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DTSTAMP:20240130T121548
DTSTART;TZID=America/Detroit:20240430T110000
DTEND;TZID=America/Detroit:20240430T170000
SUMMARY:Exhibition:Andrea Carlson Future Cache
DESCRIPTION:In Andrea Carlson Future Cache\, a 40-foot-tall memorial wall towers over visitors\, commemorating the Cheboiganing (Burt Lake) Band of Ottawa and Chippewa Indians who were violently burned from their land in Northern Michigan on October 15\, 1900. Written across the walls above and around the memorial\, a statement proclaims Anishinaabe rights to the land we stand on: “You are on Anishinaabe Land.”  \n \nPresented alongside are paintings of imagined decolonized landscapes and a symbolic cache of provisions. Future Cache implicitly asks those who have benefited from the legacies of colonization to consider where they stand and where to go from here and seeks to foster a sense of belonging for displaced Indigenous peoples fighting for restitution.\n\nSpecial thanks to the Cheboiganing (Burt Lake) Band of Ottawa and Chippewa Indians\, Margaret Noodin\, and Richard A. Wiles\, for their consultation on the State Historical Marker text\; to Margaret Noodin and Michael Zimmerman\, Jr. for translating the gallery texts into Anishinaabemowin\; to James Horton and Fritz Swanson for generously producing the letterpress broadsides\; to colleagues at the U-M Biological Station\, U-M Museum of Anthropological Archaeology\, U-M Clements Library\, and U-M Clark Map Library. For more information on the Cheboiganing (Burt Lake) Band of Ottawa and Chippewa Indians visit BurtLakeBand.org. \n\nLead support for Future Cache is provided by Lizzie and Jonathan Tisch\, Erica Gervais Pappendick and Ted Pappendick\, and the U-M Office of the Provost.\n 
UID:95387-21789343@events.umich.edu
URL:https://events.umich.edu/event/95387
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Exhibition,Museum,UMMA
LOCATION:Museum of Art - Vertical Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20240130T121549
DTSTART;TZID=America/Detroit:20240430T110000
DTEND;TZID=America/Detroit:20240430T170000
SUMMARY:Exhibition:Angkor Complex: ​Cultural Heritage and Post-Genocide Memory in Cambodia.
DESCRIPTION:Care in Uncertain Times\n \nAs crises of public health\, economic instability\, authoritarian regimes\, racial injustice\, and climate change spread around the globe\, millions are experiencing distress\, conflict\, uncertainty\, and vulnerability. This troubling combination of experiences is nothing new for Cambodians. Between 1975-1979\, when the Khmer Rouge ruled Cambodia\, about a quarter of the country’s populations died of infectious diseases\, weapon wounds\, and malnutrition.\n \nThis exhibition brings together more than 80 works of art spanning a millennium to present how the visual culture of Cambodia and its diaspora has evolved in the face of cultural upheaval. Showcasing works from worldwide collections\, including those from some of the foremost members of the Cambodian contemporary art scene\, Angkor Complex allows viewers to encounter the still-fresh scars of a genocide and critically appreciate the strategies evolved to nurture resilience in trying times.\n\nLead support for this exhibition is provided by the U-M Office of the Provost\, U-M Office of the President\, National Endowment for the Arts\, Michigan Arts and Culture Council\, Eleanor Noyes Crumpacker Endowment Fund\, and U-M Ross School of Business.\n 
UID:114750-21833490@events.umich.edu
URL:https://events.umich.edu/event/114750
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Culture,Exhibition,Museum,Public Health,UMMA
LOCATION:Museum of Art - A. Alfred Taubman Gallery I
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20240130T121547
DTSTART;TZID=America/Detroit:20240430T110000
DTEND;TZID=America/Detroit:20240430T170000
SUMMARY:Exhibition:Curriculum / Collection
DESCRIPTION:In Curriculum / Collection\, an incredible variety of University of Michigan courses take material form. Collected for each course are objects that address the nature of materiality\, time\, and human interaction in relation to our environments\, our wars\, our relationships\, and our eccentricities. \n \nWorking in collaboration with University faculty\, the works in this exhibition were selected for their capacity to provoke engagement with the guiding questions and themes of their specific courses\, while also offering students inspiration for research and art projects in their areas of study. The exhibition demonstrates some of the diverse and creative ways art plays a central role in learning across the disciplines. It also asks us to consider what we can learn from art objects across an infinite variety of specialties and subject matter.\n \nAs classes begin in Fall of 2021\, you’ll be able to use these pages to explore the collections designed for each course\, dive into the works themselves\, and hear from the professors and students about how they are engaging with art and objects in new ways. Who knows\, maybe you’ll learn something surprising along the way\, too.\n\nLead support for this exhibition is provided by the University of Michigan Office of the Provost\, Erica Gervais Pappendick and Ted Pappendick\, and the Eleanor Noyes Crumpacker Endowment Fund\, and the Oakriver Foundation.\n 
UID:86001-21795875@events.umich.edu
URL:https://events.umich.edu/event/86001
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Exhibition,Faculty,Museum,Nature,Research,UMMA
LOCATION:Museum of Art - Eleanor Noyes Crumpacker Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20240422T121503
DTSTART;TZID=America/Detroit:20240430T110000
DTEND;TZID=America/Detroit:20240430T170000
SUMMARY:Exhibition:Impressions: 2024 Stamps Senior Exhibition
DESCRIPTION:Impressions: 2024 Stamps Senior Exhibition features work in a range of media by graduating Stamps BA\, BFA\, and Interarts Performance students at the University of Michigan Stamps School of Art &amp\; Design.\nOpening Reception: Friday\, April 19\, 2024 from 4 - 8 p.m.Screening of Time-Based Work: Friday\, April 19\, 2024 from 6 - 8 p.m.\, Art &amp\; Architecture Auditorium (room 2104)\nExhibition Hours: Open daily Monday - Saturday\, 11 a.m. - 5 p.m. from April 20 through May 4\, 2024. Closed Sundays.
UID:119891-21843786@events.umich.edu
URL:https://events.umich.edu/event/119891
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20240515T123126
DTSTART;TZID=America/Detroit:20240430T110000
DTEND;TZID=America/Detroit:20240430T140000
SUMMARY:Careers / Jobs:Office Technician Infosession
DESCRIPTION:Are you looking for an entry level office position with the State of California? Come learn about our dynamic team @ CCHCS\, and don’tmiss our virtual event where you can learn about exciting opportunities\,connect with our team\, and discover what makes us the perfect fit for your career goals. RSVP now to join us at our virtual event on April 30th between 11am PST and 3pm PST.
UID:121753-21847244@events.umich.edu
URL:https://events.umich.edu/event/121753
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:
LOCATION:
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20240130T121551
DTSTART;TZID=America/Detroit:20240430T110000
DTEND;TZID=America/Detroit:20240430T170000
SUMMARY:Exhibition:Unsettling Histories: Legacies of Slavery and Colonialism
DESCRIPTION:Organized as a response to the Museum’s recent acquisition of Titus Kaphar’s Flay (James Madison)\, this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art\, 1650-1850.\n \nIn recent times\, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections\, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries\, choices about what relevant facts we share about the works\, and choices about what - out of an infinite number of options - we don’t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet\, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden\, we are forced to examine whose stories and histories are prioritized and why.  \n \nIn this online exhibition\, you can explore our efforts to deeply question the Museum’s collection and our own past complicity in favoring colonial voices. In the Museum gallery\, which will open in early 2021\, you’ll be able to experience the changes we’re making to the physical space to highlight a more honest version of European and American history. \n \nBy challenging our own practice\, and continuing to add to what we know and what we write about the works we display\, UMMA tells a more complex and more complete story of this nation - one that unsettles\, and fails to settle for\, simple narratives. \n \n“Invisible things are not necessarily ‘not there’.... Certain absences are so stressed\, so ornate\, so planned\, they call attention to themselves\; arrest us with intentionality and purpose\, like neighborhoods that are defined by the population held away from them.” \n \n— Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism is provided by the University of Michigan Office of the Provost\, the U-M Arts Initiative\, and the Susan and Richard Gutow Endowed Fund.\n 
UID:84303-21621273@events.umich.edu
URL:https://events.umich.edu/event/84303
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,European,Exhibition,History,Museum,UMMA
LOCATION:Museum of Art - European and American Decorative Art
CONTACT:
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