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BEGIN:VEVENT
DTSTAMP:20260508T155502
DTSTART;TZID=America/Detroit:20260613T090000
DTEND;TZID=America/Detroit:20260613T200000
SUMMARY:Exhibition:The People’s Bicentennial
DESCRIPTION:This selection of original artifacts documents the work of the Peoples Bicentennial Commission (PBC)\, which challenged the official\, corporate-sponsored commemoration of the 1976 bicentennial. This year we celebrate the 250th anniversary of the signing of the Declaration of Independence.\n\nItems on display are from the Joseph A. Labadie Collection\, which documents social protest movements and radical history.\n\nHOURS\nSunday 2-8pm\nMonday-Thursday 9am-8pm\nFriday 9am-4pm\nSaturday 11am-5pm
UID:147925-21902447@events.umich.edu
URL:https://events.umich.edu/event/147925
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,History,Library
LOCATION:Hatcher Graduate Library - Hatcher Gallery Exhibit Room (1st floor)
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260605T222022
DTSTART;TZID=America/Detroit:20260613T110000
DTEND;TZID=America/Detroit:20260603T160000
SUMMARY:Conference / Symposium:East Quad (Spring/Summer 2026) (Housing)
DESCRIPTION:
UID:147859-21904451@events.umich.edu
URL:https://events.umich.edu/event/147859
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Sessions
LOCATION:Meet at Community Center
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260511T181505
DTSTART;TZID=America/Detroit:20260613T110000
DTEND;TZID=America/Detroit:20260613T190000
SUMMARY:Exhibition:Fore-Site (Phase 2): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through November 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Ypsilanti-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 12 - November 12) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 2 Curatorial Statement\n\nCurated by Sometimes Space: Sally Clegg (entry pillar)\nCurated by CYNK Studios: Kim Karlsrud (courtyard pillar)\n\nArtists Sally Clegg and Kim Karlsrud wrap the Division Street pillars in highly site-specific ornament unearthed from the overlooked margins of Ann Arbor. On the Courtyard pillar\, Karlsrud scales up photographs of objects found in liminal spaces surrounding campus buildings on Green Road\, which the artist has encrusted in road salt. On the entryway pillar\, Clegg zooms in on tiny fragments of found material from UMich’s famous “rock” to celebrate nearly seven decades of student art and activism. Both artists uplift aggregate of local human activity to reveal tiny worlds of found form. \n\nSally Clegg: Sentimentary Rock\nSentimentary Rock is a composition of paint slag collected from the UMich rock monument at the corner of Washtenaw Avenue and Hill Street. This colorful composite material has been accumulating at the base of the iconic limestone boulder since the mid 1950’s\, when students began a tradition of painting it in acts of protest\, creativity\, and ritual\, sometimes multiple times per week. Akin to byproducts of industry such as “Fordite” (collectable chunks of automotive overspray sometimes called ‘Detroit agate’)\, Sentimentary Rock includes thousands of layers\, each dripped from a palimpsestic public proclamation. When processed\, sculpted\, sealed\, assembled\, and macro-photographed\, the result is this enlarged array of tiny gems\, intended to celebrate the indissoluble student voice. \n\nKim Karlsrud: What Amasses\nWhat Amasses is an assemblage of everyday found objects collected within the Miller Creek watershed\, an urbanized drainage system that encompasses much of the city of Ann Arbor and the University of Michigan campus. Selected objects were immersed in a road salt solution\, allowing delicate crystalline formations to emerge. Road salt is a common material input into these hydrological networks during the winter months and exists in multiple states of refinement\, expression\, coherence\, and fragmentation. Each object was then arranged\, photographed\, and enlarged to recontextualize these materials in ways that invite deeper reflections on how infrastructure and human agency blur notions of the natural and the artificial. \nArtist Statements/Bios\n\nSally Clegg \nSally Clegg is an artist and educator from Pelham\, Massachusetts. Her studio practice is rooted in sculpture and expanded printmaking\, stemming from a fascination with human efforts to make meaning from our relationships to objects. Clegg integrates history\, popular culture\, literature and philosophy as material for artmaking\, leveraging personal anecdote and humor to reveal the complexity\, absurdity\, and theoretical richness at play in our connections to things and to ourselves. \n\nClegg holds an MFA in Art from The University of Michigan Stamps School of Art & Design\, and a BA in Art & English from Goucher College. She has exhibited nationally and internationally\, and her work can be found in permanent collections at Yale University\, The New York Public Library\, and elsewhere. Her artwork and writing has appeared in ASAP/Journal\, BOMB Magazine\, Sculpture Magazine\, and Hyperallergic. She is a lecturer in Art & Design at the University of Michigan. Website / Instagram\n\n\nKim Karlsrud \nKim Karlsrud is the co-founder of Commonstudio\, a collaborative creative practice that develops socio-ecological and spatial interventions\, installations\, and initiatives working with and within urban landscapes. Her work explores the space between art and design\, and is grounded in the concept of the “commons\,” that which is shared\, as well as that which is ordinary\, banal\, and commonplace.\n\nKarlsrud completed her undergraduate degree in Product Design from Otis College of Art and Design and an MFA in Art from the University of Michigan. She is currently an Assistant Visiting Professor in the College of Design at the University of Oregon\, teaching across Art and Landscape Architecture departments. She jointly received the 2014-15 Prince Charitable Trust Rome Prize in Landscape Architecture\, was a 2017 resident at the Headlands Center for the Arts\, and is the 2025-26 Fuller Fieldscape Fellow. Website / Instagram
UID:138032-21903390@events.umich.edu
URL:https://events.umich.edu/event/138032
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
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DTSTAMP:20250828T001529
DTSTART;TZID=America/Detroit:20260613T110000
DTEND;TZID=America/Detroit:20260613T190000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:From September 2025 through August 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Ypsilanti-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they've curated six artists to create new work for the pillars over three cycles:\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA '23) and Erin McKenna (MFA '20)Phase 2 (January 12 - April 12) artists: Sally Clegg (MFA '20) and Kim Karlsrud (MFA '20)Phase 3 (May 12 - August 12) artists: Abhishek Narula (MFA '20) and Nathan Byrne (MFA '21)\nPhase 3 \nCurated by Sometimes Space: Abhishek Narula (entry pillar)Curated by CYNK Studios: Nathan Byrne (courtyard pillar)
UID:138033-21881346@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260605T222021
DTSTART;TZID=America/Detroit:20260613T110000
DTEND;TZID=America/Detroit:20260613T140000
SUMMARY:Conference / Symposium:NORTHWOOD 2025-2026
DESCRIPTION:
UID:135675-21904209@events.umich.edu
URL:https://events.umich.edu/event/135675
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Sessions
LOCATION:U-M Campus Farms at the Matthei Botanical Gardens, 1800 N. Dixboro Road, Ann Arbor MI 48105
CONTACT:
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DTSTAMP:20260511T113400
DTSTART;TZID=America/Detroit:20260613T111500
DTEND;TZID=America/Detroit:20260613T120000
SUMMARY:Tours:Saturday Sampler Tour | Magic in the Ancient World
DESCRIPTION:Explore the ways that people from ancient Mesopotamia\, Egypt\, and Rome used magic for protection\, for healing\, and to seek favor from powers beyond the human realm. Discover how artifacts in the Kelsey were involved in spells\, curses\, and protection to help people make sense of a dangerous world.\n\nThis event is free and open to all visitors. If you have any questions or concerns regarding accessing this event\, please visit our accessibility page at https://myumi.ch/zwPkd or contact the education office by calling (734) 647-4167. We ask for advance notice as some accommodations may require more time for the university to arrange.
UID:148211-21903323@events.umich.edu
URL:https://events.umich.edu/event/148211
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Ancient Egypt,Ancient Mesopotamia,Ancient Rome,Archaeology,Free,History,Magic,Museum,Mythology,Religion,Tour
LOCATION:Kelsey Museum of Archaeology
CONTACT:
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DTSTAMP:20260324T094536
DTSTART;TZID=America/Detroit:20260613T120000
DTEND;TZID=America/Detroit:20260613T160000
SUMMARY:Exhibition:Creating the Future of Medicine for 175 Years
DESCRIPTION:As the Medical School celebrates the anniversary of its opening in the fall of 1850\, and Michigan Medicine marks the 100th anniversary of the opening of the \"Old Main\" University Hospital that served as its flagship from 1925 to 1986\, a free museum exhibit explores 175 years of medical education\, research and clinical care. \n\nOpen to the public at the Museum on Main Street operated by the Washtenaw County Historical Society\, the exhibit includes artifacts\, photos and facts about how U-M's medical community grew from humble beginnings on the Diag to become one of the nation's largest and most respected academic medical centers. It also asks visitors to ponder their own attitudes and experiences\, and to submit memories and photos of their time working\, studying\, volunteering or receiving care at U-M's medical campus and beyond. There are also activities for young visitors.\n\nThe museum is open to the public every Saturday and Sunday from 12 p.m. to 4 p.m.\n\nFull details about the exhibit\, including parking instructions and how to book a free private group tour on a weekday\, are available at http://michmed.org/museum\n\nThe museum has an accessible entrance at the rear of the building.
UID:139428-21899857@events.umich.edu
URL:https://events.umich.edu/event/139428
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:History,Life Science,Medicine,Museum,Nursing
LOCATION:Off Campus Location
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260521T181508
DTSTART;TZID=America/Detroit:20260613T120000
DTEND;TZID=America/Detroit:20260613T170000
SUMMARY:Exhibition:Marianetta Porter: Breath\, Fragment\, Return
DESCRIPTION:\n\nCurated by Juana Williams\, this exhibition examines how Marianetta Porter uses everyday objects\, fragments\, and embodied memory to make absence an active\, living presence while challenging linear histories. Rooted in African American experience\, her practice treats what is discarded\, overlooked\, or missing not as loss\, but as a source of meaning that continues to act on the present. Through her process and materials\, Porter reveals how memory is carried in the body and embedded in ordinary things. Her work also resists forward-moving notions of time\, instead presenting a diasporic temporality in which past\, present\, and lived experience circulate together through repetition\, touch\, and recall. In doing so\, Porter proposes a vision of history as unfinished\, memory as active\, and absence as a force that sustains connection and shapes the present. \n\nMarianetta Porter is a visual artist and product designer whose research and creative practice are grounded in the study of African American history\, culture\, and representation. Through the language of visual art\, she draws connections between historic memory and contemporary African American life\, giving voice to the history of the African diaspora while acknowledging its central influence on the birth and flourishing of American culture.\n\nHer work has been exhibited nationally at institutions such as the Indianapolis Museum of Art\, the Chicago Museum of Science and Industry\, the Spoleto Festival\, the Harriet Tubman Museum\, and the Hampton University Museum of Art.\n\nShe earned her Bachelor of Fine Arts from Hampton University and her Master of Fine Arts from the University of Michigan. The recipient of numerous awards\, Porter is Professor Emeritus at the University of Michigan’s Stamps School of Art and Design.\n\nJuana Williams is a curator and writer whose work explores the intersections of cross-border intellectual history\, cultural memory\, and identity formation as expressed through modern and contemporary art from Africa and its diasporas.\n\nWilliams has held curatorial and academic appointments at organizations including the Detroit Institute of Arts\, Library Street Collective\, Wayne State University\, and the Urban Institute for Contemporary Art. Her curatorial projects have been presented at institutions across the United States and France\, including the Grand Rapids Art Museum\, the Muskegon Museum of Art\, Palais de Tokyo (Paris)\, and the Westmoreland Museum of American Art. In addition\, she has presented lectures at various museums and universities and contributed to numerous exhibition catalogs. Her work has been written about in publications such as Artsy\, Beaux Arts Magazine\, Condé Nast Traveller\, Michigan Chronicle\, and Observer. Williams holds a BA in Fine Art and an MA in Art History from Wayne State University.
UID:147625-21901377@events.umich.edu
URL:https://events.umich.edu/event/147625
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
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