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BEGIN:VEVENT
DTSTAMP:20240910T113929
DTSTART;TZID=America/Detroit:20250206T080000
DTEND;TZID=America/Detroit:20250206T170000
SUMMARY:Exhibition:WCEE Exhibition. Threads of Tradition: The Art of Ukrainian Vyshyvanka
DESCRIPTION:The act of embroidering and weaving designs onto cloth is deeply rooted in Ukrainian traditions. Embellished clothing (sorochky)\, ritual cloths (rushnyky)\, and household textiles accompany a person from birth until death\, punctuating important life events in between. A variety of embroidery patterns are used throughout Ukraine\; some stitches are universally known\, while others are region-specific. Ukrainian embroidered clothing is now officially celebrated with an annual Vyshyvanka Day observed throughout the world in May.\n\nTo see photos and read more about exhibited items\, visit https://myumi.ch/AZedA\n   \n   The embroideries and textiles exhibited are from the private collections of Arnie Klein\, Solomia Soroka\, Katerina Sirinyok-Dolgaryova\, and from the Ukrainian American Archives & Museum located in Hamtramck\, Michigan.\n   \n   The exhibit opens on September 5\, 2024\, in 1010 Weiser Hall\, 500 Church Street\, Ann Arbor. Contact weisercenter@umich.edu to schedule a viewing.\n\n*The exhibition is cosponsored by the Ukrainian American Archives & Museum*.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:123893-21855003@events.umich.edu
URL:https://events.umich.edu/event/123893
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:visual arts,Art
LOCATION:Weiser Hall - Room 1010
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20250219T082619
DTSTART;TZID=America/Detroit:20250206T090000
DTEND;TZID=America/Detroit:20250206T170000
SUMMARY:Exhibition:Andy Ross Exhibition
DESCRIPTION:The pieces here are from a large series of works made over the last several years. In them\, Ross explores humor and personal meaning through absurd juxtapositions of pairs of wildly varied images. Each single image is stripped of its original context (be it\, for example\, a history book\, an instruction manual\, or a magazine advertisement)\, placed on a white background like some kind of specimen\, and presented afresh with a new “companion image.” These companion images confront\, contrast and converse with each other\, and thereby build new relationships\, narratives\, jokes\, and contexts.\n\nAndy Ross grew up in Macomb County\, and has been making art in various mediums since the 1970s. He received a BFA degree from College for Creative Studies\, and an MFA degree from University of Michigan. He has taught photography\, art\, and web design at colleges in California and Michigan. His photographs and collages have been exhibited in schools\, galleries\, and museums across the United States.
UID:130827-21867034@events.umich.edu
URL:https://events.umich.edu/event/130827
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition,North Campus,Humanities,Free,Culture,Art,African American
LOCATION:North Campus Research Complex Building 18 - Connection Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20250219T082822
DTSTART;TZID=America/Detroit:20250206T090000
DTEND;TZID=America/Detroit:20250206T170000
SUMMARY:Exhibition:Chimera
DESCRIPTION:*Chimera* is an immersive exhibition centered on a newly commissioned film\, also titled *Chimera*\, which fuses elements from Newsome's prior works *Hands Performance* and *Build or Destroy* with a new interquel film that bridges their narratives. This connecting piece explores the origins and journey of the bejeweled figure in flames from *Build or Destroy*\, revealing where they come from and the purpose that led them to Earth. This exhibition reflects a bold shift in Newsome's practice toward sci-fi filmmaking\, layering the architecture of film\, movement\, and world-building to probe themes of identity\, resistance\, and creation. Complete details at https://myumi.ch/kZbyp.
UID:130074-21865236@events.umich.edu
URL:https://events.umich.edu/event/130074
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Humanities,Visual Arts,Film,African American,Art,Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20250109T113426
DTSTART;TZID=America/Detroit:20250206T090000
DTEND;TZID=America/Detroit:20250206T170000
SUMMARY:Exhibition:Elizabeth Boyd-Hartmann Dizik Exhibition
DESCRIPTION:This body of work represents a playful exploration of form\, color\, and scale through the lens of cellular shapes. Inspired by the complex patterns of biological life\, the pieces are a celebration of growth\, transformation\, and the joy of experimentation. The use of non-precious materials\, such as wood balls and paint\, allowed for a liberating approach to composition and color\, while the spherical forms and circular panels evoke the look of petri dishes—symbolizing both scientific curiosity and organic development.\nBorn in Detroit\, Elizabeth is a multidisciplinary artist and mother based in the metro Detroit area\, where she works from a studio in her home. With a background in bench jewelry\, her earlier work focused on studio jewelry and was represented by Galerie Noel Guyomarc’h in Montreal.\nElizabeth’s work has been exhibited both locally and internationally. She holds a BA in Jewelry Design\, with First Class Honours\, from Central Saint Martins in London\, a BFA from the University of Michigan\, and an MFA from Cranbrook Academy of Art\, where she specialized in Metalsmithing and Architecture. Her diverse practice spans jewelry\, sculpture\, and installation\, blending materials and techniques to explore themes of production\, growth\, transformation\, and organic form.
UID:130825-21866943@events.umich.edu
URL:https://events.umich.edu/event/130825
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Culture,Exhibition,Free,Humanities,North Campus,Visual Arts
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20250123T100238
DTSTART;TZID=America/Detroit:20250206T090000
DTEND;TZID=America/Detroit:20250206T170000
SUMMARY:Exhibition:On the World With the World
DESCRIPTION:*On The World With The World* is an exhibition of 40 artworks by over 24 artists from the Progressive Art Studio Collective (PASC) program. PASC is the first progressive art studio and exhibition program in Detroit and Wayne County dedicated to supporting artists with developmental disabilities and mental health differences to advance artistic practices and build individual careers in the art and design fields.\n\nThis exhibition introduces the PASC program\, and the wide range of styles and ways of working that drive this community of artists\, to the Ann Arbor community. The exhibition is hung salon style\, referencing the communal character of the Osterman Common Room as a social gathering space. It intends to bring engaged people together for conversation on art\, disabilities\, and questions of access in the art world.\n\nPASC embraces the philosophy that creating an artwork is an expressive and communal act whereby an individual communicates their unique perspective on the world with the world.
UID:130104-21865324@events.umich.edu
URL:https://events.umich.edu/event/130104
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition,Visual Arts,Art,Humanities
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20250117T144257
DTSTART;TZID=America/Detroit:20250206T090000
DTEND;TZID=America/Detroit:20250206T163000
SUMMARY:Exhibition:Red Summer: Racial Violence in the American Landscape\, 1917-1923
DESCRIPTION:The Red Summer portfolio represents the stories of various locations in the American landscape where racial violence (often characterized as “Race Wars” at the time) erupted between 1917 and 1923. These years of conflict reveal several aspects of racial anxiety that inform our contemporary experience\, including\, though not limited to\; racism\, fear of violent black revolt\, lynching\, poverty\, mass incarceration\, and competition for employment. The term “Red Summer” was first used by James Weldon Johnson to describe the violent attacks against black communities during 1919.  \n\nThough the events of the early twentieth century seem to be remote and fading apparitions of an American past\; my work is concerned with the power and influence of our shared historical narrative upon the present. The upheaval of Red Summer occurred approximately fifty years after the American Civil War\, fifty years before the height of the Civil Rights Era\, and three centuries after the first enslaved Africans arrived in English colonies that would become the United States. \n\nThe project combines photographs of the contemporary landscape made at or near the site of racial conflict with fragmented selections of contemporaneous newspaper reporting (1917-1923). In many cases\, the newsprint images include the surrounding stories or advertisements. The combination of the landscape photograph and the reproduction of newspaper fragments (which invade the contemporary with a narrative from the past)\, is a rupture and a conversation on the timeline between past and present.
UID:131383-21868350@events.umich.edu
URL:https://events.umich.edu/event/131383
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Ann Arbor,Art,artists,arts,arts at michigan,Exhibition,free,Visual Arts
LOCATION:East Quadrangle - RC Art Gallery
CONTACT:
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