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DTSTAMP:20251117T153622
DTSTART;TZID=America/Detroit:20250131T100000
DTEND;TZID=America/Detroit:20250131T150000
SUMMARY:Conference / Symposium:The 14th Annual CSAS Pakistan Conference | Seeing Pakistan
DESCRIPTION:The 14th annual conference on Pakistan at the Center for South Asian Studies at the University of Michigan\, Ann Arbor\, brings our focus on Pakistani culture as it interacts with the processes of seeing and being seen. How do countries\, peoples\, and cultures come to be seen in a global framework? How might the shared qualities of sight and vision unite experiences as disparate as the art museum\, the social media site\, and the movie theater?\n\nWe kick off our conference with a screening of the 2023 film Wakhri\, directed by Iram Parveen Bilal\, at 7pm on Thursday\, January 30th at the Michigan Theater. Wakhri dramatizes the extraordinary life and tragic death of Qandeel Baloch (1990-2016)\, who is often described as Pakistan’s first social media celebrity.\n\nOn Friday\, January 31st\, we will begin with a keynote address from the film’s director\, Iram Parveen Bilal. A Pakistani writer\, director\, and producer based in Los Angeles\, Bilal will speak to us about the process of making the film\, what it means to be a Pakistani-American filmmaker today\, and how her own use of the cinematic medium reflects upon Qandeel Baloch’s use of the visually oriented world of social media. What parts of Wakhri the film\, and of Baloch the historical figure\, are particularly Pakistani\, and what parts might we more correctly see as indicative of a shared global predicament as moving image media and social media respond to one another?\n\nOur conversation about seeing and being seen continues with a second keynote address by Saleema Waraich\, an associate professor of Art History at Skidmore College. Waraich explores these issues through notions of invisibility and visibility\, as elicited by the oppressive and unrelenting smog that blanketed Lahore for two weeks\, briefly earning Lahore the title of the most polluted city in the world. One of the many hazardous conditions created by the smog was severely limited visibility\, and in this talk\, Waraich connects these precarious environmental conditions to a long-standing enthusiasm for “development” that relies on an inability to critically engage with and resist discourses of “progress”and “growth” that pollute both people’s minds and the environment.  \n\nThis paper further queries how practices related to visibility that are associated with “development” manifest in recent restoration efforts involving Lahore's Mughal heritage. Waraich interrogates the image of Lahore’s Mughal heritage for the tourist industry as promoted by the Walled City Authority of Lahore (WCAL) and the ways in which these sites are being used by local populations to represent themselves\, in part through the selfie and TikTok cultures that drive many younger audiences to visit these sites. Asking what is being made visible (and consumable) through these forms of self-representation\, what drives these systems of representation\, and to what ends\, this paper explores the relationship between (not) seeing and being seen and probes the spaces in between.\n\nPakistan Conference Schedule\n\n10:00 to 10:30 AM Welcome\, breakfast\, opening remarks\n\n10:30 AM to Noon Iram Parveen Bilal\, filmmaker\, Wakhri\n\nNoon to 1:00 PM Lunch\n\n1:00 to 2:30 PM Saleema Waraich\, Skidmore College\n\n2.30 to 3:00P PM Closing discussion\n\nIf there is anything we can do to make this event accessible to you\, please contact us at csas@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:129732-21864490@events.umich.edu
URL:https://events.umich.edu/event/129732
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:South Asia,Film,Pakistan
LOCATION:North Quad - Space 2435
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20240130T121551
DTSTART;TZID=America/Detroit:20250131T100000
DTEND;TZID=America/Detroit:20250131T200000
SUMMARY:Exhibition:Unsettling Histories: Legacies of Slavery and Colonialism
DESCRIPTION:Organized as a response to the Museum’s recent acquisition of Titus Kaphar’s Flay (James Madison)\, this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art\, 1650-1850.\n \nIn recent times\, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections\, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries\, choices about what relevant facts we share about the works\, and choices about what - out of an infinite number of options - we don’t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet\, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden\, we are forced to examine whose stories and histories are prioritized and why.  \n \nIn this online exhibition\, you can explore our efforts to deeply question the Museum’s collection and our own past complicity in favoring colonial voices. In the Museum gallery\, which will open in early 2021\, you’ll be able to experience the changes we’re making to the physical space to highlight a more honest version of European and American history. \n \nBy challenging our own practice\, and continuing to add to what we know and what we write about the works we display\, UMMA tells a more complex and more complete story of this nation - one that unsettles\, and fails to settle for\, simple narratives. \n \n“Invisible things are not necessarily ‘not there’.... Certain absences are so stressed\, so ornate\, so planned\, they call attention to themselves\; arrest us with intentionality and purpose\, like neighborhoods that are defined by the population held away from them.” \n \n— Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism is provided by the University of Michigan Office of the Provost\, the U-M Arts Initiative\, and the Susan and Richard Gutow Endowed Fund.\n 
UID:84303-21621507@events.umich.edu
URL:https://events.umich.edu/event/84303
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,UMMA,Museum,History,European,Exhibition
LOCATION:Museum of Art - European and American Decorative Art
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20250131T092047
DTSTART;TZID=America/Detroit:20250131T100000
DTEND;TZID=America/Detroit:20250131T113000
SUMMARY:Workshop / Seminar:Washtenaw County Health Department Tour (PHAST/Graduate Students)
DESCRIPTION:Come join Lauren Czarnowczan from the Practice Office in collaboration with Patty Krause\, Community Health Analyst\, with the Washtenaw County Health Department for a tour\, conversation\, and fun activities centered around public health on Friday\, January 31 from 10:00-11:30. **This date is specifically reserved for PHAST students and/or MPH graduate students. This is a great opportunity to learn more about local public health and to network. Space is limited to 10 seats. You will need to provide your own transportation. Light snacks will be provided.   
UID:131161-21867854@events.umich.edu
URL:https://events.umich.edu/event/131161
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Sessions
LOCATION:Washtenaw County Health Department
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20250116T121510
DTSTART;TZID=America/Detroit:20250131T110000
DTEND;TZID=America/Detroit:20250131T170000
SUMMARY:Exhibition:Impossible Conversations
DESCRIPTION:Impossible Conversations is an exhibition and film installation by artists and filmmakers\, Pratāp Rughani and David Chung. The film centers a seemingly impossible dialogue between Arno Michaelis\, a former Neo-Nazi gang founder and Pardeep Kaleka\, son of the Sikh Temple President\, Satwant Singh Kaleka\, one of seven people killed in the shooting attack at the Oak Creek Sikh Temple (Gurudwara) by a white supremacist in 2012. \n \nThe film installation explores what happens when – for over a decade – Pardeep and Arno committed to a path of restorative communication - to listen deeply and connect with what motivates each other in the genesis and aftermath of atrocity.\nHow does healing begin? From the toxic polarization\, division and extreme racist violence that resulted in one of the worst mass shootings at a religious site in American history\, Pardeep insists that complete healing must eventually be a collective process for all\, to liberate both sides.\nAt Stamps Gallery\, Impossible Conversations will be accompanied by a dialogue and research room as well as photomurals that expand on the themes of restorative justice\, gun violence\, and how to sustain difficult dialogues to combat extremism and toxic polarization. \nExhibition curated by Srimoyee Mitra. Impossible Conversations has been supported in part by the Arts Research: Incubation &amp\; Acceleration (ARIA) program of The University of Michigan Office of the Vice President Research and the Arts Initiative\, Institute of Firearm Prevention Pilot Grant\, the Stamps School of Art and Design\, and the University of the Arts London. \nExhibition Programs\nAn Opening Screening\, Talkback\, and Reception will take place on Friday\, January 17\, 2025 from 5:30 – 8 p.m.\, and a Symposium will take place on Saturday\, January 18\, 2025 from 10 a.m. - 3:30 p.m. \nAbout the Artists\nPratāp Rughani is a writer and non-fiction filmmaker. His work develops documentary practice to enable people of radically different perspectives come into relation\, sometimes in the aftermath of violence and atrocity for example in South Africa\, Aboriginal Australia\, Europe\, Rwanda and the USA. Configuring a pro-filmic space to enable shared “witnessing” and the path towards restorative justice is a driving force in “Impossible Conversations” evolving through his practice in over thirty documentary films and exhibitions for BBC TV\, Channel 4\, Modern Art Oxford\, galleries and activist groups. The ethics of giving sustained attention to the experiences of marginalized\, excluded or sometimes reviled “others” and bringing them in relationship to the broader culture is central to his research into ethics of storytelling and the development of “Restorative Narrative.”\nRughani writes widely on the ethics of creative practice\, serves on several editorial Boards\, has won awards for film\, teaching\, and research\, and is Professor of Documentary Practices at the University of the Arts\, London.\nDavid Chung is an acclaimed visual artist and filmmaker. His work focuses on how identities are shaped in immigrant communities and the challenges of refugees as they integrate into new homelands.\nChung has exhibited his drawings\, prints\, and video installations at the Boston Museum of Fine Arts\, the Asia Society\, the Walker Arts Center\, the Studio Museum in Harlem\, the Gwangju Biennale\, the Smithsonian Institution\, the Los Angeles County Museum of Art\, and the Whitney Museum of American Art. Chung has received a National Endowment for the Arts Fellowship and the National Board Film Board of Canada's Award for Best Documentary Film. He was the 2013 Kim Koo Visiting Professor at Harvard University. \nChung is a professor and the director of the MFA Graduate Program at the University of Michigan Penny W. Stamps School of Art &amp\; Design.
UID:129114-21862249@events.umich.edu
URL:https://events.umich.edu/event/129114
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20250215T063142
DTSTART;TZID=America/Detroit:20250131T110000
DTEND;TZID=America/Detroit:20250131T120000
SUMMARY:Careers / Jobs:Internship Lab
DESCRIPTION:*RSVP required to attend. Click \"Join Event\" here:https://umich.joinhandshake.com/edu/events/1671667Are you ready to start searching for a great internship? Do you have a few ideas\, but you’re not sure where to get started? Let's talk about search strategy!! Get real-time\, personalized support by checking out the in person Internship Lab. You’ll be guided by one of our Career Coaches who hasdesigned this experience to provide you strategies\, tools\, and motivation to get on the right track with searching for internships. Chat with folks from the University Career Center to explore Handshake\,the University Career Alumni Network (UCAN) and to learn about other tools you can use to build a great job/internship search strategy. **If you're not sure what you're interested in\, consider making an \"Exploring Major/Career Option\" appointment to get started clarifying your interests with a career coach in a 1-on-1 setting. Recent Grads: If you are an alumni\, you will not be able to access the link due the University’s policy of discontinuing alumni Zoom accounts 30 days after graduation. Please contact careercenter@umich.edu with the subject line“Recent Grad Help” to receive either a recording of the session or tobe set up with a 1:1. Include the name of the workshop/event in your email.
UID:130267-21865655@events.umich.edu
URL:https://events.umich.edu/event/130267
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:
LOCATION:University Career Center, 3200 Student Activities Building, Program Room (3003), 515 E Jefferson St, Ann Arbor, MI, United States
CONTACT:
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