BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//UM//UM*Events//EN
CALSCALE:GREGORIAN
BEGIN:VTIMEZONE
TZID:America/Detroit
TZURL:http://tzurl.org/zoneinfo/America/Detroit
X-LIC-LOCATION:America/Detroit
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20070311T020000
RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=2SU
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20071104T020000
RRULE:FREQ=YEARLY;BYMONTH=11;BYDAY=1SU
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTAMP:20260806T113013
DTSTART;TZID=America/Detroit:20261007T090000
DTEND;TZID=America/Detroit:20261007T193000
SUMMARY:Conference / Symposium:7th Annual Creating Community Conference
DESCRIPTION:*Note: The Institute for the Humanities will cover the registration fee for any faculty\, staff or graduate students interested in attending a single day or all three days of the conference. Please contact the Institute staff at humin@umich.edu to coordinate the registration process.*\n\nHeld October 5-8\, 2026\, the Creating Community Conference brings together artists and professionals from progressive art studios* across the United States and beyond\, along with professionals active in disability arts\, rights\, and theory\, to discuss best practices\, advocacy\, and the evolving landscape of art and disability. This annual event\, a Creative Growth initiative launched in Oakland\, CA in 2019\, aims to foster dialogue and collaboration around the importance of inclusive creative spaces for artists with developmental disabilities and mental health differences.\n\nThis year's conference will be hosted in Detroit and Ann Arbor Michigan\, and is locally organized and led by the Progressive Art Studio Collective (PASC)\, with support from the University of Michigan Institute for the Humanities\, and Library Street Collective. National administration and strategic support is being provided by Creative Growth\, in collaboration with the Progressive Art Studio Alliance (PASA).\n\nCCC7 invites both internal (studio staff and artists) and external (general public) audiences to engage with the art and practice of progressive art studios. The conference covers a range of topics from hands-on studio practice\, exhibiting\, collecting and representing artists with disabilities\, self-taught art\, outsider art\, disability studies\, mental-health\, radical pedagogy and more\, expanding the conversation on platforming the creative production of marginalized communities\, opening up the art world to disabled artists\, and the transformative power of art.\n\nWednesday\, October 7\, 2026\nLocation: The Shepherd\, 1265 Parkview St\, Detroit\, MI 48214\n\n+9:00-9:10AM:+ Opening Remarks \n+9:10-10:00AM:+ Atelier Herenplaats  - A European PAS Model\n+10:00-11:00AM:+ Alternate (Economic) Studio Models\n+11:00-11:15AM:+ Break\n+11:15-12:30:+ Death and Mourning in the Studio \n+12:30-12:45:+ Walk or bus to the Lantern Building\n+12:45-2:30:+ Lunch and Visit PASC \n+2:30-6:30PM:+ Break - suggested tours around Detroit (List will be provided)\n+6:00-7:30PM:+ Charlotte Hollinshead: ActionSpace\, Nnena Kalu and The Turner Prize (Free External Lecture as part of the conference open to the general public.)\n\nView the full schedule and register at https://myumi.ch/qwVRX.
UID:149750-21907054@events.umich.edu
URL:https://events.umich.edu/event/149750
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Disability Studies,Visual Arts,Michigan Arts Festival,Humanities
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T161734
DTSTART;TZID=America/Detroit:20261007T090000
DTEND;TZID=America/Detroit:20261007T163000
SUMMARY:Exhibition:Art Exhibit: Hands on Fire
DESCRIPTION:Jim Cogswell: Hands on Fire\n\n**August 31 to October 9\, 2026**\n**Public Reception: Friday\, September 18\, 4:30 to 6:30 pm**\n\nJim Cogswell’s Hands on Fire is a solo exhibition of mixed media drawings at the Residential College Gallery at the University of Michigan in Ann Arbor. The exhibition features sixty works on paper completed between 2024 and 2026.\n\nThis body of work responds to Greek Cypriot filmmaker Michael Cacoyannis’ cinematic adaptations of three tragedies by Euripides dealing with the Trojan War and its aftermath: Electra (1962)\, The Trojan Women (1971)\, and Iphigenia (1977). The work is in close conversation with Vinyl Euripides (2022)\, Cogswell’s adhesive vinyl installation on three floors of the Michael Cacoyannis Foundation in Athens\, Greece\, which also responded to the cinematic trilogy. By following Cacoyannis’ adaptations\, Cogswell builds on a cross-cultural history of restaging these tragedies to examine the human suffering caused by war\, imperial overreach\, and abuse of power\; and the dehumanizing consequences of revenge as a course of justice.\n\nWithin each drawing multiple scenes from the three narratives are overlaid within single frames\, suggesting the unseen entanglements that bind these ancient stories into such a persistent vision of our human position.\n\nThe grid of paintings encircling the gallery proposes a linear narrative but delivers instead a sequence that loops and turns on itself\, a stuck frame that stutters until bursting in flames. The grid also evokes the net that is a central feature of the series--the web of fate and circumstance that governs each of our lives\, that determines who we are and what is possible for us at any given moment in history.\n\nThe drawings are also characterized by a repeated motif of hands as consuming flames. Hands have unlimited expressive and narrative potential. They testify to the centrality of making in the development of human cognition. They are reminders of the constructed world and the laborers responsible for bringing it into being. We use hands as a form of communication to shape and express our inner states. Hands teach us to feel and to reason\, to count and to indicate. They give us agency\, as creators but also as destroyers. They give form to our willingness to act in the world\, in greed or compassion.\n\n---\n\n**This exhibition is made possible with funding from the Stamps School of Art & Design and the University of Michigan Office of Research.**\n\nFrom the Artist\n\nI am grateful to the Modern Greek Program in the Department of Classical Studies\, College of Literature\, Science\, and the Arts at the University of Michigan\, for their ongoing support for my research and the dissemination of this project.
UID:152223-21913395@events.umich.edu
URL:https://events.umich.edu/event/152223
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:arts,artists and curators,artists,Art History,art and design,art,Visual Arts,History,free,arts at michigan,Arts Initiative,Classical Studies,Exhibition
LOCATION:East Quadrangle - RC Art Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261001T160941
DTSTART;TZID=America/Detroit:20261007T090000
DTEND;TZID=America/Detroit:20261007T170000
SUMMARY:Exhibition:Black Birth Joy
DESCRIPTION:Black Birth Joy by Tiana Lashae documents birth as a deeply personal story of connection\, courage\, tenderness\, and joy. The photographs and stories in the exhibit challenge mainstream narratives that reduce Black birth to statistics and only amplify Black pregnant women's anxiety and hesitancy about navigating the maternal health care system. Instead\, the exhibit offers evidence of joy\, reminders of possibility\, and a visual legacy for generations to come. \n \nBlack Birth Joy was born from Lashae's belief that more positive birth stories of BIPOC families need to be seen and heard\, and her photographs invite viewers to witness the people behind them: the mothers\, babies\, partners\, families\, and birthworkers. They create space for BIPOC families to see themselves represented with dignity and to witness the full range of birth experiences. Lashae's photographs also create a tangible record that can support conversations around quality of medical care\, respectful treatment\, and patient rights. The exhibit empowers women to prioritize and advocate for their birth experiences while also encouraging perinatal health professionals and birthworkers to center the humanity\, dignity\, and individual experiences of patients and families. \n\nThe exhibit comprises over 30 photographs as well as stories of mothers whose births were documented by Lashae\, a doula and birth/newborn photographer whose work has been published in Everyday Birth Magazine\, an international publication. The physical exhibit is accompanied by a virtual component that encourages audiences to engage with each mother's birth story.\n\nThe Lane Hall Exhibit Space is sponsored by the Institute for Research on Women and Gender (IRWG) and the Department of Women’s and Gender Studies (WGS) at the University of Michigan. \n\nBlack Birth Joy\nThursday\, October 1\, 2026 – Friday\, January 15\, 2027\nLane Hall Exhibit Space\, 204 S State St.\, Ann Arbor\, MI\nOpen M–F\, 9AM–5PM
UID:153178-21915282@events.umich.edu
URL:https://events.umich.edu/event/153178
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:photography,artists and curators,Art,anthropology,american culture,african and african american studies,advocacy
LOCATION:Lane Hall
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T123553
DTSTART;TZID=America/Detroit:20261007T090000
DTEND;TZID=America/Detroit:20261007T163000
SUMMARY:Exhibition:Breakfast\, Luncheon\, and Dinner: Dining Out in the 1910s\, 1920s\, and 1930s
DESCRIPTION:Enjoy a buffet selection of early twentieth century menus from the Janice Bluestein Longone Culinary Archive. Visit the Special Collections Research Center on the 6th floor of the Hatcher Library\, Monday-Friday\, 9:00am-4:30pm.
UID:152203-21913254@events.umich.edu
URL:https://events.umich.edu/event/152203
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Culinary History,Free,Library
LOCATION:Hatcher Graduate Library - Special Collections, 6th floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261001T192130
DTSTART;TZID=America/Detroit:20261007T090000
DTEND;TZID=America/Detroit:20261008T130000
SUMMARY:Workshop / Seminar:Faculty Engaged Mentoring Workshop
DESCRIPTION:The \"Engaged Mentoring\" series is for faculty mentors of research trainees at any stage of training. This program is an evidence-based\, interactive approach designed to elevate mentoring skills for engaging in productive\, culturally responsive research mentoring relationships. The program aims to accelerate the process of becoming an effective research mentor by providing mentors with an intellectual framework\, an opportunity to experiment with various methods\, and a forum in which to solve mentoring dilemmas with the help of their peers. By the end of the program\, mentors will have articulated their style and philosophy of mentoring and have a toolbox of strategies for approaching difficult mentoring situations. These skills will support the success of both mentors and mentees\, and it is responsive to the NIGMS guidelines regarding the preparation of mentors involved in training grants.\n\nThe OGPS Engaged Mentoring Series\, focuses on the five themes below. To learn more about the five themes\, visit our Canvas Site:\n1. Establishing Effective Mentoring/Mentee Relationships\n2. Aligning Expectations Using Mentoring Plans\n3. Managing Mental Health in the Mentoring Relationship\n4. Approaching Difficult Conversations \n5. Managing Tension and Conflict \nThe 5 themes are presented in two different formats:Option A: Two half-day Workshop series. Each session is 4hrs\, and you must attend both sessions in order to receive a certificate of completion from OGPS.Option B: 1-day Retreat. The session is 8hrs\, and you must attend the entire session to receive a certificate of completion from OGPS. \nWe will continue to populate this site with more program offering dates throughout the year.
UID:111271-21911118@events.umich.edu
URL:https://events.umich.edu/event/111271
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Sessions
LOCATION:THSL 2994
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260928T153704
DTSTART;TZID=America/Detroit:20261007T090000
DTEND;TZID=America/Detroit:20261007T200000
SUMMARY:Exhibition:Faster and More Fun: American Home Cooking in the 1920s
DESCRIPTION:Visit the Hatcher Gallery Exhibit Room to see historical materials that illustrate women’s changing relationship with food\, cooking\, and technology during the heady decade of the 1920s\, sandwiched between WWI and the Great Depression. This exhibit features materials from the Janice Bluestein Longone Culinary Archive\, as well as select items from the Art\, Architecture\, and Engineering Special Collections and the Transportation History Collection.\n\nAs America rang in a new decade in the 1920s\, cookbook authors and appliance manufacturers stood ready to offer the newly emancipated and forward-thinking American woman a vision for her future\, a vision that would be scientifically  grounded\, speedy enough to make time for leisure as well as housework\, and guaranteed to bring fun to that most humdrum of chores: planning and preparing meals for a family three times a day\, 365 days a year.
UID:150658-21909787@events.umich.edu
URL:https://events.umich.edu/event/150658
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Culinary History,Free,Library
LOCATION:Hatcher Graduate Library - Hatcher Gallery Exhibit Room, 1st Floor
CONTACT:
END:VEVENT
END:VCALENDAR