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BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260310T090000
DTEND;TZID=America/Detroit:20260310T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891474@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:North Campus,Visual Arts,Free,Exhibition,Detroit,Culture,ArtsEngine,Art
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20251212T105136
DTSTART;TZID=America/Detroit:20260310T090000
DTEND;TZID=America/Detroit:20260310T200000
SUMMARY:Exhibition:Materia Magica: Materiality and Ritual in the Greco-Roman World
DESCRIPTION:View a diverse array of artifacts which were created to communicate with and call upon various unseen\, supernatural forces for aid and protection. While the objects on display are disparate at first glance\, ranging from lead tablets and amulets to papyrus and parchment leaves\, they all share a common thread: they have long been labeled as \"magical\" in traditional Western scholarship.\n\nHowever\, each of these artifacts is better understood on a broad spectrum of ancient ritual\, from subversive and transgressive acts to highly social and visible ones. The exhibit highlights the objects’ oft-overlooked material dimensions\, asking us to consider how qualities like color\, texture\, and weight shaped an object’s perceived efficacy and meaning. \n\nThis exhibit was a collaboration\, and displays items from several University of Michigan units: the library’s Special Collections Research Center and Papyrology Collection\, the Museum of Natural History\, and the Kelsey Museum of Archaeology. It was curated by Abigail Staub\, PhD Candidate\, Interdepartmental Program in Mediterranean Art & Archaeology.\n\nAnna Bonnell Freidin\, U-M associate professor of history\, will talk about \"Healing the Womb: Uterine Amulets in the Roman World\" (https://events.umich.edu/event/142418) on January 16.
UID:142417-21890882@events.umich.edu
URL:https://events.umich.edu/event/142417
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Archaeology,Free,Library
LOCATION:Hatcher Graduate Library
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260310T090000
DTEND;TZID=America/Detroit:20260310T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891387@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,Visual Arts,North Campus,Humanities,Exhibition,Detroit,Culture,ArtsEngine,Art
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20251212T085640
DTSTART;TZID=America/Detroit:20260310T090000
DTEND;TZID=America/Detroit:20260310T210000
SUMMARY:Exhibition:The Evolution of Campus\, 1838-1963: A Cartographic Celebration of U-M's History
DESCRIPTION:Learn about the campus’ history and architecture and explore the campus that might have been. This exhibit highlights the U-M Ann Arbor campus\, both before its creation and throughout its continuous evolution. Featuring the work of famous architects such as Alexander Jackson Davis\, Albert Kahn and Eero Saarinen\, the exhibit presents maps\, plans\, architectural drawings\, proposals\, and photographs of the campus throughout its evolution.  \n\nThis exhibit was originally part of a larger exhibit displayed from July 2017 to January 2018 to commemorate U-M's bicentennial.
UID:138431-21890647@events.umich.edu
URL:https://events.umich.edu/event/138431
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Library,Free,Maps
LOCATION:Hatcher Graduate Library - Clark Library (2nd floor)
CONTACT:
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DTSTAMP:20260310T092100
DTSTART;TZID=America/Detroit:20260310T100000
DTEND;TZID=America/Detroit:20260310T110000
SUMMARY:Workshop / Seminar:Cross Stitching 101
DESCRIPTION:Curious about cross stitching but not sure where to start? Join us for a beginner-friendly introduction to this relaxing\, hands-on craft. This session will walk you through the basics\, from threading a needle to making your first stitches.\nAll supplies will be provided\, and no prior experience is needed. Come follow along with guidance or stitch at your own pace while enjoying a low-pressure\, creative break.
UID:144984-21896238@events.umich.edu
URL:https://events.umich.edu/event/144984
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Sessions
LOCATION:THSL 2994
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260108T095119
DTSTART;TZID=America/Detroit:20260310T100000
DTEND;TZID=America/Detroit:20260310T110000
SUMMARY:Recreational / Games:Schokoladenstunde
DESCRIPTION:German Lecturer\, Mary Gell (magell@umich.edu)\, brings German chocolate to snack on and games to play (e.g. Tabu)\, all while chatting in German.
UID:143465-21893224@events.umich.edu
URL:https://events.umich.edu/event/143465
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Games,Language,Humanities,Germany,German Studies,German,European,Germanic Languages And Literatures
LOCATION:Modern Languages Building - 3110
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260303T091801
DTSTART;TZID=America/Detroit:20260310T103000
DTEND;TZID=America/Detroit:20260310T120000
SUMMARY:Lecture / Discussion:Kinship Interlocks: How the Intimate Exchange of Wealth\, Status\, and Power Generates Upper-Class Persistence
DESCRIPTION:Join the Stone Center for Inequality Dynamics as we host Shay O'Brien\, James M. and Cathleen D. Stone Center Postdoctoral Associate at the Stone Center on Inequality and Shaping the Future of Work. Shay will present\, “Kinship Interlocks: How the Intimate Exchange of Wealth\, Status\, and Power Generates Upper-Class Persistence.”\n\nTuesday\, March 10\n10:30 a.m.–12:00 noon\nISR 1430 BD (426 Thompson St.) \nAbstract: “How do some families manage to entrench themselves in the upper class for many generations while others do not? Bringing together economic sociology\, political sociology\, and stratification\, I propose a new concept for the study of multigenerational persistence at the top of a stratified society: kinship interlocks. Kinship interlocks are portions of a kinship network that closely combine great wealth\, status\, and power. Just as board interlocks connect corporate elites through overlapping board memberships\, kinship interlocks connect economic\, social\, and political elites through family ties. Using a mixed-methods analysis\, I find that the intimate exchange of resources in kinship interlocks generates upper-class persistence via two primary mechanisms: it protects kin from economic\, legal\, and social risk\, and it propels kin into higher strata. Processes of kin formation and intimate exchange are co-constitutive with systems of gender\, sexuality\, and race\, such that the most durable portions of an upper class are especially heteronormative and racially dominant. The analysis is based on a unique dataset consisting of the full upper class and all economic\, political\, and social elites in the first 125 years of Dallas history\, along with all mutual family ties.”\n\nAn economic and historical sociologist broadly focused on inequality\, Shay studies the kinship networks that weave elites together. Her mixed-methods research tracks the capture and circulation of resources through upper-class populations over time\, with a particular focus on women\, whiteness\, and wealth. Formerly\, she was a Postdoctoral Scholar in the Stone Program in Wealth Distribution\, Inequality\, and Social Policy at the Harvard Kennedy School. She received her PhD in Sociology from Princeton University and her BA in Anthropology from Brown University. Learn more.
UID:145978-21898205@events.umich.edu
URL:https://events.umich.edu/event/145978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Inequality,Sociology,Social Sciences,Research,Graduate Students
LOCATION:Institute For Social Research - 1430 BD
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260227T145124
DTSTART;TZID=America/Detroit:20260310T110000
DTEND;TZID=America/Detroit:20260310T120000
SUMMARY:Lecture / Discussion:Andrés Felipe Gonzalez Duran Dissertation Defense
DESCRIPTION:The American Cordillera hosts some of the world's most significant accumulations of copper\, gold\, and emeralds. However\, the genetic relationship between different mineral deposit styles—specifically the transition between porphyry and iron oxide-apatite (IOA) or iron oxide copper gold (IOCG) systems—and the precise timing of mineralization in complex sedimentary basins remain poorly understood. This dissertation utilizes high-resolution mineral chemistry and in-situ petrochronology to  decode the thermal\, chemical\, and temporal evolution of these world-class mineral systems. The research first investigates the transition between IOA and porphyry-style mineralization at the New Afton Cu-Au mine\, British Columbia. By characterizing the trace element chemistry and textures of magnetite (Fe3O4)\, I demonstrate that magnetite is a dynamic recorder of overprinting hydrothermal events. The identification of widespread coupled dissolution reprecipitation (CDR) textures reveals that primary magmatic signatures are frequently modified by later fluid pulses\, challenging traditional classification schemes and providing new textural criteria for exploration vectoring. The focus then shifts to the Eastern Cordillera basin of Colombia to resolve the long-standing debate regarding the timing of emerald mineralization. Through in-situ U-Pb dating of hydrothermal monazite and xenotime\, I established the first direct\, high-resolution age framework for emerald formation in both the Eastern and Western zones. The results link mineralization to episodic tectonic pulses during the Cretaceous and Paleogene\, representing a paradigm shift from single-event genetic models to a more complex\, time-transgressive mineralizing system. Finally\, the study integrates multi-mineral analysis at the Llahuín Cu-Au-Mo deposit in Chile. By combining Random Forest Classification (RFC) of magnetite chemistry with titanite and rutile petrochronology\, I reconstruct the transition between porphyry and IOCG-style features. The data suggest that these systems can form simultaneously within structural transition zones\, governed by the magmatic sulfur budget and localized tectonic shifting. Together\, this body of work demonstrates that the integration of micro-textural analysis with advanced mineral chemistry and petrochronology is essential for unraveling the complexity of Cordilleran metallogeny. The findings provide robust tools for mineral exploration and advance our fundamental understanding of how the Earth’s crust concentrates metals and gemstones throughout tectonic cycles.
UID:146033-21898297@events.umich.edu
URL:https://events.umich.edu/event/146033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Earth And Environmental Sciences
LOCATION:1100 North University Building - 2540
CONTACT:
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