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DTSTART:20070311T020000
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BEGIN:VEVENT
DTSTAMP:20250911T131016
DTSTART;TZID=America/Detroit:20251030T103000
DTEND;TZID=America/Detroit:20251030T120000
SUMMARY:Workshop / Seminar:Gender & Sexuality Workshop
DESCRIPTION:- September 4: \n- September 18: Hannah Tessler\n- October 2: Junrong Sheng\n- October 16: Xavier Fields\n- October 30: Carlo Handy Charles\n- November 13: Chelle Jones\n- December 4: Michelle Cosens
UID:139222-21885113@events.umich.edu
URL:https://events.umich.edu/event/139222
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Graduate Students
LOCATION:LSA Building - 4147
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20251114T063140
DTSTART;TZID=America/Detroit:20251030T103000
DTEND;TZID=America/Detroit:20251030T113000
SUMMARY:Careers / Jobs:Procter & Gamble SHPE Career Development Workshop
DESCRIPTION:Navigating Career Paths in Product Supply at P&amp\;GJoin P&amp\;G for an interactive workshop designed to help you bridge the gap between your academic journey and a successful career in Product Supply. Learn how P&amp\;G empowers early-career professionals to lead with innovation\, solve real-world supply chain challenges\, andgrow as future leaders. Hear from current P&amp\;G team members about their career paths\, gain practical advice on how to stand out\, and discoverhow your skills can make an impact from day one.
UID:141119-21888153@events.umich.edu
URL:https://events.umich.edu/event/141119
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:
LOCATION:Philadelphia, Pennsylvania, United States of America
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20251003T001515
DTSTART;TZID=America/Detroit:20251030T110000
DTEND;TZID=America/Detroit:20251030T170000
SUMMARY:Exhibition:Stacey L. Kirby: The Bureau of Personal Belonging (Ann Arbor Edition)
DESCRIPTION:Exhibition Dates: September 27 - November 8\, 2025\nOpening Performances: September 27\, 1-5 p.m.Closing Performances: November 8\, 1-5 p.m.\nStacey L. Kirby’s The Bureau of Personal Belonging is a series of interactive performances set within immersive installations and activated by viewer participation. The work fosters dialogue on identity\, community\, and civil engagement. Through bureaucratic forms\, papers\, postures\, language\, and aesthetics\, audiences are invited to participate in respectful dialogues and playful interactions with the artist. As the 2025 Roman J. Witt Artist-in-Residence\, Kirby spent 12 weeks on campus from January through March of 2025 meeting with students\, faculty\, and staff from the Stamps School and across U-M. Based on these conversations\, Kirby devised a site-specific installation that seeks to amplify the voices of the U-M community\, uphold the value of democratic civic engagement\, and highlight the power of art in building solidarity and mutual respect.\nCurated by Srimoyee Mitra.
UID:137179-21879873@events.umich.edu
URL:https://events.umich.edu/event/137179
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20251001T181517
DTSTART;TZID=America/Detroit:20251030T110000
DTEND;TZID=America/Detroit:20251030T170000
SUMMARY:Exhibition:The Eye of the Storm
DESCRIPTION:Join us for an innovative exhibition and installation organized by the Stamps School’s SEC (Student Exhibition Committee) and composed of work by Stamps students. The SEC aims to create new and exciting opportunities for undergrads to develop their skills in exhibition-making and installations. \nExhibition Statement\nIn the midst of contemporary chaos there is a quieter\, more isolated struggle to find meaning. As we pursue consistency within our own art making practices\, we must nurture our yearnings for a sustainable community. Fleeting connections can be found in the in-betweens of time and space—cooking with others\, commuting\, etc.\nThe Eye of the Storm is an exhibition demonstrating various forms of individual and collective peacemaking and resistance. This show explores the ways we use creative rituals within the private and public spheres: exploring self identity\, advocating for justice\, fostering care for others and social bonding. The selected artworks reflect each artist's way of staying in motion and/or finding calm amidst complicated or difficult times. \nThis exhibition is organized and juried by SEC student curators Hana Ichikawa\, BFA '26 (lead)\; Urvi Joshi\, BA '26\; Elsie Rogers\, BFA '27\; Jacqueline Vinson\, BFA '27\; and Maggie Watson\, BFA '26. \nThe Eye of the Storm will be on display in the Stamps Gallery atrium from October 17 - November 1\, 2025\, and features work by the following Stamps students:\nSage Booth\, BFA '28Rachel DeVeyra\, BFA '26McKenna Finn\, BA '26Reese Ford\, BFA '26Abigail Garcia\, BFA '27Erin Malone\, BFA '27Summer Mansi\, BFA '27Margaret (Mags) McKinney\, BFA '28Ava Muntner\, BFA '27Mia Noel\, BFA '28Eliana Pettigrew\, BFA '26Oliver Lee St Cyr\, BFA '26Jesse Strohauer\, BFA '28
UID:137209-21879957@events.umich.edu
URL:https://events.umich.edu/event/137209
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20251003T181516
DTSTART;TZID=America/Detroit:20251030T110000
DTEND;TZID=America/Detroit:20251030T170000
SUMMARY:Exhibition:Untold Stories\, Part II: A Stamps Faculty Exhibition
DESCRIPTION:Exhibition Dates: September 12 - December 13Opening Reception: September 18\, 6:30-8:30 p.m.\nUntold Stories: Part II is the second in a series of three exhibitions featuring the work of faculty members from the Stamps School of Art &amp\; Design. Organized thematically\, Part II explores timely and resonant themes related to the freedom of expression\, movement\, and civic rights. Drawing on personal narratives and public archives\, the artists offer inspiring ways of storytelling that make latent ideas visible and experiential - expanding the boundaries of their artistic research.\nUntold Stories: Part II is curated by Srimoyee Mitra\, and features work by Stamps faculty Ebitenyefa Baralaye\, Annica Cuppetelli\, Quinn A. Hunter\, Carol Jacobsen\, Andy Kirshner\, Rebekah Modrak\, and Ricky Weaver.
UID:137113-21879736@events.umich.edu
URL:https://events.umich.edu/event/137113
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20251015T121513
DTSTART;TZID=America/Detroit:20251030T110100
DTEND;TZID=America/Detroit:20251030T190000
SUMMARY:Exhibition:Fore-Site (Phase 1): The Stamps Gallery Pillar Project
DESCRIPTION:Phase 1 Opening Reception: September 18\, 6:30 – 8:30 p.m.\nFrom September 2025 through August 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Ypsilanti-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they've curated six artists to create new work for the pillars over three cycles:\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA '23) and Erin McKenna (MFA '20)Phase 2 (January 12 - April 12) artists: Sally Clegg (MFA '20) and Kim Karlsrud (MFA '20)Phase 3 (May 12 - August 12) artists: Abhishek Narula (MFA '20) and Nathan Byrne (MFA '21)\nPhase 1 Curatorial Statement\nCurated by Sometimes Space: Amelia Burns (entry pillar)Curated by CYNK Studios: Erin McKenna (courtyard pillar)\nArtists Amelia Burns and Erin McKenna reimagine the Division Street pillars through digital collages rooted in memory\, landscape and shared environments. Burns arranges fragments of her own photographs into airy compositions where these pictorial remnants become enshrined by the artist’s vision of the sacred. McKenna draws from the language of quilting\, organizing her photos of mushrooms\, moss and lichen into vibrant geometric patterns which echo Ohio textile traditions. Both artists\, Midwestern women attentive to the nuances of place\, weave personal imagery into collective meaning. Together\, their works create spaces of reverence and connection.\nAmelia Burns: GODSPROMISESRISINGHIGHGODSPROMISESRISINGHIGH contains fragments of photographs I have made over years in various locations in the United States. Each fragment holds personal meaning for me. The exalted pieces of environments float together and create a visual smorgasbord of symbols\, denoting a capitalist world\, filled with tender moments and connections\, where all objects are made holy.\nErin McKenna: Mushroom TrailMushroom Trail reimagines the Ohio Star quilt block through a collage of photographs of mushrooms\, lichen\, and moss gathered during walks in my Appalachian forest home. I created small blocks of repeating patterns to build texture and color. Inspired by the Barn Quilt Trail\, the work honors Ohio’s yard art traditions. Like other local expressions\, from chainsaw-carved bears to the front porch goose\, it fosters a shared sense of pride of place\, and community.\nArtist Statements/Bios\nAmelia BurnsThrough my travels across nearly every U.S. state\, I document not only the natural world but also its entanglement with human influence. My work speaks to the loneliness\, humor\, beauty\, pain\, and joy that coexist within these spaces. The landscapes I create—whether photographic or collage-based—are imbued with a visceral connection to the physical environments I’ve passed through. They are a reprocessing of the cultural detritus that surrounds me\, transforming fragments into vignettes that explore both the darkness and resilience of humanity.\nAt its core\, my work explores the underworld of human experience\, grappling with the visceral tension between authenticity and artifice in contemporary Americana. It reflects the disgusting horror of capitalism\, the mysticism of my Irish Catholic upbringing\, and the profound solitude that fuels my process. The resulting images are landscapes of seeking\, filled with the pain\, glory\, and quiet resistance of life.\nAmelia Burns is a photographer\, collage artist\, curator and educator exploring the cultural and physical landscapes of the U.S.\, capturing the nuances of shared environments. She earned her BFA in Photography from Pratt Institute in 2005 and later completed her MFA at Cranbrook Academy of Art in 2023. Website / Instagram\nErin McKenna Erin McKenna is an interdisciplinary artist with a background in sculpture. Her practice embraces humor\, playful misuse\, and celebration as strategies to dismantle stereotypes and complicate binaries of construction and embellishment. With a feminist lens\, she explores the space where necessity meets excess\, highlighting the subversive potential of both. Her sculptures often pair gritty building materials with tactile fabrics\, generating tension between utility and ornament. Growing up in a perpetually unfinished home—a place of sawdust\, chop saws\, and improvisation—instilled in her a respect for visible labor\, inventive problem-solving\, and imperfection. Her process follows personal rules:\nno hierarchy of materialssubvert expected usecomplicate binaries\, stereotypes and associationsmisuse\, misapplyallow for variable arrangementsrepeat\, reiterate\, reuseconsider the subversive possibilities of the excessive\, fantastic\, and necessaryalways let the labor be visible\nMcKenna earned her BFA from Columbus College of Art &amp\; Design in 2012 and later completed her MFA at Stamps School of Art &amp\; Design at the University of Michigan. She recently moved back to the forest she calls home in Southeastern Ohio\, where she serves as Exhibitions Director at The Dairy Barn Arts Center\, hunts for mushrooms with her toddler\, and makes quilts. Website / Instagram
UID:138031-21881249@events.umich.edu
URL:https://events.umich.edu/event/138031
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20251023T121639
DTSTART;TZID=America/Detroit:20251030T120000
DTEND;TZID=America/Detroit:20251030T123000
SUMMARY:Performance:Adam Lenhart\, carillon
DESCRIPTION:Graduate student Adam Lenhart performs on the Charles Baird Carillon\, an instrument of 53 bronze bells located inside the Burton Memorial Tower. The largest bell\, which strikes the hour\, weighs 12 tons\, while the smallest bell\, 4½ octaves above\, weighs just 15 pounds.\n\nThirty-minute recitals are performed on the Charles Baird Carillon at noon every weekday that classes are in session\, followed by visitor Q&A with the carillonist. The bell chamber may be accessed via a combination of elevator and stairs. Take the elevator to the highest floor possible (floor 8)\, and then climb two flights of stairs (39 steps) to the bell chamber (floor 10). Hearing protection earmuffs are provided for visitors. Be prepared to walk on ice and snow in the bell chamber during winter. Built in 1936\, the Charles Baird Carillon is not ADA accessible. Visitors with mobility concerns are invited to visit the Lurie Carillon.
UID:141054-21888033@events.umich.edu
URL:https://events.umich.edu/event/141054
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,Music
LOCATION:Burton Memorial Tower
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20251002T142353
DTSTART;TZID=America/Detroit:20251030T120000
DTEND;TZID=America/Detroit:20251030T180000
SUMMARY:Exhibition:By Means of a Pencil
DESCRIPTION:October 9 – November 5\, 2025\nOpening Reception October 9\, 5:00-8:00 pm\nClosing Reception: November 2\, 2:00-5:00 pm\n\nThe U-M Duderstadt Center Gallery presents By Means of a Pencil a solo exhibition by artist and Stamps School of Art & Design LEO Lecturer I Nathan Byrne.\n\nBy Means of a Pencil brings together a body of work centered around the quirky and enigmatic Swiss author Robert Walser. In this exhibition poetic gestures and nods to Walser are able to flourish as visual forms and objects. The work comprises spontaneous and excessively durational works of drawing\, collage\, and sculpture.\n\nFor years\, I have been intrigued by the author Robert Walser’s  mark making which he referred to as his “pencil method” where he would sketch out stories in a radically miniaturized script on diminutive paper fragments. Walser’s pencil method began when he was experiencing severe writer’s cramp and: “hideously and frightfully hated his pen.” He goes on in a letter written in 1927 describing the freeing nature of this process: “I suffered a real breakdown in my hand on account of the pen\, a sort of cramp from whose clutches I slowly\, laboriously freed myself by means of the pencil.”\n\nJust as it was with Walser “by means of a pencil” I was able  to make peace with drawing by radically altering the process by which I approached the act itself. Eventually\, this became processes like my transcription drawings\, in which I write out an entire novel as a form of mark making.\n\nWhile this exhibition mines the Walser archive and the spirit of this author\, this work is just as much about me and my immersion in this “world of Walser.” It is about my own engagement with relationships between language and mark making\, language and sculpture\, language and longing.\n\nThis project was made possible by the generous support of Stamps School of Art & Design at the University of Michigan.\n\nPoster design by Sky Christoph.\n\nHours: 12 – 6 pm\, Tues. – Fri. & Sun.\n\nLocation: 2281 Bonisteel Blvd\, Ann Arbor\, MI 48109
UID:140228-21886779@events.umich.edu
URL:https://events.umich.edu/event/140228
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Arts Initiative,Exhibition,Visual Arts
LOCATION:Duderstadt Center - Gallery 1019
CONTACT:
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