BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//UM//UM*Events//EN
CALSCALE:GREGORIAN
BEGIN:VTIMEZONE
TZID:America/Detroit
TZURL:http://tzurl.org/zoneinfo/America/Detroit
X-LIC-LOCATION:America/Detroit
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20070311T020000
RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=2SU
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20071104T020000
RRULE:FREQ=YEARLY;BYMONTH=11;BYDAY=1SU
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTAMP:20240313T132052
DTSTART;TZID=America/Detroit:20240429T090000
DTEND;TZID=America/Detroit:20240429T140000
SUMMARY:Conference / Symposium:AI in Health Ethics and Policy
DESCRIPTION:Artificial Intelligence (AI) is transforming healthcare in major ways. It has the potential to help clinicians make better diagnoses and offer personalized treatment\, while also promising to revolutionize how healthcare is delivered. However\, healthcare systems that deploy AI\, and patients whose care is impacted by AI face many ethical considerations. How will access to appropriate data be balanced with privacy? Who is responsible for the quality of AI tools? Are AI technologies contributing to or mitigating health inequities? Are the AI systems we are building trustworthy? \n\nThe Michigan Institute for Data Science (MIDAS)\, the Learning Health System Collaboratory\, the E-Health and Artificial Intelligence (e-HAIL) program and Trust\, Innovation and Ethics Research for Responsible AI (TIERRA) invite you to a joint mini-symposium featuring prominent speakers from the U.S. and Canada to explore ethical issues and regulations of health AI. The event aims to stimulate new ideas and collaboration for the development and implementation of ethical and trustworthy AI systems for healthcare.\n\nFor more information\, please visit our event page: https://midas.umich.edu/health-ai-ethics-symposium/
UID:120130-21844100@events.umich.edu
URL:https://events.umich.edu/event/120130
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Applications,Artificial Intelligence,Computer Science,Graduate,Graduate And Professional Students,Healthcare,Information And Technology,Research
LOCATION:Palmer Commons - Great Lakes Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20240423T152636
DTSTART;TZID=America/Detroit:20240429T090000
DTEND;TZID=America/Detroit:20240429T170000
SUMMARY:Exhibition:Bill Jackson Photography Exhibition
DESCRIPTION:This exhibition is entitled HOMECOMING because it has been almost 6 years since Bill was scheduled to have an exhibition at NCRC Gallery.  However\, his untimely passing in 2018 prevented the exhibition.  In honor of the artist\, his wife Meighen Jackson has assembled this body of work for this exhibition.\n\nA 1960’s graduate of Monteith College at Wayne State\, Bill saw himself not as a storyteller nor a documentarian\, but as a photographer seeking images with the power and creativity of late 20th century painting and music making.\n\nBill Jackson’s work is represented nationally by Walter Wickiser Gallery in Manhattan and regionally by M Contemporary in Ferndale\, MI.   It is included in many permanent collections including Wayne State University in Detroit.
UID:121687-21846921@events.umich.edu
URL:https://events.umich.edu/event/121687
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Culture,Detroit,Exhibition,Free,Humanities,North Campus,Visual Arts
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20240229T170957
DTSTART;TZID=America/Detroit:20240429T090000
DTEND;TZID=America/Detroit:20240429T170000
SUMMARY:Exhibition:Exile and the Mentor-student Relationship: A Force for Resistance and Decolonization
DESCRIPTION:This small exhibit features work in reproduction by Iraqi artists Hanaa Malallah and Mohammed Karim\, as well as an original painting by Karim. Both Malallah and Karim were significantly influenced by their mentors during and after their training in Iraq\, and continue to share their work and ideas with a new generation today.\n\nIn the United States\, Iraq is typically spoken about in a passive position: colonized\, under despotic rule\, occupied. Post-occupied. Through connections between mentors and students\, and students who became mentors to new students\, Iraqi artists have been a force for anti-colonialism\, claiming their heritage and its future for themselves.\n\nView the exhibit Monday-Friday in the Fine Arts Library\, Tappan Hall\, 855 S. University Ave.
UID:119503-21842898@events.umich.edu
URL:https://events.umich.edu/event/119503
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,Library
LOCATION:Tappan Hall - Fine Arts Library, 2nd Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20240109T115403
DTSTART;TZID=America/Detroit:20240429T090000
DTEND;TZID=America/Detroit:20240429T170000
SUMMARY:Exhibition:Garden Repairs
DESCRIPTION:About the installation:\nGarden Repairs is an installation of paper textiles that loosely narrate the life cycle of plants. It considers the process of germination as a site for the cross-pollination of ideas from diverse disciplines around the future of the built environment. \n\nAbout the artist:\nSusan Goethel Campbell creates multi-disciplinary work that considers the contemporary landscape to be an emergent system where nature\, culture\, and the engineered environment are indistinguishable from one another. Central to her practice is the collection\, documentation\, and observation of seasonal change and ephemera in both natural and artificial environments. Her work is realized in several formats\, including installation\, video\, prints\, and drawings\, as well as projects that engage communities to look at local and global environments.\n\nCampbell earned an MFA in printmaking from Cranbrook Academy of Art. Her work has been exhibited internationally in Belgium\, Germany\, Switzerland\, and Slovenia and nationally throughout the US\, including the National Museum of Women in the Arts\, Queens Art Museum\, Crystal Bridges Museum\, Museum of Contemporary Art Detroit\, Grand Rapids Art Museum\, the Detroit Institute of Arts\, The Drawing Center\, and The International Print Center New York. In 2009 she was one of 18 artists selected for the inaugural Kresge Artist Fellowship.\n\nCampbell has been awarded residencies at the Banff Centre for the Arts\, the Flemish Center for Graphic Arts\, the Jentel Foundation\, Beisinghoff Print Residency\, and the Print Research Institute of North Texas. She taught studio art for 15 years at the College for Creative Studies in Detroit and has been a visiting artist in numerous institutions in the United States and abroad. Her work is in the collection of the National Museum of Women in the Arts\, New York Public Library\, Detroit Institute of Arts\, Toledo Museum of Art\, and the University of Michigan Special Collections Library.\n\nThis project is made possible by a grant from the Mellon Foundation as part of the Institute for the Humanities' multi-year High Stakes Art initiative.
UID:116759-21837958@events.umich.edu
URL:https://events.umich.edu/event/116759
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Exhibition,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20240103T111241
DTSTART;TZID=America/Detroit:20240429T090000
DTEND;TZID=America/Detroit:20240429T160000
SUMMARY:Exhibition:My Gender States
DESCRIPTION:On display at Lane Hall\, Rogério M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States\,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \n\nUsing autoethnography\, Pinto created a one-person play (\"Marília\,\" 2015) and site-specific installation performance (\"The Realm of the Dead\,\" 2022). These works explore the intersecting and shaping layers of childhood traumas\, gender states\, and his life experience—a story of the struggles\, fears\, and accomplishments he experienced as an immigrant to the United States. In \"Realm\,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto’s sister was buried and the literal and figurative baggage that he\, a queer immigrant\, carried with him. \"My Gender States\" is a selection of materials\, images\, and texts from \"Marília\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto’s gender states\, gender confusion\, gender embodiments\, gender doubt\, and reactions to gender stigma. \n\nRogério M. Pinto (Brazilian\, American\, b. 1965\, Belo Horizonte\, Brazil) is a University Diversity Social Transformation Professor\; Berit Ingersoll-Dayton Collegiate Professor of Social Work\; and Professor of Theatre and Drama\, School of Music\, Theatre & Dance\, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\n\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American\, b. 1987)\; David Newton (American\, b. 1993)\; and Nicholas Williams (American\, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him\, in collaboration with Sarah Tanner. \n\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor\, 204 S State St) from January 23\, to August 13\, 2024. The exhibit is free and open to the public\, M-F\, 9am-4pm.\n\nHosted by the Institute for Research on Women and Gender and the Women’s and Gender Studies Department.
UID:116487-21837126@events.umich.edu
URL:https://events.umich.edu/event/116487
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Diversity,Exhibition,gender studies,Humanities,Immigration,International,Latin America,LGBT,Storytelling,Theater,Visual Arts
LOCATION:Lane Hall
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20231205T144915
DTSTART;TZID=America/Detroit:20240429T090000
DTEND;TZID=America/Detroit:20240429T230000
SUMMARY:Exhibition:Orson Welles as Family Man: Son\, Husband\, Father
DESCRIPTION:This exhibit provides a unique glimpse into the actor/director Orson Welles’ private life. Unlike previous U-M Library exhibits that focused on the artist at work\, this display shows him in informal and familial environments\, revealing a depth and complexity of character that are often overshadowed by his fame and professional achievements. The photographs and documents displayed showcase a variety of emotional tones — warmth\, humor\, tenderness\, and passion. Candid and relaxed more than posed\, they are similar to most people's pictures in old family albums.\n\nCulled from the Orson Welles-Beatrice Welles materials that are part of the Mavericks & Makers collection within the U-M Library’s Special Collections Research Center\, each photo or letter tells a story of a connection Welles held dearly. The materials included are from two periods: the late 1920s and early 1930s\, when Welles was a teenager\, and the mid-1950s to early 1960s\, during the early years of his marriage to his third wife\, Paola Mori. \n\nIt should be noted that Welles’s personal life was messy at best. Other collections housed at U-M that include personal materials related to Welles document his first and second marriages\, including the Welles-Feder Collection and the Wilson-Welles Collection. The items on display here were saved by his third and final child\, Beatrice Welles\, and reflect her childhood memories of her parents.\n\nThe exhibit is available during Hatcher Gallery Exhibit Room hours (https://umlib.us/hatchergalleryexhibits).
UID:115811-21835661@events.umich.edu
URL:https://events.umich.edu/event/115811
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition,Free,Library
LOCATION:Hatcher Graduate Library - Gallery Exhibit Room (1st floor)
CONTACT:
END:VEVENT
END:VCALENDAR