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BEGIN:VEVENT
DTSTAMP:20260901T104222
DTSTART;TZID=America/Detroit:20261001T100000
DTEND;TZID=America/Detroit:20261001T140000
SUMMARY:Workshop / Seminar:The Patch-Up Pop-Up
DESCRIPTION:Learn the basics of sewing and mending at the Patch-Up Pop-Up Mending 101 workshop! Bring your own torn\, worn\, or unloved clothing items to our tent at EarthFest\, and learn from an artist how to revive them. Demonstrations every hour\, on the hour! Free sewing kit handouts!\n\nJoin us on the Diag\, on October 1st from 10-2!
UID:151244-21911331@events.umich.edu
URL:https://events.umich.edu/event/151244
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Clothing,Mending,Sustainability
LOCATION:Diag - Central Campus
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260919T160749
DTSTART;TZID=America/Detroit:20261001T100000
DTEND;TZID=America/Detroit:20261001T140000
SUMMARY:Other:U-M Farm Stand
DESCRIPTION:Join the U-M Sustainable Food Program (SL Sustainability) and the Campus Farm (Matthaei Botanical Gardens) every Thursday from 12-3pm to get produce grown by students for students\, and learn more about student-powered food systems while you're there.\n\nAs always\, students get a 30% discount and revenue from the Farm Stand will support the Student Food Empowerment Fund\, which offers grants to students and student organizations to pursue student-powered sustainable food projects on and off-campus.
UID:152469-21913783@events.umich.edu
URL:https://events.umich.edu/event/152469
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:agriculture,Climate Week,Community,Food,Food Justice,Health & Wellness,Sustainability,sustainable food systems,vegetables
LOCATION:Off Campus Location
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260811T195518
DTSTART;TZID=America/Detroit:20261001T110000
DTEND;TZID=America/Detroit:20261001T114500
SUMMARY:Workshop / Seminar:Diagnosis & Disability: Clarifying the Connection
DESCRIPTION:This workshop explores the important distinctions—and areas of overlap—between having a medical diagnosis and meeting the legal definition of disability. Participants will gain a clearer understanding of what constitutes a diagnosis\, how disability is defined under the Americans with Disabilities Act (ADA)\, and when a diagnosis may rise to the level of a disability in employment and educational settings.     \n\nUsing practical examples\, the session will raise awareness of key considerations regarding documentation\, accommodations\, and the interactive process. Participants will leave with a stronger understanding of how diagnosis and disability intersect in real-world contexts and how to approach accommodation-related conversations with greater clarity and confidence.\n\nAmerican Sign Language (ASL) interpreting services and Communication Access Realtime Translation (CART) captioning services will be provided. If you need additional accommodations to participate in this webinar\, please email the ADA Coordinator at ADAcoordinator@umich.edu.
UID:149396-21906347@events.umich.edu
URL:https://events.umich.edu/event/149396
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Accessibility,Accommodations,Disability,Discussion,Inclusion,Ndeam,Virtual,Workshop
LOCATION:Off Campus Location
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261001T110000
DTEND;TZID=America/Detroit:20261001T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881338@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
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DTSTAMP:20260921T223445
DTSTART;TZID=America/Detroit:20261001T113000
DTEND;TZID=America/Detroit:20261001T125000
SUMMARY:Workshop / Seminar:The China Shock in India: Input Linkages and Output Competition in Manufacturing
DESCRIPTION:This paper studies how the impact of a trade shock depends on a country's production technology as well as its position in the global supply chain. I decompose the effect of China's WTO accession in 2001 on Indian manufacturing into two channels - direct competition and higher intermediate input availability. The input channel dominates\, in part driven by the fact that Indian manufacturers were predominantly buyers of Chinese intermediates rather than competitors in final-goods markets. Using district-level data and a shift-share IV methodology\, I find that a 1 standard deviation higher exposure to Chinese inputs per worker is associated with a 0.61 percentage point higher manufacturing employment share. Disaggregating imports by end-use\, I show that the direct competition channel lowers employment shares only for intermediate goods sectors while the input channel is associated with higher employment shares for consumer\, intermediate and capital goods. To quantify aggregate welfare and employment effects\, I construct a quantitative trade model with input-output linkages in production. The model implies a moderate welfare improvement and corroborates the reduced form mechanism\, with welfare gains larger in states reliant on China-shocked sectors for inputs.
UID:151815-21912221@events.umich.edu
URL:https://events.umich.edu/event/151815
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Economics,International,seminar
LOCATION:North Quad - 4300
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260922T103914
DTSTART;TZID=America/Detroit:20261001T120000
DTEND;TZID=America/Detroit:20261001T170000
SUMMARY:Exhibition:“Fill the Ranks”: The Civil War and the University of Michigan
DESCRIPTION:“Fill the Ranks”: The Civil War and the University of Michigan explores how campus and community debated the issues that tore the country apart\, how students and alums joined the fight\, and how the University’s public mission began to conflict with its elite aspirations. Based on collections at the Bentley Historical Library.\n\nDeveloped by the Judy and Stanley Frankel Detroit Observatory and featuring the work of its student docents\, “Fill the Ranks” includes historic artifacts\, digital animations\, and interactive elements spanning two floors.\n\nOn display September 25\, 2026-July 2\, 2027 at the Judy and Stanley Frankel Detroit Observatory\, 1398 Ann Street\, Ann Arbor\, 48109.\n\nView the exhibit during the Observatory’s open hours: Thursdays 12-5 pm\, Fridays 12-11 pm\, Saturdays 12-5 pm.\n\n“Fill the Ranks”: The Civil War and the University of Michigan is supported in part by the Inclusive History Project. To learn more\, please visit inclusivehistory.umich.edu. Additional support provided by the University of Michigan’s U.S. at 250 initiative.
UID:152626-21914238@events.umich.edu
URL:https://events.umich.edu/event/152626
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:american culture,American History,American Politics,archives,bentley historical library,bentley library,civil rights,Civil War,Education,educational,Exhibition,free,history,Humanities,Museum,museums,Politics,Social Sciences,Storytelling,Student Life,U-m History,university history,university of michigan history
LOCATION:Detroit Observatory
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260911T131259
DTSTART;TZID=America/Detroit:20261001T120000
DTEND;TZID=America/Detroit:20261001T160000
SUMMARY:Exhibition:“Who Counts? A History of Voting in America”
DESCRIPTION:Changes over the course of the nineteenth century in how Americans voted\, from voice vote to public ballot box to private voting booth\, also saw changes in the material culture that surrounded voting. Ballots and ballot boxes\, campaign pins and ribbons\, blank lists and pre-printed party tickets\, lanterns and banners–the creative forces of the American print industry filled the country’s cities and small towns with the ephemera of electioneering.\n\nAs you look at the items in this exhibit\, think about what they tell us about how Americans in the past felt about voting\, and about how voting felt. How did Election Days feel when they were full of parades and music and public drinking? What was it like to vote when everyone around you knew who you voted for? And\, most of all\, who counted as a voter\, and who did the counting?\n\nOn view September 11-December 22\, weekdays from 12-4 pm.
UID:152024-21912649@events.umich.edu
URL:https://events.umich.edu/event/152024
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:american culture,american history,Americana,Event,Exhibit,Exhibition,history,In Person,libraries,Library,Tour,William L Clements
LOCATION:William Clements Library
CONTACT:
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