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BEGIN:VEVENT
DTSTAMP:20260813T153859
DTSTART;TZID=America/Detroit:20260902T000000
DTEND;TZID=America/Detroit:20260902T230000
SUMMARY:Other:Ross Leaders Academy (RLA) Application Window
DESCRIPTION:The Sanger Leadership Center invites you to apply for the Ross Leaders Academy (RLA)\, a devoted group of students who want to develop the mindset and skills needed to be influential at U-M and beyond. As an RLA fellow\, you will learn from diverse peers\, receive 1:1 and group coaching\, and engage with 50+ years of robust research advanced by the University of Michigan’s innovative faculty. You’ll emerge from RLA more confident\, insightful\, and with a vision to fuel your emerging career.\n\nRLA kicks off in the fall with an exciting event and wraps up in the spring with a closing celebration. The program is open to all University of Michigan graduate students and undergraduate juniors and seniors.\n\nThis program is generously sponsored by the Deloitte Foundation.\n\n2026-2027 APPLICATION WINDOW: 9/2-9/16\n\nInterested in learning more about RLA? Attend the Sanger Info Session on 9/9 in Blau Colloquium from 4:30–5:30 PM.
UID:150242-21908442@events.umich.edu
URL:https://events.umich.edu/event/150242
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Business,Professional Development,Personal Development,Networking,Leadership,Inclusion,Graduate Students,Graduate School,Graduate,Free,Food,Discussion,Culture,Career,Undergraduate,Undergraduate Students
LOCATION:Off Campus Location
CONTACT:
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DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260902T070000
DTEND;TZID=America/Detroit:20260902T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907822@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
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DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20260902T080000
DTEND;TZID=America/Detroit:20260902T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907699@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Ukraine,russia
LOCATION:Weiser Hall - Room 547
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260821T171517
DTSTART;TZID=America/Detroit:20260902T080000
DTEND;TZID=America/Detroit:20260902T230000
SUMMARY:Exhibition:Echoes of the Past: Greektown as Seen by Sam Karres
DESCRIPTION:Explore the personal sketchbooks of Sam Karres\, Greek-American painter and artist\, as he illustrates the daily life of residents in Greektown\, Detroit. This exhibit highlights Detroit’s Greek-American community and urban scenery during the late 20th century. Experience art and life through Sam’s eyes with scenes of music\, dance\, restaurants\, and the faces of the community. Let the vivid watercolor paintings and expressive sketches transport you to a Greektown of the past\, and learn more about Sam Karres’ life as an artist.\n\nFeaturing works from the Sam Karres Archive\, 1955-2012\, held by the University of Michigan Library's Special Collection Research Center. Curated by Annelie Zissis and Arthur Pfeifer-Rubey\, Library Engagement Fellows.
UID:146151-21910035@events.umich.edu
URL:https://events.umich.edu/event/146151
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,Library
LOCATION:Hatcher Graduate Library - Clark Library, 2nd Floor
CONTACT:
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DTSTAMP:20260821T171653
DTSTART;TZID=America/Detroit:20260902T080000
DTEND;TZID=America/Detroit:20260902T230000
SUMMARY:Exhibition:Muted Volumes: Book-Objects\, Patterned Papers\, and the Closed Stacks of Buhr
DESCRIPTION:This exhibit in the Clark Library rotunda focuses on handmade decorative patterned papers when exploring books stored at the library's Buhr Offsite Shelving Facility. Decorative paper\, noticed when walking through the stack's aisles or surprising you when you casually flip through a book\, can really catch your eye. But because the Buhr stacks are closed from browsing\, the density and dimensionality of its nearly 3 million books are reduced to title searches on a screen.\n\nAs a response to these reflections\, artist and library staff member Stephanie Osorio shares her handbound unopenable book-objects as symbolic stand-ins for forgotten books at Buhr — the books that don’t get a chance to be noticed. Along with the book-objects are the carved woodblocks that made prints to decorate them. Some books from Buhr that inspired this project with their original decorated patterned papers will also be on display.\n\nView the exhibit anytime the Hatcher Library is open\, and join us for an opening reception on Thursday\, May 14th\, 5pm - 6:30pm\, for an opportunity to hear from the artist and engage with the book-objects.
UID:147739-21910046@events.umich.edu
URL:https://events.umich.edu/event/147739
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Library,Free
LOCATION:Hatcher Graduate Library - Clark Library, 2nd Floor
CONTACT:
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DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20260902T080000
DTEND;TZID=America/Detroit:20260902T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907463@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Art,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260814T155149
DTSTART;TZID=America/Detroit:20260902T090000
DTEND;TZID=America/Detroit:20260902T170000
SUMMARY:Exhibition:Ballad for Rodney
DESCRIPTION:The Institute for the Humanities’ presentation of Cosmo Whyte’s* Ballad for Rodney* (2024) is organized as part of Whyte’s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet\, Beyond the Eye*.\n\nThis “curtain painting” operates simultaneously as painting and sculpture\, inviting the viewer to physically engage with the surface\, passing through to another layer underneath. Named in reference to Rodney King\, the African American man who was a victim of police brutality in LA in 1991\, the kinetic artwork intends to bring into question the relationship between the body and the artwork. Through direct engagement with image and materiality\, it shifts one’s idea of an archive from a static memory to a lived embodied experience.\n\nAbout the artist\nCosmo Whyte (b. 1982\, St. Andrew\, Jamaica) is an interdisciplinary artist who employs drawing\, installation\, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives\, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022\, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte’s work has been exhibited nationally and internationally\, including at MOCA Georgia\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; The High Museum of Art\, Atlanta\, GA\; The Drawing Center\, New York\, NY\; Atlanta Contemporary\, Atlanta\, GA\; Centre Georges Pompidou\, Paris\, France\; and the National Gallery of Jamaica\, Kingston\, Jamaica\, among others. His work is in public museum collections including the High Museum\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; International African American Museum\, Charlotte\, NC\; MOCA Georgia\, Atlanta\, GA\; National Gallery of Jamaica\; Pérez Art Museum Miami\, among others. Whyte lives and works between Montego Bay\, Jamaica and Los Angeles\, CA.
UID:150287-21908765@events.umich.edu
URL:https://events.umich.edu/event/150287
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Humanities,Art,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260822T032053
DTSTART;TZID=America/Detroit:20260902T090000
DTEND;TZID=America/Detroit:20260902T100000
SUMMARY:Conference / Symposium:Stockwell (2026-2027) (Housing)
DESCRIPTION:
UID:150491-21909545@events.umich.edu
URL:https://events.umich.edu/event/150491
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Sessions
LOCATION:Rosa Parks
CONTACT:
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