BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//UM//UM*Events//EN
CALSCALE:GREGORIAN
BEGIN:VTIMEZONE
TZID:America/Detroit
TZURL:http://tzurl.org/zoneinfo/America/Detroit
X-LIC-LOCATION:America/Detroit
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20070311T020000
RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=2SU
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20071104T020000
RRULE:FREQ=YEARLY;BYMONTH=11;BYDAY=1SU
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTAMP:20240103T111241
DTSTART;TZID=America/Detroit:20240404T090000
DTEND;TZID=America/Detroit:20240404T160000
SUMMARY:Exhibition:My Gender States
DESCRIPTION:On display at Lane Hall\, Rogério M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States\,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \n\nUsing autoethnography\, Pinto created a one-person play (\"Marília\,\" 2015) and site-specific installation performance (\"The Realm of the Dead\,\" 2022). These works explore the intersecting and shaping layers of childhood traumas\, gender states\, and his life experience—a story of the struggles\, fears\, and accomplishments he experienced as an immigrant to the United States. In \"Realm\,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto’s sister was buried and the literal and figurative baggage that he\, a queer immigrant\, carried with him. \"My Gender States\" is a selection of materials\, images\, and texts from \"Marília\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto’s gender states\, gender confusion\, gender embodiments\, gender doubt\, and reactions to gender stigma. \n\nRogério M. Pinto (Brazilian\, American\, b. 1965\, Belo Horizonte\, Brazil) is a University Diversity Social Transformation Professor\; Berit Ingersoll-Dayton Collegiate Professor of Social Work\; and Professor of Theatre and Drama\, School of Music\, Theatre & Dance\, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\n\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American\, b. 1987)\; David Newton (American\, b. 1993)\; and Nicholas Williams (American\, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him\, in collaboration with Sarah Tanner. \n\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor\, 204 S State St) from January 23\, to August 13\, 2024. The exhibit is free and open to the public\, M-F\, 9am-4pm.\n\nHosted by the Institute for Research on Women and Gender and the Women’s and Gender Studies Department.
UID:116487-21837101@events.umich.edu
URL:https://events.umich.edu/event/116487
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Diversity,Exhibition,gender studies,Humanities,Immigration,International,Latin America,LGBT,Storytelling,Theater,Visual Arts
LOCATION:Lane Hall
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20231205T144915
DTSTART;TZID=America/Detroit:20240404T090000
DTEND;TZID=America/Detroit:20240404T230000
SUMMARY:Exhibition:Orson Welles as Family Man: Son\, Husband\, Father
DESCRIPTION:This exhibit provides a unique glimpse into the actor/director Orson Welles’ private life. Unlike previous U-M Library exhibits that focused on the artist at work\, this display shows him in informal and familial environments\, revealing a depth and complexity of character that are often overshadowed by his fame and professional achievements. The photographs and documents displayed showcase a variety of emotional tones — warmth\, humor\, tenderness\, and passion. Candid and relaxed more than posed\, they are similar to most people's pictures in old family albums.\n\nCulled from the Orson Welles-Beatrice Welles materials that are part of the Mavericks & Makers collection within the U-M Library’s Special Collections Research Center\, each photo or letter tells a story of a connection Welles held dearly. The materials included are from two periods: the late 1920s and early 1930s\, when Welles was a teenager\, and the mid-1950s to early 1960s\, during the early years of his marriage to his third wife\, Paola Mori. \n\nIt should be noted that Welles’s personal life was messy at best. Other collections housed at U-M that include personal materials related to Welles document his first and second marriages\, including the Welles-Feder Collection and the Wilson-Welles Collection. The items on display here were saved by his third and final child\, Beatrice Welles\, and reflect her childhood memories of her parents.\n\nThe exhibit is available during Hatcher Gallery Exhibit Room hours (https://umlib.us/hatchergalleryexhibits).
UID:115811-21835636@events.umich.edu
URL:https://events.umich.edu/event/115811
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition,Free,Library
LOCATION:Hatcher Graduate Library - Gallery Exhibit Room (1st floor)
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20240104T111339
DTSTART;TZID=America/Detroit:20240404T090000
DTEND;TZID=America/Detroit:20240404T170000
SUMMARY:Exhibition:Peter Dunn Exhibition
DESCRIPTION:Peter Dunn has historically been an object maker as a designer and sculptor. Whether designing furniture or developing the ideas for sculpture\, the process has always been the same. Ideas begin as\nscribbled images that are then stretched and refined with CAD software.  At its core\, much of the work studies the manipulation of simple geometry.  Dunn looks at the form from different forced perspectives – exploding\, augmenting\, slicing\, repeating\, and lighting.  This body of work is a study of perception\, sympathy\, hierarchy\, and reality. The “We Are Virus” series is an adaptation from an initial design where it continued to evolve and adapt through manipulation of parts and scale.\n\nPeter Dunn received his BFA from Wayne State University and MFA from University of Michigan.  He currently serves on faculty at College for Creative Studies
UID:116532-21837357@events.umich.edu
URL:https://events.umich.edu/event/116532
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Alumni,Art,Culture,Detroit,Exhibition,Humanities,Visual Arts
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20240115T111145
DTSTART;TZID=America/Detroit:20240404T090000
DTEND;TZID=America/Detroit:20240404T170000
SUMMARY:Exhibition:Stamps School of Art and Design Staff Exhibition
DESCRIPTION:January 26-April 12\, 9 am - 5 pm or by appointment\ncontact: serrag@med.umich.edu
UID:116536-21837516@events.umich.edu
URL:https://events.umich.edu/event/116536
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Alumni,Art,Culture,Exhibition,Visual Arts
LOCATION:North Campus Research Complex Building 18 - Connections Gallery located on concourse level
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20240130T121550
DTSTART;TZID=America/Detroit:20240404T100000
DTEND;TZID=America/Detroit:20240404T200000
SUMMARY:Exhibition:A Gathering
DESCRIPTION:Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA’s collection — many on display here for the first time. \n \nAs a free\, public museum\, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition\, all brought into the Museum between 2019 and the present\, shows how institutions like UMMA are becoming more permeable to societal challenges\, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations\, race\, gender\, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals\, as a museum\, and as a society\, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings\, to discuss their takes\, to learn\, to disagree. Gather to relax\, make a friend\, drink a coffee\, finish the daily Wordle. Gather to feel full\, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by Félix Zamora Gómez Irving Stenn\, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch\, the Richard and Rosann Noel Endowment\, and the University of Michigan Office of the Provost.\n 
UID:107870-21817772@events.umich.edu
URL:https://events.umich.edu/event/107870
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Exhibition,Free,Humanities,Museum,Staff,UMMA
LOCATION:Museum of Art - Lizzie and Jonathan Tisch Apse
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20240130T121548
DTSTART;TZID=America/Detroit:20240404T100000
DTEND;TZID=America/Detroit:20240404T200000
SUMMARY:Exhibition:Andrea Carlson Future Cache
DESCRIPTION:In Andrea Carlson Future Cache\, a 40-foot-tall memorial wall towers over visitors\, commemorating the Cheboiganing (Burt Lake) Band of Ottawa and Chippewa Indians who were violently burned from their land in Northern Michigan on October 15\, 1900. Written across the walls above and around the memorial\, a statement proclaims Anishinaabe rights to the land we stand on: “You are on Anishinaabe Land.”  \n \nPresented alongside are paintings of imagined decolonized landscapes and a symbolic cache of provisions. Future Cache implicitly asks those who have benefited from the legacies of colonization to consider where they stand and where to go from here and seeks to foster a sense of belonging for displaced Indigenous peoples fighting for restitution.\n\nSpecial thanks to the Cheboiganing (Burt Lake) Band of Ottawa and Chippewa Indians\, Margaret Noodin\, and Richard A. Wiles\, for their consultation on the State Historical Marker text\; to Margaret Noodin and Michael Zimmerman\, Jr. for translating the gallery texts into Anishinaabemowin\; to James Horton and Fritz Swanson for generously producing the letterpress broadsides\; to colleagues at the U-M Biological Station\, U-M Museum of Anthropological Archaeology\, U-M Clements Library\, and U-M Clark Map Library. For more information on the Cheboiganing (Burt Lake) Band of Ottawa and Chippewa Indians visit BurtLakeBand.org. \n\nLead support for Future Cache is provided by Lizzie and Jonathan Tisch\, Erica Gervais Pappendick and Ted Pappendick\, and the U-M Office of the Provost.\n 
UID:95387-21789321@events.umich.edu
URL:https://events.umich.edu/event/95387
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Exhibition,Museum,UMMA
LOCATION:Museum of Art - Vertical Gallery
CONTACT:
END:VEVENT
END:VCALENDAR