BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//UM//UM*Events//EN
CALSCALE:GREGORIAN
BEGIN:VTIMEZONE
TZID:America/Detroit
TZURL:http://tzurl.org/zoneinfo/America/Detroit
X-LIC-LOCATION:America/Detroit
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20070311T020000
RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=2SU
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20071104T020000
RRULE:FREQ=YEARLY;BYMONTH=11;BYDAY=1SU
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTAMP:20240911T092917
DTSTART;TZID=America/Detroit:20240914T090000
DTEND;TZID=America/Detroit:20240914T170000
SUMMARY:Exhibition:Let the Earth Breathe. Photo Exhibition
DESCRIPTION:Sponsored and presented by the Wallenberg Medal and Lecture\, the African Studies Center\, and the Department of Afroamerican and African Studies.\n----\nLet the Earth Breathe: Photo Exhibition\nby Nnimmo Bassey\, 2024 Wallenberg Medalist\, Architect\, Poet\, and African Environmental Activist\; and Omolade Adunbi\, African Studies Center Director\n\nPhoto Exhibition: People Crossings and the Dangers of Oil Pollution -\nOpening Reception: 3:30 PM (Light refreshments served)\nGalleryDAAS\, Haven Hall\, Ground Floor\, Room G648\, 505 S State St.\nExhibition Dates: September 9 - October 11\n\nPhoto Exhibition: Living\, Community\, and Polluted Environment\nInternational Institute Gallery\, Weiser Hall\, 5th Floor\, Room 547\, 500 Church St.\nExhibition Dates: September 9 - 27\n\n- - -\nAbout the Photo Exhibition:\n\nThe Niger Delta region of Nigeria has been described as one of the most polluted spaces in the entire world. For over 60 years\, the region has been host to the activities of multinational oil corporations who partner with the Nigerian state in exploiting oil for profit. Oil was first discovered in the region in 1956\, and the first shipment of the commodity to the international market occurred in 1958 with a consignment of about 5\,000 barrels per day (bpd). Production peaked at about 2.5 million bpd\, but today\, because of community protests\, insurgency\, and general disruption to the activities of corporations\, the number hovers between 1.2 million to 1.4 million bpd. While the state has benefited immensely from oil production\, the same cannot be said of the communities that are hosts to pipelines\, flow stations\, and all of the oil infrastructure that has come to define the entire region. Loss of livelihood\, heavily polluted environment\, death\, and displacement have characterized the region’s interaction with multinational oil corporations such as Shell\, Chevron\, ExxonMobil\, Eni\, Total Energies\, etc.\n\nThis exhibition is a bold attempt to shed light on what it means to live in an oil extractive enclave like the Niger Delta region of Nigeria. The images showcase the lives lived\, the loss\, perseverance\, and determination to survive.\n\nThe exhibition is divided into two parts. The first part of the exhibition is displayed in the DAAS gallery with the sub-theme “People Crossings and the Dangers of Oil Pollution” and is a demonstration of the everyday lived experiences of the inhabitants of many of the enclaves of the Niger Delta. As depicted in the photos\, people cross polluted rivers to go to school and in search of a means of survival.\n\nGallery visitors are invited to cross from the DAAS Gallery to the International Institute Gallery on the 5th floor of Weiser Hall to see the second part of the exhibition\, “Living\, Community\, and Polluted Environment.” This portion of the exhibition demonstrates community resilience in the face of environmental persecution. It shows everyday life amid oil infrastructure that litters the entire landscape of many of the communities in the Niger Delta region of Nigeria.\n\n— - - -\nNnimmo Bassey is an architect\, environmental justice activist\, writer\, and poet. His latest poetry collection is titled I See the Invisible (2023). Other collections include I Will Not Dance to Your Beat(2011) and We Thought It Was Oil But It Was Blood (2002). He is director of the ecological think-tank\, Health of Mother Earth Foundation (HOMEF).\n\nOmolade Adunbi is a professor of Anthropology\, Afroamerican and African Studies and Law at the University of Michigan. His research examines the dynamics of power\, natural resource extractive practices\, governance\, human and environmental rights\, culture\, transnational institutions\, multinational corporations\, and the postcolonial state. His latest book\, Enclaves of Exception: Special Economic Zones and Extractive Practices in Nigeria (Indiana University Press\,2022)\, offers a new approach to exploring the relationship between oil and technologies of extraction and their interrelatedness to China’s interest in free trade zones and its impact on local livelihoods and environmental practices.\n\n*Nnimmo Bassey’s photos courtesy of the Health of Mother Earth Foundation (HOMEF).*
UID:126212-21856711@events.umich.edu
URL:https://events.umich.edu/event/126212
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:International,African Studies,African Studies Center,Exhibition
LOCATION:Weiser Hall - 555, International Institute Gallery (5th Floor)
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20240830T112455
DTSTART;TZID=America/Detroit:20240914T090000
DTEND;TZID=America/Detroit:20240914T200000
SUMMARY:Exhibition:Mrs. Dalloway and WWI: Home Front and War Front
DESCRIPTION:This exhibit explores the characters of Mrs. Dalloway through the lens of WWI and its aftershocks. It looks at those who fought in the trenches and those who watched from afar.\n\n[The exhibit includes references to suicide and Post Traumatic Stress Disorder\, which might be distressing for some visitors. Viewer discretion is advised.]\n\nWhile all of the action in Virginia Woolf’s modernist masterpiece takes place on a single day\, as preparations are made for Clarissa Dalloway’s evening party\, Woolf’s stream of consciousness writing takes us in the characters’ minds all the way from English drawing rooms to colonial India to the trenches of World War I.\n\nCheck today's Hatcher Gallery Exhibit Room hours: https://myumi.ch/PkQ2x
UID:123760-21851768@events.umich.edu
URL:https://events.umich.edu/event/123760
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,Library,Literature,Writing
LOCATION:Hatcher Graduate Library - Hatcher Gallery Exhibit Room, 1st Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20240813T132524
DTSTART;TZID=America/Detroit:20240914T093000
DTEND;TZID=America/Detroit:20240914T120000
SUMMARY:Social / Informal Gathering:2024 IOE Homecoming Tailgate
DESCRIPTION:Join the IOE Department as we celebrate Homecoming before the Michigan vs. Arkansas State football game on Saturday\, September 14\, 2024. \n\nWe will be there 9:30 am to kickoff. \nIOE alumni\, faculty\, staff\, and graduate students are welcome!
UID:123558-21851076@events.umich.edu
URL:https://events.umich.edu/event/123558
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Industrial And Operations Engineering,Tailgate
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20240909T112054
DTSTART;TZID=America/Detroit:20240914T100000
DTEND;TZID=America/Detroit:20240914T120000
SUMMARY:Social / Informal Gathering:Game Day @ The Union: Homecoming Edition
DESCRIPTION:Celebrate on your way to the game with the Michigan Union! Free food\, giveaways and games will be provided on the front lawn.
UID:125130-21854451@events.umich.edu
URL:https://events.umich.edu/event/125130
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Giveaways,football,freefood,Game Day,Homecoming,Alumni
LOCATION:Michigan Union - Front Lawn
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20240221T114346
DTSTART;TZID=America/Detroit:20240914T100000
DTEND;TZID=America/Detroit:20240914T120000
SUMMARY:Social / Informal Gathering:Tauber Alumni & Friends Tailgate
DESCRIPTION:We're rolling out the keg and firing up the grill!\n\nCome tailgate with Tauber alumni and friends on Saturday\, September 14\, time: TBD 2 hours prior to prior to Kickoff.\n\nWe'll be cheering on 1310 S. Main St.\, across from the Big House.\n\nGO BLUE!
UID:119161-21842284@events.umich.edu
URL:https://events.umich.edu/event/119161
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Business,Alumni,Engineering
LOCATION:Off Campus Location - Across from the Big House
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20240130T121550
DTSTART;TZID=America/Detroit:20240914T110000
DTEND;TZID=America/Detroit:20240914T200000
SUMMARY:Exhibition:A Gathering
DESCRIPTION:Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA’s collection — many on display here for the first time. \n \nAs a free\, public museum\, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition\, all brought into the Museum between 2019 and the present\, shows how institutions like UMMA are becoming more permeable to societal challenges\, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations\, race\, gender\, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals\, as a museum\, and as a society\, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings\, to discuss their takes\, to learn\, to disagree. Gather to relax\, make a friend\, drink a coffee\, finish the daily Wordle. Gather to feel full\, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by Félix Zamora Gómez Irving Stenn\, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch\, the Richard and Rosann Noel Endowment\, and the University of Michigan Office of the Provost.\n 
UID:107870-21817911@events.umich.edu
URL:https://events.umich.edu/event/107870
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Staff,UMMA,Art,Exhibition,Free,Humanities,Museum
LOCATION:Museum of Art - Lizzie and Jonathan Tisch Apse
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20241115T181508
DTSTART;TZID=America/Detroit:20240914T110000
DTEND;TZID=America/Detroit:20240914T170000
SUMMARY:Exhibition:Kelly Church & Cherish Parrish: In Our Words\, An Intergenerational Dialogue
DESCRIPTION:Exhibition Dates: September 13 – December 7\, 2024Opening Reception: September 19\, 2024\n\nKelly Church &amp\; Cherish Parrish: In Our Words\, An Intergenerational Dialogue is a major exhibition that centers the subjectivities of two contemporary Indigenous artists whose practices have sustained and bolstered the relevance of the age-old Anishinaabe practice of black ash basket-making in the 21st century. The exhibition highlights the significance of community-based conversations between mother and daughter\, and their ongoing conversations with elders (ancestors)\, young folx\, and future generations as vital aspects of their methodology. These conversations often take place during basket gatherings - where community members come together and share stories and teachings that can encompass Anishinaabe creation stories\, as well as those of survivance and resilience\, to inform the materiality and liveness of their work. The curatorial and interpretive framework of this exhibition contends that the deeply situated and temporal works by Church (Stamps\, BFA 1998) and Parrish (LSA\, BA 2020) are repositories for Anishinaabe ways of knowing\, thinking\, and making that contribute to the complexity of American art and its histories. The expansive and bold practices of Church and Parrish affirm the sovereignty of Anishinaabe lifeways and the importance of including Indigenous narratives that have systematically been left out. Thus\, the thematic survey of their work will explore the under-examined themes that inform their work such as Native women’s labor as carriers of culture and knowledge-keepers\, the legacy of boarding schools and ancestors who walked on\, the treaties in Michigan and the long-overlooked legacy of Anishinaabe intellectual life and their relevance today. Just like the practice of weaving and interlacing distinct strips of black ash to create one whole\, Church and Parrish will address the diverse and interconnected themes with approximately 30-35 works\, including 15-17 new works. Together\, the exhibition offers an incisive critique of the colonial\, racist paradigm of systemic erasure and assimilation that continues to this day\, with the ongoing crises of missing and murdered Indigenous women\, culture wars\, and climate change that threaten Indigenous ways of living\, sustenance\, and making. \nCurated by Srimoyee Mitra with Curatorial Assistant Zoi Crampton.\nStamps Gallery is grateful to Michigan Humanities and U-M Arts Initiative for generously supporting the exhibition and programs. 
UID:124179-21852582@events.umich.edu
URL:https://events.umich.edu/event/124179
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20240130T121551
DTSTART;TZID=America/Detroit:20240914T110000
DTEND;TZID=America/Detroit:20240914T200000
SUMMARY:Exhibition:Unsettling Histories: Legacies of Slavery and Colonialism
DESCRIPTION:Organized as a response to the Museum’s recent acquisition of Titus Kaphar’s Flay (James Madison)\, this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art\, 1650-1850.\n \nIn recent times\, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections\, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries\, choices about what relevant facts we share about the works\, and choices about what - out of an infinite number of options - we don’t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet\, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden\, we are forced to examine whose stories and histories are prioritized and why.  \n \nIn this online exhibition\, you can explore our efforts to deeply question the Museum’s collection and our own past complicity in favoring colonial voices. In the Museum gallery\, which will open in early 2021\, you’ll be able to experience the changes we’re making to the physical space to highlight a more honest version of European and American history. \n \nBy challenging our own practice\, and continuing to add to what we know and what we write about the works we display\, UMMA tells a more complex and more complete story of this nation - one that unsettles\, and fails to settle for\, simple narratives. \n \n“Invisible things are not necessarily ‘not there’.... Certain absences are so stressed\, so ornate\, so planned\, they call attention to themselves\; arrest us with intentionality and purpose\, like neighborhoods that are defined by the population held away from them.” \n \n— Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism is provided by the University of Michigan Office of the Provost\, the U-M Arts Initiative\, and the Susan and Richard Gutow Endowed Fund.\n 
UID:84303-21621390@events.umich.edu
URL:https://events.umich.edu/event/84303
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:History,Exhibition,European,Art,Museum,UMMA
LOCATION:Museum of Art - European and American Decorative Art
CONTACT:
END:VEVENT
END:VCALENDAR