BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//UM//UM*Events//EN
CALSCALE:GREGORIAN
BEGIN:VTIMEZONE
TZID:America/Detroit
TZURL:http://tzurl.org/zoneinfo/America/Detroit
X-LIC-LOCATION:America/Detroit
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20070311T020000
RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=2SU
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20071104T020000
RRULE:FREQ=YEARLY;BYMONTH=11;BYDAY=1SU
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTAMP:20261029T111003
DTSTART;TZID=America/Detroit:20261106T100000
DTEND;TZID=America/Detroit:20261106T110000
SUMMARY:Workshop / Seminar:Neyman-Orthogonal Tests for Equality of Regression Functions
DESCRIPTION:We develop a test for equality of regression functions across two populations that allows unequal covariate distributions and uses flexible modern learners for regression estimation. We target the regression contrast through pseudo-residuals\, which we construct by multiplying residuals from the pooled outcome regression by the difference between the population indicator and its propensity. Under overlap\, the conditional mean of the proposed pseudo-residuals identifies the regression contrast. Furthermore\, the pseudo-residuals satisfy Neyman orthogonality\, which removes the first-order population bias from nuisance estimation and allows us to test the regression contrast under weaker nuisance estimation rate requirements. To construct our test statistic\, we embed the conditional moment of the pseudo-residuals in a reproducing kernel Hilbert space (RKHS)\, leading to a simple closed form expression and calibrate its empirical norm using a Gaussian multiplier bootstrap. We establish a finite-sample calibration bound that separates oracle Gaussian approximation\, nuisance estimation\, and covariance estimation errors. Our main result gives conditions under which we can use the same observations for both nuisance fitting and testing\, yielding valid and powerful inference without sample splitting. In a fixed Gaussian regression model\, we establish matching lower and upper bounds for the minimax separation order (n^{-1/2}) in the RKHS discrepancy and show that the proposed test attains this order. We conduct extensive numerical studies to examine size and power across learners and demonstrate power gains over a single sample split and other competitors and illustrate the test on an exploratory application to negotiation dialogues for regression comparison with text covariates.
UID:153811-21916382@events.umich.edu
URL:https://events.umich.edu/event/153811
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Talk,statistics,Aem Featured,seminar
LOCATION:West Hall - 340
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261102T142104
DTSTART;TZID=America/Detroit:20261106T100000
DTEND;TZID=America/Detroit:20261106T110000
SUMMARY:Conference / Symposium:North Quad (2026-2027) (Housing)
DESCRIPTION:
UID:150256-21916180@events.umich.edu
URL:https://events.umich.edu/event/150256
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Sessions
LOCATION:NQ Bowman Room, 10th Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261102T142110
DTSTART;TZID=America/Detroit:20261106T100000
DTEND;TZID=America/Detroit:20261106T120000
SUMMARY:Workshop / Seminar:SAPAC GROWE: Engendering Respectful Communities Workshops - SY26 - 27
DESCRIPTION:Engendering Respectful Communities (ERC) is a one session workshop that engages graduate students in meaningful dialogue about various forms of sexual misconduct they may encounter in both professional and social spaces\, and provides resources for intervention or support in such circumstances.The primary goal of the workshop is to address complexities experienced by graduate students as they engage in bystander intervention\, so that participants gain an increase in awareness of barriers to action and familiarity with strategic planning to overcome them. The workshop also introduces participants to on-campus resources and provides knowledge on how sexual misconduct can unfold in graduate-specific settings.The ERC workshop uses small-group circles intended to promote active reflection and space to build community. The procedure of circles is introduced at the beginning of the workshop in order to help participants get used to the process\, which they do through a circle for introductions and value-sharing for the workshop space. These circles depict various\, realistic scenarios related to sexual misconduct within the graduate community. The circle process allows circle members to process the monologues\, reflect on complexities with identity and power dynamics within them\, name potential barriers to intervention\, and think of various ways in which they might respond if faced with similar situations. The circles provide a way to foster collective building of ideas\, where participants learn from one another and all input is equally valued. Participants are encouraged to share but can always pass if desired\, creating an environment where participation is open but not forced. Due to the participatory nature of the workshop\, if you are to arrive more than 20 minutes late\, we will ask you to re-register for another workshop session.If you have any questions about or concerns with taking this workshop\, or are in need of an exemption\, please contact jhippe@umich.edu or fill out this form. We know some students come to campus having already experienced harm. If you have circumstances that make completing this course challenging\, please reach out to the GROWE team. SAPAC GROWE provides exemptions to the ERC workshop (where requirements are set in place) on a case by case basis. The Program Manager will communicate with students requesting exemptions via email and/or meet with students via zoom meetings to discuss their need for exemptions and provide any relevant and necessary resources.
UID:150694-21912175@events.umich.edu
URL:https://events.umich.edu/event/150694
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Sessions
LOCATION:NQ 1287
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261019T155949
DTSTART;TZID=America/Detroit:20261106T100000
DTEND;TZID=America/Detroit:20261106T160000
SUMMARY:Exhibition:Special Exhibition | Ancient Abstractions: Roman Visual Trends Beyond Naturalism
DESCRIPTION:The lifelike naturalistic bodies of Greek and Roman sculpture have been a source of wonder since the Renaissance. Indeed\, the Italian Renaissance artist Vasari identified the ancient world as the time “when sculpture rose to its greatest height.” But close likenesses of the natural world are not the only visual products of the ancient past. This exhibition traces alternative visual trends in the ancient Roman world that today would be considered examples of abstraction. It focuses on monuments and motifs long pushed to the margins of our accounts of ancient art. Oversize arrangements of interlocking shapes pulsate in bold block colors from tombs\, temples\, and homes\; stylized animals flicker into view\, only to collapse once more into bright geometric arrangements\; and artists adopt experimental shorthands for the depiction of space across media. Anticipating recent interests in color and form\, the visual trends of antiquity emerge as far more varied than has long been told.\n\n*Ancient Abstractions is on view from November 5\, 2026\, through February 28\, 2027\, during regular museum hours (Tuesday–Friday\, 10:00 AM–4:00 PM\, and Saturday–Sunday\, 11:00 AM–4:00 PM\; closed Mondays and university holidays.*
UID:153842-21916438@events.umich.edu
URL:https://events.umich.edu/event/153842
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:roman empire,Ancient Rome,archaeology,art,Art History,collections,cultural heritage,Exhibition,Faculty,Free,history,Mediterranean,museum,Research,visual arts
LOCATION:Kelsey Museum of Archaeology
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261028T124413
DTSTART;TZID=America/Detroit:20261106T100000
DTEND;TZID=America/Detroit:20261106T120000
SUMMARY:Lecture / Discussion:The Care\, Repatriation\, & Restitution of African Cultural Property
DESCRIPTION:The care\, repatriation\, & restitution of African cultural property remain matters of cultural\, economic\, geopolitical\, institutional\, legal\, and spiritual importance.\n\nThis virtual conversation will bring together perspectives from African art and museum practice\, cultural policy\, creative practice\, digital heritage\, and African-led restitution initiatives. Co-moderators antonio c. cuyler and Ashley Miller will guide a dialogue with participants from Nyamakop\, Open Restitution Africa\, and related fields.\n\nPanelists will consider how museums and other institutions should understand their responsibilities to African communities\; how restitution\, repatriation\, repair\, and reparative justice differ\; and what durable\, accountable collaboration between institutions in the Global Norths and Africa might require.\n\nThe program will conclude with moderated audience Q&A.\n\n\nPanelists\n\n-Mohale Mashigo\; Author\, Comic Writer\, and Narrative Designer\n-Ben Myres\; Co-Founder and Game Director\; Nyamakop\n-Syokau Mutonga\; Anderman Family Fellow for Arts of Africa\; Denver Art Museum and Open Restitution Africa\n\n\nModerators\n\n-antonio c. cuyler\, PhD\; Professor of Music in Entrepreneurship and Leadership and Faculty Associate in Voice and Opera\; University of Michigan School of Music\, Theatre & Dance\n-Ashley Miller\; Assistant Curator of African Art\; University of Michigan Museum of Art\n\n\nPresented by the Bowman Scholars Network\, the African Studies Center\, the Black Futures Lab\, the Center for Racial Justice at the Ford Public Policy School\, the Department of Cultural Policy & Management in the Wits School of Arts at the University of Witwatersrand\, and the University of Michigan Museum of Art
UID:153856-21916566@events.umich.edu
URL:https://events.umich.edu/event/153856
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:AEM Featured
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261102T120243
DTSTART;TZID=America/Detroit:20261106T110000
DTEND;TZID=America/Detroit:20261106T170000
SUMMARY:Conference / Symposium:Business with Intelligence Conference: How AI is Changing Work
DESCRIPTION:\n\nTICKETS ON SALE NOW HERE\n \nAI is already changing the jobs you’re preparing for. See the work\, meet the people doing it\, and leave knowing what to learn next.\n\n\n\nOn November 6\, BIC brings the people doing that work to Michigan.\nHear directly from leaders across investing\, technology\, law\, and business about how AI is changing the way work actually gets done\, from the tasks people perform to the teams companies build and the skills they value.\nThis isn't another conversation about what AI might do someday.\nBIC is built around what is happening now.\nThrough candid conversations\, real examples\, and live demonstrations\, you'll see how AI is showing up inside the jobs\, companies\, and industries Michigan students are preparing to enter.\nThe program was shaped by more than 200 questions from Michigan students asking what AI will change about their careers and what they should be learning now.\nCome see the work. Ask the people doing it. Leave with a clearer picture of the career you're walking into.\nFriday\, November 6\, 2026\nMichigan Ross\n
UID:153521-21915956@events.umich.edu
URL:https://events.umich.edu/event/153521
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:
LOCATION:Ross School of Business
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261012T121522
DTSTART;TZID=America/Detroit:20261106T110000
DTEND;TZID=America/Detroit:20261106T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881359@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
END:VCALENDAR