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BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260306T090000
DTEND;TZID=America/Detroit:20260306T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891470@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Visual Arts,Art,ArtsEngine,Culture,Detroit,Free,North Campus,Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20251212T105136
DTSTART;TZID=America/Detroit:20260306T090000
DTEND;TZID=America/Detroit:20260306T200000
SUMMARY:Exhibition:Materia Magica: Materiality and Ritual in the Greco-Roman World
DESCRIPTION:View a diverse array of artifacts which were created to communicate with and call upon various unseen\, supernatural forces for aid and protection. While the objects on display are disparate at first glance\, ranging from lead tablets and amulets to papyrus and parchment leaves\, they all share a common thread: they have long been labeled as \"magical\" in traditional Western scholarship.\n\nHowever\, each of these artifacts is better understood on a broad spectrum of ancient ritual\, from subversive and transgressive acts to highly social and visible ones. The exhibit highlights the objects’ oft-overlooked material dimensions\, asking us to consider how qualities like color\, texture\, and weight shaped an object’s perceived efficacy and meaning. \n\nThis exhibit was a collaboration\, and displays items from several University of Michigan units: the library’s Special Collections Research Center and Papyrology Collection\, the Museum of Natural History\, and the Kelsey Museum of Archaeology. It was curated by Abigail Staub\, PhD Candidate\, Interdepartmental Program in Mediterranean Art & Archaeology.\n\nAnna Bonnell Freidin\, U-M associate professor of history\, will talk about \"Healing the Womb: Uterine Amulets in the Roman World\" (https://events.umich.edu/event/142418) on January 16.
UID:142417-21890878@events.umich.edu
URL:https://events.umich.edu/event/142417
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Archaeology,Free,Library
LOCATION:Hatcher Graduate Library
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260306T090000
DTEND;TZID=America/Detroit:20260306T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891383@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Visual Arts,North Campus,Humanities,Free,Exhibition,Detroit,Culture,ArtsEngine
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20251212T085640
DTSTART;TZID=America/Detroit:20260306T090000
DTEND;TZID=America/Detroit:20260306T210000
SUMMARY:Exhibition:The Evolution of Campus\, 1838-1963: A Cartographic Celebration of U-M's History
DESCRIPTION:Learn about the campus’ history and architecture and explore the campus that might have been. This exhibit highlights the U-M Ann Arbor campus\, both before its creation and throughout its continuous evolution. Featuring the work of famous architects such as Alexander Jackson Davis\, Albert Kahn and Eero Saarinen\, the exhibit presents maps\, plans\, architectural drawings\, proposals\, and photographs of the campus throughout its evolution.  \n\nThis exhibit was originally part of a larger exhibit displayed from July 2017 to January 2018 to commemorate U-M's bicentennial.
UID:138431-21890643@events.umich.edu
URL:https://events.umich.edu/event/138431
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Maps,Library,Free
LOCATION:Hatcher Graduate Library - Clark Library (2nd floor)
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20250821T100218
DTSTART;TZID=America/Detroit:20260306T100000
DTEND;TZID=America/Detroit:20260306T120000
SUMMARY:Social / Informal Gathering:Write with ME!
DESCRIPTION:Working on an abstract? Polishing up your resume? Writing a paper or dissertation?\n\nJoin us for our new Mechanical Engineering Department writing group\, “Write with ME!”\n\nAll ME undergrads\, grads\, postdocs\, faculty\, and staff are welcome to join us for any of their writing needs.\n\nCommunity & support\nConnect with peers\, share your writing\, exchange feedback\, and brainstorm solutions to writing challenges.\n\nAccountability & consistency\nSharpen your writing skills and develop positive\, consistent writing routines. Learn from other members of the ME department!\n\nFood & flexibility\nNo need to attend every week! Drop in at any time\, and leave at any time. Light snacks\, coffee\, and tea will be available.\n\nWeekly on Fridays\, starting September 12\n2636 G.G.B\n10 am – 12 pm
UID:137880-21880971@events.umich.edu
URL:https://events.umich.edu/event/137880
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Graduate Students,Writing,Undergraduate Students,Staff,Postdoctoral Research Fellows,Mechanical Engineering,Faculty
LOCATION:GG Brown Laboratory - 2636
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260115T181512
DTSTART;TZID=America/Detroit:20260306T110000
DTEND;TZID=America/Detroit:20260306T190000
SUMMARY:Exhibition:Fore-Site (Phase 2): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through August 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Ypsilanti-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - April 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (May 12 - August 12) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 2 Curatorial Statement\n\nCurated by Sometimes Space: Sally Clegg (entry pillar)\nCurated by CYNK Studios: Kim Karlsrud (courtyard pillar)\n\nArtists Sally Clegg and Kim Karlsrud wrap the Division Street pillars in highly site-specific ornament unearthed from the overlooked margins of Ann Arbor. On the Courtyard pillar\, Karlsrud scales up photographs of objects found in liminal spaces surrounding campus buildings on Green Road\, which the artist has encrusted in road salt. On the entryway pillar\, Clegg zooms in on tiny fragments of found material from UMich’s famous “rock” to celebrate nearly seven decades of student art and activism. Both artists uplift aggregate of local human activity to reveal tiny worlds of found form. \n\nSally Clegg: Sentimentary Rock\nSentimentary Rock is a composition of paint slag collected from the UMich rock monument at the corner of Washtenaw Avenue and Hill Street. This colorful composite material has been accumulating at the base of the iconic limestone boulder since the mid 1950’s\, when students began a tradition of painting it in acts of protest\, creativity\, and ritual\, sometimes multiple times per week. Akin to byproducts of industry such as “Fordite” (collectable chunks of automotive overspray sometimes called ‘Detroit agate’)\, Sentimentary Rock includes thousands of layers\, each dripped from a palimpsestic public proclamation. When processed\, sculpted\, sealed\, assembled\, and macro-photographed\, the result is this enlarged array of tiny gems\, intended to celebrate the indissoluble student voice. \n\nKim Karlsrud: What Amasses\nWhat Amasses is an assemblage of everyday found objects collected within the Miller Creek watershed\, an urbanized drainage system that encompasses much of the city of Ann Arbor and the University of Michigan campus. Selected objects were immersed in a road salt solution\, allowing delicate crystalline formations to emerge. Road salt is a common material input into these hydrological networks during the winter months and exists in multiple states of refinement\, expression\, coherence\, and fragmentation. Each object was then arranged\, photographed\, and enlarged to recontextualize these materials in ways that invite deeper reflections on how infrastructure and human agency blur notions of the natural and the artificial. \nArtist Statements/Bios\n\nSally Clegg \nSally Clegg is an artist and educator from Pelham\, Massachusetts. Her studio practice is rooted in sculpture and expanded printmaking\, stemming from a fascination with human efforts to make meaning from our relationships to objects. Clegg integrates history\, popular culture\, literature and philosophy as material for artmaking\, leveraging personal anecdote and humor to reveal the complexity\, absurdity\, and theoretical richness at play in our connections to things and to ourselves. \n\nClegg holds an MFA in Art from The University of Michigan Stamps School of Art & Design\, and a BA in Art & English from Goucher College. She has exhibited nationally and internationally\, and her work can be found in permanent collections at Yale University\, The New York Public Library\, and elsewhere. Her artwork and writing has appeared in ASAP/Journal\, BOMB Magazine\, Sculpture Magazine\, and Hyperallergic. She is a lecturer in Art & Design at the University of Michigan. Website / Instagram\n\n\nKim Karlsrud \nKim Karlsrud is the co-founder of Commonstudio\, a collaborative creative practice that develops socio-ecological and spatial interventions\, installations\, and initiatives working with and within urban landscapes. Her work explores the space between art and design\, and is grounded in the concept of the “commons\,” that which is shared\, as well as that which is ordinary\, banal\, and commonplace.\n\nKarlsrud completed her undergraduate degree in Product Design from Otis College of Art and Design and an MFA in Art from the University of Michigan. She is currently an Assistant Visiting Professor in the College of Design at the University of Oregon\, teaching across Art and Landscape Architecture departments. She jointly received the 2014-15 Prince Charitable Trust Rome Prize in Landscape Architecture\, was a 2017 resident at the Headlands Center for the Arts\, and is the 2025-26 Fuller Fieldscape Fellow. Website / Instagram
UID:138032-21881305@events.umich.edu
URL:https://events.umich.edu/event/138032
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260318T093432
DTSTART;TZID=America/Detroit:20260306T120000
DTEND;TZID=America/Detroit:20260306T123000
SUMMARY:Well-being:Heartfulness Meditation
DESCRIPTION:Heartfulness Guided Meditation is a weekly\, drop-in program designed to help you Mental well-being. \n\nAll U-M students\, faculty\, and staff are welcome to participate in guided meditation practice with a trainer every Friday at noon over Zoom (details to join are provided below). No prior experience with meditation is required. \n\n*What will you learn?*\n\nThe guided meditation practice involves three simple steps: relaxation\, rejuvenation\, and meditation.\n\nRelaxation brings your body to a calm\, steady posture creating a stillness at the physical level\, and prepares the mind for meditation. We follow this with a rejuvenation method to detox the mind to let go of stress and complex emotions\, and will leave you feeling light and refreshed. Lastly\, learning to meditate by being mindful of your heart will connect you with yourself by listening to your heart’s voice. \n\n*Why Meditate?*\n\nWhile physical fitness keeps our bodies in shape\, meditation is an exercise for the mind and mental wellness. In addition to the measurable benefits mentally and physically\, many people benefit from an unquantifiable inner poise and harmony. \n\n*Please take Learn to Meditate session if you are new to the practice. These sessions are offered Monthly.* https://events.umich.edu/event/128708\n\n*Event Details*\n\nHeartfulness Guided Meditation \nFridays from 12-12:30 p.m. ET (except during university season days / holidays)\nJoin Via Zoom Meeting\nRegister to receive Passcode (see “Related links”\n\n\nThis wellness program is coordinated by ITS Teaching & Learning and provided at no cost by heartfulness.org.
UID:143758-21893937@events.umich.edu
URL:https://events.umich.edu/event/143758
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Health & Wellness,Well-being,Free
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260224T101438
DTSTART;TZID=America/Detroit:20260306T120000
DTEND;TZID=America/Detroit:20260306T160000
SUMMARY:Exhibition:Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense
DESCRIPTION:Thomas Paine’s “Common Sense” was one of the most influential works of the American Revolution. The first edition was published on January 10\, 1776\, with an initial print run of just 1\,000 copies\; but within weeks demand soared. The students of Andy Murphy’s POLISCI 495 course co-curated the exhibition “Revolutionary Paine” to document the whirlwind caused by its publication. On view at the Clements January 16-May 8\, weekdays from 12-4 pm.
UID:143999-21894441@events.umich.edu
URL:https://events.umich.edu/event/143999
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Americana,Exhibit,Exhibition,history
LOCATION:William Clements Library - Avenir Foundation Reading Room
CONTACT:
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