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DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261007T110000
DTEND;TZID=America/Detroit:20261007T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881341@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20261006T165042
DTSTART;TZID=America/Detroit:20261007T110000
DTEND;TZID=America/Detroit:20261007T140000
SUMMARY:Careers / Jobs:Law Day 2026
DESCRIPTION:Law Day is a great way to connect with a large number of law schools right here on campus! Law Day offers something for everyone:\n\nJuniors/Seniors/Alumni: Learn about specific programs from law school representatives\, collect application and financial aid information\, and get tips on personal statements\, applications and reference letters.\n\n1st year students/Sophomores: Ask questions about undergrad coursework and co-curricular activities\, explore law school options\, build networks for the future. \n\nRegistration is on-site the day of the event. You MUST bring your MCard to be able to register and access the event.\n\nStudents from other universities/colleges are welcome to attend.\n\nNote\nAs you consider opportunities offered at career fairs:  External organizations are not programs and activities of the University of Michigan and are included only because they may be of interest to members of the University community. Inclusion of any organization does not indicate University sponsorship or endorsement of that organization.\nView less
UID:153373-21915726@events.umich.edu
URL:https://events.umich.edu/event/153373
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Law,Graduate School
LOCATION:Michigan Union - 2nd Floor
CONTACT:
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DTSTAMP:20260911T131259
DTSTART;TZID=America/Detroit:20261007T120000
DTEND;TZID=America/Detroit:20261007T160000
SUMMARY:Exhibition:“Who Counts? A History of Voting in America”
DESCRIPTION:Changes over the course of the nineteenth century in how Americans voted\, from voice vote to public ballot box to private voting booth\, also saw changes in the material culture that surrounded voting. Ballots and ballot boxes\, campaign pins and ribbons\, blank lists and pre-printed party tickets\, lanterns and banners–the creative forces of the American print industry filled the country’s cities and small towns with the ephemera of electioneering.\n\nAs you look at the items in this exhibit\, think about what they tell us about how Americans in the past felt about voting\, and about how voting felt. How did Election Days feel when they were full of parades and music and public drinking? What was it like to vote when everyone around you knew who you voted for? And\, most of all\, who counted as a voter\, and who did the counting?\n\nOn view September 11-December 22\, weekdays from 12-4 pm.
UID:152024-21912655@events.umich.edu
URL:https://events.umich.edu/event/152024
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Tour,William L Clements,Library,libraries,In Person,history,Exhibition,Exhibit,Event,Americana,american history,american culture
LOCATION:William Clements Library
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260923T142432
DTSTART;TZID=America/Detroit:20261007T120000
DTEND;TZID=America/Detroit:20261007T130000
SUMMARY:Livestream / Virtual:Climate\, Health\, and Beyond: An NEJM Editor’s Perspective on Publishing Your Work
DESCRIPTION:Caren G. Solomon\, M.D.\, M.P.H.\, senior deputy editor at the New England Journal of Medicine and associate professor of medicine at Harvard Medical School and Brigham and Women’s Hospital\, will discuss the evolving landscape of climate change and health publishing\, including key gaps in our understanding of how fossil fuel-related pollution affects human health. She will also share an editor’s perspective on what makes scientific work compelling to a broad audience\, with particular attention to framing\, significance and communicating why a study matters.
UID:152759-21914474@events.umich.edu
URL:https://events.umich.edu/event/152759
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Environment,Writing,Research,Public Health,health policy,Health Communication,Health & Wellness,environmental policy,Climate Change
LOCATION:Off Campus Location - Zoom webinar
CONTACT:
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DTSTAMP:20260924T121524
DTSTART;TZID=America/Detroit:20261007T120000
DTEND;TZID=America/Detroit:20261007T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906612@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
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