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BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260424T090000
DTEND;TZID=America/Detroit:20260424T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891519@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Visual Arts,North Campus,Free,Exhibition,Detroit,Culture,ArtsEngine,Art
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20251212T105136
DTSTART;TZID=America/Detroit:20260424T090000
DTEND;TZID=America/Detroit:20260424T200000
SUMMARY:Exhibition:Materia Magica: Materiality and Ritual in the Greco-Roman World
DESCRIPTION:View a diverse array of artifacts which were created to communicate with and call upon various unseen\, supernatural forces for aid and protection. While the objects on display are disparate at first glance\, ranging from lead tablets and amulets to papyrus and parchment leaves\, they all share a common thread: they have long been labeled as \"magical\" in traditional Western scholarship.\n\nHowever\, each of these artifacts is better understood on a broad spectrum of ancient ritual\, from subversive and transgressive acts to highly social and visible ones. The exhibit highlights the objects’ oft-overlooked material dimensions\, asking us to consider how qualities like color\, texture\, and weight shaped an object’s perceived efficacy and meaning. \n\nThis exhibit was a collaboration\, and displays items from several University of Michigan units: the library’s Special Collections Research Center and Papyrology Collection\, the Museum of Natural History\, and the Kelsey Museum of Archaeology. It was curated by Abigail Staub\, PhD Candidate\, Interdepartmental Program in Mediterranean Art & Archaeology.\n\nAnna Bonnell Freidin\, U-M associate professor of history\, will talk about \"Healing the Womb: Uterine Amulets in the Roman World\" (https://events.umich.edu/event/142418) on January 16.
UID:142417-21890927@events.umich.edu
URL:https://events.umich.edu/event/142417
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,Archaeology,Library
LOCATION:Hatcher Graduate Library
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260414T092049
DTSTART;TZID=America/Detroit:20260424T090000
DTEND;TZID=America/Detroit:20260424T170000
SUMMARY:Exhibition:Momentary Landscape
DESCRIPTION:About the exhibition\nDiane Lavoie’s large-scale textile artworks are made entirely from up-cycled materials and are often placed in direct visual conversation with the natural landscape. Through the artist's choice of materials and visual subject matter\, the springtime installation *Momentary Landscape* is intended to emphasize important work surrounding sustainability\, climate change\, and environmental issues through the arts. The project is scheduled to unfold in the lobby of the South Thayer Building during exam week\, offering students and visitors a restorative\, reflective\, and joyful experience through public art installation.\n\nAbout the artist\nDiane Lavoie is a North American visual artist based in Berlin\, Germany. Her art represents a dialogue between the natural and artificial world\, and explores the boundaries between reality and perception. In her practice\, Lavoie creates large-scale\, textile representations of natural environments in contrast and connection with the actual environs surrounding them. Lavoie holds an MFA in painting from California State University Long Beach and a BFA in illustration from Massachusetts College of Art. Her work has been exhibited internationally and is held in private and public collections in the US and Europe.
UID:142904-21901577@events.umich.edu
URL:https://events.umich.edu/event/142904
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Exhibition,Environment,Visual Arts,Humanities
LOCATION:202 S. Thayer - Institute for the Humanities Atrium
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260410T155541
DTSTART;TZID=America/Detroit:20260424T090000
DTEND;TZID=America/Detroit:20260424T100000
SUMMARY:Well-being:OPA Virtual Listening/Community Circle for postdocs
DESCRIPTION:Facilitated by Joel Devonshire\, Conflict Resolution and Well-Being Specialist at the Office of Postdoctoral Affairs (OPA)\, this will be an informal gathering on Zoom for U-M postdocs to listen\, talk\, build community\, and find support from peers in a safe space. The topic is open\, and no registration is required. Come for the full hour or for just a few minutes.
UID:147637-21901431@events.umich.edu
URL:https://events.umich.edu/event/147637
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Well-being,Office Hours,Mindfulness,Inclusion,Postdoctoral Research Fellows
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260424T060020
DTSTART;TZID=America/Detroit:20260424T090000
DTEND;TZID=America/Detroit:20260424T235959
SUMMARY:Other:Program Regionals
DESCRIPTION:Michigan Men's Ultimate will be competing in the Great Lakes Regional Championship on April 25-26.
UID:147433-21901019@events.umich.edu
URL:https://events.umich.edu/event/147433
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:
LOCATION:Schmidt Heritage Park
CONTACT:
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DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260424T090000
DTEND;TZID=America/Detroit:20260424T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891432@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,ArtsEngine,Culture,Detroit,Exhibition,Free,Humanities,North Campus,Visual Arts
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260424T092023
DTSTART;TZID=America/Detroit:20260424T100000
DTEND;TZID=America/Detroit:20260424T130000
SUMMARY:Workshop / Seminar:Rummage RIW
DESCRIPTION:A Rackham Interdisciplinary Workshop focused on the nexus of exhibition\, collection\, curation\, display\, and representation within museums and museum-adjacent spaces. The group’s name\, rummage\, evokes both a materiality and an intellectual practice characteristic of museum studies more broadly. On the one hand\, rummaging has a tactile quality. It gestures to the human role in how objects are placed and misplaced\, organized and disorganized\, thrown into juxtaposition\, and often randomly re-discovered anew by individuals negotiating various value systems associated with objects. It evokes an image of coming to objects of the past with new eyes and curiosity. On the other hand\, rummaging could also be used to describe an intellectual approach. In posing questions about the how and why certain narratives come to be exhibited and interpreted\, we root around historical understandings of heritage and the power dynamics that lead certain narratives to become dominant. This process is guided by curiosity\, a drive to understand\, and a skepticism of ordering systems. Founded in Fall 2023\, this RIW takes the attics\, closets\, and cabinets of exhibition history as a starting point to engage questions relating to those spaces aligned with — or challenging — the International Council of Museums’ broad definition of a museum as an institution “in the service of society that researches\, collects\, conserves\, interprets and exhibits tangible and intangible heritage”.
UID:145293-21901095@events.umich.edu
URL:https://events.umich.edu/event/145293
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Sessions
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260406T130339
DTSTART;TZID=America/Detroit:20260424T100000
DTEND;TZID=America/Detroit:20260424T110000
SUMMARY:Workshop / Seminar:UM Structure Seminar: Cryo-ET Insights into the Surface Topography of Mitotic Chromosomes
DESCRIPTION:Graduate Student\nHung Lab
UID:147450-21901040@events.umich.edu
URL:https://events.umich.edu/event/147450
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Structural Biology
LOCATION:Life Sciences Institute - LSI Library
CONTACT:
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