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BEGIN:VEVENT
DTSTAMP:20240830T112455
DTSTART;TZID=America/Detroit:20240926T090000
DTEND;TZID=America/Detroit:20240926T200000
SUMMARY:Exhibition:Mrs. Dalloway and WWI: Home Front and War Front
DESCRIPTION:This exhibit explores the characters of Mrs. Dalloway through the lens of WWI and its aftershocks. It looks at those who fought in the trenches and those who watched from afar.\n\n[The exhibit includes references to suicide and Post Traumatic Stress Disorder\, which might be distressing for some visitors. Viewer discretion is advised.]\n\nWhile all of the action in Virginia Woolf’s modernist masterpiece takes place on a single day\, as preparations are made for Clarissa Dalloway’s evening party\, Woolf’s stream of consciousness writing takes us in the characters’ minds all the way from English drawing rooms to colonial India to the trenches of World War I.\n\nCheck today's Hatcher Gallery Exhibit Room hours: https://myumi.ch/PkQ2x
UID:123760-21851780@events.umich.edu
URL:https://events.umich.edu/event/123760
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,Library,Literature,Writing
LOCATION:Hatcher Graduate Library - Hatcher Gallery Exhibit Room, 1st Floor
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20240829T141316
DTSTART;TZID=America/Detroit:20240926T090000
DTEND;TZID=America/Detroit:20240926T170000
SUMMARY:Exhibition:The Butch Closet
DESCRIPTION:In the multi-media installation *The Butch Closet*\, artist Phranc illustrates her life stories as a queer artist\, Jewish lesbian folk singer\, and \"cardboard cobbler.\" By meticulously re-creating personal objects and pieces of clothing out of paper\, cardboard\, thread\, and paint\, she revisits her own history\, contextualizing her experiences as an iconic performer\, and maker\, constructing\, reconstructing\, and re-imagining her image against a larger historical context of second-wave feminism and queer activism. The institute's presentation of *The Butch Closet* is the second iteration of the project\, offering a more intimate and immersive engagement with Phranc's sculptural works. As part of the installation\, visitors can peer into a closet built in the center of the gallery designed by the artist. Conceptually\, the space shifts from inside to outside\, public and private\, and explores themes of visibility and that which remains inaccessible or unseen.\n\nAbout the artist:\nPhranc is a jewish lesbian folksinger and queer artist who uses song\, painting and sculpture to champion personal identities and illustrate the struggle\, survival\, and victory of the queer individual. An internationally acclaimed and award winning performer. Phranc’s work integrates humor and a butch lesbian aesthetic. Her current project\, Phranc Talk: The Butch Closet\, is a multi-media memoir that spans her 40-year career. Phranc lives and works in Santa Monica\, California and Vancouver\, British Columbia.\n\n*Phranc is the 2024 Woodhead Visiting Artist at the Institute for the Humanities.*
UID:123255-21850613@events.umich.edu
URL:https://events.umich.edu/event/123255
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:american culture,Art,Exhibition,Feminism,Gender,Humanities,LGBT,visual arts
LOCATION:Thayer Academic Building - Institute for the Humanities Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20240130T121550
DTSTART;TZID=America/Detroit:20240926T100000
DTEND;TZID=America/Detroit:20240926T200000
SUMMARY:Exhibition:A Gathering
DESCRIPTION:Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA’s collection — many on display here for the first time. \n \nAs a free\, public museum\, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition\, all brought into the Museum between 2019 and the present\, shows how institutions like UMMA are becoming more permeable to societal challenges\, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations\, race\, gender\, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals\, as a museum\, and as a society\, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings\, to discuss their takes\, to learn\, to disagree. Gather to relax\, make a friend\, drink a coffee\, finish the daily Wordle. Gather to feel full\, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by Félix Zamora Gómez Irving Stenn\, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch\, the Richard and Rosann Noel Endowment\, and the University of Michigan Office of the Provost.\n 
UID:107870-21817921@events.umich.edu
URL:https://events.umich.edu/event/107870
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Exhibition,Free,Humanities,Museum,Staff,UMMA
LOCATION:Museum of Art - Lizzie and Jonathan Tisch Apse
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20240809T094244
DTSTART;TZID=America/Detroit:20240926T100000
DTEND;TZID=America/Detroit:20240926T140000
SUMMARY:Fair / Festival:Earthfest 2024
DESCRIPTION:Earthfest celebrates sustainability initiatives across U-M and the surrounding communities while providing an inclusive platform to educate and engage the campus community on opportunities to support sustainability and environmental justice on campus and in our daily lives. Learn about sustainability on campus and participate in fun engagement opportunities.
UID:122402-21848951@events.umich.edu
URL:https://events.umich.edu/event/122402
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Activism,Climate Change,Education,Energy,Environment,Food,Free,In Person,Networking,planet blue,Student Org,Sustainability
LOCATION:Diag - Central Campus
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20241011T063238
DTSTART;TZID=America/Detroit:20240926T100000
DTEND;TZID=America/Detroit:20240926T160000
SUMMARY:Careers / Jobs:FAA Aviation Safety STEM Career Symposium-Explore Internship & Career Opportunities
DESCRIPTION:The Federal Aviation Administration (FAA) Aviation Safety (AVS) Science\, Technology\, Engineering\, and Mathematics (STEM) Career Symposium is an event designed to expose students to the world of aviation.  The next symposium returns on September 26\, 2024\, as a virtual event for middle school\, high school\, and college students nationwide. STEM opportunities will be on full display as the FAA teams up withgroups outside the agency to spark interest in aviation careers. The AVS STEM Career Symposium will include multiple guest speakers\, interactive visual presentations\, STEM engagement activities\, and internship/entry-level career opportunities for students. Participating students will have an opportunity to speak with FAA and industry professionals\,learn about exciting careers such as aviation safety inspectors\, aerospace engineers\, medical officers\, pilots\, air traffic controllers\, and mathematicians. Register now to join us and experience an enriching interactive day-long event!
UID:126296-21856854@events.umich.edu
URL:https://events.umich.edu/event/126296
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:
LOCATION:
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20240130T121551
DTSTART;TZID=America/Detroit:20240926T100000
DTEND;TZID=America/Detroit:20240926T200000
SUMMARY:Exhibition:Unsettling Histories: Legacies of Slavery and Colonialism
DESCRIPTION:Organized as a response to the Museum’s recent acquisition of Titus Kaphar’s Flay (James Madison)\, this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art\, 1650-1850.\n \nIn recent times\, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections\, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries\, choices about what relevant facts we share about the works\, and choices about what - out of an infinite number of options - we don’t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet\, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden\, we are forced to examine whose stories and histories are prioritized and why.  \n \nIn this online exhibition\, you can explore our efforts to deeply question the Museum’s collection and our own past complicity in favoring colonial voices. In the Museum gallery\, which will open in early 2021\, you’ll be able to experience the changes we’re making to the physical space to highlight a more honest version of European and American history. \n \nBy challenging our own practice\, and continuing to add to what we know and what we write about the works we display\, UMMA tells a more complex and more complete story of this nation - one that unsettles\, and fails to settle for\, simple narratives. \n \n“Invisible things are not necessarily ‘not there’.... Certain absences are so stressed\, so ornate\, so planned\, they call attention to themselves\; arrest us with intentionality and purpose\, like neighborhoods that are defined by the population held away from them.” \n \n— Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism is provided by the University of Michigan Office of the Provost\, the U-M Arts Initiative\, and the Susan and Richard Gutow Endowed Fund.\n 
UID:84303-21621400@events.umich.edu
URL:https://events.umich.edu/event/84303
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,European,Exhibition,History,Museum,UMMA
LOCATION:Museum of Art - European and American Decorative Art
CONTACT:
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DTSTAMP:20241011T063201
DTSTART;TZID=America/Detroit:20240926T110000
DTEND;TZID=America/Detroit:20240926T120000
SUMMARY:Careers / Jobs:Internship Lab
DESCRIPTION:*RSVP required to attend. Click \"Join Event\" here: https://umich.joinhandshake.com/events/1573773/share_previewAre you ready to start searching for a great internship? Do you have a few ideas\, but you’re not sure where to get started? Let's talk about search strategy!! Get real-time\, personalized support by checking out the in person Internship Lab. You’ll be guided by one of our Career Coaches whohas designed this experience to provide you strategies\, tools\, and motivation to get on the right track with searching for internships. Chat with folks from the University Career Center to explore Handshake\, the University Career Alumni Network (UCAN) and to learn about other tools you can use to build a great job/internship search strategy. **If you're not sure what you're interested in\, consider making an \"Exploring Major/Career Option\" appointment to get started clarifying your interests with a career coach in a 1-on-1 setting. Recent Grads: If you are an alumni\, you will not be able to access the link due the University’s policy of discontinuing alumni Zoom accounts 30 days after graduation. Please contact careercenter@umich.edu with the subject line “Recent Grad Help” to receive either a recording of the session orto be set up with a 1:1. Include the name of the workshop/event in your email.
UID:124157-21852560@events.umich.edu
URL:https://events.umich.edu/event/124157
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:
LOCATION:
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20241115T181508
DTSTART;TZID=America/Detroit:20240926T110000
DTEND;TZID=America/Detroit:20240926T170000
SUMMARY:Exhibition:Kelly Church & Cherish Parrish: In Our Words\, An Intergenerational Dialogue
DESCRIPTION:Exhibition Dates: September 13 – December 7\, 2024Opening Reception: September 19\, 2024\n\nKelly Church &amp\; Cherish Parrish: In Our Words\, An Intergenerational Dialogue is a major exhibition that centers the subjectivities of two contemporary Indigenous artists whose practices have sustained and bolstered the relevance of the age-old Anishinaabe practice of black ash basket-making in the 21st century. The exhibition highlights the significance of community-based conversations between mother and daughter\, and their ongoing conversations with elders (ancestors)\, young folx\, and future generations as vital aspects of their methodology. These conversations often take place during basket gatherings - where community members come together and share stories and teachings that can encompass Anishinaabe creation stories\, as well as those of survivance and resilience\, to inform the materiality and liveness of their work. The curatorial and interpretive framework of this exhibition contends that the deeply situated and temporal works by Church (Stamps\, BFA 1998) and Parrish (LSA\, BA 2020) are repositories for Anishinaabe ways of knowing\, thinking\, and making that contribute to the complexity of American art and its histories. The expansive and bold practices of Church and Parrish affirm the sovereignty of Anishinaabe lifeways and the importance of including Indigenous narratives that have systematically been left out. Thus\, the thematic survey of their work will explore the under-examined themes that inform their work such as Native women’s labor as carriers of culture and knowledge-keepers\, the legacy of boarding schools and ancestors who walked on\, the treaties in Michigan and the long-overlooked legacy of Anishinaabe intellectual life and their relevance today. Just like the practice of weaving and interlacing distinct strips of black ash to create one whole\, Church and Parrish will address the diverse and interconnected themes with approximately 30-35 works\, including 15-17 new works. Together\, the exhibition offers an incisive critique of the colonial\, racist paradigm of systemic erasure and assimilation that continues to this day\, with the ongoing crises of missing and murdered Indigenous women\, culture wars\, and climate change that threaten Indigenous ways of living\, sustenance\, and making. \nCurated by Srimoyee Mitra with Curatorial Assistant Zoi Crampton.\nStamps Gallery is grateful to Michigan Humanities and U-M Arts Initiative for generously supporting the exhibition and programs. 
UID:124179-21852588@events.umich.edu
URL:https://events.umich.edu/event/124179
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
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