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DTSTAMP:20250806T143931
DTSTART;TZID=America/Detroit:20251117T090000
DTEND;TZID=America/Detroit:20251117T170000
SUMMARY:Exhibition:Best Used By
DESCRIPTION:Narsiso Martinez’s art practice\, drawing upon his own experience as a farmworker\, honors the people performing the essential labor required to fill produce sections and restaurant kitchens around the country through portraiture on discarded materials\, such as cardboard boxes and paper grocery bags. Best Used By highlights timely issues regarding worker invisibility and anonymity. As part of his project\, Martinez will be researching archives related to regional agricultural history and engaging with local food service workers.
UID:137200-21879908@events.umich.edu
URL:https://events.umich.edu/event/137200
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,History,Humanities,Immigration,Multicultural,Social Justice,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20250908T171134
DTSTART;TZID=America/Detroit:20251117T090000
DTEND;TZID=America/Detroit:20251117T163000
SUMMARY:Exhibition:Brothers and Uncles\, Kings and Typecutters
DESCRIPTION:Explore the evolution of the printed page through the prism of one remarkable family of scholar-printers. \n\nPrinting changed the speed and scale at which information circulated. Over a century\, scholarly printers competed to produce carefully edited editions. As they produced more and more\, they developed methods\, such as page-layout and indices\, to make their books easy to read\, and they created dictionaries and reference books so a reader could get more from their books.\n\nThe Estienne family of printers are among the most renowned and long-lasting printing houses of the era. Family links and investment in scholarly training helped them to sustain a business in the print trade for six generations in France and Switzerland.\n\nThe Special Collections Research Center holds nearly 80 imprints dating from the first years of the sixteenth century into the reign of Louis XIV. View nineteen examples chosen to show the breadth of the Michigan Estienne collection in an era of amazing change.\n\nImage: Detail from \"Polemōnos\, Himeriou\, kai allōn tinōn meletai\,\" by Henri Estienne\, Paris 1567. The Olive tree device is the best-known emblem of the Estienne house\, surviving in over a dozen forms. First used by Robert I in 1526\, it refers to a passage in Romans 11 that praises humility in the face of divine will.
UID:139020-21884626@events.umich.edu
URL:https://events.umich.edu/event/139020
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Books,Free,Library
LOCATION:Hatcher Graduate Library - Exhibit Space, Special Collections Research Center, 6th floor
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20250904T103904
DTSTART;TZID=America/Detroit:20251117T090000
DTEND;TZID=America/Detroit:20251117T170000
SUMMARY:Exhibition:Cathy Barry Art Exhibition
DESCRIPTION:Cathy Barry has a profound connection to the natural world\, which has shaped her artistic journey. She focuses on expressing gratitude\, compassion\, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil\, acrylic\, and watercolor\, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants\, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette\, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\n\nIn her collages\, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes\, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts\, challenging our perceptions of the universe and our place within it.\n\nRecently\, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting\, drying\, and weaving leaves\, she has developed an exciting rhythm in her process. Through simple weaving\, twining\, and basketry techniques\, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally\, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\n\nCathy Barry is an artist and instructor living and working in Ann Arbor\, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design\, the UM Program in the Environment and the UM Biological Station.
UID:138080-21881798@events.umich.edu
URL:https://events.umich.edu/event/138080
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,ArtsEngine,Culture,Exhibition,Festival,Free,Natural Sciences,Nature,North Campus,Visual Arts
LOCATION:North Campus Research Complex Building 18 - Connection Gallery lower level
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260224T144435
DTSTART;TZID=America/Detroit:20251117T090000
DTEND;TZID=America/Detroit:20251117T100000
SUMMARY:Exercise / Fitness:Chair Aerobics/Stretch\, Strength & Balance/Zumba
DESCRIPTION:Lifetime Fitness classes are offered at Briarwood Mall in the JCPenney wing every Monday-Friday from 9-10am. No experience necessary. Classes are specifically designed for older adults\, however\, everyone is welcome. LTF classes are free\, but please consider making a $2/person per class donation as our classes are supported strictly through donations. No registration is necessary\, simply attend when it fits your schedule.
UID:134855-21881720@events.umich.edu
URL:https://events.umich.edu/event/134855
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:fitness,Health & Wellness
LOCATION:Off Campus Location
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20251118T140117
DTSTART;TZID=America/Detroit:20251117T090000
DTEND;TZID=America/Detroit:20251117T170000
SUMMARY:Exhibition:ICE in the Heartland: Community Impacts of Worksite Immigration Raids
DESCRIPTION:ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media\, classroom\, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan\, led by Professor William Lopez\, and the University of Iowa\, led by Professor Nicole Novak\, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa\, Nebraska\, Ohio\, Tennessee\, and Texas. The researchers visited these sites\, spoke to advocates\, detainees\, their families\, and other community members. In conversation with the seventy-seven interviews\, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies\, analysis on the public health detriments to immigration worksite raids and deportation\, insights to the artists’ methods\, and the curricular materials used in public outreach programs. \n\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women’s and Gender Studies\, U-M.
UID:139065-21884780@events.umich.edu
URL:https://events.umich.edu/event/139065
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Activism,advocacy,Art,Education,Exhibition,free,Human Rights,immigration,Inequality,institute for research on women and gender,irwg,public health,research,social inequality,social justice,Storytelling,Visual Arts
LOCATION:Lane Hall - Lane Hall Exhibit Space--First Floor
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20250806T172347
DTSTART;TZID=America/Detroit:20251117T090000
DTEND;TZID=America/Detroit:20251117T200000
SUMMARY:Exhibition:Suave Mechanicals: A Celebration of Nine Volumes on the Art and History of Bookbinding (2013–2025)
DESCRIPTION:Explore the art of judging books by their covers! This exhibit highlights a selection of rare books from the University of Michigan's collections\, each of them representing binding topics featured in \"Suave Mechanicals\,\" the acclaimed nine-volume series dedicated to the study of the art and history of bookbinding.  \n\nSpanning from 2013 to 2025\, \"Suave Mechanicals\" contains 85 essays\, 27 of which examine the same type of binding as the artifacts on display. Edited by Julia Miller and published by Cathleen A. Baker of The Legacy Press\, the series was conceived as a platform for fresh\, in-depth scholarship on bookbinding\, from its earliest origins to contemporary practice.  \n\nContributors include first-time authors and established experts — bookbinders\, conservators\, librarians\, curators\, catalogers\, book artists\, collectors\, and historians — offering a vibrant array of voices and insights into the craftsmanship\, culture\, and enduring fascination of bookbinding.\n\nJoin us for Coffee with the Curator on October 1\, 10am-12pm.
UID:137103-21879619@events.umich.edu
URL:https://events.umich.edu/event/137103
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Books,Free,Library
LOCATION:Hatcher Graduate Library - Hatcher Gallery Exhibit Room (1st floor)
CONTACT:
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