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BEGIN:VEVENT
DTSTAMP:20260210T131912
DTSTART;TZID=America/Detroit:20260423T090000
DTEND;TZID=America/Detroit:20260423T170000
SUMMARY:Exhibition:Flyways
DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html.
UID:142798-21891640@events.umich.edu
URL:https://events.umich.edu/event/142798
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Humanities,Art,Birding,Exhibition,Multicultural,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260306T130452
DTSTART;TZID=America/Detroit:20260423T090000
DTEND;TZID=America/Detroit:20260423T163000
SUMMARY:Exhibition:From Freddy to Quentin: The On-Set Still Photography of Joyce Rudolph
DESCRIPTION:Joyce Rudolph has photographed some iconic actors and characters in her role as still photographer for the movies. This sampling of images from her papers\, which are housed as part of the Special Collections Research Center's Mavericks & Makers collection\, include the first images of Freddy Krueger in \"A Nightmare on Elm Street\,\" Arnold Schwenegger in \"The Terminator\,\" legends Jack Nicholson\, Diane Keaton\, Sean Penn\, and Robert DeNiro\, as well as directors such as Quentin Tarantino\, Martin Scorsese\, and her husband\, Alan Rudolph.
UID:146264-21898791@events.umich.edu
URL:https://events.umich.edu/event/146264
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Library,Free
LOCATION:Hatcher Graduate Library - Special Collections Research Center, 6th floor
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260423T090000
DTEND;TZID=America/Detroit:20260423T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891518@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Visual Arts,North Campus,Free,Exhibition,Detroit,Culture,ArtsEngine,Art
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
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DTSTAMP:20251212T105136
DTSTART;TZID=America/Detroit:20260423T090000
DTEND;TZID=America/Detroit:20260423T200000
SUMMARY:Exhibition:Materia Magica: Materiality and Ritual in the Greco-Roman World
DESCRIPTION:View a diverse array of artifacts which were created to communicate with and call upon various unseen\, supernatural forces for aid and protection. While the objects on display are disparate at first glance\, ranging from lead tablets and amulets to papyrus and parchment leaves\, they all share a common thread: they have long been labeled as \"magical\" in traditional Western scholarship.\n\nHowever\, each of these artifacts is better understood on a broad spectrum of ancient ritual\, from subversive and transgressive acts to highly social and visible ones. The exhibit highlights the objects’ oft-overlooked material dimensions\, asking us to consider how qualities like color\, texture\, and weight shaped an object’s perceived efficacy and meaning. \n\nThis exhibit was a collaboration\, and displays items from several University of Michigan units: the library’s Special Collections Research Center and Papyrology Collection\, the Museum of Natural History\, and the Kelsey Museum of Archaeology. It was curated by Abigail Staub\, PhD Candidate\, Interdepartmental Program in Mediterranean Art & Archaeology.\n\nAnna Bonnell Freidin\, U-M associate professor of history\, will talk about \"Healing the Womb: Uterine Amulets in the Roman World\" (https://events.umich.edu/event/142418) on January 16.
UID:142417-21890926@events.umich.edu
URL:https://events.umich.edu/event/142417
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,Archaeology,Library
LOCATION:Hatcher Graduate Library
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260414T092049
DTSTART;TZID=America/Detroit:20260423T090000
DTEND;TZID=America/Detroit:20260423T170000
SUMMARY:Exhibition:Momentary Landscape
DESCRIPTION:About the exhibition\nDiane Lavoie’s large-scale textile artworks are made entirely from up-cycled materials and are often placed in direct visual conversation with the natural landscape. Through the artist's choice of materials and visual subject matter\, the springtime installation *Momentary Landscape* is intended to emphasize important work surrounding sustainability\, climate change\, and environmental issues through the arts. The project is scheduled to unfold in the lobby of the South Thayer Building during exam week\, offering students and visitors a restorative\, reflective\, and joyful experience through public art installation.\n\nAbout the artist\nDiane Lavoie is a North American visual artist based in Berlin\, Germany. Her art represents a dialogue between the natural and artificial world\, and explores the boundaries between reality and perception. In her practice\, Lavoie creates large-scale\, textile representations of natural environments in contrast and connection with the actual environs surrounding them. Lavoie holds an MFA in painting from California State University Long Beach and a BFA in illustration from Massachusetts College of Art. Her work has been exhibited internationally and is held in private and public collections in the US and Europe.
UID:142904-21901576@events.umich.edu
URL:https://events.umich.edu/event/142904
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Environment,Exhibition,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Atrium
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260423T090000
DTEND;TZID=America/Detroit:20260423T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891431@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:North Campus,Visual Arts,Humanities,Free,Exhibition,Detroit,Culture,ArtsEngine,Art
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260410T162654
DTSTART;TZID=America/Detroit:20260423T100000
DTEND;TZID=America/Detroit:20260423T120000
SUMMARY:Presentation:A Novel Construction for $\mathfrak{sl}_4$ Webs
DESCRIPTION:Abstract: The standard monomial basis for $\mathfrak{sl}_r$-invariant polynomials is indexed by rectangular standard Young tableaux\, but it lacks rotational invariance. Although promotion induces a cyclic action on tableaux\, a more symmetric basis is desirable. For $\mathfrak{sl}_2$ and $\mathfrak{sl}_3$\, such bases are given by non-crossing matchings and non-elliptic $\mathfrak{sl}_3$ webs\, respectively. In the case of $\mathfrak{sl}_4$\, a web basis has recently been constructed using hourglass plabic graphs\, but this approach relies on intricate growth rules and does not readily generalize to higher rank.\n\nIn this thesis\, we introduce a simpler and more direct construction of $\mathfrak{sl}_4$ webs. Starting from a rectangular four-row standard Young tableau\, we construct the associated web by stacking the $\mathfrak{sl}_3$ webs corresponding to the top three rows and the bottom three rows\, identifying along the non-crossing matching determined by the middle two rows. We prove that the resulting web is fully reduced and lies in the same equivalence class as the $\mathfrak{sl}_4$ web obtained via growth rules.
UID:147638-21901454@events.umich.edu
URL:https://events.umich.edu/event/147638
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Graduate,Dissertation,Graduate Students,Mathematics
LOCATION:East Hall - 3096
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260327T150419
DTSTART;TZID=America/Detroit:20260423T100000
DTEND;TZID=America/Detroit:20260423T110000
SUMMARY:Workshop / Seminar:MCDB Checkpoint 2 Seminar> Neuroimmune Control of Systemic Shock: The Role of mGluR7 in Shock Propagation
DESCRIPTION:Checkpoint 2 Seminar\nMentor: Gary Huffnagle\, Professor MCDB
UID:147149-21900440@events.umich.edu
URL:https://events.umich.edu/event/147149
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Bsbsigns,Biology,Graduate Students
LOCATION:Biological Sciences Building - 1010
CONTACT:
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