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BEGIN:VEVENT
DTSTAMP:20250812T084404
DTSTART;TZID=America/Detroit:20260114T000000
DTEND;TZID=America/Detroit:20260114T235900
SUMMARY:Workshop / Seminar:2026 Leadership Crisis Challenge Application Window
DESCRIPTION:The application window for the 2026 Leadership Crisis Challenge (LCC) opens on Wednesday\, January 7!\n\nLCC is a premier action-based learning experience that immerses participants in a simulated business and media crisis\, powered by the Sanger Leadership Center at Michigan Ross. Students play the part of executives responding to the issues as they unfold\, while leveraging the expertise of communication coaches\, faculty\, and a board of directors made up of esteemed U-M alumni\, to prepare for a press conference attended by real members of the media.\n\nThis year's LCC will be held on January 29-30 and is open to ALL U-M students. There are two levels of competition—graduate and undergraduate. Two undergraduate teams and two graduate teams will receive a scholarship\, split among participants. In addition to the competition\, there will be educational workshops\, a networking session\, and access to the Big House field.\n\nDon't miss out on this amazing\, one-of-a-kind opportunity! Apply by January 21.
UID:137307-21880109@events.umich.edu
URL:https://events.umich.edu/event/137307
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Business,Career,Food,Free,Graduate,Graduate Students,Interdisciplinary,Leadership,Networking,Personal Development,Professional Development,Scholarship,Undergraduate,Undergraduate Students
LOCATION:Off Campus Location
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260105T142534
DTSTART;TZID=America/Detroit:20260114T080000
DTEND;TZID=America/Detroit:20260114T170000
SUMMARY:Exhibition:II Photo Contest Exhibit
DESCRIPTION:The International Institute (II) will be exhibiting all photos submitted to the 2024-25 II Photo Contest. The contest was open to all students affiliated with the II and/or its centers and programs\, either through funding or study.\n\nSubmission categories include:\nGo Blue! - Showing U-M pride abroad\nThe World Is Your Classroom - Showing a facet of the student’s research\, work\, or study abroad\nEncounters & Vistas - Discovering cultural differences\, encountering the unfamiliar\, and finding unexpected moments abroad\n\nOn display through January 30\, 2026.\nLocation: Room 547 Weiser Hall\, 5th Floor Gallery Space
UID:143218-21892489@events.umich.edu
URL:https://events.umich.edu/event/143218
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,International Education,international institute,Photo Exhibit,photography,visual arts
LOCATION:Weiser Hall - Room 547
CONTACT:
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DTSTAMP:20260224T144435
DTSTART;TZID=America/Detroit:20260114T090000
DTEND;TZID=America/Detroit:20260114T100000
SUMMARY:Exercise / Fitness:Chair Aerobics/Stretch\, Strength & Balance/Zumba
DESCRIPTION:Lifetime Fitness classes are offered at Briarwood Mall in the JCPenney wing every Monday-Friday from 9-10am. No experience necessary. Classes are specifically designed for older adults\, however\, everyone is welcome. LTF classes are free\, but please consider making a $2/person per class donation as our classes are supported strictly through donations. No registration is necessary\, simply attend when it fits your schedule.
UID:134855-21892574@events.umich.edu
URL:https://events.umich.edu/event/134855
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:fitness,Health & Wellness
LOCATION:Off Campus Location - JCPenney Wing
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20251118T140117
DTSTART;TZID=America/Detroit:20260114T090000
DTEND;TZID=America/Detroit:20260114T170000
SUMMARY:Exhibition:ICE in the Heartland: Community Impacts of Worksite Immigration Raids
DESCRIPTION:ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media\, classroom\, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan\, led by Professor William Lopez\, and the University of Iowa\, led by Professor Nicole Novak\, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa\, Nebraska\, Ohio\, Tennessee\, and Texas. The researchers visited these sites\, spoke to advocates\, detainees\, their families\, and other community members. In conversation with the seventy-seven interviews\, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies\, analysis on the public health detriments to immigration worksite raids and deportation\, insights to the artists’ methods\, and the curricular materials used in public outreach programs. \n\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women’s and Gender Studies\, U-M.
UID:139065-21889765@events.umich.edu
URL:https://events.umich.edu/event/139065
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Activism,advocacy,Art,Education,Exhibition,free,Human Rights,immigration,Inequality,institute for research on women and gender,irwg,public health,research,social inequality,social justice,Storytelling,Visual Arts
LOCATION:Lane Hall - Lane Hall Exhibit Space--First Floor
CONTACT:
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DTSTAMP:20251212T105136
DTSTART;TZID=America/Detroit:20260114T090000
DTEND;TZID=America/Detroit:20260114T200000
SUMMARY:Exhibition:Materia Magica: Materiality and Ritual in the Greco-Roman World
DESCRIPTION:View a diverse array of artifacts which were created to communicate with and call upon various unseen\, supernatural forces for aid and protection. While the objects on display are disparate at first glance\, ranging from lead tablets and amulets to papyrus and parchment leaves\, they all share a common thread: they have long been labeled as \"magical\" in traditional Western scholarship.\n\nHowever\, each of these artifacts is better understood on a broad spectrum of ancient ritual\, from subversive and transgressive acts to highly social and visible ones. The exhibit highlights the objects’ oft-overlooked material dimensions\, asking us to consider how qualities like color\, texture\, and weight shaped an object’s perceived efficacy and meaning. \n\nThis exhibit was a collaboration\, and displays items from several University of Michigan units: the library’s Special Collections Research Center and Papyrology Collection\, the Museum of Natural History\, and the Kelsey Museum of Archaeology. It was curated by Abigail Staub\, PhD Candidate\, Interdepartmental Program in Mediterranean Art & Archaeology.\n\nAnna Bonnell Freidin\, U-M associate professor of history\, will talk about \"Healing the Womb: Uterine Amulets in the Roman World\" (https://events.umich.edu/event/142418) on January 16.
UID:142417-21890827@events.umich.edu
URL:https://events.umich.edu/event/142417
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Archaeology,Free,Library
LOCATION:Hatcher Graduate Library
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260123T132939
DTSTART;TZID=America/Detroit:20260114T090000
DTEND;TZID=America/Detroit:20260114T163000
SUMMARY:Exhibition:Stamping and Stomping: community inspired relief prints
DESCRIPTION:Currently based in Ann Arbor\, Paloma Núñez-Regueiro is a Mexican printmaker born in Lima\, Peru. Paloma attended art college in Mexico\, where she came face to face with printmaking during her first year at the Facultad de Artes Plásticas (College of Arts) in Xalapa\, Veracruz. She became fascinated with the possibilities that printmaking offers\, as well as its importance in popular resistance throughout history. In 1997\, she transferred to the Rochester Institute of Technology with an International Student Scholarship.\n-- \n\nAmongst the subjects that interest her are human migration\, social in-visibility\, and the intrinsic relation of humans to the universe as well as our dislocated relationship to it. She currently explores the vicissitudes of minorities and their stories in order to create a better understanding of their issues. By offering portraits of minorities and their stories\, Nunez-Regueiro’s goal is to create supportive communities for those who need to feel rooted in their geographical space and their present time. \n\nNúñez-Regueiro work is closely related to her experiences of living abroad — the impermanence\, the precarious construction of one's present and even less of one’s future. It is about the rootlessness of those of us who move from place to place. She is an incessantly positive artist and she profoundly believes in art as a tool to create the social change that can lead us to thoughtful actions\, and the bettering of ourselves and our communities.
UID:144223-21894895@events.umich.edu
URL:https://events.umich.edu/event/144223
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:art,artists,arts,Arts Ambassadors,Arts And Ideas In The Humanities,arts at michigan,Arts Initiative,Culture,Free,Humanities,Interdisciplinary,multicultural,Social Impact,social justice,visual arts
LOCATION:East Quadrangle - RC Art Gallery
CONTACT:
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DTSTAMP:20251212T085640
DTSTART;TZID=America/Detroit:20260114T090000
DTEND;TZID=America/Detroit:20260114T210000
SUMMARY:Exhibition:The Evolution of Campus\, 1838-1963: A Cartographic Celebration of U-M's History
DESCRIPTION:Learn about the campus’ history and architecture and explore the campus that might have been. This exhibit highlights the U-M Ann Arbor campus\, both before its creation and throughout its continuous evolution. Featuring the work of famous architects such as Alexander Jackson Davis\, Albert Kahn and Eero Saarinen\, the exhibit presents maps\, plans\, architectural drawings\, proposals\, and photographs of the campus throughout its evolution.  \n\nThis exhibit was originally part of a larger exhibit displayed from July 2017 to January 2018 to commemorate U-M's bicentennial.
UID:138431-21890592@events.umich.edu
URL:https://events.umich.edu/event/138431
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,Library,Maps
LOCATION:Hatcher Graduate Library - Clark Library (2nd floor)
CONTACT:
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DTSTAMP:20251216T100358
DTSTART;TZID=America/Detroit:20260114T090000
DTEND;TZID=America/Detroit:20260114T170000
SUMMARY:Exhibition:Tukilile Vaa
DESCRIPTION:Kaloki Nyamai is a multidisciplinary artist based in Nairobi. His practice explores Kenya's histories and collective memory\, blending Kamba traditions with contemporary narratives. Using acrylic paint\, rope\, photo transfers\, and stitched yarn\, his free-hanging immersive works blur the boundaries between painting\, sculpture\, and installation. For his U-M project\, Nyamai will present one large unstretched piece and two framed paintings at the Institute for the Humanities\, as well as a second free-hanging work at the U-M Museum of Art.\n\nThe physicality of his complex constructions inspire wonder in the viewer. The works are vast in scale\, embedded with stories\, where past and future merge both poetically and conceptually. In each composition\, the artist proposes a powerful alternative to the flatness of singular narratives of Kenyan history and identity presented as the definitive postcolonial account. He likens the formal act of stitching to symbolically unifying a wounded or fractured community.\n\nNyamai founded the Kamene Cultural & Research Center in Nairobi\, a creative and collaborative hub dedicated to the preservation\, promotion\, and innovation of African cultural practices.\n\nAbout the artist:\nKaloki Nyamai (*1985 in Kitui\, Kenya) is a multidisciplinary artist working with installation\, painting\, and sculpture based in Nairobi. From an early age\, his mother introduced him to painting and taught him to draw\, fostering an ever-lasting interest in art throughout his life. He often finds inspiration in his grandmother’s stories of the Kamba people\, a Bantu ethnic group of eastern Kenya. Using materials like acrylic paint\, sisal rope\, photo transfers\, and stitched yarn\, Nyamai’s free-hanging pieces evoke the healing of historical wounds and a collective yearning for renewal. His works blur the boundaries between painting\, sculpture\, and installation\, creating cohesive\, immersive experiences where past\, present\, and future converge poetically.\n\nNyamai studied Interior Design at the Buruburu Institute Of Fine Arts (BIFA) and then pursued painting after working in other creative fields. His large-scale paintings and mixed-media installations intricately explore historical narratives\, examining their resonance in the present. Nyamai has shown his work across the globe in solo exhibitions at the Norval Foundation\, Cape Town (2024)\; James Cohan Gallery\, New York (2024)\; Galerie Barbara Thumm\, Berlin (2023 and 2022)\; SEPTIEME Gallery\, Paris (2019)\, and other venues. In 2023\, he featured part of his series Dining in Chaos in the “Unlimited” section at Art Basel in Basel. He has participated in group exhibitions and biennials\, most recently at the Sharjah Biennial 16\, Sharjah (2025)\; The Völklinger Hütte\, Völklingen (2024)\; the Kenyan Pavilion at the Venice Biennale\, Venice (2022)\; and the Dakar Biennale (2022). His works are part of numerous private and institutional collections around the world\, such as the Dallas Art Museum\, the Southern African Foundation for Contemporary Art\, and the Arthur Primas Museum.
UID:142791-21891538@events.umich.edu
URL:https://events.umich.edu/event/142791
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Exhibition,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
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