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DTSTAMP:20260826T075841
DTSTART;TZID=America/Detroit:20261001T000000
DTEND;TZID=America/Detroit:20261001T235900
SUMMARY:Social / Informal Gathering:LSA@Play: Pop-Up Free Lunch
DESCRIPTION:The best surprises happen between classes! Keep an eye out during the week of Sept 28 for a pop-up lunch in Regents Plaza. Subscribe to our text updates to be the first to know when and where to find free sliders and fries! \n\nSubscribe (https://lsa.umich.edu/lsa/news-events/events/lsa-play.html#Subscribe)\n\nGrab a bite and take a break with fellow LSA students. Vegan and gluten-free options available.\n__________\nFor LSA undergrads only. Join us for LSA@Play\, a series of events designed to bring students together\, build community\, and make time for fun\, new experiences\, and well-being. From creative activities and social events to opportunities to recharge and try something new\, LSA@Play offers plenty of ways to get involved. And yes\, there’s free food and LSA swag\, too!\n\nVisit the LSA@Play webpage (lsa.umich.edu/play) for more details\, subscribe to receive text/email updates\, and check for additional events being added soon! Events are first-come\, first-served\, while supplies last. One swag item per student. You must be present with an MCard to receive swag.\n\nAccessibility: LSA values inclusion and access for all. Reasonable accommodations are available. Please email lsaatplay@umich.edu with accommodation requests or questions. Advance notice is appreciated to allow time to arrange accommodations.
UID:150925-21910443@events.umich.edu
URL:https://events.umich.edu/event/150925
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Food,Well-being,Welcome to Michigan,Undergraduate Students,Free
LOCATION:Regents Plaza
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260921T181519
DTSTART;TZID=America/Detroit:20261001T070000
DTEND;TZID=America/Detroit:20261001T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" \n\nStamps Lecturer & Student Exhibitions Coordinator Sally Clegg notes\, \"Each student takes their own path\, encountering questions that can shape the direction of their creative practice—how do I manage my time? How much constraint vs. freedom do I thrive on? What subject matter do I care about most deeply? How do my ideas about my future goals intersect with the work I want to make now?\" At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review\, and a faculty panel offers individualized feedback. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. The pieces on view span a wide array of media and capture a specific moment in each maker’s path: experiments in previously unfamiliar methods\, emergent passions\, creative risks taken\, iterations and reiterations\, and the seeds of so much future work.\n\nAs Course Coordinator\, Stamps Assistant Professor Pedram Baldari both teaches and works directly with all the faculty overseeing each section to collaboratively support the entire class. He offers this reflection on the diverse collection of work on view in this year’s exhibition.\n\nThese works engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\nSYS is intentionally structured around a different learning model than project-based courses. Rather than responding to predetermined assignments\, students identify their own questions and spend an entire semester developing them through research\, experimentation\, critique\, and multiple iterations. The emphasis is not on arriving quickly at a resolved outcome\, but on cultivating the capacity to work independently\, remain responsive to new discoveries\, and allow the project itself to evolve through sustained engagement.\n\nAs a result\, the exhibition presents more than a collection of finished works. It documents different ways of investigating\, testing\, and refining ideas. Some students advance through material experimentation\, others through drawing\, installation\, performance\, digital media\, social engagement\, or speculative approaches. Each project reflects a distinct methodology that has developed through repeated cycles of making\, reflection\, critique\, and revision. In a sense\, the dialectical process generated by the nature of this course is the most significant thread connecting this year’s exhibition. It marks a point at which students begin moving beyond solving assignments toward constructing independent practices\, developing the habits of inquiry\, critical reflection\, and experimentation that will continue to shape their work well beyond SYS.\n\n\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907851@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260818T121511
DTSTART;TZID=America/Detroit:20261001T080000
DTEND;TZID=America/Detroit:20261001T170000
SUMMARY:Exhibition:Camille Ann Brewer\, MFA\, MLIS
DESCRIPTION:Camille Ann Brewer lives and works in the City of Detroit\, Michigan.  Through the process of textile construction\, Brewer’s artwork intersects cartographic and photographic images that speak to specific spaces and time. Weaving together of physical place\, memory with time is the core subject of this body of work.  \n\nThe artwork is built with time-period paper maps\, which illustrate spatial geography and political territory\; along with paper-collaged images of people\, places and things\, which tie directly to the history and human relationships in space.  In patterns that support the artwork’s theme\, the two disparate paper elements are then woven together to create a serendipitous making and aesthetic experience.
UID:150411-21909354@events.umich.edu
URL:https://events.umich.edu/event/150411
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Reception,Art,North Campus,Humanities,Exhibition,Diversity Equity and Inclusion,Diversity,Detroit,Culture,ArtsRx,ArtsEngine,Alumni,Visual Arts,Women's Studies
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260911T104038
DTSTART;TZID=America/Detroit:20261001T080000
DTEND;TZID=America/Detroit:20261001T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907728@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Ukraine,russia
LOCATION:Weiser Hall - Room 547
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260814T155307
DTSTART;TZID=America/Detroit:20261001T080000
DTEND;TZID=America/Detroit:20261001T230000
SUMMARY:Exhibition:Down in Ann Arbor Town: Pictorial Maps\, Campus Traditions\, and the Women Who Made Them
DESCRIPTION:Celebrate the centennial of the iconic 1926 “Down in Ann Arbor Town” map by exploring the colorful history\, campus traditions\, and detailed artistry that made it possible. Created by Jessie Horton Koessler (Class of 1901) to help fund the Michigan League building for women\, this celebrated map provides a fascinating view into 1920s campus life and the women who shaped it. Through three distinct exhibit sections\, journey from the campus history that led to the map’s creation to a broader look at early 20th-century pictorial mapmaking.\n\nWhile enjoying the exhibit\, pick up a scavenger hunt at the Clark Library desk that will inspire you to notice whimsical details in the maps discussed. Return your scavenger hunt at the desk for a small prize\, while supplies last.\n\nJoin the curators — Ava Pustulka (’28) and Anna Rohl\, map curator at Clark Library — for a presentation on September 24 (https://myumi.ch/X8y3r)\, where they will share the research that went into creating the exhibit.
UID:150290-21908809@events.umich.edu
URL:https://events.umich.edu/event/150290
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Maps,Library,Free
LOCATION:Hatcher Graduate Library - Clark Library, 2nd Floor
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260818T114238
DTSTART;TZID=America/Detroit:20261001T080000
DTEND;TZID=America/Detroit:20261001T170000
SUMMARY:Exhibition:Lila Kadaj Exhibition
DESCRIPTION:Lila Kadaj received her MFA from Wayne State University. Her work has been shown at numerous institutions\, including the Detroit Institute of Arts\, the Cranbrook Art Museum\, and the Arab American National Museum.  She spent nearly 27 years teaching art at Detroit Public schools.\n\nArtist statement: “When looking at a beautiful flower.  It’s just itself.  Just there......no .....it does not proclaim its purpose for blooming is to make people happy. It just is. Like standing in front of an easel and painting........just is.......no matter......what proclamations may be concluded to sway the viewer. Same thing goes for fine art.  It’s not about I am a woman....it’s not about I am a first generation Arab American.....it’s not about being a child of trauma....it’s not about a member of my family being gunned down on the street....it’s about being born a painter.....standing in front of my easel and working to create a \"Piece of Fine Art\". Not standing on some soap box and expecting my words to somehow qualify my painting. It’s the painting\, drawing or sculpture that must speak on its own.......on how the artist......via the intellect and muse uses the elements to create something distinct and first rate.   It can be quiet or loud. I see so much very weak work uplifted not for its quality but because it’s in fashion.”
UID:150406-21909190@events.umich.edu
URL:https://events.umich.edu/event/150406
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Diversity,Women's Studies,Visual Arts,North Campus,Middle East Studies,Free,Exhibition,Detroit,Culture,ArtsRx,Art,Arab Heritage Month
LOCATION:North Campus Research Complex Building 18 - Connections Gallery Concourse Level
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261001T080000
DTEND;TZID=America/Detroit:20261001T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907492@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Art,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260915T161734
DTSTART;TZID=America/Detroit:20261001T090000
DTEND;TZID=America/Detroit:20261001T163000
SUMMARY:Exhibition:Art Exhibit: Hands on Fire
DESCRIPTION:Jim Cogswell: Hands on Fire\n\n**August 31 to October 9\, 2026**\n**Public Reception: Friday\, September 18\, 4:30 to 6:30 pm**\n\nJim Cogswell’s Hands on Fire is a solo exhibition of mixed media drawings at the Residential College Gallery at the University of Michigan in Ann Arbor. The exhibition features sixty works on paper completed between 2024 and 2026.\n\nThis body of work responds to Greek Cypriot filmmaker Michael Cacoyannis’ cinematic adaptations of three tragedies by Euripides dealing with the Trojan War and its aftermath: Electra (1962)\, The Trojan Women (1971)\, and Iphigenia (1977). The work is in close conversation with Vinyl Euripides (2022)\, Cogswell’s adhesive vinyl installation on three floors of the Michael Cacoyannis Foundation in Athens\, Greece\, which also responded to the cinematic trilogy. By following Cacoyannis’ adaptations\, Cogswell builds on a cross-cultural history of restaging these tragedies to examine the human suffering caused by war\, imperial overreach\, and abuse of power\; and the dehumanizing consequences of revenge as a course of justice.\n\nWithin each drawing multiple scenes from the three narratives are overlaid within single frames\, suggesting the unseen entanglements that bind these ancient stories into such a persistent vision of our human position.\n\nThe grid of paintings encircling the gallery proposes a linear narrative but delivers instead a sequence that loops and turns on itself\, a stuck frame that stutters until bursting in flames. The grid also evokes the net that is a central feature of the series--the web of fate and circumstance that governs each of our lives\, that determines who we are and what is possible for us at any given moment in history.\n\nThe drawings are also characterized by a repeated motif of hands as consuming flames. Hands have unlimited expressive and narrative potential. They testify to the centrality of making in the development of human cognition. They are reminders of the constructed world and the laborers responsible for bringing it into being. We use hands as a form of communication to shape and express our inner states. Hands teach us to feel and to reason\, to count and to indicate. They give us agency\, as creators but also as destroyers. They give form to our willingness to act in the world\, in greed or compassion.\n\n---\n\n**This exhibition is made possible with funding from the Stamps School of Art & Design and the University of Michigan Office of Research.**\n\nFrom the Artist\n\nI am grateful to the Modern Greek Program in the Department of Classical Studies\, College of Literature\, Science\, and the Arts at the University of Michigan\, for their ongoing support for my research and the dissemination of this project.
UID:152223-21913389@events.umich.edu
URL:https://events.umich.edu/event/152223
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:arts at michigan,art,arts,artists and curators,artists,Art History,art and design,Arts Initiative,Classical Studies,Exhibition,free,History,Visual Arts
LOCATION:East Quadrangle - RC Art Gallery
CONTACT:
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