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BEGIN:VEVENT
DTSTAMP:20260814T155307
DTSTART;TZID=America/Detroit:20260922T080000
DTEND;TZID=America/Detroit:20260922T230000
SUMMARY:Exhibition:Down in Ann Arbor Town: Pictorial Maps\, Campus Traditions\, and the Women Who Made Them
DESCRIPTION:Celebrate the centennial of the iconic 1926 “Down in Ann Arbor Town” map by exploring the colorful history\, campus traditions\, and detailed artistry that made it possible. Created by Jessie Horton Koessler (Class of 1901) to help fund the Michigan League building for women\, this celebrated map provides a fascinating view into 1920s campus life and the women who shaped it. Through three distinct exhibit sections\, journey from the campus history that led to the map’s creation to a broader look at early 20th-century pictorial mapmaking.\n\nWhile enjoying the exhibit\, pick up a scavenger hunt at the Clark Library desk that will inspire you to notice whimsical details in the maps discussed. Return your scavenger hunt at the desk for a small prize\, while supplies last.\n\nJoin the curators — Ava Pustulka (’28) and Anna Rohl\, map curator at Clark Library — for a presentation on September 24 (https://myumi.ch/X8y3r)\, where they will share the research that went into creating the exhibit.
UID:150290-21908800@events.umich.edu
URL:https://events.umich.edu/event/150290
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,Library,Maps
LOCATION:Hatcher Graduate Library - Clark Library, 2nd Floor
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260821T132708
DTSTART;TZID=America/Detroit:20260922T080000
DTEND;TZID=America/Detroit:20260922T235900
SUMMARY:Careers / Jobs:Early Talent Competition: Epic Games
DESCRIPTION:Epic Games\, the creators of Fortnite\, are hosting an early talent competition using Unreal Engine to imagine the future of mobility. Students will explore ideas ranging from smarter vehicles and immersive customer experiences to accessible transportation and entirely new ways of moving through the world.\nThe competition kicks off live on September 18\, and students will have until September 22 to develop and submit their ideas. No prior Unreal Engine experience is required\, and the opportunity is open to students across disciplines\, including engineering\, computer science\, business\, design\, marketing\, and more. The winners will be announced October 2.\n\nYou should attend this workshop if you are:\nA UM undergraduate LSA student \nLooking to gain meaningful\, hands-on career experience \nInterested in adding a real-world project to your resume or portfolio\nCurious about technology\, innovation\, design\, transportation\, gaming\, or the future of mobility\nExcited to apply your academic knowledge to an industry challenge\nNew to Unreal Engine-no previous experience is required\nFrom any major and ready to contribute your unique perspective\n\nWhat you’ll gain by attending:\nA short-term\, hands-on experiential learning opportunity developed by Epic Games\nExperience tackling a real-world challenge and transforming an idea into a finished concept\nA concrete project and experience you can discuss on your resume and in interviews\nTransferable skills in creative problem-solving\, innovation\, collaboration\, design\, and storytelling\nExposure to Unreal Engine and how immersive technology is used beyond gaming\nCareer-building experience that fits into your schedule without the time commitment of a traditional internship\n\n\nRSVP for the Epic Games Early Talent Competition using the link in the sidebar.
UID:150721-21910001@events.umich.edu
URL:https://events.umich.edu/event/150721
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:All Majors Welcome,Arts\, Communication\, And Media,Career,Digital,Early Career Exploration,Employer Event,Games,Lsa Opportunity Hub
LOCATION:Off Campus Location
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20260922T080000
DTEND;TZID=America/Detroit:20260922T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907483@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260916T102138
DTSTART;TZID=America/Detroit:20260922T090000
DTEND;TZID=America/Detroit:20260922T101500
SUMMARY:Conference / Symposium:Amplifying Access: Funding Solutions for Scholarship that Matters
DESCRIPTION:Amplifying Access: Funding Solutions for Scholarship that Matters is a grant-writing and funding-strategy conference designed for graduate students\, faculty\, postdoctoral scholars\, research staff\, scholar-practitioners\, Bowman Scholars Network members\, and campus and community partners seeking to strengthen their capacity to fund impactful scholarship.Through a keynote address\, two panel conversations\, experience-based workshops\, scheduled Consultation Zones\, Resource Fair engagement\, and networking opportunities\, participants will learn how to:Identify funding opportunitiesAlign projects with funder prioritiesDevelop compelling proposal narrativesCommunicate research impactBuild sustainable funding strategiesThe conference is especially attentive to scholars pursuing inclusive\, community-engaged\, access-oriented\, equity-focused\, and diversity-related research in a shifting funding landscape.Please register for each program you plan to attend. 
UID:151702-21911998@events.umich.edu
URL:https://events.umich.edu/event/151702
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Sessions
LOCATION:
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260915T161734
DTSTART;TZID=America/Detroit:20260922T090000
DTEND;TZID=America/Detroit:20260922T163000
SUMMARY:Exhibition:Art Exhibit: Hands on Fire
DESCRIPTION:Jim Cogswell: Hands on Fire\n\n**August 31 to October 9\, 2026**\n**Public Reception: Friday\, September 18\, 4:30 to 6:30 pm**\n\nJim Cogswell’s Hands on Fire is a solo exhibition of mixed media drawings at the Residential College Gallery at the University of Michigan in Ann Arbor. The exhibition features sixty works on paper completed between 2024 and 2026.\n\nThis body of work responds to Greek Cypriot filmmaker Michael Cacoyannis’ cinematic adaptations of three tragedies by Euripides dealing with the Trojan War and its aftermath: Electra (1962)\, The Trojan Women (1971)\, and Iphigenia (1977). The work is in close conversation with Vinyl Euripides (2022)\, Cogswell’s adhesive vinyl installation on three floors of the Michael Cacoyannis Foundation in Athens\, Greece\, which also responded to the cinematic trilogy. By following Cacoyannis’ adaptations\, Cogswell builds on a cross-cultural history of restaging these tragedies to examine the human suffering caused by war\, imperial overreach\, and abuse of power\; and the dehumanizing consequences of revenge as a course of justice.\n\nWithin each drawing multiple scenes from the three narratives are overlaid within single frames\, suggesting the unseen entanglements that bind these ancient stories into such a persistent vision of our human position.\n\nThe grid of paintings encircling the gallery proposes a linear narrative but delivers instead a sequence that loops and turns on itself\, a stuck frame that stutters until bursting in flames. The grid also evokes the net that is a central feature of the series--the web of fate and circumstance that governs each of our lives\, that determines who we are and what is possible for us at any given moment in history.\n\nThe drawings are also characterized by a repeated motif of hands as consuming flames. Hands have unlimited expressive and narrative potential. They testify to the centrality of making in the development of human cognition. They are reminders of the constructed world and the laborers responsible for bringing it into being. We use hands as a form of communication to shape and express our inner states. Hands teach us to feel and to reason\, to count and to indicate. They give us agency\, as creators but also as destroyers. They give form to our willingness to act in the world\, in greed or compassion.\n\n---\n\n**This exhibition is made possible with funding from the Stamps School of Art & Design and the University of Michigan Office of Research.**\n\nFrom the Artist\n\nI am grateful to the Modern Greek Program in the Department of Classical Studies\, College of Literature\, Science\, and the Arts at the University of Michigan\, for their ongoing support for my research and the dissemination of this project.
UID:152223-21913380@events.umich.edu
URL:https://events.umich.edu/event/152223
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:art,art and design,Art History,artists,artists and curators,arts,arts at michigan,Arts Initiative,Classical Studies,Exhibition,free,History,Visual Arts
LOCATION:East Quadrangle - RC Art Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260827T142116
DTSTART;TZID=America/Detroit:20260922T090000
DTEND;TZID=America/Detroit:20260922T170000
SUMMARY:Exhibition:Ballad for Rodney
DESCRIPTION:The Institute for the Humanities’ presentation of Cosmo Whyte’s* Ballad for Rodney* (2024) is organized as part of Whyte’s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet\, Beyond the Eye*.\n\nThis “curtain painting” operates simultaneously as painting and sculpture\, inviting the viewer to physically engage with the surface\, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982\, St. Andrew\, Jamaica) is an interdisciplinary artist who employs drawing\, installation\, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives\, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022\, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte’s work has been exhibited nationally and internationally\, including at MOCA Georgia\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; The High Museum of Art\, Atlanta\, GA\; The Drawing Center\, New York\, NY\; Atlanta Contemporary\, Atlanta\, GA\; Centre Georges Pompidou\, Paris\, France\; and the National Gallery of Jamaica\, Kingston\, Jamaica\, among others. His work is in public museum collections including the High Museum\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; International African American Museum\, Charlotte\, NC\; MOCA Georgia\, Atlanta\, GA\; National Gallery of Jamaica\; Pérez Art Museum Miami\, among others. Whyte lives and works between Montego Bay\, Jamaica and Los Angeles\, CA.
UID:150287-21908785@events.umich.edu
URL:https://events.umich.edu/event/150287
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260915T123553
DTSTART;TZID=America/Detroit:20260922T090000
DTEND;TZID=America/Detroit:20260922T163000
SUMMARY:Exhibition:Breakfast\, Luncheon\, and Dinner: Dining Out in the 1910s\, 1920s\, and 1930s
DESCRIPTION:Enjoy a buffet selection of early twentieth century menus from the Janice Bluestein Longone Culinary Archive. Visit the Special Collections Research Center on the 6th floor of the Hatcher Library\, Monday-Friday\, 9:00am-4:30pm.
UID:152203-21913239@events.umich.edu
URL:https://events.umich.edu/event/152203
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Culinary History,Free,Library
LOCATION:Hatcher Graduate Library - Special Collections, 6th floor
CONTACT:
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