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DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260224T090000
DTEND;TZID=America/Detroit:20260224T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891460@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Visual Arts,Free,Exhibition,Detroit,Culture,ArtsEngine,Art,North Campus
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20251212T105136
DTSTART;TZID=America/Detroit:20260224T090000
DTEND;TZID=America/Detroit:20260224T200000
SUMMARY:Exhibition:Materia Magica: Materiality and Ritual in the Greco-Roman World
DESCRIPTION:View a diverse array of artifacts which were created to communicate with and call upon various unseen\, supernatural forces for aid and protection. While the objects on display are disparate at first glance\, ranging from lead tablets and amulets to papyrus and parchment leaves\, they all share a common thread: they have long been labeled as \"magical\" in traditional Western scholarship.\n\nHowever\, each of these artifacts is better understood on a broad spectrum of ancient ritual\, from subversive and transgressive acts to highly social and visible ones. The exhibit highlights the objects’ oft-overlooked material dimensions\, asking us to consider how qualities like color\, texture\, and weight shaped an object’s perceived efficacy and meaning. \n\nThis exhibit was a collaboration\, and displays items from several University of Michigan units: the library’s Special Collections Research Center and Papyrology Collection\, the Museum of Natural History\, and the Kelsey Museum of Archaeology. It was curated by Abigail Staub\, PhD Candidate\, Interdepartmental Program in Mediterranean Art & Archaeology.\n\nAnna Bonnell Freidin\, U-M associate professor of history\, will talk about \"Healing the Womb: Uterine Amulets in the Roman World\" (https://events.umich.edu/event/142418) on January 16.
UID:142417-21890868@events.umich.edu
URL:https://events.umich.edu/event/142417
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Library,Free,Archaeology
LOCATION:Hatcher Graduate Library
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260224T090000
DTEND;TZID=America/Detroit:20260224T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891373@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:ArtsEngine,Culture,Detroit,Exhibition,Free,Humanities,North Campus,Visual Arts,Art
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20251212T085640
DTSTART;TZID=America/Detroit:20260224T090000
DTEND;TZID=America/Detroit:20260224T210000
SUMMARY:Exhibition:The Evolution of Campus\, 1838-1963: A Cartographic Celebration of U-M's History
DESCRIPTION:Learn about the campus’ history and architecture and explore the campus that might have been. This exhibit highlights the U-M Ann Arbor campus\, both before its creation and throughout its continuous evolution. Featuring the work of famous architects such as Alexander Jackson Davis\, Albert Kahn and Eero Saarinen\, the exhibit presents maps\, plans\, architectural drawings\, proposals\, and photographs of the campus throughout its evolution.  \n\nThis exhibit was originally part of a larger exhibit displayed from July 2017 to January 2018 to commemorate U-M's bicentennial.
UID:138431-21890633@events.umich.edu
URL:https://events.umich.edu/event/138431
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Library,Free,Maps
LOCATION:Hatcher Graduate Library - Clark Library (2nd floor)
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20251216T100358
DTSTART;TZID=America/Detroit:20260224T090000
DTEND;TZID=America/Detroit:20260224T170000
SUMMARY:Exhibition:Tukilile Vaa
DESCRIPTION:Kaloki Nyamai is a multidisciplinary artist based in Nairobi. His practice explores Kenya's histories and collective memory\, blending Kamba traditions with contemporary narratives. Using acrylic paint\, rope\, photo transfers\, and stitched yarn\, his free-hanging immersive works blur the boundaries between painting\, sculpture\, and installation. For his U-M project\, Nyamai will present one large unstretched piece and two framed paintings at the Institute for the Humanities\, as well as a second free-hanging work at the U-M Museum of Art.\n\nThe physicality of his complex constructions inspire wonder in the viewer. The works are vast in scale\, embedded with stories\, where past and future merge both poetically and conceptually. In each composition\, the artist proposes a powerful alternative to the flatness of singular narratives of Kenyan history and identity presented as the definitive postcolonial account. He likens the formal act of stitching to symbolically unifying a wounded or fractured community.\n\nNyamai founded the Kamene Cultural & Research Center in Nairobi\, a creative and collaborative hub dedicated to the preservation\, promotion\, and innovation of African cultural practices.\n\nAbout the artist:\nKaloki Nyamai (*1985 in Kitui\, Kenya) is a multidisciplinary artist working with installation\, painting\, and sculpture based in Nairobi. From an early age\, his mother introduced him to painting and taught him to draw\, fostering an ever-lasting interest in art throughout his life. He often finds inspiration in his grandmother’s stories of the Kamba people\, a Bantu ethnic group of eastern Kenya. Using materials like acrylic paint\, sisal rope\, photo transfers\, and stitched yarn\, Nyamai’s free-hanging pieces evoke the healing of historical wounds and a collective yearning for renewal. His works blur the boundaries between painting\, sculpture\, and installation\, creating cohesive\, immersive experiences where past\, present\, and future converge poetically.\n\nNyamai studied Interior Design at the Buruburu Institute Of Fine Arts (BIFA) and then pursued painting after working in other creative fields. His large-scale paintings and mixed-media installations intricately explore historical narratives\, examining their resonance in the present. Nyamai has shown his work across the globe in solo exhibitions at the Norval Foundation\, Cape Town (2024)\; James Cohan Gallery\, New York (2024)\; Galerie Barbara Thumm\, Berlin (2023 and 2022)\; SEPTIEME Gallery\, Paris (2019)\, and other venues. In 2023\, he featured part of his series Dining in Chaos in the “Unlimited” section at Art Basel in Basel. He has participated in group exhibitions and biennials\, most recently at the Sharjah Biennial 16\, Sharjah (2025)\; The Völklinger Hütte\, Völklingen (2024)\; the Kenyan Pavilion at the Venice Biennale\, Venice (2022)\; and the Dakar Biennale (2022). His works are part of numerous private and institutional collections around the world\, such as the Dallas Art Museum\, the Southern African Foundation for Contemporary Art\, and the Arthur Primas Museum.
UID:142791-21891579@events.umich.edu
URL:https://events.umich.edu/event/142791
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Visual Arts,Humanities,Exhibition,Art
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260108T095119
DTSTART;TZID=America/Detroit:20260224T100000
DTEND;TZID=America/Detroit:20260224T110000
SUMMARY:Recreational / Games:Schokoladenstunde
DESCRIPTION:German Lecturer\, Mary Gell (magell@umich.edu)\, brings German chocolate to snack on and games to play (e.g. Tabu)\, all while chatting in German.
UID:143465-21893222@events.umich.edu
URL:https://events.umich.edu/event/143465
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:European,Games,German,German Studies,Germanic Languages And Literatures,Germany,Humanities,Language
LOCATION:Modern Languages Building - 3110
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260224T102054
DTSTART;TZID=America/Detroit:20260224T110000
DTEND;TZID=America/Detroit:20260224T130000
SUMMARY:Workshop / Seminar:ADGPE Celebrate an Engineer
DESCRIPTION:Community event in recognition of Engineers Week 2026Open to current U-M College of Engineering students\, staff\, and facultyStop by the table in the Connector Hallway in the Duderstadt Center for treats and swag (while supplies last)
UID:144693-21895732@events.umich.edu
URL:https://events.umich.edu/event/144693
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Sessions
LOCATION:Connector Hallway
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260311T063128
DTSTART;TZID=America/Detroit:20260224T110000
DTEND;TZID=America/Detroit:20260224T120000
SUMMARY:Careers / Jobs:Career Exploration Resources & Strategies (for Graduate Students)
DESCRIPTION:This workshop will focus on resources you can leverage to explore career options\, as well as strategies to best position yourself for a variety of career trajectories. We will cover approaches to networking\, transferable skills\, and key resources designed to support your exploration. This workshop is open to students at all points in their graduate careers\, and there will be plenty of time for your questions. This event is intended to be interactive and therefore a recording will not be available. This workshop is designed for master's students\, doctoral students and postdoctoral fellows. For faculty and staff\, please contact rackhamdeworkshops@umich.edu to see if we can accommodate your attendance. Brought toyou by the University Career Center\, in partnership with Rackham Graduate School This event's information is shown in Handshake as well as on the Happening @ Michigan calendar so that it will be seen bya larger number of U-M Students. You can only register to attend this event within Handshake. If you'd like to indicate that you'll be attending this event and see more details\, please go to this link: https://umich.joinhandshake.com/edu/events/1896856We want to ensure full and equitable participation in our events. If an accessibility accommodation would promote your full participation in this event\, please indicate your accommodation requirements in this form\, preferably at least 14days prior to the program. If you have any questions regarding access to our programs\, please don't hesitate to reach out to Cierra Sutherland at cierrasu@umich.edu. To ensure sufficient time for arranging your requestedaccommodation(s) or exploring suitable alternatives\, we kindly request that you inform us as soon as possible.#UCC
UID:144309-21895143@events.umich.edu
URL:https://events.umich.edu/event/144309
CLASS:PUBLIC
STATUS:CONFIRMED
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