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BEGIN:VEVENT
DTSTAMP:20260218T060240
DTSTART;TZID=America/Detroit:20260309T000000
DTEND;TZID=America/Detroit:20260309T235959
SUMMARY:Other:FULL SEMESTER SCHEDULE
DESCRIPTION:This is a schedule of all our events happening this semester. Please follow the instagram or email iazamora@umich.edu to get on the email list for more information. 
UID:145222-21896845@events.umich.edu
URL:https://events.umich.edu/event/145222
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:
LOCATION:Mason Hall
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260309T080000
DTEND;TZID=America/Detroit:20260309T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893017@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition,Armenian Studies,Area Studies,history
LOCATION:
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260223T141911
DTSTART;TZID=America/Detroit:20260309T084500
DTEND;TZID=America/Detroit:20260309T164500
SUMMARY:Exhibition:America at 250: Reflections on the Bicentennial
DESCRIPTION:The Gerald R. Ford Presidential Library is proud to announce the opening of a new exhibit\, America at 250: Reflections on the Bicentennial.\n\nThe exhibit explores how President Ford joined Americans across the country in commemorating the Bicentennial. Highlighting some of the nationwide celebrations in 1976 and public gifts given to President Ford\, the exhibit asks visitors to reflect on our own Semiquincentennial commemorations.\n\nThe exhibit\, located in the Library's lobby\, will be free to visitors and will be available until December 3\, 2026.
UID:145837-21897883@events.umich.edu
URL:https://events.umich.edu/event/145837
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:American Bicentennial,American History,Bicentennial,History,President Gerald Ford
LOCATION:Gerald Ford Library - Lobby
CONTACT:
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DTSTAMP:20260224T144435
DTSTART;TZID=America/Detroit:20260309T090000
DTEND;TZID=America/Detroit:20260309T100000
SUMMARY:Exercise / Fitness:Chair Aerobics/Stretch\, Strength & Balance/Zumba
DESCRIPTION:Lifetime Fitness classes are offered at Briarwood Mall in the JCPenney wing every Monday-Friday from 9-10am. No experience necessary. Classes are specifically designed for older adults\, however\, everyone is welcome. LTF classes are free\, but please consider making a $2/person per class donation as our classes are supported strictly through donations. No registration is necessary\, simply attend when it fits your schedule.
UID:134855-21897690@events.umich.edu
URL:https://events.umich.edu/event/134855
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:fitness,Health & Wellness
LOCATION:Off Campus Location - JCPenney Wing
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260317T171335
DTSTART;TZID=America/Detroit:20260309T090000
DTEND;TZID=America/Detroit:20260309T163000
SUMMARY:Exhibition:Exhibition: Wayward Images
DESCRIPTION:March 9-April 3\, 2026\n--\nThe public is cordially invited to an artist's reception on Wednesday\, March 27th at 4:30 pm in the RC Art Gallery.\n--\n\nPublic Workshop: On March 19th from 1 to 3pm\, join exhibiting artist Stamps School of Art & Design Assistant Professor Angela Chen for a collaborative bookmaking workshop! Drawing on the themes from her latest book and exhibition After School 課後\, participants are invited to critique educational systems by cutting up old textbooks and creating new photocopy collages. All materials will be provided\, but participants are welcome to bring their own texts to deconstruct!\n\n--\nAngela Chen - Artist Statement: Angela Chen’s After School brings together collage\, sculpture\, and new and historical photographs to unpack the culture of after school tutoring centers in California. Known as 補習班 (buxiban) in Chinese\, after schools are referred to colloquially as “cram schools” and by scholars as “shadow education.” Operating simultaneously as spaces of community\, care\, and control\, these schools can be demanding and factory-like\; but they also deliver essential childcare services to busy parents\, many of whom are new immigrants. As a child and young adult\, Chen attended and worked at Futurelink School\, a buxiban and her parents’ business. Located in the San Gabriel Valley\, CA\, Futurelink served hundreds of primarily East Asian students\, providing them with homework help and supplemental English and math lessons. Inspired by Futurelink’s vast archive of photographs\, workbooks\, objects\, and advertisements\, After School explores the role of education in Asian American enclaves and challenges stereotypes about Asian American students. Assemblages combine Futurelink photographs with photographs of California Chinese schools during the Chinese Exclusion era to reflect on the ongoing legacies of racism\, segregation\, and US immigration policy within the Asian American experience.\n\nAaron Turner - Artist Statement: Aaron Turner’s Black Alchemy (2014 - Present) speaks to the broad spectrum of identity and speculative aesthetics\, drawing from lived experience\, archives\, American history\, and art history. He uses the light in combination with the Darkroom\, alternative and 19th-century printing processes\, the view camera (4x5 & 8x10)\, geometric abstraction\, assemblage\, and monochromatic pictorial experimentation to respond to internal questions about representation\, the discursive enterprise\, and the artists' role in the studio space.\nBlack Alchemy provides a lens through which he sees the world while simultaneously considering the past\, present\, and future\, translating knowledge and perspective outside the intellectual studio space.\n\nRicky Weaver - Artist Statement: Ricky Weaver’s work co-conspires with the poetics and temporality of Black feminist metaphysics embeded in the Black Quotidian. These images locate a code that can be traced back to the Middle Passage—one that disrupts the paradigmatic ways of archiving Blackness and outsmarts surveillance technologies as such. Her application of scripture\, hymn\, and colloquial passages come together in acts of dark sousveillance to recall language that implies worlds that don’t require an escape. She addresses the sonic\, linguistic\, and visual as a way to posture the body as a central apparatus for storing\, downloading\, and transferring archives.
UID:146709-21899514@events.umich.edu
URL:https://events.umich.edu/event/146709
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:arts,art and design,art,arts at michigan,artists and curators,artists,Art Workshop
LOCATION:East Quadrangle - RC Art Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260306T130452
DTSTART;TZID=America/Detroit:20260309T090000
DTEND;TZID=America/Detroit:20260309T163000
SUMMARY:Exhibition:From Freddy to Quentin: The On-Set Still Photography of Joyce Rudolph
DESCRIPTION:Joyce Rudolph has photographed some iconic actors and characters in her role as still photographer for the movies. This sampling of images from her papers\, which are housed as part of the Special Collections Research Center's Mavericks & Makers collection\, include the first images of Freddy Krueger in \"A Nightmare on Elm Street\,\" Arnold Schwenegger in \"The Terminator\,\" legends Jack Nicholson\, Diane Keaton\, Sean Penn\, and Robert DeNiro\, as well as directors such as Quentin Tarantino\, Martin Scorsese\, and her husband\, Alan Rudolph.
UID:146264-21898746@events.umich.edu
URL:https://events.umich.edu/event/146264
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Library,Free
LOCATION:Hatcher Graduate Library - Special Collections Research Center, 6th floor
CONTACT:
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DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260309T090000
DTEND;TZID=America/Detroit:20260309T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891473@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Visual Arts,North Campus,Free,Exhibition,Detroit,Culture,ArtsEngine,Art
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20251212T105136
DTSTART;TZID=America/Detroit:20260309T090000
DTEND;TZID=America/Detroit:20260309T200000
SUMMARY:Exhibition:Materia Magica: Materiality and Ritual in the Greco-Roman World
DESCRIPTION:View a diverse array of artifacts which were created to communicate with and call upon various unseen\, supernatural forces for aid and protection. While the objects on display are disparate at first glance\, ranging from lead tablets and amulets to papyrus and parchment leaves\, they all share a common thread: they have long been labeled as \"magical\" in traditional Western scholarship.\n\nHowever\, each of these artifacts is better understood on a broad spectrum of ancient ritual\, from subversive and transgressive acts to highly social and visible ones. The exhibit highlights the objects’ oft-overlooked material dimensions\, asking us to consider how qualities like color\, texture\, and weight shaped an object’s perceived efficacy and meaning. \n\nThis exhibit was a collaboration\, and displays items from several University of Michigan units: the library’s Special Collections Research Center and Papyrology Collection\, the Museum of Natural History\, and the Kelsey Museum of Archaeology. It was curated by Abigail Staub\, PhD Candidate\, Interdepartmental Program in Mediterranean Art & Archaeology.\n\nAnna Bonnell Freidin\, U-M associate professor of history\, will talk about \"Healing the Womb: Uterine Amulets in the Roman World\" (https://events.umich.edu/event/142418) on January 16.
UID:142417-21890881@events.umich.edu
URL:https://events.umich.edu/event/142417
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Archaeology,Library,Free
LOCATION:Hatcher Graduate Library
CONTACT:
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