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BEGIN:VEVENT
DTSTAMP:20250828T001529
DTSTART;TZID=America/Detroit:20260605T110000
DTEND;TZID=America/Detroit:20260605T190000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:From September 2025 through August 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Ypsilanti-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they've curated six artists to create new work for the pillars over three cycles:\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA '23) and Erin McKenna (MFA '20)Phase 2 (January 12 - April 12) artists: Sally Clegg (MFA '20) and Kim Karlsrud (MFA '20)Phase 3 (May 12 - August 12) artists: Abhishek Narula (MFA '20) and Nathan Byrne (MFA '21)\nPhase 3 \nCurated by Sometimes Space: Abhishek Narula (entry pillar)Curated by CYNK Studios: Nathan Byrne (courtyard pillar)
UID:138033-21881341@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260521T115745
DTSTART;TZID=America/Detroit:20260605T120000
DTEND;TZID=America/Detroit:20260605T140000
SUMMARY:Presentation:Dynamic Contracting: Sequential Payments\, Stochastic Target Problems\, and State-Constrained Control
DESCRIPTION:Abstract:\n\nThis thesis develops stochastic-control methods for dynamic principal–agent problems in continuous time. The first part studies adverse selection with moral hazard\, where the agent privately observes her type. We reformulate the principal’s problem as an optimal control problem with partial information and state constraints\, and characterize the value through state-constrained HJB equations. The second part studies sequential contracting with multiple lump-sum payments at fixed dates\, using recursive BSDEs to reduce the Stackelberg problem to a single stochastic control problem with mixed static and continuous controls. The third part allows the principal to choose both the timing and size of discretionary bonuses\, leading to a mixed control-stopping problem characterized by HJB variational inequalities. Together\, the thesis shows how private information\, payment timing\, and contractual flexibility shape optimal incentive design.
UID:148372-21904151@events.umich.edu
URL:https://events.umich.edu/event/148372
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Mathematics,Graduate Students,Graduate,Dissertation
LOCATION:East Hall - 4096
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260318T093432
DTSTART;TZID=America/Detroit:20260605T120000
DTEND;TZID=America/Detroit:20260605T123000
SUMMARY:Well-being:Heartfulness Meditation
DESCRIPTION:Heartfulness Guided Meditation is a weekly\, drop-in program designed to help you Mental well-being. \n\nAll U-M students\, faculty\, and staff are welcome to participate in guided meditation practice with a trainer every Friday at noon over Zoom (details to join are provided below). No prior experience with meditation is required. \n\n*What will you learn?*\n\nThe guided meditation practice involves three simple steps: relaxation\, rejuvenation\, and meditation.\n\nRelaxation brings your body to a calm\, steady posture creating a stillness at the physical level\, and prepares the mind for meditation. We follow this with a rejuvenation method to detox the mind to let go of stress and complex emotions\, and will leave you feeling light and refreshed. Lastly\, learning to meditate by being mindful of your heart will connect you with yourself by listening to your heart’s voice. \n\n*Why Meditate?*\n\nWhile physical fitness keeps our bodies in shape\, meditation is an exercise for the mind and mental wellness. In addition to the measurable benefits mentally and physically\, many people benefit from an unquantifiable inner poise and harmony. \n\n*Please take Learn to Meditate session if you are new to the practice. These sessions are offered Monthly.* https://events.umich.edu/event/128708\n\n*Event Details*\n\nHeartfulness Guided Meditation \nFridays from 12-12:30 p.m. ET (except during university season days / holidays)\nJoin Via Zoom Meeting\nRegister to receive Passcode (see “Related links”\n\n\nThis wellness program is coordinated by ITS Teaching & Learning and provided at no cost by heartfulness.org.
UID:143758-21893950@events.umich.edu
URL:https://events.umich.edu/event/143758
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,Health & Wellness,Well-being
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260521T181508
DTSTART;TZID=America/Detroit:20260605T120000
DTEND;TZID=America/Detroit:20260605T170000
SUMMARY:Exhibition:Marianetta Porter: Breath\, Fragment\, Return
DESCRIPTION:\n\nCurated by Juana Williams\, this exhibition examines how Marianetta Porter uses everyday objects\, fragments\, and embodied memory to make absence an active\, living presence while challenging linear histories. Rooted in African American experience\, her practice treats what is discarded\, overlooked\, or missing not as loss\, but as a source of meaning that continues to act on the present. Through her process and materials\, Porter reveals how memory is carried in the body and embedded in ordinary things. Her work also resists forward-moving notions of time\, instead presenting a diasporic temporality in which past\, present\, and lived experience circulate together through repetition\, touch\, and recall. In doing so\, Porter proposes a vision of history as unfinished\, memory as active\, and absence as a force that sustains connection and shapes the present. \n\nMarianetta Porter is a visual artist and product designer whose research and creative practice are grounded in the study of African American history\, culture\, and representation. Through the language of visual art\, she draws connections between historic memory and contemporary African American life\, giving voice to the history of the African diaspora while acknowledging its central influence on the birth and flourishing of American culture.\n\nHer work has been exhibited nationally at institutions such as the Indianapolis Museum of Art\, the Chicago Museum of Science and Industry\, the Spoleto Festival\, the Harriet Tubman Museum\, and the Hampton University Museum of Art.\n\nShe earned her Bachelor of Fine Arts from Hampton University and her Master of Fine Arts from the University of Michigan. The recipient of numerous awards\, Porter is Professor Emeritus at the University of Michigan’s Stamps School of Art and Design.\n\nJuana Williams is a curator and writer whose work explores the intersections of cross-border intellectual history\, cultural memory\, and identity formation as expressed through modern and contemporary art from Africa and its diasporas.\n\nWilliams has held curatorial and academic appointments at organizations including the Detroit Institute of Arts\, Library Street Collective\, Wayne State University\, and the Urban Institute for Contemporary Art. Her curatorial projects have been presented at institutions across the United States and France\, including the Grand Rapids Art Museum\, the Muskegon Museum of Art\, Palais de Tokyo (Paris)\, and the Westmoreland Museum of American Art. In addition\, she has presented lectures at various museums and universities and contributed to numerous exhibition catalogs. Her work has been written about in publications such as Artsy\, Beaux Arts Magazine\, Condé Nast Traveller\, Michigan Chronicle\, and Observer. Williams holds a BA in Fine Art and an MA in Art History from Wayne State University.
UID:147625-21901372@events.umich.edu
URL:https://events.umich.edu/event/147625
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260521T112555
DTSTART;TZID=America/Detroit:20260605T120000
DTEND;TZID=America/Detroit:20260605T160000
SUMMARY:Exhibition:Up\, Up\, And Away: A History of Ballooning in America
DESCRIPTION:This exhibit examines the history of balloon flight in the United States from Blanchard’s first ascension to the early twentieth century. In the age of bird’s-eye views\, which imagined a perspective on American cities and towns from high in the air\, balloonists were the only people who actually had the opportunity to see what the growing nation looked like from above. As the nineteenth century progressed\, ballooning became a lucrative (if dangerous) business\, as crowds gathered to watch balloons launch\, and to see aeronauts risk their lives high in the air. Over time\, the image of the hot air balloon proliferated in American print culture\, being used to sell goods ranging from thread to canned beef. We hope that this exhibit conveys some of the thrill that would have come from seeing people fly for the first time.\n\nOn view May 22-August 28\, weekdays from 12-4 pm.
UID:148371-21904044@events.umich.edu
URL:https://events.umich.edu/event/148371
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Humanities,Fun,history,libraries,In Person,Exhibit,american culture,american history,Exhibition,Free
LOCATION:William Clements Library
CONTACT:
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