride-kidnapping). This dynamic — where colonization and modernization intertwine the individual lives they touch — raises questions about cultural identity and the ethical borders of decolonized research.\n\nThis exhibition was curated by CREES alumna Dianne Beal (BA REES '79). See more of her work here: https://www.diannebeal.com/curatorial.\n   \nIf there is anything we can do to make this event accessible to you\, please contact us at crees@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:132161-21870508@events.umich.edu
URL:https://events.umich.edu/event/132161
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:art,eastern europe
LOCATION:Weiser Hall - Gallery, Room 547
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20250422T090720
DTSTART;TZID=America/Detroit:20250501T090000
DTEND;TZID=America/Detroit:20250501T120000
SUMMARY:Conference / Symposium:2025 Capstone Program Symposium
DESCRIPTION:Class of 2025 English Capstone students in Research and Creative Writing will read excerpts from their theses.
UID:129344-21862485@events.umich.edu
URL:https://events.umich.edu/event/129344
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:English Language And Literature,symposium,Undergraduate
LOCATION:Michigan Union - Kuenzel
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20241218T142819
DTSTART;TZID=America/Detroit:20250501T090000
DTEND;TZID=America/Detroit:20250501T170000
SUMMARY:Exhibition:Angkorian Homecoming
DESCRIPTION:Informed by her experience as a refugee\, Phung Huynh’s projects explore the complexities of displacement\, assimilation\, and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States. She creates detailed graphite portraits on pink donut boxes to highlight the stories of Southeast Asians who have survived war trauma and genocide. Huynh’s serigraph prints about Donut Kids foreground intergenerational gaps as well as bridging the refugee parent and American child through the narratives of Cambodian American children who were raised by donut shop owners in California. Huynh’s most recent work of drawings of Cambodian Buddhist statue heads and photographic prints of decapitated statue bodies on fabric addresses the repatriation of looted Cambodian antiquities in the context of challenging the legacy of colonialism\, unethical museum practices\, and the refugee’s desire to return home. Complete details at https://lsa.umich.edu/humanities/gallery/current-exhibitions/phung-huynh.html.
UID:130113-21865486@events.umich.edu
URL:https://events.umich.edu/event/130113
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Asia,Culture,Exhibition,history,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20250211T122734
DTSTART;TZID=America/Detroit:20250501T090000
DTEND;TZID=America/Detroit:20250501T160000
SUMMARY:Exhibition:Redefining the Crown
DESCRIPTION:In Winter 2025\, the Lane Hall exhibit space will feature a portraiture series titled Redefining the Crown showcasing the powerful stories of six Black breast cancer survivors.\n\nBased on a photo essay by U-M Faculty Versha Pleasant (MD/MPH) and Ava Purkiss (PhD) in Medicine at Michigan\, this exhibition examines the cultural and personal significance of hair within Black communities\, particularly through the lens of breast cancer treatment and recovery. The term \"crown\" is deeply symbolic in Black culture\, signifying beauty\, strength\, and identity. The featured photo essay by photographer Tafari Stevenson-Howard captures the intimate journeys of Ann Chatman\, Tanisha Kennedy\, Felecia McDaniel\, Shantell Elaine McCoy\, Tamara Lynn Myles\, and Veleria Banks.\n\nThrough their narratives and portraits\, the exhibit examines how these women have navigated the profound impact of hair loss caused by chemotherapy\, inviting the audience to witness their stories with radical empathy. It explores the cultural pride and personal identity intricately tied to their hair\, and how these elements are redefined amidst their battles with breast cancer.\n\nThe exhibit will be on view from January 21\, 2025 to August 8\, 2025. This exhibition is presented with support from IRWG\, the Department of Women's and Gender Studies\, and Michigan Medicine. \n\nLocated on the first floor of Lane Hall (204 S. State Street)\, the Exhibit Space is free and open to the public\, M-F\, 9am-4pm.
UID:129602-21864118@events.umich.edu
URL:https://events.umich.edu/event/129602
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:african american,Art,institute for research on women and gender,women,Women's And Gender Studies
LOCATION:Lane Hall
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20240130T121550
DTSTART;TZID=America/Detroit:20250501T100000
DTEND;TZID=America/Detroit:20250501T200000
SUMMARY:Exhibition:A Gathering
DESCRIPTION:Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA’s collection — many on display here for the first time. \n \nAs a free\, public museum\, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition\, all brought into the Museum between 2019 and the present\, shows how institutions like UMMA are becoming more permeable to societal challenges\, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations\, race\, gender\, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals\, as a museum\, and as a society\, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings\, to discuss their takes\, to learn\, to disagree. Gather to relax\, make a friend\, drink a coffee\, finish the daily Wordle. Gather to feel full\, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by Félix Zamora Gómez Irving Stenn\, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch\, the Richard and Rosann Noel Endowment\, and the University of Michigan Office of the Provost.\n 
UID:107870-21818105@events.umich.edu
URL:https://events.umich.edu/event/107870
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Exhibition,Free,Humanities,Museum,Staff,UMMA
LOCATION:Museum of Art - Lizzie and Jonathan Tisch Apse
CONTACT:
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